A natural question arises: "how to tune a 6 string guitar for a beginner?". If you have big plans and want to become a guitarist from God, at a minimum you need to be able to tuning your guitar correctly. But even if there are no such plans, you will still have to tune the guitar).
“I can’t tune my guitar” is a phrase you can often hear from a beginning guitarist, but first, let’s figure out how the strings should be tuned. The strings on a guitar are numbered from bottom to top, from the most thin string to the thickest.
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With classic guitar tuning The 6th string is tuned to , the Latin designation "E" is often used. Usually the sixth string is tuned first, and the rest from there, but more on that a little later. This is how the strings should be tuned when classical system:
- e (the first, thinnest string is the note "E")
- B (second string, note "B")
- G (third string, G note)
- D (fourth string, note "D")
- A (fifth string, note "A")
- E (the sixth, thickest string is the note "E")
Now that we know how the strings should be tuned, let's try to tune them. By the way, you know ? To do this, we will use pegs or, as some beginners call them, “twists”). can be turned in one or the other direction.
By turning the peg clockwise we tighten the string, giving it a higher sound, and accordingly turning it counterclockwise we loosen the string and it sounds lower.
At setting 6 string guitar twist you need to be careful so as not to break the string, especially for beginner guitarists. With experience, you will feel the tension of the string much more accurately, but for now, be more careful and turn the “twists” carefully.
Tuning the 6th string
First of all, we tune the sixth string on the guitar. To do this, we need a so-called reference sound, specifically the note “E”. Where can I get it? You can listen to it on our website, take it on another tuned musical instrument, you can use a tuning fork, or go to YouTube and search for “E notes for guitar tuning” or something like that.
Some people have perfect pitch and can determine the pitch of a note without using the above methods. This quality of hearing can be developed, but as a rule it is innate. However, not all professionals have such skills, so the method proposed below is used by both experienced guitarists and beginners.
And so, we have found a “sample” note, let’s start tuning. Tuning a 6-string guitar, as well as playing any other musical instrument, requires at least some level of hearing. The presence of hearing in a beginner is very easy to determine, if you are able to distinguish which of two notes sounds higher and which lower, then you definitely have hearing. This is what we need now.
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Play standard note "mi" and at the same time start plucking the sixth string of your guitar. Do you feel the difference? Does your guitar string sound lower than the reference note? So you need to tighten it up a little, twist smoothly and continue tuning the 6th string until our string and the reference note sound . Try tightening and loosening the string a little until you achieve the desired sound.
Tuning the rest of the strings
can be tuned in a similar way, using standard notes, but as a rule, “in everyday life” they are tuned relative to the 6th string. The procedure is as follows:
We will use the 6th string clamped on the 5th fret and the 5th string open (that is, not clamped on any fret). We alternately pluck the fifth and sixth strings and adjust the sound of the fifth string until we achieve unison.
The remaining strings are tuned according to a similar pattern, but with a slight correction (pay attention to the setting of the second string). I will describe the entire string tuning scheme:
- Sixth string - tune either by reference note or by ear.
Each string on a guitar has its own name and letter designation. In this short note, let's figure out how all the strings of a guitar are designated.
As you know, there are six strings on a regular guitar. There are, of course, other types of guitars: the bass, for example, has only four strings; The Russian guitar has seven strings, there are twelve-string guitars, etc. We will look at the most common type of guitar - the six-string guitar.
Guitar strings are counted from the thinnest string to the thickest bass string. The thinnest is the first string. Accordingly, the thickest is the sixth string. When you hold the guitar in the position in which you play it, the first string of the guitar is lower, i.e. closer to the floor, and the very last, sixth string is higher. Bass strings differ from non-bass strings in that bass strings have a metal winding, so they are thicker in volume and produce a lower sound.
So, now about the names of the strings.
the first string is E,
second string – B,
third string – G,
fourth string – D,
fifth string – A,
the sixth string is E.
In some works, composers slightly modify the tuning of the guitar, for example, they rearrange the sixth string instead of the note E to the note D, or less often, instead of the fifth string A, they rearrange its sound into the note G. But these are exceptional cases that are quite rare.
In addition to the usual names, each string also has its own letter designation. These are the letters of the Latin alphabet that indicate the strings of a guitar.
As you noticed, the first and sixth strings have the same names. But this does not mean that these strings sound the same. The only thing they have in common is the name. In fact, the first E string belongs to the second octave, and the sixth E string belongs to the scarlet octave. Those. the distance between these strings is as much as two octaves!
Since not all letter designations of notes are indicated above, but only designations of guitar strings, I decided to simultaneously note the letter designations of all existing notes in music. As we know, there are only seven of them - do, re, mi, fa, sol, la, si. For convenience of letter designation, we will begin to list the notes not from C, but from A. It will be more convenient this way:
If you look closely, it becomes obvious that we are looking at the initial letters of the Latin alphabet. In my opinion, this method of recording makes memorization much easier. letter designations all existing notes.
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In this article on the site we will talk about alternative guitar tunings.
Unusual setting guitars are a type of tuning that differs from the classical and generally accepted fourth tuning.
It is important to understand that we are talking here about open strings ah, that is, notes will be extracted from open strings without pressing.
Classic setting six string guitar in notes it looks like this (from the first string to the sixth): E (mi), H (si), G (sol), D (re), A (la), E (mi).
This tuning is used by guitarists 95% of the time and is considered the default tuning.
For example, if you see a chord grid with the indicated finger placement, it means that this classical tuning is implied, and you only need to use it.
On the other hand, there are a lot musical groups, who take advantage of their individual customization of tools. Often, such an alternative tuning differs little from the generally accepted one, and the changes affect only individual strings.
For example, the sixth bass string in heavy musical styles often drops a tone lower - from MI - to RE, adding an additional seventh string SI (the thickest).
Similar techniques of alternative tuning are used on the bass guitar, especially the five-string, where instead of the classical MI there is a SI or even a SI-flat in the bass.
If you look at the tabs of the same Korn, Sepultura or Cannibal Corpse, you will definitely notice the use of alternative guitar tuning.
However non-standard setting The guitar is not limited to just one string. The same metal bands, in order to give the music more heaviness and darkness, rebuild the entire guitar.
For example, classic guitar tuning often the whole thing shifts down a semitone or tone, moving from the general tuning of MI fourths to the general tuning of RE.
All this is implemented simply: all the strings of the guitar are lowered at the same interval lower, which achieves a special lowered sound.
On the other hand, alternative guitar tunings are often used in other styles.
In jazz, in blues, in grunge and even in rock.
For example, when playing with a slider (a special tip placed on the guitarist’s finger), it is very convenient to line up the guitar in fifths, so that when the fret is pressed, a whole chord can be heard without dissonant notes. Similar practices are found in other styles of music.
Unusual guitar tuning, alternative tuning
In order not to bore the reader with long stories, we will present several alternative tuning options for a six-string guitar. You can use these settings variations at your own discretion.
For example, to diversify your playing, to find new musical ideas, to change the monotonous classical sound of an instrument...
Alternative tuning of a guitar is usually implemented so that all of the instrument's open strings produce a specific minor or major chord.
When playing in this tuning, you can simply press entire frets of the guitar and get new chords.
For example, by tuning a guitar in D major and plucking all the strings at the fifth fret, you will get a pure G major, and at the seventh fret you will get an A major.
Note: The examples below indicate an alternative order of notes from the SIXTH string to the FIRST string (the sixth is the far left and the first is the far right).
To execute correct setting you will have to either tighten or loosen individual strings, go beyond the generally accepted tuning.
1. Alternative guitar tuning in D major (D):
2. Unusual guitar tuning in G major (G):
3. Tuning a six-string guitar in the key of C major (C):
4. Alternative tuning E major (E):
5. Non-standard system G minor (Gm):
6. Alternative guitar tuning in D minor (Dm):
7. Unusual system six-string guitar in the key of A minor (Am):
And a few more completely unusual configuration options:
8. SOL fret tuning (G):
9. Alternative tuning in PE fret (D):
10. Guitar stand in A major (A major):
11. Tuning a guitar with sol bass:
12. Unusual tuning of an instrument with bass BEFORE:
13. Bass retuned to PE (D):
14. Guitar tuning with a lowered first string:
Note: "B" is the symbol for B-flat, and simply B is written as "H". Moreover, in the pictures for this article, “B” indicates the note SI.
This confusion is associated with the notation of the SI note in various options musical notation, but don't let that scare you. In the article, the pure note SI is designated exclusively as “H”.
As you can see, there are different approaches to rebuilding a six-string instrument. In some cases, all notes are changed, and in some situations, only some strings are twisted (not all).
For example, changes are often made to the bass strings, and you may see this option especially often. The most problematic type of guitar tuning is adding strings.
To implement such a tuning, you will either need to use a seven-string instrument, or shift all the strings, adding a thick B string in the bass.
In general, such alternative settings you could come up with your own by experimenting with different guitar tunings.
Don't think that everything possible options are limited only to the 14 examples described above. In fact, there are many, many more alternative configuration methods!
Non-classical settings are used for the convenience of playing certain musical genres or pieces of music.
Classic setting method
- tuning fork
- The 1st string is used to tune the 2nd string, which, being pressed at the V fret, should sound the same as the 1st open (not pressed) string.
- The 3rd string, pressed at the 4th fret, is tuned to the 2nd open string.
- The 4th string, pressed on the V fret, is tuned to the 3rd open string.
- The 5th string, pressed at the V fret, is tuned to the 4th open string.
- The 6th string, pressed at the V fret, is tuned to the 5th open string.
Tuning with harmonics and temperament
Allows for much more precise tuning, since the accuracy of the frets is not always sufficient.
- The 1st string is tuned using the reference sound - the sound of a tuning fork - or the sound of an already tuned musical instrument.
- The 6th string is tuned so that its harmonic at the 5th fret sounds in unison with the 1st string.
- The 5th string is tuned so that its harmonic at the 7th fret sounds in unison with the 1st string, and then it is slightly pulled up so that a beat occurs with a frequency of 0.372 Hz (one beat in 2.7 seconds).
- The 4th string is tuned so that its harmonic at the 7th fret sounds in unison with the harmonic of the 5th string at the 5th fret, and then slightly tightened so that a beat occurs with a frequency of 0.497 Hz (one beat per 2.01 seconds).
- The 3rd string is tuned so that its harmonic at the 7th fret sounds in unison with the harmonic of the 4th string at the 5th fret, and then slightly tightened so that a beat occurs with a frequency of 0.664 Hz (one beat per 1.51 seconds).
- The 2nd string is tuned so that its harmonic on the 5th fret sounds almost in unison with the harmonic of the 1st string on the 7th fret, but is slightly shortened so that a beat with a frequency of 1.12 Hz is heard (one beat per 0.9 seconds).
When tuning using the tuning fork A (“A”), the 5th string is tuned first (the harmonic on the V fret in unison with the tuning fork), then the 1st and 6th, and then the 4th, 3rd and 2nd.
If you have good hearing and have gained enough experience, you can do without using harmonics, catching the beat of overtones in the sound of open strings.
Since changing the string tension leads to deformation of the guitar body and detuning of the remaining strings, it is recommended to tune the guitar in 2-3 iterations, the first of which can be done without temperament (without carefully counting the beat frequency).
Lower tunings of a six-string guitar
Decreased (that is, lower than the usual EBGDAE tuning) tunings are used for more convenient playing a certain key, or to obtain a lower, “heavy” sound. In particular, many rock guitarists love the so-called. Drop tunings, which are named by adding to “Drop” a note on the 6th string that drops 1 tone below the first (for example: Drop C = DAFCGC). To change from a classical tuning to some lower tuning, all the strings of the guitar are lowered by a certain interval (for example, to change to tuning D, you need to lower all the strings of the guitar by a tone). To lower the guitar's tuning by more than a tone, you may need to change the strings to thicker ones due to the weakening of their tension. Also, for tunings below B (B), mostly baritone guitars are used.
| String | Scale E♭ (E-flat) | Build D (re) | Scale D♭ (D-flat) | Build C (before) | System B (si) | |||||
|---|---|---|---|---|---|---|---|---|---|---|
| Note | Frequency (in hertz) | Note | Frequency | Note | Frequency | Note | Frequency | Note | Frequency | |
| First | e♭¹ (E-flat first octave) | 311.13 | d¹ (D first octave) | 293.66 | d♭¹ (D-flat first octave) | 277.18 | c¹ (to the first octave) | 261.63 | b (B small octave) | 246.94 |
| Second | b♭ (B-flat small octave) | 233.08 | a (A small octave) | 220.00 | a♭ (A-flat small octave) | 207.00 | g (small octave sol) | 196.00 | g♭ (G-flat small octave) | 185.00 |
| Third | g♭ (G-flat small octave) | 185.00 | f (f small octave) | 174.62 | e (minor octave E) | 164.81 | e♭ (small octave E-flat) | 155.56 | d (small octave D) | 147.83 |
| Fourth | d♭ (D-flat small octave) | 138.59 | c (to small octave) | 130.82 | B (big octave B) | 123.48 | B♭ (B-flat major octave) | 116.54 | A (A major octave) | 110.00 |
| Fifth | A♭ (A-flat major octave) | 103.80 | G (major octave G) | 98.00 | G♭ (G flat major octave) | 92.50 | F (major octave F) | 87.31 | E (major octave E) | 82.41 |
| Sixth | E♭ (major octave E-flat) | 77.78 | D (major octave D) | 73.91 | D♭ (D-flat major octave) | 69.30 | C (to major octave) | 65.41 | B¹ (B counter octave) | 61.74 |
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Open C
One of characteristic features is the ease of extracting basic major chords. A simple barre on the 2nd fret will give "D", 4th fret will give "E", 5th fret will give "F" and so on. Open strings will give you "C".
In order to tune the guitar in “Open C”, you need (starting from “ standard tuning"): 1st string (thin) Leave as in " standard system" - "Mi" ("E")
2nd string. Raise half a step to “C” (“C”)
3rd string. Leave as in “standard tuning” - “Salt” (“G”)
4th string. Lower one step to “Before” (“C”)
5th string. Lower one step to “Salt” (“G”)
6th string (thick). Lower by two steps from “E” to “Do” (“C”)
Raised tunings of a six-string guitar
Tuning a guitar, especially a classical one, can damage the instrument., as well as to injuries due to a sudden break of a tightened string.
To increase the tuning, you can use a capo. If rebuilding your guitar is necessary, it is recommended to use a thinner set of strings.
| String | Build F (fa) | Tuning F# (F-sharp) | Tuning G (sol) | G# scale (G sharp) | System A (la) | |||||
|---|---|---|---|---|---|---|---|---|---|---|
| Note | Frequency (in hertz) | Note | Frequency | Note | Frequency | Note | Frequency | Note | Frequency | |
| First | f¹ (fa first octave) | 349.23 | f¹# (F-sharp first octave) | 369.99 | g¹ (sol of the first octave) | 392.00 | g¹# (G-sharp first octave) | 415.30 | a¹ (A first octave) | 440.00 |
| Second | с¹ (to the first octave) | 261.63 | с¹# (C-sharp of the first octave) | 277.18 | d¹ (D first octave) | 293.66 | D¹# (D-sharp first octave) | 311.13 | e¹ (E first octave) | 311.13 |
| Third | g# (G-sharp small octave) | 207.00 | a (A small octave) | 220.00 | a# (A-sharp small octave) | 233.08 | b (B small octave) | 246.94 | c¹ (to the first octave) | 261.63 |
| Fourth | d# (d-sharp small octave) | 155.56 | e (minor octave E) | 164.81 | f (f small octave) | 174.62 | f# (F-sharp small octave) | 185.00 | g (small octave sol) | 196.00 |
| Fifth | A# (A-sharp major octave) | 116.54 | B (big octave B) | 123.48 | c (to small octave) | 130.82 | c# (C-sharp small octave) | 138.59 | d (small octave D) | 147.83 |
| Sixth | F (major octave F) | 87.31 | F# (F-sharp major octave) | 92.50 | G (major octave G) | 98.00 | G# (G-sharp major octave) | 103.80 | A (A major octave) | 110.00 |
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"Drop D" formation
This tuning differs from the classical one in that it is lowered by tone sixth string. It is often used by hard rock electric guitarists because it makes it easier to play 5th chords. power-chord), also some works were written for him classical guitar(in the keys of D major and D minor).
"Drop C" formation
Used to produce an even lower and “heavier” sound on an electric guitar. Unlike the classical system, all strings except the sixth tune in to tone below and sixth string- on two tones.
Like Drop tuning D is used to play fifth chords.
Double Drop-D formation
The tuning is similar to Drop D, differing in that the first string is lowered a tone. For tuning from classical tuning first And sixth the string is lowered to tone.
In this tuning, the top four open strings of the guitar form a G major chord, making it easier to play with slide. Double drop D was often used by performer Neil Young.
Build "DADGAD"
The tuning most often used in folk music. It was invented by British guitarist David Graham for more convenient playing from notes recorded for violin or bagpipes.
To reorganize the “DADGAD” system from the classic one, it is necessary to lower it to tone first, second And sixth strings.
Build "DADDAD"
The “Papa-Papa” tuning is most suitable both for use in folk music (Celtic) and for playing rhythm guitar parts in “heavy” (alternative) music, 4 notes at a time. To change the tuning “DADDAD” from the classical one, you need to lower it to tone first, second And sixth strings. A third tune in unison with fourth.
Build "Open D"
In this tuning, the open strings form a D major chord. It is used primarily on slide guitars.
To rebuild into this system from the classical first, second And sixth strings drop to tone, third goes down to semitone.
"Open G" build
In this tuning, the open strings form a G major chord.
To change to "Open G" tuning from the classic first, fifth And sixth strings drop to tone.
"New Standard"
Also known as "Crafty tuning". A tuning developed by musician Robert Fripp and used by him since 1983. Unlike the classical “quart” tuning, the tuning proposed by Robert Fripp is closer to bowed string instruments, and first, second And third the strings are tuned similarly to a violin. Tuning to this tuning may require replacing the lower strings with thicker ones and the upper strings with thinner ones.
"Alternative tuning Cross A"
E-A-E-A-E-A. "Sitar A" is an alternative lowered guitar tuning. Reminds me of the sound of an Indian sitar. Great for creating Indian (oriental) music.
Seven-string tunings
Standard
The structure of the strings of a seven-string guitar is mixed - third-fourth, so the chord of the open strings is consonant (major quarter-sixth chord), unlike a six-string guitar. This system is considered classical (academic).
In addition to the usual way to tune a guitar, there are alternative tunings.
Guitarists need them to diversify their performance and achieve an unusual or powerful sound, and also to simplify finger placement while playing. If you have problems with the setup process, there is a separate section about this on our website.
In this article, the tuning will be indicated from the sixth string to the first. Some settings are easier to remember this way.
Classical tuning and its variations
EADGBE - classic tuning
The generally accepted system, also called “Spanish”, is most often used to write songs. As an example, consider Ed Sheeran – Shape of you. Ed plays this song in classical tuning.
Variation one - DADGBE
Among guitarists it is called a drop-D, since the sixth string drops a tone to the note D. In it, power chords are pressed with one finger, which is why drop-D is often used in rock music.
Turns into this:
Stockholm Syndrome by Muse is played in this tuning.
Variation two - DADGBD
Also called Double drop-D, similar to the previous one, but the first string is lowered a tone down. It is convenient to play parts through the repeated note D, both on the sixth and on the first string. Skillet's Circus For A Psycho plays the main riff in this tuning.
Variation three - DADGAD
Among guitarists it is called “deadged”, often used in folk music because of its ease of imitation of bagpipes and sitar. Open strings do not form thirds, so this tuning is neither major nor minor, but modal. The first, second and sixth strings are lowered a tone. White summer by the Yardbirds plays just like that.
Drops and capo
Next, we will consider tunings formed by a uniform change in all strings from the classical tuning and its variations. The downward movement adds “heaviness” to the sound. The vocalist may be more comfortable singing. As the tuning goes down, it is better to switch to thicker strings; their tension will decrease and it will be uncomfortable to play.
Step one - D#G#C#F#A#D#
It’s also half-step-down, “half a step down.” All strings are evenly lowered by a semitone.
Guns`n`roses play their classic Sweet Child O`mine a little lower than it might seem.
Step two - CGCFAD
Popular in metal and heavy rock drop-C. This is the tuning that is almost always used, with all strings down a tone and the sixth string down another tone, i.e. one tone down from drop-D. First two albums System groups of a Down played in drop-C. For example, the song Toxicity from the album of the same name.
Step three - BF#BEG#C#
Another tone lower than the previous one, also known as drop-B. Even harder and more aggressive. Slipknot used this tuning on their first albums. Wait and bleed is no exception.
We will not consider the constructions below here, since in modern music for even greater reduction, guitars with additional strings, 7-, 8-, 9-strings, are used.
Capo
To improve the tuning, the guitar is very rarely retuned; for this, a capo is used, which evenly clamps all the strings.
This creates a movable threshold, and if you need to play a song in a different key, for example, for the convenience of the vocalist, you just need to move the capo to the desired fret.
For example, the Scarborough fair by Simon and Garfunkel is played with a capo at the seventh fret, which creates a BEADF#B tuning 3.5 steps higher than the classic one.
Open formations
Open tuning is the tuning of all strings not by intervals, but by the notes of a chord.
Such tunings are often used in folk music and when playing with a slide - usually a metal or glass cylinder that is placed on the finger of the left hand. It is moved along the strings as a “moving” fret.
Let's look at some commonly used open tunings.
Open D major Open D - DADF#AD
We have already discussed the DADGAD tuning as a variation of the classic tuning. Let's lower the third string another semitone - we get the notes of the D major chord.
For example, let's take the composition of guitarist Alain Johannes – Make God Jealous.
Open D minor Open D Minor - DADFAD
Let's lower the third string another semitone, and we'll end up in D minor, a more “sad” chord. Let's evaluate the changes in sound using the song Wine and Roses by John Fahey.
Open G major Open G - DGDGBD
Let's return the second and third strings to classical tuning, but let's drop the fifth one tone - we move into a G major chord. This tuning was used by Jimmy Page in Led Zeppelin's Bron-Y-Aur Stomp.
Modal scale G Modal G - DGCGCD
This system has the same features as discussed above. modal system in D (DADGAD), it is convenient to play both major and minor songs. Jimmy Page also used this system. He generally used many non-standard tunings and was their popularizer. For example, Rain song performed jointly with Robert Plant.
Open G minor Open G Minor - DGDGA#D
By lowering the second string a semitone, we form a G minor chord from the open strings. It is used on guitarist John Renbourn's Mist-Covered Mountains of Home and imitates a lute.
Open A major Open A - EEAAC#E or EAC#EAE
There are two setup options. In the first case, we raise the second, third and fourth strings by a tone, forming an A major chord.
In the second case, lower the second string by a tone, the third by a tone and a half, and the fourth string by a half tone. This variation is often found in delta blues compositions, one of the earliest blues movements.
Robert Johnson uses a slide to play in this tuning on Crossroads Blues.
Open C major Open C - CGCGCE or CGCGGE
The sixth, fifth and fourth strings repeat drop-C, the second string is raised by a semitone (or lowered by two tones), the third and first - as in the classics.
Chris Cornell's song Burden In My Hand, performed by Soundgarden, is written in this tuning.
There are many more rarer customization options. Nothing prevents a musician from tuning the instrument the way he wants or needs.
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