In this article on the site we will talk about alternative guitar tunings.
Unusual setting guitars are a type of tuning that differs from the classical and generally accepted fourth tuning.
It is important to understand that we are talking here about open strings ah, that is, notes will be extracted from open strings without pressing.
Classic setting six string guitar in notes it looks like this (from the first string to the sixth): E (mi), H (si), G (sol), D (re), A (la), E (mi).
This tuning is used by guitarists 95% of the time and is considered the default tuning.
For example, if you see a chord grid with the indicated finger placement, it means that this classical tuning is implied, and you only need to use it.
On the other hand, there are a lot musical groups, who take advantage of their individual customization of tools. Often, such an alternative tuning differs little from the generally accepted one, and the changes affect only individual strings.
For example, the sixth bass string in heavy musical styles often drops a tone lower - from MI - to RE, adding an additional seventh string SI (the thickest).
Similar techniques of alternative tuning are used on the bass guitar, especially the five-string, where instead of the classical MI there is a SI or even a SI-flat in the bass.
If you look at the tabs of the same Korn, Sepultura or Cannibal Corpse, you will definitely notice the use of alternative guitar tuning.
However non-standard setting The guitar is not limited to just one string. The same metal bands, in order to give the music more heaviness and darkness, rebuild the entire guitar.
For example, a classical guitar tuning often shifts entirely down a half step, moving from the general tuning of fourths MI to the general tuning of RE.
All this is implemented simply: all the strings of the guitar are lowered at the same interval lower, which achieves a special lowered sound.
On the other hand, alternative guitar tunings are often used in other styles.
In jazz, in blues, in grunge and even in rock.
For example, when playing with a slider (a special tip placed on the guitarist’s finger), it is very convenient to line up the guitar in fifths, so that when the fret is pressed, a whole chord can be heard without dissonant notes. Similar practices are found in other styles of music.
Unusual guitar tuning, alternative tuning
In order not to bore the reader with long stories, we will present several alternative tuning options for a six-string guitar. You can use these settings variations at your own discretion.
For example, to diversify your playing, to find new musical ideas, to change the monotonous classical sound of an instrument...
Alternate tuning of a guitar is usually implemented so that all of the open strings of the instrument produce a specific minor or major chord.
When playing in this tuning, you can simply press entire frets of the guitar and get new chords.
For example, by tuning a guitar in D major and plucking all the strings at the fifth fret, you will get a pure G major, and at the seventh fret you will get an A major.
Note: The examples below indicate an alternative order of notes from the SIXTH string to the FIRST string (the sixth is the far left and the first is the far right).
To execute correct setting you will have to either tighten or loosen individual strings, go beyond the generally accepted tuning.
1. Alternative guitar tuning in D major (D):
2. Unusual guitar tuning in G major (G):
3. Tuning a six-string guitar in the key of C major (C):
4. Alternative tuning E major (E):
5. Non-standard system G minor (Gm):
6. Alternative guitar tuning in D minor (Dm):
7. Unusual system six-string guitar in the key of A minor (Am):
And a few more completely unusual configuration options:
8. SOL fret tuning (G):
9. Alternative tuning in PE fret (D):
10. Guitar stand in A major (A major):
11. Tuning a guitar with sol bass:
12. Unusual tuning of an instrument with bass BEFORE:
13. Bass retuned to PE (D):
14. Guitar tuning with a lowered first string:
Note: "B" is the symbol for B-flat, and simply B is written as "H". Moreover, in the pictures for this article, “B” indicates the note SI.
This confusion is associated with the notation of the SI note in various options musical notation, but don't let that scare you. In the article, the pure note SI is designated exclusively as “H”.
As you can see, there are different approaches to rebuilding a six-string instrument. In some cases, all notes are changed, and in some situations, only some strings are twisted (not all).
For example, changes are often made to the bass strings, and you may see this variation especially often. The most problematic type of guitar tuning is adding strings.
To implement such a tuning, you will either need to use a seven-string instrument, or shift all the strings, adding a thick B string in the bass.
In general, such alternative settings you could come up with your own by experimenting with different guitar tunings.
Don't think that everything possible options are limited only to the 14 examples described above. In fact, there are many, many more alternative configuration methods!
Each string on a guitar has its own name and letter designation. In this short note, let's figure out how all the strings of a guitar are designated.
As you know, there are six strings on a regular guitar. There are, of course, other types of guitars: the bass, for example, has only four strings; The Russian guitar has seven strings, there are twelve-string guitars, etc. We will look at the most common type of guitar - the six-string guitar.
Guitar strings are counted starting from the most thin string– to the thickest bass string. The thinnest is the first string. Accordingly, the thickest is the sixth string. When you hold the guitar in the position in which you play it, the first string of the guitar is lower, i.e. closer to the floor, and the very last, sixth string is higher. Bass strings differ from non-bass strings in that bass strings have a metal winding, so they are thicker in volume and produce a lower sound.
So, now about the names of the strings.
the first string is E,
second string – B,
third string – G,
fourth string – D,
fifth string – A,
the sixth string is E.
In some works, composers slightly modify the tuning of the guitar, for example, they rearrange the sixth string instead of the note E to the note D, or less often, instead of the fifth string A, they rearrange its sound into the note G. But these are exceptional cases that are quite rare.
In addition to the usual names, each string also has its own letter designation. These are the letters of the Latin alphabet that indicate the strings of a guitar.
As you noticed, the first and sixth strings have the same names. But this does not mean that these strings sound the same. The only thing they have in common is the name. In fact, the first E string belongs to the second octave, and the sixth E string belongs to the scarlet octave. Those. the distance between these strings is as much as two octaves!
Since not all letter designations of notes are indicated above, but only designations of guitar strings, I decided to simultaneously note the letter designations of all existing notes in music. As we know, there are only seven of them - do, re, mi, fa, sol, la, si. For the convenience of letter designation, we will begin to list the notes not from C, but from the note A. It will be more convenient this way:
If you look closely, it becomes obvious that we are looking at the initial letters of the Latin alphabet. In my opinion, this method of recording makes memorization much easier. letter designations all existing notes.
Attention! Take a guitar training course! Course duration: 90 minutes!
And he even posted it, albeit in English.
In general, today I decided to touch upon this topic again and consider the most common of them.
It wouldn’t hurt to remind you of simple things. If you decide to tune lower, then it is better to take a thicker one, otherwise in some Dropped the usual nine will just dangle and ring on the frets. If you decide to make the tuning of your guitar higher, then in this case you can take thinner strings, because Large gauge strings, in this case, can be very tight. Well, no one has canceled the excess load on the bar either.
Also, if there is a radical change in the system, be prepared to do it again, although you may not have to do this.
So, let's go.
Standard tuning: E-A-D-g-b-e
In standard guitar tuning All the intervals between the strings are perfect fourths (five semitones), with the exception of the interval between the third string (g) and the second string (b), which is a major third (four semitones).
Down a semitone: Eb-Ab-Db-gb-bb-eb
This guitar tuning is also called "Eb" - based on the note to which the thickest string is tuned. Tuning the guitar is exactly the same as in standard system. The sound intervals between the strings remain exactly the same, but the tuning of each string is exactly one semitone lower relative to standard tuning. Eb tuning can be used for many reasons, such as making the strings softer and bending easier, or to better suit a singer's vocal range. There can be many reasons. This tuning was used by Jimi Hendrix and Stevie Ray Vaughan.
On whole tone down: D-G-C-f-a-d
This tuning is also called “Tuning D” - based on the note to which the thickest string is tuned. Everything is the same as in the previous case, except that each string is tuned a tone lower than the standard tuning. This tuning is used for the same reasons as "E?", it causes the strings to sag even more and makes bending even easier. At this point I would think about using thicker gauge strings.
If this is not enough for you, then you can continue further. Those. lower or lower each string at an equal interval relative to the standard tuning. The algorithm is simple, the main thing is to choose the appropriate size strings.
Drop-D: D-A-d-g-b-e
Drop-D is probably one of the most popular tunings in hard rock, alternative and other motherfuckers. By the way, folk guitarists do not disdain them either. Although they are generally big fans of alternative and non-standard guitar tunings.
By lowering the low E string one step to D, we can make power chords easier to play. Now they can be played with one finger, simply by plucking three thick strings, the 4th, 5th and 6th, respectively. Drop-D build gives a meatier sound and expands the overall range of the guitar towards the bottom relative to the standard tuning.
By the way, this system does not require a large and lengthy restructuring, which allows you to change the system right on the fly, with the proper skill, of course.
To facilitate this procedure, a special device was even invented and made - D Tuner, which will allow you to literally rebuild the sixth string in a second.
Double Drop-D: D-A-d-g-b-d
Double drop D is Neil Young's favorite tuning. It is identical to the regular Drop-D, except that the high e is also lowered one tone from the standard tuning - to d. With this arrangement, it turns out that the 4th high strings form a G major chord, and this can be convenient when playing with a slide. This tuning is also quite quick and easy to get from the standard one.
Drop-C: C-G-c-f-a-d
This tuning will help make your guitar sound lower and meatier when overdriven. This tuning is achieved by first tuning the guitar a tone lower than standard, and then lowering the 6th string another tone.
Quite low, don't you think? With this tuning, thicker strings are clearly needed. Thin ones will obviously hang around like snot.
In general, the technique is simple. We already understand what Drop is. But whether to lower it by one tone, 2 or more - that’s up to you. Everything will depend on the gauge of the strings and your desire.
Tuning D5: D-A-d-d-d-d
This system is classified as open formations, because If all the strings are open, the chord D5 sounds. This tuning is quite often used when playing slide. To get this tuning you need to lower the 3rd string by 5 semitones, raise the 2nd string by 3 semitones and lower the 1st string by a tone.
There are variations of this tuning in which the 3rd string is raised to A instead of lowered to D. This gives two fifths of a step in different octaves, which gives the sound some depth.
Ostrich formation: D-D-d-d-d-d
In this tuning, all strings are tuned to the same note. Lou Reed is said to have invented this tuning while he was with the Velvet Underground. Important note: With this tuning, you will definitely need to build your own set of strings.
I guess I'll stop for today. Of course, all alternative and non-standard guitar tunings are not limited to this.
I think I’ll throw in a dozen more soon.
The guitar is one of the most famous and at the same time unpredictable instruments that can touch the most sensual strings of the soul. But the guitar itself also has them.
Few people pay attention to the name of the strings on a guitar, considering it completely unnecessary. But often the performance of any composition depends on the setting. Any dissonance causes associative rejection of the composition as a whole. But in this material The focus will be on instrument tuning and use for beginning players.
Guitar string name: classic version
In general, it is considered a classic. However, one can recall quite a lot of examples of great composers who preferred seven strings to six (at least Vysotsky).
However, according to music theory and solfeggio, the names of the strings do not differ at all. Based on the rules established general theory music, the notes by which any instrument is built have their own names and abbreviations in the form of Latin symbols and language interpretations. In our case it is:
- C - to.
- D - re.
- E - mi.
- F - fa.
- G - salt.
- A - la.
- H - B (B - B-flat is indicated separately).
(sharps, flats, bekars or their double versions) are applied accordingly. But there are only 6 strings.
The string on the guitar at the top of the neck has the same sound as the first string at the bottom three octaves apart. Therefore, both the first and sixth are, as it were, dominant, but only in relation to a 6-string instrument (the main tuning is in E minor).
Mi-si-sol-re-la-mi: is the sequence in tuning correct?
Quite often, many beginning guitarists trying to understand the basics of the technique are immediately faced with the problem of tuning, not knowing which string corresponds to which symbol in the designation or sound.
If you go through the search, sequentially from the sixth string to the first, it will look like “e-la-re-sol-si-mi”. And the above sequence is reverse.
Such a sequence is not suitable for a flat sequence, since it should look like “si-mi-la-re-sol-do-fa”. However, we digress from the topic.
Fundamental tone and tuning
The name of the strings, as is already clear, is standard for any instrument. As for the (6-string) this is done quite simply.
There are several ways in which a beginning musician can use the unison of an open string lower on the neck with one that is clamped at the fifth fret above. All strings, except the third, are built according to this rule. You can use the harmonic effect on different frets (the strings vibrate among themselves) or turn on a distortion effect, which will add drive and increase vibration. That is, the strings will have to be retuned until the sound matches completely. Professional electric guitars have a special micro-tuning device on the soundboard for this purpose).
Basic chords for beginners
Many beginning guitarists tend to associate the note “A” with the chord, which is the second simplest chord in guitar technique.
It consists of only three fingers: two on the second fret (fourth and third string) and one on the second string on the first fret. The note "A" in in this case acts as a tonic.
But the simplest chord is still the E minor chord. There are only two strings - the fifth and fourth on the second fret. A major chord played from “E” involves holding the third string on the second fret, and a major chord with the tonic “A” is even simpler - three fingers on the second fret (second, third and fourth string).
Barre technique
Although the name of the strings on a guitar no longer causes misunderstanding, it is especially worth noting a technique called barre (clamping index finger all right).
Any standard chord can be built using this technique. In fact, the same simple applications indicated above can be applied to this case, but only the nut near the tuning mechanism on the headstock acts as a barre.
Varieties of playing techniques
The name of the strings on a guitar is often emphasized with certain symbols, although it is not directly advertised. For example, in the standard version the third, fifth, seventh and twelfth frets are designated (sometimes the ninth). For many famous guitarists you can find all sorts of signs, including skulls or something else. These guitars are made to order.
And playing any instrument is quite difficult, be it fingerpicking, strumming, tapping, sliding, etc. With the advent of “gadgets,” technology has reached new level. That alone is worth it... And modern guitarists generally demonstrate such miracles of technology that it simply boggles the mind.
The same Steve Vai, Marty Friedmann or Kirk Hammett are the only ones of our time. And by the way, even though they know classical school, do not always use it in their improvisations. For example, Friedman tends to play in fifths, or nine notes per pass. And everyone's technique is different. But if you set a goal, nothing is impossible. Maybe the modern reader will become a great guitarist in the future, who knows?
Non-classical settings are used for the convenience of playing certain musical genres or pieces of music.
Classic setting method
- tuning fork
- The 1st string is used to tune the 2nd string, which, being pressed at the V fret, should sound the same as the 1st open (not pressed) string.
- The 3rd string, pressed at the 4th fret, is tuned to the 2nd open string.
- The 4th string, pressed at the V fret, is tuned to the 3rd open string.
- The 5th string, pressed at the V fret, is tuned to the 4th open string.
- The 6th string, pressed at the V fret, is tuned to the 5th open string.
Tuning with harmonics and temperament
Allows for much more precise tuning, since the accuracy of the frets is not always sufficient.
- The 1st string is tuned using the reference sound - the sound of a tuning fork - or the sound of an already tuned musical instrument.
- The 6th string is tuned so that its harmonic at the 5th fret sounds in unison with the 1st string.
- The 5th string is tuned so that its harmonic at the 7th fret sounds in unison with the 1st string, and then it is slightly pulled up so that a beat occurs with a frequency of 0.372 Hz (one beat in 2.7 seconds).
- The 4th string is tuned so that its harmonic at the 7th fret sounds in unison with the harmonic of the 5th string at the 5th fret, and then slightly tightened so that a beat occurs with a frequency of 0.497 Hz (one beat per 2.01 seconds).
- The 3rd string is tuned so that its harmonic at the 7th fret sounds in unison with the harmonic of the 4th string at the 5th fret, and then slightly tightened so that a beat occurs with a frequency of 0.664 Hz (one beat per 1.51 seconds).
- The 2nd string is tuned so that its harmonic on the 5th fret sounds almost in unison with the harmonic of the 1st string on the 7th fret, but is slightly shortened so that a beat with a frequency of 1.12 Hz is heard (one beat per 0.9 seconds).
When tuning using the tuning fork A (“A”), the 5th string is tuned first (the harmonic on the V fret in unison with the tuning fork), then the 1st and 6th, and then the 4th, 3rd and 2nd.
With good hearing, and having accumulated sufficient experience, you can do without using harmonics, catching the beat of overtones in the sound of open strings.
Since changing the string tension leads to deformation of the guitar body and detuning of the remaining strings, it is recommended to tune the guitar in 2-3 iterations, the first of which can be done without temperament (without carefully calculating the beat frequency).
Lower tunings of a six-string guitar
Decreased (i.e. lower than the normal EBGDAE tuning) tunings are used for more comfortable playing a certain key, or to obtain a lower, “heavy” sound. In particular, many rock guitarists love the so-called. Drop tunings, which are named by adding to “Drop” a note on the 6th string that drops 1 tone below the first (for example: Drop C = DAFCGC). To rebuild from classical system in any lowered mode, all the strings of the guitar are lowered by a certain interval (for example, to change to tuning D, you need to lower all the strings of the guitar by a tone). To lower the guitar's tuning by more than a tone, you may need to change the strings to thicker ones due to the weakening of their tension. Also, for tunings below B (B), mostly baritone guitars are used.
| String | Scale E♭ (E-flat) | Build D (re) | Scale D♭ (D-flat) | Build C (before) | System B (si) | |||||
|---|---|---|---|---|---|---|---|---|---|---|
| Note | Frequency (in hertz) | Note | Frequency | Note | Frequency | Note | Frequency | Note | Frequency | |
| First | e♭¹ (E-flat first octave) | 311.13 | d¹ (D first octave) | 293.66 | d♭¹ (D-flat first octave) | 277.18 | c¹ (to the first octave) | 261.63 | b (B small octave) | 246.94 |
| Second | b♭ (B-flat small octave) | 233.08 | a (A small octave) | 220.00 | a♭ (A-flat small octave) | 207.00 | g (small octave sol) | 196.00 | g♭ (G-flat small octave) | 185.00 |
| Third | g♭ (G-flat small octave) | 185.00 | f (f small octave) | 174.62 | e (minor octave E) | 164.81 | e♭ (small octave E-flat) | 155.56 | d (small octave D) | 147.83 |
| Fourth | d♭ (D-flat small octave) | 138.59 | c (to small octave) | 130.82 | B (big octave B) | 123.48 | B♭ (B-flat major octave) | 116.54 | A (A major octave) | 110.00 |
| Fifth | A♭ (A-flat major octave) | 103.80 | G (major octave G) | 98.00 | G♭ (G flat major octave) | 92.50 | F (major octave F) | 87.31 | E (major octave E) | 82.41 |
| Sixth | E♭ (major octave E-flat) | 77.78 | D (major octave D) | 73.91 | D♭ (D-flat major octave) | 69.30 | C (to major octave) | 65.41 | B¹ (B counter octave) | 61.74 |
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Open C
One of characteristic features is the ease of extracting basic major chords. A simple barre on the 2nd fret will give "D", 4th fret will give "E", 5th fret will give "F" and so on. Open strings will give you "C".
In order to tune a guitar in “Open C”, you need (starting from the “standard tuning”): 1st string (thin) Leave as in the “standard tuning” - “E” (“E”)
2nd string. Raise half a step to “C” (“C”)
3rd string. Leave as in “standard tuning” - “Salt” (“G”)
4th string. Lower one step to “Before” (“C”)
5th string. Lower one step to “Salt” (“G”)
6th string (thick). Lower by two steps from “E” to “Do” (“C”)
Raised tunings of a six-string guitar
Tuning a guitar, especially a classical one, can damage the instrument., as well as to injuries due to a sudden break of a tightened string.
To increase the tuning, you can use a capo. If rebuilding your guitar is necessary, it is recommended to use a thinner set of strings.
| String | Build F (fa) | Tuning F# (F-sharp) | Tuning G (sol) | G# scale (G sharp) | System A (la) | |||||
|---|---|---|---|---|---|---|---|---|---|---|
| Note | Frequency (in hertz) | Note | Frequency | Note | Frequency | Note | Frequency | Note | Frequency | |
| First | f¹ (fa first octave) | 349.23 | f¹# (F-sharp first octave) | 369.99 | g¹ (sol of the first octave) | 392.00 | g¹# (G-sharp first octave) | 415.30 | a¹ (A first octave) | 440.00 |
| Second | с¹ (to the first octave) | 261.63 | с¹# (C-sharp of the first octave) | 277.18 | d¹ (D first octave) | 293.66 | D¹# (D-sharp first octave) | 311.13 | e¹ (E first octave) | 311.13 |
| Third | g# (G-sharp small octave) | 207.00 | a (A small octave) | 220.00 | a# (A-sharp small octave) | 233.08 | b (B small octave) | 246.94 | c¹ (to the first octave) | 261.63 |
| Fourth | d# (d-sharp small octave) | 155.56 | e (minor octave E) | 164.81 | f (f small octave) | 174.62 | f# (F-sharp small octave) | 185.00 | g (small octave sol) | 196.00 |
| Fifth | A# (A-sharp major octave) | 116.54 | B (big octave B) | 123.48 | c (to small octave) | 130.82 | c# (C-sharp small octave) | 138.59 | d (small octave D) | 147.83 |
| Sixth | F (major octave F) | 87.31 | F# (F-sharp major octave) | 92.50 | G (major octave G) | 98.00 | G# (G-sharp major octave) | 103.80 | A (A major octave) | 110.00 |
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"Drop D" formation
This tuning differs from the classical one in that it is lowered by tone sixth string. It is often used by hard rock electric guitarists because it makes it easier to play 5th chords. power-chord), also some works were written for him classical guitar(in the keys of D major and D minor).
"Drop C" formation
Used to produce an even lower and “heavier” sound on an electric guitar. Unlike the classical system, all strings except the sixth tune in to tone below and sixth string- on two tones.
Like Drop tuning D is used to play fifth chords.
Double Drop-D formation
The tuning is similar to Drop D, differing in that the first string is lowered a tone. For tuning from classical tuning first And sixth the string is lowered to tone.
In this tuning, the top four open strings of the guitar form a G major chord, making it easier to play with slide. Double drop D was often used by performer Neil Young.
Build "DADGAD"
The tuning most often used in folk music. It was invented by British guitarist David Graham for more convenient playing from notes recorded for violin or bagpipes.
To reorganize the “DADGAD” system from the classic one, it is necessary to lower it to tone first, second And sixth strings.
Build "DADDAD"
The “Papa-Papa” tuning is most suitable both for use in folk music (Celtic) and for playing rhythm guitar parts in “heavy” (alternative) music, 4 notes at a time. To change the tuning “DADDAD” from the classical one, you need to lower it to tone first, second And sixth strings. A third tune in unison with fourth.
Build "Open D"
In this tuning, the open strings form a D major chord. It is used primarily on slide guitars.
To rebuild into this system from the classical first, second And sixth strings drop to tone, third goes down to semitone.
"Open G" build
In this tuning, the open strings form a G major chord.
To change to "Open G" tuning from the classic first, fifth And sixth strings drop to tone.
"New Standard"
Also known as "Crafty tuning". A tuning developed by musician Robert Fripp and used by him since 1983. Unlike the classical “quart” tuning, the tuning proposed by Robert Fripp is closer to bowed string instruments, and first, second And third the strings are tuned similarly to a violin. Tuning to this tuning may require replacing the lower strings with thicker ones and the upper strings with thinner ones.
"Alternative tuning Cross A"
E-A-E-A-E-A. "Sitar A" is an alternative lowered guitar tuning. Reminds me of the sound of an Indian sitar. Great for creating Indian (oriental) music.
Seven-string tunings
Standard
The structure of the strings of a seven-string guitar is mixed - third-fourth, so the chord of the open strings is consonant (major quarter-sixth chord), unlike a six-string guitar. This system is considered classical (academic).