MHC lesson in 11th grade
Topic: Impressionism and Post-Impressionism
in painting"
Teacher Sidorenko L.S.
MBOU Secondary School of Pionersky
Kaliningrad region
The purpose of the lesson:
introduction to impressionism and post-impressionism
Lesson objectives:
- form an idea of artistic trends in painting at the turn of the 19th-20th centuries;
- develop skills in evaluating works of art, analysis and generalization, and independently drawing conclusions;
- develop a moral and aesthetic attitude towards the world and love for art:
- intensify the creative and cognitive activity of students.
Impressionism - direction in the art of the last third
XIX - early XX centuries, whose representatives sought to capture the real world in its mobility and variability, to truthfully convey the moments of life.
Impressionism began in the 1860s. in France, when the painters E. Manet, O. Renoir and E. Degas introduced into art the diversity, dynamics and complexity of modern urban life, freshness and spontaneity of perception of the world.
In Post-Impressionism, which increased interest in the philosophical and symbolic principles of art, in artistic form (construction of space, volume), in decorative stylization, reflected the atmosphere of contradictory searches for moral values during the beginning of the crisis of European culture.
For the first time, Impressionist paintings were presented at the Salon of Les Misérables.
E. Zola, who called Manet “a classic of modern painting,” predicted that the artist’s creations would eventually be included in the Louvre, the treasury of France.
The paintings are owned by the French state and are on display at the Orsay Museum in Paris.
E. Manet
(1832- 1883)
Painting “Impression. Sunrise,” painted in 1873 from life, gave the name to the artistic movement “impressionism.”
It was first exhibited in 1874. Marmottan was stolen from the Paris Museum in 1985 along with other paintings. Only in 1991 did it again take its place in the exhibition.
K. Monet
(1840-1926)
Edgar Degas
"Blue Dancers"
The painting “Blue Dancers” is kept in Moscow, in the State Museum of Fine Arts
named after A. S. Pushkin
since 1948
Self-portrait
E. Degas
(1834-1917)
Painting "Flood in Port Marly"
written in 1872,
is in National Gallery of Art Washington
A. Sisley
(1839-1899)
The painting “Opera Passage in Paris” was painted in 1899 and is kept in Moscow, in the State Museum of Fine Arts named after A. S. Pushkin
C. Pissarro
(1830 – 1903)
Pierre Auguste Renoir
3 portraits
theater actresses
"Comédie Française" by Jeanne Samary
Self-portrait
P. Renoir
(1841-1919)
Painting
"Peaches and Pears"
written in 1895, kept in State Museum of Fine Arts. Pushkin
P. Cezanne
(1839-1906)
Vincent Van Gogh "Starry Night"
“Looking at the stars always makes me dream. I ask myself: why should the bright spots on the sky be less accessible to us than the black spots on the map of France?
The painting “Starry Night” was painted in 1889 and is in the Museum of Modern Art,
in NYC
van Gogh
(1853 - 1890)
Information sources:
https://yandex.ru/images/
https://ru.wikipedia.org/
http://impressionism.su/sisley/Flood_at_Port-Marly.html
http://www.nearyou.ru/artsovr/pisarro1.html
G.I. Danilova. World artistic culture: from the 18th century to the present. Grade 11. A basic level of. M.: Bustard, 2011.
IMPRESSIONISM (from the French impression impression), a movement in the art of the last third of the 19th century. 20 centuries, whose representatives sought to most naturally and impartially capture the real world in its mobility and variability, to convey their fleeting impressions. Impressionism originated in the 1860s in French painting: E. Manet, O. Renoir, E. Degas introduced into art freshness and spontaneity of perception of life, depiction of instantaneous, seemingly random movements and situations, apparent imbalance, fragmentary composition, unexpected points of view, angles, cuts of figures. (from the French impression impression), direction in art of the last third of the 19th century. 20 centuries, whose representatives sought to most naturally and impartially capture the real world in its mobility and variability, to convey their fleeting impressions. Impressionism originated in the 1860s in French painting: E. Manet, O. Renoir, E. Degas introduced into art freshness and spontaneity of perception of life, depiction of instantaneous, seemingly random movements and situations, apparent imbalance, fragmentary composition, unexpected points of view, angles, cuts of figures.
Claude Monet Claude Monet is a French painter. Representative of impressionism. Subtle in color, landscapes filled with light and air; in the 1890s, the French painter sought to capture the fleeting states of the light-air environment at different times of the day. Representative of impressionism. Subtle in color, landscapes filled with light and air; in the 1890s, he sought to capture the fleeting states of the light-air environment at different times of the day
Color and Light Monet's obsession with light and color resulted in many years of research and experimentation, the goal of which was to capture the fleeting, elusive shades of nature on canvas. Monet's obsession with light and color resulted in many years of research and experimentation, the goal of which was to capture the fleeting, elusive shades of nature on canvas. "Impression. Sunrise." "Regatta in Argenteuil"
It is important for him not just to capture a landscape, an everyday scene, but to convey the freshness of the direct impression of contemplating nature, where every moment something happens, where the color of objects continuously changes depending on the lighting, the state of the atmosphere, the weather, and the proximity to other objects that cast color reflections It is important for him not just to capture a landscape, an everyday scene, but to convey the freshness of the direct impression of contemplating nature, where every moment something happens, where the color of objects continuously changes depending on the lighting, the state of the atmosphere, the weather, and the proximity to other objects , casting colored reflections
In the painting “Ladies in the Garden” (circa 1865, Hermitage, St. Petersburg), flooded with radiant light, the white color of the dress seems to absorb all the multicolor of nature here, both blue highlights and greenish, ocher, pinkish; The green color of foliage and grass is equally subtly developed. In the painting “Ladies in the Garden” (circa 1865, Hermitage, St. Petersburg), flooded with radiant light, the white color of the dress seems to absorb all the multicolor of nature here, both blue highlights and greenish, ocher, pinkish; The green color of foliage and grass is equally subtly developed.
Renoir was a French painter, graphic artist and sculptor, representative of impressionism. French painter, graphic artist and sculptor, representative of impressionism. Light and transparent landscapes, portraits, dynamic everyday scenes glorify the sensual beauty and joy of being Light and transparent landscapes, portraits, dynamic everyday scenes glorify the sensual beauty and joy of being
"Ball at the Moulin de la Galette"
Unlike most impressionists, whose main theme was the landscape, Renoir is attracted to the everyday life of a person, scenes seen in a park, a cafe, on the street, on the river bank, in a bath. Unlike most impressionists, whose main theme was the landscape, Renoir is attracted to everyday life human scenes seen in the park, cafe, on the street, on the river bank, in the bathhouse
Renoir loves delicate, pastel colors, pink, blue, soft green; perhaps this was reflected in his work on painting porcelain. In Renoir's paintings there is a lot of sun, light, they are filled with the breath of life: water flows and sparkles with reflections, trees tremble in the wind, sunbeams glide over faces, clothes, grass; a free brushstroke enhances the impression of special spirituality and variability of the world. Renoir loves delicate, pastel colors, pink, blue, soft green; perhaps this was reflected in his work on painting porcelain. In Renoir's paintings there is a lot of sun and light, they are filled with the breath of life: water flows and sparkles with reflections, trees tremble in the wind, sunbeams glide over faces, clothes, grass; a free brushstroke enhances the impression of special spirituality and variability of the world.
Edouard Manet Edouard Manet is a French painter. He reinterpreted the images and subjects of old masters in the spirit of modernity, created works on everyday, historical, and revolutionary themes. Manet's works are characterized by the freshness and sharpness of perception of the French painter. He reinterpreted the images and subjects of old masters in the spirit of modernity, created works on everyday, historical, and revolutionary themes. Manet's works are characterized by freshness and acuteness of perception
Manet was one of the first artists to notice the alienation of people from each other; the characters he depicted are nearby, but seem not to pay attention to their surroundings. Manet was one of the first artists to notice the alienation of people from each other; the characters he depicted are nearby, but seem not to pay attention to their surroundings.
"Old Musician" year.
A bored barmaid against the backdrop of a huge mirror, which reflects the hall with visitors and the half-figure of a client trying to talk to her, seems lonely among the splendor of multi-colored bottles with bright stickers and colored foil on the necks, flowers in a glass and fruits in a crystal vase. The theme of a person’s “exclusion” from the environment remains the main one here too. A bored barmaid against the backdrop of a huge mirror, which reflects the hall with visitors and the half-figure of a client trying to talk to her, seems lonely among the splendor of multi-colored bottles with bright stickers and colored foil on the necks, flowers in a glass and fruits in a crystal vase. The theme of a person’s “exclusion” from the environment remains the main one here too.
Degas is a French painter, graphic artist and sculptor. Representative of impressionism. The paintings are distinguished by a sharp, dynamic perception of modern life, with a strictly verified asymmetrical composition, flexible and precise drawing, and unexpected angles of the figures. Pastel master
Degas is more concerned with the life of the city rather than the landscape. He strives to convey instantaneous, elusive movement, hence his interest in the world of theater, backstage, ballet, circus, horse racing: ballerinas, horses flying to the finish line, gambling, dexterous jockeys, excited crowds of spectators. Degas is more concerned with the life of the city rather than the landscape. He strives to convey instantaneous, elusive movement, hence his interest in the world of theater, backstage, ballet, circus, horse racing: ballerinas, horses flying to the finish line, gambling, dexterous jockeys, excited crowds of spectators.
His paintings seem to be random scenes snatched from the flow of life, but this “accident” is the fruit of a thoughtful composition, where a cut-off fragment of a figure or a building emphasizes the immediacy of the impression. His paintings seem to be random scenes snatched from the flow of life, but this “accident” is the fruit of a thoughtful composition, where a cut-off fragment of a figure or a building emphasizes the immediacy of the impression.
His canvases over the years attract with the freshness of natural impressions and the charm of the color scheme, consisting of small strokes. Pissarro is increasingly captivated by urban motifs, and he brilliantly manages to reproduce the tremulous pulse, the very spiritual atmosphere of city life. His canvases of the years attract with the freshness of natural impressions and the charm of the color structure, consisting of small strokes. Pissarro is increasingly fascinated by urban motifs, and he brilliantly manages to reproduce the quivering pulse, the very spiritual atmosphere of city life
Impressionism and post-impressionism in painting. Name the author of the painting "Olympia". A) Claude Monet B) Edouard Manet C) Edgar Degas Which painting are we talking about: “The numerous security guards are powerless against the onslaught of an angry crowd. The next day, the painting is placed so high that the indignant public will not be able to pierce it with a sharp umbrella in their rage.” A) “Breakfast on the Grass” B) “Absinthe” C) “Olympia” What does the concept of “impressionism” mean in translation from French impression? A) delight B) impression C) admiration One of the features of the pictorial language of the impressionists: A) depiction of historical events; B) frontality of the composition; B) pastel technique. Name the painting by the artist Auguste Renoir: A) “Blue Dancers” B) “Swing” C) “Absinthe” Match the name of the painting and its author: A) E. Manet 1) “Impression. Sunrise " B) K. Monet 2) " Blue Dancers " C) E. Degas 3) " Olympia " " Free air " (from the French pleiair) for impressionist artists it is: A) plein air B) pastel C) transmission of light How was the name of the exhibition of paintings opened on May 15, 1863? A) “Salon of the Impressionists” B) “Salon of the Rejected” C) “Post-Impressionism” To which artist do these paintings “Boulevard des Capucines in Paris”, “Water Lilies”, “Impression” belong? Sunrise", "Haystack at Giverny". A) E. Manet B) C. Monet C) E. Degas Which of the impressionist artists successfully used the techniques of future cinema - dividing into frames, moving the camera, showing fragments. A) K. Monet B) E. Degas C) O. Renoir Keys: 1 – B; 2 – B; 3 – B; 4 – B; 5 B; 6 – 1B, 2B, 3A; 7 – A; 8 – B; 9 - B; 10
Impressionism and post-impressionism in painting. Name the author of the painting "Olympia". A) Claude Monet B) Edouard Manet C) Edgar Degas Which painting are we talking about: “The numerous security guards are powerless against the onslaught of an angry crowd. The next day, the painting is placed so high that the indignant public will not be able to pierce it with a sharp umbrella in their rage.” A) “Breakfast on the Grass” B) “Absinthe” C) “Olympia” What does the concept of “impressionism” mean in translation from French impression? A) delight B) impression C) admiration One of the features of the pictorial language of the impressionists: A) depiction of historical events; B) frontality of the composition; B) pastel technique. Name the painting by the artist Auguste Renoir: A) “Blue Dancers” B) “Swing”
Literature used: 1. N. M. Sokolnikova “A Brief Dictionary of Artistic Terms” 1. N. M. Sokolnikova “A Brief Dictionary of Artistic Terms” 2. Encyclopedia for Children. Art. 2. Encyclopedia for children. Art. edited by M. Aksenova edited by M. Aksenova 3. Great Encyclopedia of Cyril and Methodius 3. Great Encyclopedia of Cyril and Methodius
Plan: The concept of impressionism, representatives, its main features in painting, The concept of impressionism, representatives, its main features in painting, Claude Oscar Monet, short biography Claude Oscar Monet, short biography The most famous works of Monet The most famous works of Monet Pierre Auguste Renoir, short biography Pierre Auguste Renoir, short biography The most famous works of Renoir The most famous works of Renoir Impressionism in sculpture. Auguste Rodin Impressionism in sculpture. Auguste Rodin Sculpture "Citizens of Calais" Sculpture "Citizens of Calais"
Claude Oscar Monet Claude Oscar Monet was born on November 14, 1840 in Paris. Monet became famous for his portrait of Camille Doncieux, painted in 1866 (“Camille, or Portrait of a Lady in a Green Dress”). Claude Oscar Monet was born on November 14, 1840 in Paris. Monet became famous for his portrait of Camille Doncieux, painted in 1866 (“Camille, or Portrait of a Lady in a Green Dress”). famous landscape “Impression. Rising Sun" (Impression, soleil levant). famous landscape “Impression. Rising Sun" (Impression, soleil levant). The artist died on December 5, 1926 in Giverny The artist died on December 5, 1926 in Giverny A crater on Mercury was named in honor of Monet. A crater on Mercury is named after Monet.
1869 Oil on canvas. 89 x 130 cm Orsay Museum, Paris The Magpie, rejected by the Salon, is a magnificent embodiment of a winter day and one of the most famous paintings by Claude Monet.
Pierre Auguste Renoir Auguste Renoir was born on February 25, 1841 in Limoges, a city located in south-central France. Auguste Renoir was born on February 25, 1841 in Limoges, a city located in south-central France. Renoir had his first taste of success in 1864, when one of his paintings passed a rigorous selection process and was exhibited at the Salon, an annual state art exhibition. Renoir had his first taste of success in 1864, when one of his paintings passed a rigorous selection process and was exhibited at the Salon, an annual state art exhibition. On December 3, 1919, Pierre Auguste Renoir died in Caen of pneumonia at the age of 78. He was buried in Essois. On December 3, 1919, Pierre Auguste Renoir died in Caen of pneumonia at the age of 78. He was buried in Essois.
Paintings by Renoir Umbrellas () Pierre Auguste Renoir “Nude in Sunlight”
Rowers' Breakfast Oil on canvas. 128x173. Phillips Collection. National Gallery Washington.
Portraits of actress Zhanna Samari (gg.)
Two girls at the piano () Bather (1892)
Impressionism in sculpture. Auguste Rodin Auguste Rodin (). The great French sculptor Auguste Rodin, in many of his works, was close to the Impressionists and Art Nouveau artists in his desire to convey a moment in a person’s facial expression or pose; in rethinking the classical academic approach and style in sculpture. Almost all of his works aroused interest and mixed reactions from the public Auguste Rodin (). The great French sculptor Auguste Rodin, in many of his works, was close to the Impressionists and Art Nouveau artists in his desire to convey a moment in a person’s facial expression or pose; in rethinking the classical academic approach and style in sculpture. Almost all of his works aroused interest and mixed reactions from the public.
The name "Impressionism" arose after the 1874 exhibition in Paris, at which Monet's painting "Impression. The Rising Sun" (1872) was exhibited. In 1985, stolen from the Marmottan Museum in Paris and today is listed on Interpol lists) Monet "Impression. Rising Sun"
When the Impressionists staged their first exhibition, they were no longer inexperienced, novice artists; these were people over thirty, with over fifteen years of hard work behind them. They studied at the School of Fine Arts, sought advice from artists of the older generation, discussed and absorbed various artistic movements of their time - classicism, romanticism, realism. Paul Cezanne. Bridge over the Marne at Creteil Edgar Degas. Ironers Edouard Manet. Boat ride
However, they refused to be blindly guided by the methods of the famous masters. The impressionists opposed the conventions of classicism and romanticism, affirmed the beauty of everyday reality, simple, democratic motives, achieved living authenticity of the image, and tried to capture the “impression” of what the eye sees at a particular moment. Claude Monet. "The Magpie" by Paul Cezanne. "Still life"
The most typical theme for the Impressionists is landscape, but they also touched on many other themes in their work. Degas, for example, depicted horse races, ballerinas and laundresses, and Renoir depicted charming women and children. Camille Pissarro. Morning sun on the snow Claude Monet. "The Artist's Garden"
Claude Monet "Landscape. Montsue Park. Paris." "White water lilies." "Breakfast".
Slide description:
Impressionism (French impressionnisme, from impression - impression), a movement in art of the last third of the 19th - early 20th centuries, whose masters, recording their fleeting impressions, sought to most naturally and impartially capture the real world in its mobility and variability. Impressionism originated in French painting at the end of the 1860s: E. Manet (formally not part of the group of impressionists), O. Renoir, E. Degas brought freshness and spontaneity of perception of life into art, turned to the depiction of instantaneous situations snatched from the flow of reality , used fragmentary, at first glance unbalanced compositional structures, unexpected angles, points of view, sections of figures. In the 1870s–1880s. The landscape of French Impressionism is being formed: C. Monet, C. Pissarro, A. Sisley developed a consistent system of plein air, creating in their paintings a feeling of sparkling sunlight, the richness of the colors of nature, the dissolution of forms in the vibration of light and air. The name of the direction comes from the name of the painting by C. Monet “Impression. Rising Sun” (“Impression. Soleil levant”; exhibited in 1874, now in the Marmottan Museum, Paris). The decomposition of complex colors into pure components, which were applied to the canvas in separate strokes, colored shadows, reflexes and values gave rise to the unprecedentedly light, vibrant painting of Impressionism. Certain aspects and techniques of Impressionism were used by painters of many other national art schools. Impressionism (French impressionnisme, from impression - impression), a movement in art of the last third of the 19th - early 20th centuries, whose masters, recording their fleeting impressions, sought to most naturally and impartially capture the real world in its mobility and variability. Impressionism originated in French painting at the end of the 1860s: E. Manet (formally not part of the group of impressionists), O. Renoir, E. Degas brought freshness and spontaneity of perception of life into art, turned to the depiction of instantaneous situations snatched from the flow of reality , used fragmentary, at first glance unbalanced compositional structures, unexpected angles, points of view, sections of figures. In the 1870s–1880s. The landscape of French Impressionism is being formed: C. Monet, C. Pissarro, A. Sisley developed a consistent system of plein air, creating in their paintings a feeling of sparkling sunlight, the richness of the colors of nature, the dissolution of forms in the vibration of light and air. The name of the direction comes from the name of the painting by C. Monet “Impression. Rising Sun” (“Impression. Soleil levant”; exhibited in 1874, now in the Marmottan Museum, Paris). The decomposition of complex colors into pure components, which were applied to the canvas in separate strokes, colored shadows, reflexes and values gave rise to the unprecedentedly light, vibrant painting of Impressionism. Certain aspects and techniques of Impressionism were used by painters of many other national art schools. The concept of Impressionism is also applied to sculpture of the 1880–1910s, which has some impressionistic features - the desire to convey instantaneous movement, fluidity and softness of form, plastic sketchiness (works by O. Rodin, bronze figurines by Degas, etc.). Impressionism in the fine arts influenced the development of expressive means of contemporary literature, music, and theater. In interaction and polemics with the painting system of Impressionism, the movements of neo-impressionism and post-impressionism arose in the artistic culture of France.