Born October 18, 1973 in Moscow in an acting family. From 1990 to 1994 he studied at the Moscow Art Theater School on the O.P. course. Tabakova. While still studying, he began playing in the “basement” theater, participating in the plays “The Bumbarash Passion” and “Biloxi Blues.” Since 1994 he became an actor at the Oleg Tabakov Theater. The first significant role was Ivan Kulachenko in the play “Overstocked Barrel” by Evgeny Kamenkovich. Subsequently he played in the same performance main role Volodya Teleskopova. He played Kvartalny in Sergei Gazarov's play "The Inspector General", David Schwartz in Oleg Tabakov's play "Sailor's Silence", Peter in the play "The Last" directed by Adolf Shapiro. In 1995, he played the main role of Alexander in Andrei Zhitinkin’s play “Psycho”. The performance received incredible recognition and quickly became one of the “hits” of the Moscow theater scene. The press called Sergei Bezrukov “the most promising discovery of the season” and “a new theater star.” The artist’s further repertoire includes Klinichev and Stupak (Valery Fokin’s play “Anecdotes”), Saratov in Vladimir Mashkov’s play “ Finest hour local time", Writer in the play "Old Quarter" (directed by Andrey Zhitinkin). In 1997, Oleg Tabakov’s play “Simplicity is Enough for Every Wise Man” was released, where the actor played the role of Glumov, which became a great success for the actor. The actor appeared on stage in this role for more than ten years, performing it almost 200 times. One of the most notable roles was played by Bezrukov Felix Krul in the play “Confessions of the adventurer Felix Krul” directed by Andrei Zhitinkin. Then he played Alyoshka in “At the Lower Depths” (directed by Adolf Shapiro) and Figaro in Konstantin Bogomolov’s play “Crazy Day, or The Marriage of Figaro.”
Sergei Bezrukov still appears on the Tabakerka stage today, playing the role of Pavel Ivanovich Chichikov in Mindaugas Karbauskis’s play “THE ADVENTURE”, based on the poem by N.V. Gogol "Dead Souls".
Sergei Bezrukov is one of the most sought-after film actors. His filmography includes Vasily Stalin in “The Moscow Saga”, Sergei Yesenin in the film “Yesenin”, Yeshua in the film “The Master and Margarita”, Pushkin in the film of the same name, Vladimir Kappel in “Admiral”, Vladimir Vysotsky in the film “Thank You for Being Alive” " Many performances, including performances of the “basement theater” with the participation of Sergei Bezrukov, were mounted and released on DVD. Among them are “Psycho”, “The Last Ones”, “Confessions of Adventurer Felix Krull”, “THE ADVENTURE”. In 2008, Sergei Bezrukov entered the top ten best film actors in the rating of audience performances according to the website kino-teatr.ru and has never left it since then.
For more than ten years he was a partner of Oleg Tabakov in legendary performance Art Theater"Amadeus", playing the role of Mozart. Participated in performances of the Moscow Theater named after. M.N. Ermolova and a number of entrepreneurial projects.
In 2013 left the theater troupe in connection with his appointment as artistic director of the Kuzminki Regional House of Arts, which, on the initiative of the actor, was transformed into the Moscow Provincial Theater under the direction of Sergei Bezrukov.
(2 hours, without interlude) 12+
Stage director: Mindaugas Karbauskis
Pavel Ivanovich Chichikov: Sergey Bezrukov
Manilov: Alexey Usoltsev
Sobakevich: Boris Plotnikov
Nozdryov: Evgeniy Miller
Box: Olga Blok-Mirimskaya
Lady: Olga Barnett
Governor: Alexander Vorobiev
Prosecutor: Pavel Ilyin, Alexander Kuzmin
and others S 23.05.2016
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Review of "Afisha":
Video:
Oleg Tabakov called this performance “the story of the birth of capitalism in feudal Russia.” Russia is shown here as a hopelessly dense country, with the champing mud of Russian roads (along which the characters move, pulling on special boots), and the same devastation of shabby landowners' estates with their dense owners, who are in insanity. In the finale, they all finally fall into a friendly hibernation - personifying the entire wretched, dormant Russia. Only the living horses behind them do not sleep and chew their hay, reminding us of the legendary “three bird”. But it is precisely Chichikov’s “adventure” itself that streams of spectators flock to “Snuffbox”, since Sergei Bezrukov in his role becomes the main event of this spectacle. He portrays an absurd Russian little man, although he gave birth to the idea of “business on dead souls ah,” however, poorly understanding what to do with this idea, and implementing it with great fear. Starting his strange business, he himself does not believe in its success and goes crazy with each new victory. And asking the landowners to sell him the deceased, he loses consciousness from uncertainty in his enterprise. He is infinitely weak and hilariously funny. Small and fidgety, constantly sweating, with frightened hairs stuck to his skull, he spins in front of us like a wound-up top, poorly aware of where and why he is rushing and what the true goal of his business is. In his fussy and nervous movements there is something Chaplin-esque and at the same time deeply ours, Russian.
The famous Gogol landowners are presented to us in unexpectedly fresh colors, surprising with the new palette of their community. The box, performed by Olga Blok-Mirimskaya, emerges as a playful beast, bewitching Chichikov with loud Ukrainian songs. In the role of Sobakevich, the elegant Boris Plotnikov confuses us with his comme il faut manners. Plyushkin is played by Oleg Tabakov himself, as always, basking in grotesque colors and feeling like a true king on stage. Chichikov is fooling all of them, but no one knows where his path ultimately lies.
Directed by M. Karbauskis. Artist S. Barkhin. Costume designer S. Kalinina. Composer G. Puskunigis.
Olga Ignatyuk
Participating in the performance: 
Bezrukov Sergey
Artistic director
Laureate of the State Prize of the Russian Federation (1997), People's Artist RF (2008)
Born in 1973 in Moscow, in the family of actor and director Vitaly Bezrukov.
He graduated from the Moscow Art Theater School-Studio in 1994 (course of Oleg Tabakov), in the same year he was accepted into the Theater troupe under the direction of O. Tabakov.
Currently, Sergei Bezrukov plays in performances of the Moscow Provincial Theater « The Little Prince", "Cyrano de Bergerac" (Cyrano) and "Treasure Island" (Silver), plays the main roles in the productions of the Sergei Bezrukov Foundation "The Dream of Reason" (Poprishchin), "Hooligan. Confession" and "Pushkin", and is also involved in the play of the Theater directed by O. Tabakov "The Journey", based on the poem by N.V. Gogol "Dead Souls" (Chichikov).
In 1994 he made his film debut, playing the main male role film "Nocturne for drum and motorcycle". Since then, he has played more than 40 roles in films and television.
In 1995-2000 collaborated with the television program “Dolls” (NTV), in which he voiced 12 characters.
The actor participates in the creation of audio projects, including productions of Leonid Filatov’s fairy tales “The Love for Three Oranges” and “The Tale of Fedot the Archer”, where Sergei voiced all the characters except Marusya the Blueberry (voiced by Irina Bezrukova), the radio show “Azazel” (role Fandorin), collection of poems by S. Yesenin “Silver Wind”. In 2004, the disc “Passion for Emelyan” was released, with chants based on the poems of Hieromonk Roman from the play “Passion for Emelyan” performed by S. Bezrukov.
In 2008, the audio album “Hooligan” was released, where the actor reads and sings poems by Sergei Yesenin, and in 2009, an album of Russian folk tales performed by Sergei and Irina Bezrukov, the publication of which became a charity event in favor of orphanages.
In 2010 he founded an enterprise theater – the Sergei Bezrukov Theater. Since 2013, co-founder (together with Irina Bezrukova) of the Sergei Bezrukov Foundation for Support of Sociocultural Projects.
In March 2013, he was appointed artistic director of the Moscow Regional House of Arts “Kuzminki”. Since January 2014 – artistic director Moscow Provincial Theater.
Winner of the International Stanislavsky Prize (2016). Prize winner audience choice“Theatrical Star” for the role of Poprishchin in the play (2016).
Participates in performances:
Director of the performances:
Roles in the theater directed by O. Tabakov:
1993 - Student (“Passion of Bumbarash” by Y. Kim; dir. V. Mashkov)
1993 - Eugene Jerome (“Biloxi Blues” by N. Simon; dir. O. Tabakov)
1994 - Quarterly (“The Inspector General” by N. Gogol; dir. S. Gazarov)
1994 - Telescopes (“Overstocked barrels” by V. Aksenov; dir. E. Kamenkovich)
1994 - David Schwartz (“Sailor’s Silence” by A. Galich; dir. O. Tabakov)
1995-2005 - Alexander (“Psycho” by A. Minchin; dir. A. Zhitinkin)
1995-2003 - Peter (“The Last” by M. Gorky; dir. A. Shapiro)
1995 - Kalinevich and Stupak (“Anecdotes” after F. Dostoevsky and A. Vampilov; dir. V. Fokin)
1996 - Saratov (“Finest hour in local time” by G. Nikolaev; dir. V. Mashkov)
1997 - Harlequin (“Farewell... and applaud!” by A. Bogdanovich; dir. O. Tabakov)
1997-2003 - Writer (“Old Quarter” by T. Williams (early edition); dir. A. Zhitinkin)
1997 - Glumov (“Simplicity is enough for every wise man” by A. Ostrovsky; dir. O. Tabakov)
1998 - 2009 - Felix Krul (“Confessions of the adventurer Felix Krul” by T. Mann; dir. A. Zhitinkin)
2000 - Alyoshka (“At the Lower Depths” by M. Gorky; dir. A. Shapiro)
2006 - Chichikov (“The Journey, based on N.V. Gogol’s poem “Dead Souls”; dir. M. Karbauskis)
2009 - Figaro (“Crazy Day, or The Marriage of Figaro” by P. Beaumarchais, directed by K. Bogomolov)
Roles in other theaters:
1995-2002 - Yesenin (“My life, or did I dream about you?..” by N. Golikova; M. Ermolova Theater, directed by F. Verigin)
1998-2013 - Mozart (“Amadeus” by P. Schaeffer; Moscow Art Theater named after A.P. Chekhov, directed by M. Rozovsky)
2000-2002 - He (“Bed” by A. Yakhontov; theater “Monologue XXI Century”, directed by A. Sokolov)
2000-2005 - Bruno (“Temptation” by A. Nikolai; Theater Agency “Art-Partner XXI”, directed by V. Akhadov)
2001-2012 - Emelyan (“Passion according to Emelyan” by V. Bezrukov; Sergei Bezrukov Theater, directed by V. Bezrukov)
2002-2003 - Maurice Tabret (“Sacred Fire” by S. Maugham; Moscow Art Theater named after A.P. Chekhov, directed by S. Vragov)
2002 - Alexander Pushkin (“Pushkin” by V. Bezrukov; Sergei Bezrukov Theater, director S. Bezrukov)
2008 - Cyrano de Bergerac (“Cyrano de Bergerac” by E. Rostand; Sergei Bezrukov Theater, directed by A. Sinotov)
2008 - Yesenin (“Hooligan. Confession” one-man show based on poems by S. Yesenin; Sergei Bezrukov Theater, directed by S. Bezrukov)
Movies:
1994 - Nocturne for drum and motorcycle (Chibis)
1995 - “The Soul Dies”, TV play (Peter)
1995 - Crusader (stuntman Sergei)
1998 - On a lively place (Unputevy)
1998 - Chinese service (merchant Sidikhin)
1997 - The denouement of St. Petersburg mysteries (TV series) (cornet Mikhail Stevlov)
1998 - Unfamiliar weapon, or Crusader-2 (Sergeant Sukhoruk)
1999-2003 - One love of my soul (TV series) (Alexander Pushkin)
1998 - Instead of me (Dmitry Lavrov)
2000 - Lyubov.ru (TV series) (Timofey)
2000 - Pale-faced liar (in the Russian Vaudeville series) (Apollon Ivanov)
2000 - Grapefruit juice (in the TV series “Black Room”)
2001 - Salome (TV series) (Mikhail Lychkov)
2002 - Alexander Pushkin (Dantes)
2002 - Azazel (TV series) (Brilling)
2002 - If the Bride is a Witch (TV) (Max Ross)
2002 - Brigade (TV series) (Alexander Belov)
2003 - Key to the bedroom (professor of ornithology Marusin)
2003 - One Life (Pavel)
2003 - Plot (TV series) (Pavel Kravtsov)
2004 - Moscow Saga (TV series) (Vasily Stalin)
2005 - City without sun (Alex)
2005 - Yesenin (t/f) (Sergey Yesenin)
2005 - The Master and Margarita (t/f) (Yeshua Ha-Nozri)
2006 - Butterfly Kiss (Orlanov)
2006 - Pushkin. The Last Duel (Alexander Pushkin)
2007 - “Carnival Night-2”, or Fifty Years Later (Denis Kolechkin)
2007 - “The Irony of Fate. Continuation" (Irakliy Izmailov)
2008 - “In June 41” (Ivan Burov)
2008 - “Admiral” (General Kappel)
2009 - “High Security Vacation” (Vitya Sumrak)
2011 - “Real Fairy Tale” (Ivan the Fool)
2011 - “Black Wolves” (Pavel Khromov)
2011 - “Vysotsky. Thank you for being alive” (Vysotsky; Yura)
2011 - “Yolki-2” (Captain Vetrov)
2012 - “Moms” (businessman Mikhail)
2012 - “Match” (Nikolai Ranevich)
2012 - “Ulan Ballad” (Lieutenant Gorzhevsky)
2012 - “Gentlemen, good luck!” (Lyosha Treshkin; Smiley)
2013 - “Last summer in Chulimsk” (Shamanov)
2014 - “Gold” (Gordey Bragin)
2015 - “Temporarily unavailable” (Zolotov)
2016 - “Milky Way” (Andrey Kaygorodov)
Video:
Publication 2007, October, " Playbill"
Changes may have occurred in the performance
Oleg Tabakov called this performance “the story of the birth of capitalism in feudal Russia.” Russia is shown here as a hopelessly dense country, with the champing mud of Russian roads (along which the characters move, pulling on special boots), and the same devastation of shabby landowners' estates with their dense owners, who are in insanity. In the finale, they all finally fall into a friendly hibernation - personifying the entire wretched, dormant Russia. Only the living horses behind them do not sleep and chew their hay, reminding us of the legendary “three bird”. But it is precisely Chichikov’s “adventure” itself that streams of spectators flock to “Snuffbox”, since Sergei Bezrukov in his role becomes the main event of this spectacle. He portrays an absurd Russian little man, who, although he gave birth to the idea of “business on dead souls,” has little understanding of what to do with this idea, and carries it out with great fear. Starting his strange business, he himself does not believe in its success and goes crazy with each new victory. And asking the landowners to sell him the deceased, he loses consciousness from uncertainty in his enterprise. He is infinitely weak and hilariously funny. Small and fidgety, constantly sweating, with frightened hairs stuck to his skull, he spins in front of us like a wound-up top, poorly aware of where and why he is rushing and what the true goal of his business is. In his fussy and nervous movements there is something Chaplin-esque and at the same time deeply ours, Russian.
The famous Gogol landowners are presented to us in unexpectedly fresh colors, surprising with the new palette of their community. The box, performed by Olga Blok-Mirimskaya, emerges as a playful beast, bewitching Chichikov with loud Ukrainian songs. In the role of Sobakevich, the elegant Boris Plotnikov confuses us with his comme il faut manners. Plyushkin is played by Oleg Tabakov himself, as always, basking in grotesque colors and feeling like a true king on stage. Chichikov is fooling all of them, but no one knows where his path ultimately lies.
Directed by M. Karbauskis. Artist S. Barkhin. Costume designer S. Kalinina. Composer G. Puskunigis.
Olga Ignatyuk
Theater about the performance
Oleg Tabakov called this performance “the story of the birth of capitalism in feudal Russia.” Russia is shown here as a hopelessly dense country, with the champing mud of Russian roads (along which the characters move, pulling on special boots), and the same devastation of shabby landowners' estates with their dense owners, who are in insanity. In the finale, they all finally fall into a friendly hibernation - personifying the entire wretched, dormant Russia. Only the living horses behind them do not sleep and chew their hay, reminding us of the legendary “three bird”. But it is precisely Chichikov’s “adventure” itself that streams of spectators flock to “Snuffbox”, since Sergei Bezrukov in his role becomes the main event of this spectacle. He portrays an absurd Russian little man, who, although he gave birth to the idea of “business on dead souls,” has little understanding of what to do with this idea, and carries it out with great fear. Starting his strange business, he himself does not believe in its success and goes crazy with each new victory. And asking the landowners to sell him the deceased, he loses consciousness from uncertainty in his enterprise. He is infinitely weak and hilariously funny. Small and fidgety, constantly sweating, with frightened hairs stuck to his skull, he spins in front of us like a wound-up top, poorly aware of where and why he is rushing and what the true goal of his business is. In his fussy and nervous movements there is something Chaplin-esque and at the same time deeply ours, Russian. The famous Gogol landowners are presented to us in unexpectedly fresh colors, surprising with the new palette of their community. The box, performed by Olga Blok-Mirimskaya, emerges as a playful beast, bewitching Chichikov with loud Ukrainian songs. In the role of Sobakevich, the elegant Boris Plotnikov confuses us with his comme il faut manners. Plyushkin is played by Oleg Tabakov himself, as always, basking in grotesque colors and feeling like a true king on stage. Chichikov is fooling all of them, but no one knows where his path ultimately lies.