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Guitar tuning e. Types of guitar tunings. Down a whole tone: D-G-C-f-a-d

And he even posted it, albeit in English.
In general, today I decided to touch upon this topic again and consider the most common of them.


It wouldn't hurt to remind you of simple things. If you decide to tune lower, then it is better to take a thicker one, otherwise in some Dropped the usual nine will just dangle and ring on the frets. If you decide to make the tuning of your guitar higher, then in this case you can take thinner strings, because Large gauge strings, in this case, can be very tight. Well, no one has canceled the excess load on the bar either.

Also, if there is a radical change in the system, be prepared to do it again, although you may not have to do this.

So, let's go.

Standard tuning: E-A-D-g-b-e

In standard guitar tuning, all string intervals are perfect fourths (five semitones), except for the interval between the third string (g) and second string (b), which is a major third (four semitones).

Down a semitone: Eb-Ab-Db-gb-bb-eb

This guitar tuning is also called "Eb" - based on the note to which the thickest string is tuned. Tuning the guitar is exactly the same as in standard system. The sound intervals between the strings remain exactly the same, but each string is tuned exactly one semitone lower than the standard tuning. Eb tuning can be used for many reasons, such as making the strings softer and bending easier, or to better suit a singer's vocal range. There can be many reasons. This tuning was used by Jimi Hendrix and Stevie Ray Vaughan.

On whole tone down: D-G-C-f-a-d

This tuning is also called “Tuning D” - based on the note to which the thickest string is tuned. Everything is the same as in the previous case, except that each string is tuned a tone lower than the standard tuning. This tuning is used for the same reasons as "E?", it causes the strings to sag even more and makes bending even easier. At this point I would think about using thicker gauge strings.
If this is not enough for you, then you can continue further. Those. lower or lower each string at an equal interval relative to the standard tuning. The algorithm is simple, the main thing is to choose the appropriate size strings.

Drop-D: D-A-d-g-b-e

Drop-D is probably one of the most popular tunings in hard rock, alternative and other motherfuckers. By the way, folk guitarists do not disdain them either. Although they are, in general, big fans of alternative and non-standard guitar tunings.
By lowering the low E string one step to D, we can make power chords easier to play. Now they can be played with one finger, simply by plucking three thick strings, the 4th, 5th and 6th, respectively. Drop-D tuning gives a meatier sound and extends the overall range of the guitar towards the bottom compared to standard tuning.
By the way, this system does not require a large and lengthy restructuring, which allows you to change the system right on the fly, with the proper skill, of course.
To facilitate this procedure, a special device was even invented and made - the D Tuner, which will allow you to literally rebuild the sixth string in a second.

Double Drop-D: D-A-d-g-b-d

Double drop D is Neil Young's favorite tuning. It is identical to the regular Drop-D, except that the high e is also lowered one tone from the standard tuning - to d. With this setup, it turns out that the 4th high strings form a G major chord, and this can be convenient when playing with a slide. This tuning is also quite quick and easy to get from the standard one.

Drop-C: C-G-c-f-a-d

This tuning will help make your guitar sound lower and meatier when overdriven. This tuning is obtained if you first tune the guitar a tone lower than the standard one, and then lower the 6th string another tone.
Quite low, don't you think? With this tuning, thicker strings are clearly needed. Thin ones will obviously hang around like snot.
In general, the technique is simple. We already understand what Drop is. But whether to lower it by one tone, 2 or more - that’s up to you. Everything will depend on the gauge of the strings and your desire.

Tuning D5: D-A-d-d-d-d

This system is classified as open formations, because If all the strings are open, the chord D5 sounds. This tuning is quite often used when playing slide. To get this tuning you need to lower the 3rd string by 5 semitones, raise the 2nd string by 3 semitones and lower the 1st string by a tone.
There are variations of this tuning in which the 3rd string is raised to A instead of lowered to D. This gives two fifths of a step in different octaves, which gives the sound some depth.

Ostrich formation: D-D-d-d-d-d

In this tuning, all strings are tuned to the same note. Lou Reed is said to have invented this tuning while he was with the Velvet Underground. Important note: With this tuning, you will definitely need to build your own set of strings.

I guess I'll stop for today. Of course, all alternative and non-standard guitar tunings are not limited to this.
I think I’ll throw in a dozen more soon.

Beginning guitarists often wonder: what tuning does this or that favorite rock band play in? How to tune a guitar so that you can comfortably play known and favorite songs? In this article I will briefly give examples of guitar tunings in rock music and their representatives (musicians, bands).

I will immediately give a list of the notations used:

  • C - note C
  • D - note D
  • E - note E
  • F - note Fa
  • G - note Sol
  • A - note A
  • B (or H) - note B
  • # - sharp - raising a note by a semitone. Half a tone on a guitar - one fret.
  • b - flat - lowering the note by a semitone.
  • The notes in the tuning tablature are arranged in order from the 1st (thin) string to the 6th (thick) string. For example, E B G D A E.

1. Standard, E (standard, Spanish or classical tuning).

The simplest and most famous guitar tuning. Tablature of the system: E B G D A E - Mi Si Sol Re La Mi. This system is used mainly by rock music luminaries, old-school musicians and adherents of light genres.

Groups and musicians who play in standard tuning:

  • AC/DC
  • Led Zeppelin
  • Metallica
  • Gun's & Roses
  • Nightwish
  • Deep Purple
  • Nirvana (semitone lower)
  • Blink 182
  • Sum 41
  • Joe Satriani
  • Carlos Santana
  • Aria, Kipelov (half a tone lower)
  • Nickelback
  • Placebo
  • Rage Against The Machine
  • Queen
  • Red Hot Chili Peppers
  • Rise Against
  • Scorpions
  • Steve Vai
  • Chuck Berry
  • Bon Jovi
  • 30 Seconds To Mars

2. Drop D (lowered D)

This tuning differs from the standard one in that the 6th string on the guitar is lowered one tone. In consonance with the 4th and 5th strings it gives an octave. Tablature: E B G D A D. Like any lowered tuning, it is convenient in that you can play “zeros” on it (the so-called open strings) and previously familiar chords can be pressed with just one finger, plus two more low chords are added that are not available when playing with standard tuning.

Bands that play Drop tuning D:

  • Asking Alexandria
  • Avenged Sevenfold
  • Evanescence
  • Linkin Park (later albums)
  • Papa Roach
  • Rage Against The Machine
  • three days Grace
  • Thousand Foot Krutch
  • Queens of the Stone Age
  • Deftones
  • fall out Boy
  • Shinedown
  • Amatory

3. Drop C# (lowered C sharp)

This is a tuning in which all the strings are lowered by another semitone, unlike the D tuning. Tablature: D# A# F# C# G# C#.

Bands that play in the Drop C# tuning:

  • Linkin Park
  • Attack! Attack!
  • Breaking Benjamin
  • Papa Roach (some songs from recent years)
  • Limp Bizkit
  • H-Blockx
  • Staind
  • Deftones

4. Drop C (lowered C)

This lowered tuning is quite common in alternative and metalcore music. Tablature: D A F C G C.

Bands that play in the Drop C tuning:

  • Bullet For My Valentine
  • As I Lay Dying
  • Atreyu
  • Periphery
  • three days Grace
  • System of a Down
  • Godsmack
  • Nine Lashes
  • Breaking Benjamin
  • 12 Stones
  • Disturbed
  • Lumen
  • Nickelback
  • Skillet
  • Rammstein
  • Evans Blue
  • August Burns Red

5. Drop B (lowered C)

The low B tuning is an alternative to the standard seven-string guitar tuning. It allows you to customize six string guitar as low as a seven-string would sound, plus it makes it easier to play chords. Tablature: C# G# E B F# B. Seven-string guitar tablature: E B G D A E B.

Bands that play in the Drop B tuning:

  • Parkway Drive
  • Slipknot
  • Thousand Foot Krutch
  • Bleeding Through
  • Linkin Park
  • Amatory
  • Limp Bizkit
  • Skillet
  • Veil of Maya
  • Stigmata

6. Drop A# (lowered A sharp)

This tuning is also an alternative to the seven-string guitar, lowered a half step. Tablature: C G D# A# F A#. Seven-string guitar tablature: D# A# F# C# G# D# A#.

Bands that play in the Drop A# tuning:

  • Bring Me The Horizon
  • Parkway Drive
  • Breaking Benjamin
  • Obey The Brave
  • The Ghost Inside
  • Korn (7-strings)

7. Drop A (lowered A)

Extremely low build. Tablature: B F# D A E A. Seven-string guitar tablature: D A F C G D A.

Bands that play in Drop A tuning:

  • My Autumn
  • Betraying The Martyrs
  • Emmure
  • Born Of Osiris
  • Within The Ruins

This is not a complete list of all guitar tunings. In addition to standard and lowered schemes, others are used: for example, when not only the 6th string is lowered, but also the 1st string. This technique is used in blues; it allows you to produce beautiful sounds by playing a slide on the first three strings. Also, in addition to seven-string guitars and baritones (guitars with an increased scale), there are now eight-string and even nine-string electric guitars. Accordingly, the tunings of these guitars are much lower.

Do you know what strings are needed for a certain tuning?

The list of musicians and groups is also far from complete. If you have suggestions for adding to the article or questions about what tuning a certain group plays in, write in the comments!

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Details Author: JetNet Views: 1003 09/04/2017 19:57 Category: Where to start???

In this article I want to clarify a little guitar tunings. What are they, why were they formed this way, and how to generally tune your guitar. Firstly, a little educational information. The order is indicated by letters. The letters are the notes that produce the open strings from the sixth (thickest) to the first (thinnest). Let's start with, so to speak, the standard - this standard guitar tuning.

Standard tuning E A D G B E (E)

In this tuning, the guitar is tuned in fourths, i.e. the interval between each string is a fourth. Read what it is. The exception is the second and third strings, the interval between which is a major third. They say in the jargon that the guitar is tuned in "E", i.e. these are the notes on the first and sixth strings. By tuning your guitar in this tuning, you can easily play regular full chords, major and minor. And in general, it seems to me that 90% of all songs can be played in it.

Low tuning Eb Ab Db Gb Bb Eb (E flat)

If all strings are tuned to standard tuning and lower each one by a semitone, then we get a lowered E flat tuning. The spacing between the strings is the same as in standard E tuning. What is this system used for? Mainly to make it easier for the vocalist to sing or for a lower and heavier sound (for example in heavy metal and other rock music).

Low tuning D G C F A D (D)

If in the standard tuning all the strings are lowered even lower - by 2 semitones, then we will get the D tuning. Here also the intervals are preserved. Essentially all lower tunings of this type are just standard tunings with a lower tuning. Used again for a heavier and lower sound, for example in heavy metal. The standard can be lowered further and get, for example, C (to). The meaning will be the same.

Dropped D: D A D G B E

Now this is more interesting. Take the E standard and lower the 6th string a whole tone. Now we have 2 D notes on open strings. Fifths on the sixth string are pressed not with 2 fingers, as in the standard one, but with one. This is probably the most popular tuning in alternative metal. Gives a meatier sound and expands the guitar's range. Well, convenience appears when playing fifths (power chords).

Dropped C: C G C F A D

Everything is the same as in the case of Drop D, only we take the lowered tuning of D as a basis and also lower the sixth string an additional tone. The favorite tuning of all metalcore players.

So, by equivalently lowering the strings, you can tune the guitar even higher or lower. That is, in essence, all these tunings above are variations of 2 tunings: standard and drop. They are probably the most popular among guitarists. Using just them, you can play 99% of all the songs in the world with ease. In addition to them, there are also a lot of non-standard tunings, but they are rarely used. And in general, you yourself can even come up with your own guitar tuning and figure out how to play it =)

There are a lot of bands in the world that play in a variety of tunings. It seems that one can get confused in such diversity. But if you look closely, it turns out that almost all tunings belong to one of several common types, which I will now describe.

In the pictures below I have depicted the “formulas” of these types. It’s not very visual, but it’s beautiful and New Year’s-like. The numbers indicate the interval between adjacent strings. For example, in standard tuning, the second string is 5 semitones lower than the first, the third is 4 semitones lower than the second, and so on.

This sequence is familiar to anyone who has tuned a guitar “by itself”:

Any tuning with the same sequence of intervals (5-5-5-4-5, if you count from bottom to top) is also a standard tuning, only lowered (or higher). The same chord and scale fingerings will work in it. Any part written in E standard can be played in D standard tuning, it will simply sound a tone lower. The very essence of the tuning - the intervals between adjacent strings - remains the same.

From a "just play" point of view EADGBE- this is the same as DGCFAD. I want to play something from Death, and a guitar in standard tuning is not a problem, we look for taboos and play. It will just sound a tone higher. Because the TYPE of structure is the same. Other options:
- raise the original by a tone in the audio editor and play along with it.
- lower the guitar with a pitch shifter in real time and play to the unaltered original.
- record the minus in standard tuning and play along with it.

And if the intervals are different, then we are talking about a different TYPE of structure. If you want to play something from Killswitch Engage, you need to understand what type of system it is. And it turns out that they CGCFAD- this is the same as DADGBE, but a tone lower. So all you have to do is switch to good old DropD.

The easiest way to determine the type of tuning is to read this post, and then enter the tuning in guitarpro and raise and lower the whole thing until something familiar or as close as possible to the standard appears:

I have provided examples for each type of structure. If I write only the name of the group, it means that this structure is the main one for it. It's the same with albums. If a song is listed, it means the band made one or more songs in that tuning, but used others more often.

Then I indicate the pros and cons of the tuning and which version is closest to the standard tuning (“for testing”). If “for trial” is not indicated, it means that the tuning requires a custom set of strings in any of its variants.

Standard tuning

Standard tuning is a tuning in which all intervals between the strings are 5 semitones, and only between the 2nd and 3rd strings there are 4 semitones. The most standard version (which is simply called the standard tuning) is the one that begins and ends with E - EADGBE. All other options are named by open note, which is obtained on the first or sixth string: for example, D standard.

E standard EADGBE The vast majority of all groups in the world. True, it is not so easy to find a large/famous group that would play ONLY in Mi standard. All the heroes of rock are the Beatles, Rolling Stones, Pink Floyd and so on, at least sometimes they turned to other systems. Even AC/DC has several songs in Eb standard. Perhaps the only classic of rock that can be cited is Queen, and even then I’m not entirely sure ( update: Queen also disappears: they have Headlong in DropD).
It’s even more difficult with metalheads. All the major groups either started out playing in lower tunings or switched to them over time. Well, again, Burzum and Darkthrone probably have everything in standard order.
Eb standard EbAbDbGbBbEb Jimi Hendrix, Stevie Ray Vaughan, Black Sabbath, Motorhead, Guns"n"Roses
D standard DGCFAD Death, Children Of Bodom, Nightwish, Gojira, Ghost, Nirvana in "Lithium", Metallica in "Sad But True"
C# standard C#BEG# Black Sabbath on the album “Master Of Reality”, My Dying Bride, Limp Bizkit, Dying Fetus
C standard CFBbEbGC Dethklok, High on Fire, In Flames, Queens of the Stone Age, Kyuss
B standard BEADF Amon Amarth, Crowbar, Soilwork, Carcass, Type O Negative, Sepultura in "Roots"
Bb standard BbEbAbDbFBb Cannibal Corpse in "Blowtorch Slaughter"
A standard ADGCEA KYPCK

Some groups (Placebo, Vektor), on the contrary, raise the standard tuning by a semitone. Johnny Marr of the Smiths used a tuning a step higher than standard on some songs ("This Charming Man").

+ Standard tuning is the ideal compromise between range and ease of playing chords and melodies. Friendly with many tonalities. This is done especially clearly after you try several alternative tunings: many of them are better than the standard one in one of the parameters, but they are necessarily worse in another or several. The standard has become a standard for a reason - it is the most practical and universal.
– Sometimes you want something different)

Drop tunings

Drop tuning is a standard tuning with the sixth string lowered a tone.
They are named after the open note produced on the sixth string. For example, DropD is DADGBE.

+ Range extension down, power chords with one finger, and their extensions up (like 447454), the first five strings are tuned as in the standard - play solos as much as you want
– Slightly less versatility than standard tuning. The increased “gap” between the 5th and 6th strings somewhat limits play in the lower range.
To try: DropD (DADGBE)

Open formations

They are obtained when all the strings are tuned to the notes of a chord. Usually major or minor. They are called by the name of the chord. There is no clear connection between the name of the system and the system. For example, " open A major" is any tuning where there are open strings A, C# and E (and no others). It could be EEAAC And EAC#AC or even reduced AEAEAC#.

The most common options:

5-7-5-4-3

Open G DGDGBD Rolling Stones in "Brown Sugar" and "Start Me Up", Alter Bridge in "Watch Over You"
Open A: EEAAC Led Zeppelin in "In My Time of Dying", White Stripes in "Seven Nation Army"
Open F: CFCFAC Led Zeppelin in "When the Levee Breaks"

7-5-4-3-5

Open D DADF#AD Joni Mitchell in Big Yellow Taxi
Open E EBEG#BE Derek Trucks

7-5-7-5-4

>
Open C CGCGCE Devin Townsend
Open B BF#BF #BD #

To try: Open G, Open D, Open C

+ Suitable for playing with a slide
– They are friendly to one or two keys, can be very inconvenient in others, and are not always friendly with scale-like passages.

Modal scales

That's what they call it open formations, based on a chord that is not major or minor. Typically this is a sus2 or sus4 chord.

The most famous of them is the “Celtic tuning” (opened by Dsus4):


Standard option - DADGAD(Led Zeppelin in "Kashmir", Staind in "Epiphany"). Lowered versions of this tuning were used by Mark Tremonti in Creed and Alter Bridge, Russian Circles and Sevendust.

Drone formations

Tunings where all or almost all the strings are tuned to the same note (not necessarily the same octave).

DDDDD- The Velvet Underground in "Venus In Furs"
BDDDDD- Goo Goo Dolls in "Iris"

+ Very different
– Very specific

"Seven-string without a sixth"


This is a standard tuning in which the sixth string is lowered not by a tone, as in drop tunings, but by 5 semitones. It turns out like a seven-string with a missing sixth string. And the fingering, which usually gives a fifth on the 5th and 6th strings, now gives an octave.

+ Fingerings can be moved anywhere on the fingerboard without having to adjust them. Complete symmetry.
– You'll have to forget about open chords and barre chords.
To try: EADGCF or D #BE (if you don’t want to tune the first and second strings higher)

Fifth scale (all Fifths)


Each next string is a fifth (7 semitones) higher than the previous one.

One of the main versions is CGDAEB. The lower C then turns out not too low for acoustics, but the upper B turns out to be very high - a fifth higher than the standard upper E. On a guitar with a standard scale and ordinary strings, this B is unattainable: the string will simply break before reaching it.
This guy from YouTube carefully used a very thin string to get the upper B.
A this one put it on classical guitar instead of the first string, fishing line with a cross section of 0.5 mm, in combination with five nylon strings from the regular kit.

The other extreme is to start with the standard high E and work fifths down from there. It will work out FCGDAE, the first string is as in standard tuning, and the sixth is almost an octave lower than the sixth in standard tuning. This is too low to produce clean notes on a standard scale guitar with this string. You will need a baritone or multi-scale guitar.

+ Complete symmetry, as in the fourth tuning. Huge range (almost an octave wider than standard tuning).
– You need a custom set of strings and a willingness to make compromises (or order an instrument with a multi-scale). You'll have to forget about small intervals and chords in which the notes are close to each other. Playing scales and melodies will require increased stretching.

By the way, a mandolin is tuned to fifth tuning ( GDAE), and that's it bowed instruments, except double bass: for example, violin in GDAE, and the cello in СGDA. In addition, there are four-string tenor guitars which have 4 strings and are tuned in fifth tuning CGDA.

"New Standard Tuning"


A tuning invented by Robert Fripp to solve the problem of the fifth tuning. He replaced the top fifth with a minor third, and it turned out CGDAEG. Upper Sol is also high, but already achievable. Can be used standard strings 9 or 10 gauge. But it’s better to assemble a custom kit.

"Nashville tuning"


-8 in the formula means that the 2nd string is tuned not higher than the third, but 8 semitones LOWER. “Nashville tuning” usually works out like this: we take a set of strings for a 12-string and put only the “thin” half of it on the 6-string, tuning it in the same way as on a 12-string. Now the first and second strings are tuned the same as in standard tuning, and all the others are tuned an octave higher. The result is a “ringing” tuning with a reduced range, in which some notes in the chords will be duplicated. This tuning is suitable for overdubs and any additional parts. For example, you can record the same chord part on a 6-string in standard tuning and the same chord in Nashville tuning. In essence, it turned out to be a 12-string, but the only difference is that this is not one performance, but two slightly different ones, which will give more volume, besides, these are two separate tracks and can be panned in different directions.

Double-drop tunings


They are obtained when, in standard tuning, not only the sixth, but also the first string is lowered by a tone.

Double Drop D DADGBD Neil Young on "Cortez The Killer", Led Zeppelin on "Going To California"
Double Drop B BF#BEG Isis

To try: DADGBD. It's funny that this system is “one step away” from each of the three above - DropD (DADGBE), Open G (DGDGBD) and DADGAD.

Now about the seven-string guitar.

The standard seven-string tuning is a six-string E standard plus a 7th string in B.





Seven string B standard BEADGBE Dream Theater in "Caught In A Web", Steve Vai in "Riddle", Joe Satriani in "Mind Storm", Fallujah
Seven string Bb standard BbEbAbDbGbBbEb Morbid Angel, early Meshuggah, Nevermore
Seven string A standard ADGCFA Fear Factory, Korn
Seven string Ab standard AbDbGbBEAbDb Deftones on "Hexagram"

Seven-string Drop tuning is a seven-string standard in which the seventh string is lowered a tone.






Seven-string DropA AEADGBE Suicide Silence, Whitechapel, later Scar Symmetry. Jazz guitarist George Van Eps, who played a seven-string electric guitar back in the 60s, also used this tuning.
Seven-string DropAb AbEbAbDbGbBbEb Periphery on seven-string songs
Seven-string DropG GDGCFAD Vildhjarta, Emmure
Seven-string DropF# F#BEG# Rivers Of Nihil, Deftones on Saturday Night Wrist album
Seven-string DropD DADGCEA Black Tongue

Some people take the six-string drop tuning and add a seventh string from the bottom. It can be a third lower:



Six-string DropD + low B BDADGBE Animals As Leaders in "Cafo"
Six-string Drop C# + low A# A

In the previous article, the issue of lowered order guitars. In this article I would like to discuss it in more detail.
Let me remind you that the standard tuning of a six-string electric guitar is: E[E]-A[A]-De[D]-G[G]-B[H]-E[E], starting from the sixth string. Let's look at the prerequisites for switching to a different guitar tuning. Down tuning is used in extreme music to create a tighter, heavier and more powerful sound. You can also give an example of when musicians playing in rock bands decide to use a lower tuning to make it easier for the vocalist to sing. That is, they adapt to a certain person and a certain style of music. By the way, you can also raise the tuning of the guitar, adapting to the singer’s vocal abilities. Also, the use of a low guitar tuning is due to a different chord fingering. That is, the tuning of the guitar is selected for the convenience of playing chords.

When using low tuning electric guitars, naturally, the string tension will decrease and thin strings may simply hang. Therefore, you need to select thicker sets of strings.
I can say that there are quite a lot of options for tuning a guitar. We'll look at a few common ones. Using their examples, you can choose the optimal system for yourself or come up with your own.

  1. Lower by half a tone. In this case, the system becomes as follows: Re#-Sol#-Do#-Fa#-Aa#-Re#.
  2. Lower by tone. Guitar tuning: D[D]-G[G]-Do[C]-F[F]-A[A]-D[D].
  3. A formation called "Drop D". In this case, only the sixth string is lowered by a tone: Re[D]-A[A]-Re[D]-Sol[G]-Bi[H]-Mi[E]. In this case, there is a fifth between the sixth and fifth strings and you can play various riffs by pressing these two strings with one finger.

    4. Guitar tuning: Drop D

  4. The formation is called "Drop C". The sixth string is lowered by two tones. The remaining strings are one tone. Then the guitar tuning looks like this: Do[C]-G[G]-Do[C]-Fa[F]-A[A]-D[D]. The tuning is lower than described above, but similarly you can play chords on two low strings with one finger.

    5. Guitar tuning: Drop C

  5. And in conclusion, let's look at one more system. I remember him from the song Kashmir by Led Zeppelin. It looks like this: Re[D]-A[A]-Re[D]-Sol[G]-A[A]-Re[D].

    6. Led Zeppelin