“Being famous is ugly” Boris Pasternak
Being famous is not nice.
This is not what lifts you up.
No need to create an archive,
Shake over manuscripts.The goal of creativity is dedication,
Not hype, not success.
Shameful, meaningless
Be the talk of everyone.But we must live without imposture,
Live like this so that in the end
Attract the love of space to you,
Hear the call of the future.And you have to leave spaces
In fate, and not among papers,
Places and chapters of a whole life
Crossing out in the margins.And plunge into the unknown
And hide your steps in it,
How the area hides in the fog,
When you can't see a thing in it.Others on the trail
They will pass your path by an inch,
But defeat comes from victory
You don't have to differentiate yourself.And should not a single slice
Don't give up on your face
But to be alive, alive and only,
Alive and only until the end.
Analysis of Pasternak’s poem “It’s not beautiful to be famous”
The creative path of Boris Pasternak was very difficult and extraordinary. Today he is rightfully considered one of the brightest Russian poets of the 20th century. However, their most famous works, including the novel Doctor Zhivago, which brought the author Nobel Prize, parsnip wrote in the era of the formation and development of the USSR. Naturally, in order to become famous writer in a country with a totalitarian regime, it was necessary to have not only a bright and original talent, but also to be able to hide one’s true feelings both in public and in works. Parsnips were never able to learn this, so they were periodically subjected to disgrace by the ruling elite. Nevertheless, he was popular, and his poems, novels and plays, which periodically disappeared from sale and were rejected by censorship, were published abroad and copied by hand. The author was really famous, but he was embarrassed to be recognized on the street and tried in every possible way to belittle his own contribution to literature. However, not all Soviet writers behaved this way. Many of them, not having even a hundredth part of Pasternak’s talent, considered themselves real geniuses and emphasized this in every possible way. Moreover, in those days it was not so much a literary gift that was valued as a loyal attitude to party politics.
Among the creative intelligentsia, Pasternak, for all his fame, had few friends. The poet himself explained this by saying that he was unable to maintain warm and trusting relationships with hypocrites and careerists. Those who were treated kindly by the authorities could afford to live in luxury, although from the pages of newspapers they called on the people for equality and fraternity. Therefore, in 1956, parsnip wrote his famous the poem “Being Famous is Ugly,” which was addressed to colleagues in the literary workshop. After the publication of this work, which was included in the collection “When it clears up,” many famous poets and the writers simply stopped greeting Pasternak, believing that he addressed his rhyming message to them personally. In fact, the author created a kind of code of honor for a writer, talking about how he sees a real poet or writer. In his opinion, modern writers You shouldn’t take care of your creative heritage, create archives and “shake over manuscripts.” Years will pass, and if these people were truly talented, then future generations of readers will appreciate it. If not, then carefully collected and sorted papers will forever gather dust in museum and library storerooms, unclaimed by anyone. The poet is convinced that “the goal of creativity is dedication, not hype, not success”. He calls on his colleagues to “live without imposture,” i.e. do not take credit for other people’s merits and do not try to look better in the eyes of others. According to Parsnip, life will put everything in its place anyway, and it will be much more important for posterity to know that the person whose works they admire was not a scoundrel. Therefore, the author is convinced that one must live in such a way as to “attract to oneself the love of space, to hear the call of the future.” In addition, the poet calls on fellow writers to “plunge into the unknown and hide your steps in it,” and not revel in power, money and prosperity, which predetermine fate and deprive a person of that spark in creativity, which is called talent.
Pasternak knows that history is created by people and interpreted by them to serve their own interests. Therefore, he is convinced that everything in this world is relative, and you should not revel in your achievements, which may be perceived completely differently after many years. The author believes that a real poet should not distinguish “defeats from victories,” because time will still judge everyone in its own way. And the only value that is an absolute value for Pasternak is the opportunity to “be alive” to the end, i.e. be able to sincerely love, despise and hate, and not portray these feelings to please someone in your works.
Throughout its entire creative life Boris Pasternak tried to be extraordinary and unusual. The most striking works of this author were written during the period early development USSR. The totalitarian regime that reigned around demanded from writers and poets special dexterity, a kind of hypocrisy and the ability to please the ruling party. However, Pasternak could not lead a double life and directly expressed thoughts and feelings in his poetic works.
Of course, for such frankness, the poet was repeatedly condemned by the top government and his creative works came under strict censorship. Although abroad, Pasternak's novels and poems were published, published and received their own circle of fans.
Boris Leonidovich did not have many friends among the poets and writers of that time. He simply did not want to communicate with hypocrites and suck-ups who tried to please the totalitarian rulers.
Pasternak, addressing his comrades, publishes the poem “Being Famous is Ugly.” In it, the author repeatedly convinces his colleagues not to store archives of written work and not to fiddle with manuscripts. After all, if the published works are truly great, the reader will remember them even after a hundred years.
Boris Leonidovich writes that any poet should create his creations only for dedication, and not for success and hype.
Of course, such lines sharply hit the self-esteem of Pasternak’s peers. Many poets and writers stopped greeting the author of the poetic lines, taking the work “Being Famous is Ugly” personally. Although Boris Leonidovich did not set himself the goal of humiliating any of his comrades. He was just trying to say that under any circumstances one should not turn into scoundrels.
You need to create a decent image creative person, which the heirs will remember with pride. The poet is confident that the course of history and man’s direct participation in it will change repeatedly. And those feats that are performed at one time can be considered base deeds after a couple of decades. For these reasons, Pasternak tried to remain “alive” - sincere and humane in any circumstances.
Boris Pasternak is not only a famous, but also a socially recognized Russian poet of the 20th century. He wrote more than 500 works. There was a time that he wrote in the direction of futurism, which is very similar to Mayakovsky, but the author got bored with the complexity of the language and the rejection of tradition, so his position changed. The style has become light and relaxed. In the poem “It's Ugly to Be Famous,” he talks about his point of view regarding literary creativity and about people who devoted themselves to art.
The poem “It’s Ugly to Be Famous” by the famous Russian poet Boris Pasternak was created in 1956. It's in the middle of it creative works from the poetry collection “When it clears up.” Then the author was subjected to numerous attacks in the press, and he was not pleased with such fame. Therefore, he warns his descendants: fame seems beautiful only when it is not there. In fact, she is disgusting.
The author touched on many different topics in his poems: love, society, time, philosophy. At this stage of his life, Pasternak talked a lot about what the essence of creativity in the life of every poet is.
Genre, direction, size
In the poem you can see how Pasternak leads a philosophical thread and reveals all his thoughts about the goals of creativity, its process and results. Therefore, we have before us the purest philosophical lyrics.
The poem is written in constantly changing meters: spondee - pyrrhic - iambic. Cross rhyme. Pasternak uses such transitions to freely convey his thoughts, so that people, without thinking, listen to what the poet is talking about.
Images and symbols
The lyrical hero in the poem is, in fact, Pasternak himself. He's passing long haul in search of the truth, the present, something genuine, and, in the end, comes to certain conclusions and conclusions, having learned own experience the essence of fame, publicity and recognition.
The lyrical hero is peaceful and serene, his inner state has acquired harmony. He finally realized who the true creator was. Although the hero is distinguished by self-confidence, he does not stop continuing his search better ways to realize your creative thoughts.
The path and the trail are symbols of the creative and life path. The poet hides his steps in the unknown, that is, he opens new horizons to which people will come in his footsteps. This is where the call of the future leads him.
Themes and moods
The mood of the poem is solemn. The author utters truths that define the essence of his worldview.
- Main theme – poet and poetry. The author talks about creative path and the purpose of a creative person. He sees it not in glory, but in discovering something new for readers, something that has not yet existed. It is necessary to leave a significant mark in the area where you realize your potential.
- Parsnip touches the problem of dedication. Not each of us is able to sacrifice part of ourselves to ideals and aspirations. People want easy success without giving anything in return, but this achievement is shameful, according to the author.
- The author also says about true and false confession. The poet must create “without imposture”; his place will be appreciated by history, and not by himself. You shouldn’t attribute to yourself significance that doesn’t really exist, because there’s no point in leaving behind a pile of papers if you haven’t resonated with anyone in people’s memory.
- In the poem you can see the topic of finding yourself, your style, your direction. Only by stepping into the unknown, into new spaces at the call of the future, can you create something truly significant.
- Also important modesty theme: you need to treat yourself and others without a vain desire to show off. Even undeniable advantages must be recognized without unnecessary bragging.
- In addition, the poem plays an important role fame problem. Many artists cannot stand the test of success and recognition, but it is so important to always remain yourself, without attaching importance to the frivolous and fickle love of the crowd.
main idea
Main idea The poem is that the significance of the creator depends not on the number of works he wrote, not on the shouts and adulation of the crowd, not on the recognition of power, but on how much he contributes to eternity, how valuable his creations are on the scale of history. Only the pioneers should receive the laurels of genius, because humanity follows in their footsteps.
As a mentor, Pasternak encourages writing not for fame and fortune, but for society, for his listener, for the future. The poet tramples the road into the unknown in order to lead people with him - this is the meaning of his mission. But even if he manages to do this, we must not forget about modesty. Victories, audience love, and fame must be treated adequately. There is no need to revel in this, because a poet is an artist of words, called by the future themselves, and not an impostor who does everything for his own benefit.
Means of artistic expression
Pasternak uses verbs and participial phrases for expressiveness and conveying his emotional mood. But, in addition to them, other methods can be noted artistic expression, such as the epithets “living trace” and “single slice”.
The hero plunges into the obscurity of the future, “like the terrain hiding in the fog” - this is a comparison. The author often uses antitheses: “defeat” and “victory”, “hype” and “love of space”. Pasternak also gives special brightness to the poem thanks to phraseological units: “to be a byword on everyone’s lips,” “not to be seen in sight,” and “an inch beyond.” Behind the metaphor of “leaving gaps in fate,” the author hides a call to search for oneself, to thoughts of self-knowledge.
In the last quatrain, the poet resorts to the use of repetition, which multiplies the meaning of this word and gives the poem “Being Famous is Ugly” even more emotional overtones:
But to be alive, alive and only,
Alive and only until the end
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The poem “Being Famous is Ugly” is his programmatic work: in it the author expresses his thoughts about what a creative person should be, describes his views on literary creativity. Using brief analysis“Being famous is ugly,” according to the plan for a literature lesson in the 9th grade, you can easily and clearly explain to schoolchildren the essence of these views.
Brief Analysis
History of creation- written in 1956, it was included in the poetry collection “When it clears up,” along with other works written by Pasternak over three fruitful years.
Theme of the poem- the essence of creativity and the poet’s code of life.
Composition– the work can be divided into three thematic parts. In the first, the poet argues that the creator should not strive for public recognition; this is not the goal of creativity. The second part reveals the opinion of how exactly a poet should live, and in the last, final part of the composition, Pasternak says that following the code of life will ultimately lead a creative person to literary immortality.
Genre- philosophical lyrics.
Poetic size– complex, Boris Pasternak uses transitions from one size to another according to the pattern spondee - pyrrhic - pyrrhic - iambic.
Metaphors – “leave gaps in fate“, “be the talk of the town“,
Epithets- "and whole life“, “living trace“, “in one piece“.
Comparisons – “how the area hides in the fog“.
Antithesis – “ defeat - victory“.
History of creation
The poem “Being Famous is Ugly” was written after a whole series of events in the poet’s life - he was recognized, he became a member of the Writers’ Union, the “leader of nations” died, but the general literary fuss worried him less and less, Pasternak was mainly engaged in translations. At the same time, he thought a lot about the essence of creativity, the result of these thoughts was the hard-won truth, clothed in poetic form in 1956.
There is a hypothesis related to the history of creation that with this work, which can be called programmatic without exaggeration, Boris Pasternak demonstrated his rejection of the creative choice of Vladimir Mayakovsky, who at that time was considered the best poet modernity and an almost inviolable personality.
The poet included the poem in his collection “When it clears up,” which was filled with more than forty poems in the period from 1956 to 1958.
Subject
The general theme is the essence of creativity and the path of a creative person, his purpose, but Pasternak also reflects on death and life, on fate, on the goals of creativity in the broadest sense.
Composition
The compositional structure of the verse is quite simple - it is three-part. In the first part, the poet seems to pour a tub of ice water, speaking about creators who are the talk of everyone’s lips, without meaning anything.
The second part is a reflection on what a person should be like. engaged in creativity - Pasternak sees him as a person living without impostor, but for the sake of eternity. He must leave his life behind the scenes, showing only the result of his creativity, and not his personality.
And the third part is instructions to other poets what needs to be done in order to remain in eternity, and not gain only momentary fame. According to Pasternak, for this it is necessary to be alive until the very end. At the same time, his instructions cannot be taken as arrogant moral teachings - the poet himself always followed the commandments that are set out in “Being Famous is Ugly.”
The main motive of the work is knowledge and search for oneself.
Genre
This philosophical work, Pasternak’s message to his contemporaries and descendants, his teaching, where the poet himself acts as a mentor. He shows others the path that he himself considers true - not to recognition by his contemporaries, but to something distant and eternal. Pasternak uses complex transitions from one meter to another, spondee is replaced by pyrrhic, and tom, in turn, by iambic. This allows him to express his thoughts quite freely without feeling constrained by the form. The rhyme is the same in each case - cross.
Means of expression
Pasternak mainly uses verbs to convey movement, the poem abounds participial phrases- all this makes him very energetic. At the same time, the poet does not abandon classical means of expression, such as:
- Metaphors– “to leave gaps in fate”, “to be a byword on everyone’s lips”,
- Epithets- “a whole life”, “a living trace”, “a single slice”.
- Comparisons- “how the area hides in the fog.”
- Antithesis– “defeat is victory.”
All expressive means are used as harmoniously as possible - they work to reveal the general idea. Pasternak created a work that is an ideal combination of content and form.
Being famous is ugly, analysis of a poem according to plan
1. History of creation. The work "It's Ugly to Be Famous" (1956) refers to late period creativity of B. Pasternak. By this time, he had already experienced a lot in life, and had the opportunity to compare his fate with the rest of his fellow writers. The work can be considered the author’s programmatic statement about creativity in general.
2. Genre- lyric poem.
3. Main topic works - creative activity. Already in the first line, the phrase that defines the entire poem appears - “being famous is ugly.” Most likely, the author means an infinite number of “creative figures” Soviet Union, which are really nothing special. They achieved all-Union success not through creativity, but through submission and countless praises to the country's political leadership. The ideological background of the work is not so important.
Pasternak reminds us that the main goal of any author is “dedication.” Unfortunately, things often happen differently. Having achieved a certain success, a poet or writer enjoys fame and honor. In the future, his work will be subordinated to maintaining this position (“to be a byword on everyone’s lips”), and not to higher creative goals.
Pasternak was sure that real recognition should come to the creator much later, from grateful descendants. In a burst of inspiration, a poet is able to break the boundaries of time and space. Only in this case will his work have real value. Calling on his colleagues to “plunge into the unknown,” the author denounces mediocre paper scribblers who are prone to publishing voluminous memoirs and autobiographies.
The task of a creative person is to create new worlds, and not to exalt his own wretchedness and not to anyone interesting fate. Pasternak considers the ability not to distinguish between “defeat and victory” to be especially important. Each author must completely renounce worldly goods through complete dedication, while remaining himself. Only by eliminating his dependence on surrounding temptations or dangers can the creator consider himself “alive.”
4. Composition poems are sequential.
5. Size of the product- iambic tetrameter with cross rhyme.
6. Expressive means . The entire poem is built on antithesis. The author contrasts “dedication” with “hype” and “success”, “imposture” with “love of space”. The imagery of the work is given by phraseological units (“a parable on the lips”, “an inch behind an inch”) and metaphors (“the call of the future”, “gaps in fate”). The finale is reinforced by the threefold repetition of the epithet “alive.”
7. Main idea works - true creativity cannot be dependent on transitory values.