We all know that one of the most iconic and grandiose films is the saga " Star wars“So why was she so fascinating and interesting? First of all, the screens were attracted by the visual effects that were striking for that time and the proximity to open space. Let's reveal the secret behind the classic trilogy and find out how the legendary trilogy was created literally from simple cardboard and drawings.
Like any masterpiece, Star Wars began with an idea.
Great storyteller new era cinema George Lucas conceived the epic when he was not yet 30 years old. In the mid-1970s, a preliminary script was ready, which, however, was almost completely rewritten more than once. What do you think, for example, of one of Lucas' ideas to make Luke Skywalker a 60-year-old general, and Han Solo an alien with green scales and gills?
The written story included the plot of all six episodes known today. There is a version that George Lucas decided to shoot the episodes from the middle because at that time there were supposedly not enough skills of visual effects specialists for the first three episodes. This is not so, the director could well have realized his idea starting from the very first episodes. He initially decided to take on the film adaptation of the fourth episode. Firstly, it was done to intrigue the audience. Secondly, George Lucas didn’t even know if he would be able to film more than one episode of Star Wars, so he took on the most “driving” moment of the script.
It only got worse from there. For a long time, no studio wanted to take on the film adaptation of a fairy tale with, to put it mildly, a strange plot. The influence of the hippie movement was still felt in the yard, venerable directors were making serious films about the Vietnam War, and mediocrities were making trash films about evil aliens from outer space. The work of George Lucas was immediately ranked among the latter, but the budget was in this case a considerable amount was required - $8 million. Fortunately, a producer was found who believed in the genius of the young director and allocated the necessary amount.
And still, only a few believed in the success of Star Wars. Lucas himself sometimes doubted that anything worthwhile would come of his idea. Later, the actors recalled filming as the most ridiculous episode in their lives. A tall guy in a monkey suit, dwarfs, simple pretentious dialogues... The film was perceived as a children's fairy tale or trash, but not an adventure fantasy that aspires to cult status.
“The scene in the bar resembled the delirium of a stoned person: some frogs, pigs, a cricket - a nightmare!” - the performers of the main roles said with a smile. Apparently, the same point of view was shared by Hollywood bosses, who for some reason considered one of the main questions of the film whether a Wookie should wear underpants. At some point, they wanted to cancel Star Wars altogether, then they decided to throw out all the special effects from the film and turn it into a television series. Only George Lucas' persistence and stubbornness saved the film.
The lion's share of filming took place in the Tunisian desert. In the same country, they found a suitable name for the planet on which the first third of the film takes place. The name of the city Tataouine quietly transformed into Tatooine. Here in North Africa, suitable scenery was found: the house of Luke Skywalker's guardians was not built specifically for the film, it was an ordinary hut in one of the villages of Tunisia. Suitable interiors were found at a local hotel.
But the city of Mos Eisley, from whose spaceport Luke finally set off on his space journey on the Millennium Falcon, had to be built from scratch. Tons of scenery had to be transported from Hollywood by plane. It took about two months to build a settlement from the received material that would fit perfectly into the desert surroundings.
Han Solo's spaceship was created life-size in one of the largest film studios in England. The length of the colossus reached 50 meters, and the weight was several tens of tons. The giant model of the Millennium Falcon sometimes flashes in the frame, but what was most useful to the film crew was its “innards,” because the main characters spend a lot of time in the ship. True, the cabin still had to be made separately.
George Lucas wanted to literally put the viewer in the place of the characters. The Millennium Falcon is flying at the speed of light, the ship is being fired upon, and is being tossed from side to side. All this should be accompanied by shaking inside. It is difficult to make a 40-ton model vibrate, so it was decided to build a small cabin and place it on a spring platform. In scripted scenes, she was shaken manually.
Another giant model had to be made to recreate the crawler described in the script, on which the Jawas drove around Tatooine in search of robots. For some episodes, a huge metal “box” was built with tracks from a mining excavator. To shoot general scenes, a compact crawler model was used.
Like most science fiction films of the pre-computer era, Star Wars had a lot of “toys”. All spaceships, which we see in the film (from the Millennium Falcon to fighter jets), were made in the form of miniature plastic or even cardboard models. The Death Star was actually drawn, and to film the final large-scale attack scene, the film crew built a 15x15 meter model. Each of the hundreds of turrets and guns that bristled with the Death Star was carefully reproduced on it. The tunnel through which toy rebel fighters flew became the dominant feature of the layout.
Who knows whether “Star Wars” would have received cult status if the film had only space shootouts, without all that “zoo” that nevertheless settled in the film. Hundreds of dolls and masks, huge amount makeup and, of course, a park of dozens of robots. All this fit organically into the new universe and even now looks good.
A variety of robots have been invented
Today it is difficult to imagine Star Wars without the robots C-3PO and R2-D2. It was too expensive to make real mechanisms, so George Lucas agreed to have actors play the astromech droid and robot secretary. Anthony Daniels fit into C-3PO's plastic "armor". According to him, the plates were so fragile that they broke on the first day, injuring the actor’s leg.
Anthony Daniels was completely blind in his suit
Inside R2-D2 sat dwarf Kenny Baker, who played the nimble robot on wheels in all six films in the franchise. The actor recalls that he could not get out of the metallic depths of R2-D2 on his own and sometimes he had to spend several hours inside because people simply forgot about him. In total, more than 30 robots are present in the film in one form or another, most of which were controlled remotely.
Kenny Baker and Anthony Daniels had a tense relationship on set
Sometimes the assistants had to roll R2-D2
True face"Chewbacca"
But it was Chewbacca who had the hardest time, that is, excuse me, Peter Mayhew, who played the Wookiee. Before coming to cinema, the man worked as an orderly in a hospital, but thanks to his height of 221 centimeters, he made his way to the big screen. Every day while filming Star Wars, he had to put on a wool suit, put on the “head” and put on the “feet” of a Kashyyyk native. In Tunisia, the actor was plagued by unbearable heat, and the pavilions were sometimes hampered by openings that were too low for him.
George Lucas said after filming that in many ways he borrowed the image of Chewbacca from his dog Indiana. As for the name, they say that it is a derivative of the Russian word for “dog” - the young director really liked it.
During filming, the Wookiee did not utter a word or growl, he only opened his mouth, as required by the script. Later, sound engineers had to experiment with hundreds of different sounds to find the right ones for Chewbacca's speech. For example, when you hear an angry and indignant Wookiee, these are mainly the sounds that a bear makes, but a satisfied Chewie gets a tiger “purr”. The famous hoarse breathing of Darth Vader was achieved thanks to a scuba mask, R2-D2 “talks” with a mixture of a variety of synthesizer beeps and even infant muttering, and the sound of the fighters had to be combined from the roar of an elephant and the sound of a car rushing along a wet highway.
Layout of the Death Star site
The camera floats over the model, filming the final battle
And yet, first of all, Star Wars is remembered for its amazing special effects. When I first saw the fourth episode in the late 1980s and left the cinema with my jaw dropped in surprise, I could not believe that this could have been filmed more than ten years ago. According to George Lucas, when he saw the first versions of the editing of his film, he gave up. The film turned out to be so weak and miserable that even the director could not believe in the bright future of the film. However, the impression changed dramatically when special effects were added to Star Wars.
And here is the famous tunnel - one of the main features of the film
For all the beauty, the Industrial Light & Magic (ILM) studio, which Lucas created specifically for his space epic, had to take the rap. In total, the film included almost four hundred special effects - an incredible figure for that time. The creation of flying ships, shots from blasters, and glowing swords took a third of the film's budget and most of the man-hours spent on the production of the film.
George Lucas's fantastic Star Wars saga about the struggle between light forces and dark forces is without a doubt one of the most iconic and epoch-making in cinema. Simultaneously simple and complex, mysterious and uncomplicated, a fascinating story about galactic wars has gained millions of fans around the world and still excites the minds of film fans. The recognition of the heroes of this saga is simply off the charts, and after the release of the first film in 1977, all boys dreamed of becoming Jedi, and girls dreamed of becoming princesses.
Today we’ll find out how the saga was created and what difficulties we had to face during filming.
It's hard to say for sure what captivates people so much about George Lucas's work. Last but not least, the screens were attracted by the visual effects that were amazing for that time. There was also a scale and a certain cosmic romanticism that made you take at least a fleeting glance at the deep starry sky after the next movie show. What if, really, somewhere out there, in a distant galaxy, Jedi-imperial passions raged a long time ago, affecting the unimaginable depths of space and thousands of alien races?
Let's lift the mystical veil over the classic Star Wars trilogy and see how, literally on your knees, step by step, you can create a legendary saga from cardboard and drawings.
Like any masterpiece, Star Wars began with an idea. The great storyteller of the new era of cinema, George Lucas, conceived the epic when he was not yet 30 years old. In the mid-1970s, a preliminary script was ready, which, however, was almost completely rewritten more than once. What do you think, for example, of one of Lucas' ideas to make Luke Skywalker a 60-year-old general, and Han Solo an alien with green scales and gills?
The written story included the plot of all six episodes known today. There is a version that George Lucas decided to shoot the episodes from the middle because at that time there were supposedly not enough skills of visual effects specialists for the first three episodes. This is not so, the director could well have realized his idea starting from the very first episodes. He initially decided to take on the film adaptation of the fourth episode. Firstly, it was done to intrigue the audience. Secondly, George Lucas didn’t even know if he would be able to film more than one episode of Star Wars, so he took on the most “driving” moment of the script, besides, it was in this part that the Death Star appeared, which influenced the choice director.
It only got worse from there. For a long time, no studio wanted to take on the film adaptation of a fairy tale with, to put it mildly, a strange plot. The influence of the hippie movement was still felt in the yard, venerable directors were making serious films about the Vietnam War, and mediocrities were making trash films about evil aliens from outer space. The work of George Lucas was immediately ranked among the latter, but in this case the budget required was rather large - $8 million. Fortunately, a producer was found who believed in the genius of the young director and allocated the necessary amount.
And still, only a few believed in the success of Star Wars. Lucas himself sometimes doubted that anything worthwhile would come of his idea. Later, the actors recalled filming as the most ridiculous episode in their lives. A tall guy in a monkey suit, dwarfs, simple pretentious dialogues... The film was perceived as a children's fairy tale or trash, but not an adventure fantasy that aspires to cult status.
“The scene in the bar resembled the delirium of a stoned person: some frogs, pigs, a cricket - a nightmare!” - the performers of the main roles said with a smile. Apparently, the same point of view was shared by Hollywood bosses, who for some reason considered one of the main questions of the film whether a Wookie should wear underpants. At some point, they wanted to cancel Star Wars altogether, then they decided to throw out all the special effects from the film and turn it into a television series. Only George Lucas' persistence and stubbornness saved the film.
The lion's share of filming took place in the Tunisian desert. In the same country, they found a suitable name for the planet on which the first third of the film takes place. The name of the city Tataouine quietly transformed into Tatooine. Here, in North Africa, suitable scenery was found: the house of Luke Skywalker's guardians was not built specifically for the film, it was an ordinary hut in one of the villages of Tunisia. Suitable interiors were found at a local hotel.
But the city of Mos Eisley, from whose spaceport Luke finally set off on his space journey on the Millennium Falcon, had to be built from scratch. Tons of scenery had to be transported from Hollywood by plane. It took about two months to build a settlement from the received material that would fit perfectly into the desert surroundings.
The entire film crew was on a starvation diet - even the director himself and the main actors flew only in economy class and ate in the common dining room. Later, everyone recalled how enthusiastic the young director instilled in the team - no one had any doubts about success, so energetically did George pursue his cherished goal.
Han Solo's spaceship was created life-size in one of the largest film studios in England. The length of the colossus reached 50 meters, and the weight was several tens of tons. The giant model of the Millennium Falcon sometimes flashes in the frame, but what was most useful to the film crew was its “innards,” because the main characters spend a lot of time in the ship. True, the cabin still had to be made separately.
George Lucas wanted to literally put the viewer in the place of the characters. The Millennium Falcon is flying at the speed of light, the ship is being fired upon, and is being tossed from side to side. All this should be accompanied by shaking inside. It is difficult to make a 40-ton model vibrate, so it was decided to build a small cabin and place it on a spring platform. In scripted scenes, she was shaken manually.
Another giant model had to be made to recreate the crawler described in the script, on which the Jawas drove around Tatooine in search of robots. For some episodes, a huge metal “box” was built with tracks from a mining excavator. To shoot general scenes, a compact crawler model was used.
Meter model of a Jawa crawler 
Like most science fiction films of the pre-computer era, Star Wars had a lot of “toys”. All the spaceships we see in the film (from the Millennium Falcon to fighter jets) were made in the form of miniature plastic or even cardboard models.
The Death Star was actually drawn, and to film the final large-scale attack scene, the film crew built a 15x15 meter model. Each of the hundreds of turrets and guns that bristled with the Death Star was carefully reproduced on it. The tunnel through which toy rebel fighters flew became the dominant feature of the layout.
Who knows whether “Star Wars” would have received cult status if the film had only space shootouts, without all that “zoo” that nevertheless settled in the film. Hundreds of dolls and masks, a huge amount of makeup and, of course, a park of dozens of robots. All this organically fit into the new universe and even now looks good.
Today it is difficult to imagine Star Wars without the robots C-3PO and R2-D2. They could have called A2 and C3, but then George Lucas decided to give the droids more full names. According to the director, their names are just a pleasant set of letters and numbers that does not mean anything and cannot be deciphered in any way. It was too expensive to make real mechanisms, so George Lucas agreed to have actors play the astromech droid and robot secretary. Anthony Daniels fit into C-3PO's plastic "armor".
According to him, the plates were so fragile that they broke on the first day, injuring the actor’s leg. When creating C-3PO, the artist was inspired by the image of the robot from Fritz Lang's old dystopian film Metropolis (1927). In total, half a dozen design options were created (even with ears and antennas).
Anthony Daniels was completely blind in his suit 
Inside R2-D2 sat dwarf Kenny Baker, who played the nimble robot on wheels in all six films in the franchise. The actor recalls that he could not get out of the metallic depths of R2-D2 on his own and sometimes he had to spend several hours inside because people simply forgot about him. In total, more than 30 robots are present in the film in one form or another, most of which were controlled remotely.
Kenny Baker and Anthony Daniels had a tense relationship on set.
But it was Chewbacca who had the hardest time, or rather Peter Mayhew, who played the Wookiee. Before coming to cinema, the man worked as an orderly in a hospital, but thanks to his height of 221 centimeters, he made his way to the big screen. Every day while filming Star Wars, he had to put on a wool suit, put on the “head” and put on the “feet” of a Kashyyyk native. In Tunisia, the actor was plagued by unbearable heat, and the pavilions were sometimes hampered by openings that were too low for him.
George Lucas said after filming that in many ways he borrowed the image of Chewbacca from his dog Indiana. As for the name, they say that it is a derivative of the Russian word for “dog” - the young director really liked it. And the word “Jedi” comes from the Japanese “Jidai Geki”, which means “historical drama”: this is what television series about the times of samurai warriors were called in Japan. Lucas once mentioned in an interview that he watched “Jidai Geki” when he was in Japan, and he liked the word.
During filming, the Wookiee did not utter a word or growl, he only opened his mouth, as required by the script. Later, sound engineers had to experiment with hundreds of different sounds to find the right ones for Chewbacca's speech. For example, when you hear an angry and indignant Wookiee, these are mainly the sounds that a bear makes, but a satisfied Chewie gets a tiger “purr”. The famous hoarse breathing of Darth Vader was achieved thanks to a scuba mask, R2-D2 “talks” with a mixture of a variety of synthesizer beeps and even infant muttering, and the sound of the fighters had to be combined from the roar of an elephant and the sound of a car rushing along a wet highway.
And yet, first of all, Star Wars is remembered for its amazing special effects. According to George Lucas, when he saw the first versions of the editing of his film, he gave up. The film turned out to be so weak and miserable that even the director could not believe in the bright future of the film. However, the impression changed dramatically when special effects were added to Star Wars.
For all the beauty, the Industrial Light & Magic (ILM) studio, which Lucas created specifically for his space epic, had to take the rap. In total, the film included almost four hundred special effects - an incredible figure for that time. The creation of flying ships, shots from blasters, and glowing swords took a third of the film's budget and most of the man-hours spent on the production of the film.
Except for Stanley Kubrick's A Space Odyssey, in which the effects were merely a pale addition to the artistic design, A New Hope was the first film to achieve this level of entertainment. Comparable to Star Wars, Spielberg's Close Encounters of the Third Kind was released at the same time, and was no longer perceived as so revolutionary.
And here is the famous tunnel - one of the main features of the film
The results exceeded all expectations. The actors, brandishing wooden swords coated with reflective material, couldn't believe that those constantly breaking sticks would turn into laser blades on screen. All flashes and glows were hand-drawn by the ILM team.
Since some of the sets were going to cost a fortune to build, George Lucas decided he could replace them with drawings. In some scenes, the role of scenery in the background is played by the highest quality images.
At the very beginning of A New Hope, when the credits roll across the screen, they are replaced by slowly and majestically sailing ships. If this episode was filmed using traditional 1970s methods, the ships would have to be moved in front of the camera against a blue background, and then the necessary background would be applied. At the same time, the picture turned out to be slightly “jerky”, objects shifted chaotically and “trembled”.
George Lucas came up with the idea of turning everything upside down and moving not the models of spaceships, but the camera that films them. The installation moved on rails and guaranteed absolute smoothness of the picture. The system remembered every camera position, making it easy to combine the image with any background without a hint of unreliability.
The most advanced episode demonstrating the merits of the new technique was final scene Death Star attacks. To give authenticity to the combat units, the director forced the film crew to watch documentary newsreels of air battles during World War II. The episode was filmed in several sound stages. In one, cameras revolved around “toy” ships, in the second, miniature optics flew around a model of the Death Star, at the same time recording the explosions of squibs.
Layout of the Death Star site 
Then the frames were combined and it turned out to be one of the most iconic scenes in the history of cinema. These were huge models (up to ten meters in length) containing thousands of small parts. It took a lot of work to make them, and subsequently also to restore them after moving cameras repeatedly crashed into them during filming, hundreds of squibs were fired on their surface, depicting explosions
This is how the famous credits scene was filmed
George Lucas controlled the entire filming process of his brainchild, begged the producers for money, asked not to close the project, and eventually ended up in the hospital with nervous exhaustion. At the cost of titanic efforts, in just a couple of months he laid the foundation for a cult universe, the influence of which has not diminished in the slightest. At the same time, the author of “Star Wars” earned money to film the continuation of the saga.
The history of the creation of the most legendary Saga. Full version
BEFORE SHOOTING
Due to:
Mythologizing things and events that are of great importance to a colossal number of people;
- the passage of less than ten half-century of time;
- scattered statements from the George Lucas
Today there is no version unanimously approved by the Party that would clearly explain to us the miracle of the idea of creating “ Star Wars" For example, myself Lucas mentioned an epiphany at the stage of working on his first feature film “ THX 1138"; his friends hint at a much earlier enlightenment, rooted in a long-standing attachment Lucas to so beloved Mark Wahlberg universe Flash Gordon. But most of all I like the version that « Star Wars» - this is a kind of rethinking of the painting “ Apocalypse Now", which Lucas I was personally going to shoot in Vietnam in the midst of the war.
Ideas are ideas, but real actions have a very specific connection to a date. And if it's your birthday Sagas is May ’77 -th, then, let’s say, the day of her conception is April ’73 th. Exactly 17 On the 1st, Lucas began writing... no, not even a script, but a short story about a boy living with gnomes (!), raised to be an exemplary padawan (in the first versions of the script - padaAAn) by respected Bindu Jedi... At that time George could afford to fantasize to his heart’s content: his second film had just done well at festivals and at the box office, “ American graffiti"- and the young director had carte blanche for his dream project.
Having compressed the synopsis of this very dream into two pages of printed text, Lucas went to the studios, but was turned away with the wording “too confusing”: a seemingly simple story was powerfully overloaded with names and terms invented by the author... Of course, nothing was wasted and it was all used later (invented by one of the first Mace Windu will appear 20 years later in the new trilogy), but at that stage Lucas I had to put a new blank sheet of paper into my typewriter.
Things went much better on the second run: perhaps the secret is that George I just simply slammed that I was very inspired by the plot of the film Akira Kurosawa « Three villains in a hidden fortress" Under the revised synopsis, he immediately managed to knock out as much $150.000 , which he himself called “an investment not in the film, but in me,” hinting that the studio was less inspired by his story than by his enthusiasm.
By May 1974 - the script skeleton No. 2 was ready: now it contained Jedi With Sith(by the way, the word Jedi comes from “ Jidai Geki" - a type of Japanese soap opera about samurai); Corellian Smuggler appears Han Solo(though for now as a noseless green-skinned thug-alien with gills) and Chewbacca(based on Lucas's dog). There was still uncertainty with the main character: Lucas was seriously thinking about making Luke an experienced General or even a woman!.. And, of course, he appears Darth Vader, but then he was very far from the image of a mega-villain.
After a significant break ( Lucas was simultaneously busy with other projects), work on the script resumes in January 1975 th. But the story still contains significant differences in the description of the heroes from what we know today. Thus, the image of the main character had to be revealed through relationships with numerous brothers. And call Luke and should not have Skywalker, A Starkiller... No, seriously, that’s what George wrote - “ Starkiller».
The final writing breakthrough occurs from August to January: versions No. 3 appear (with the proud title “ Star Wars: The Adventures of Luke Starkiller") and, which became the final version, version No. 4, which they wanted to call something else " The Adventures of Luke Starkiller", not that " SagaI: Star Wars"... By the way, at a certain stage the script helped write Brian De Palma he also took part in the casting.
So, having an untitled script and $8.250.000 (which he miraculously knocked out from the new head of the studio), Lucas starts screen tests. For the role Luca De Palma offered William Catt, which he directed in " Carrie"(attentive viewers saw Katt in " DoctorHouse"), but in the end the director almost without hesitation gave the role to the 25-year-old Mark Hamill.
With an image Princess Leia it was much more difficult. Sissy Spacek, Glenn Close, Jessica Lange, Meryl Streep, Sigourney Weaver, Kim Basinger, Kathleen Turner, Geena Davis, Melanie Griffith-in total, more than 30 (!) actresses competed for the role! But she got it Carrie Fisher, who was almost forced to audition by her actor friend Miguel Ferrer, with whom they read the script together. The most interesting thing is that the only character she really wanted to play was... Han Solo!
Han is our Solo. As you remember, he was supposed to be a green alien, but closer to filming Lucas I decided to make it... black! But not an alien, but a human. And only the descendants of the liberated man came to audition Django, How Lucas changes his mind again - “X I feel like white man !”... A variety of misters instantly lined up: from Nick Nolte, Christopher Walken, Pacino, DeNiro, Nicholson, Sly And Kurt Russell, who even passed screen tests...
…to Steve Martin, Chevy Chase, Bill Murray, Travolta and even Robert Englund! But the lucky carpenter beat them all Harrison Ford(which, again, was filmed by Lucas V "American Graffiti")…By the way, the image Han Solo was largely based on a friend Lucas- a certain Francis Ford Coppola... Well, who also has a daughter who is a director.
The Role of the Elder Jedi Obi-Wan Kenobi(whose younger years he portrayed in the new trilogy Ewan McGregor) the director really wanted to give Toshiro Mifune- favorite actor Akira Kurosawa, whose works, as I already mentioned, I was probably inspired by Lucas. Another candidate was the eternal Hammer headache Dracula - Peter Cushing. But neither Van Helsing, they didn’t manage to get a Japanese one - but they got a very difficult Englishman: an Oscar-winning knight, Sir Alec Guinness, who, although he was skeptical about science fiction, accepted the offer under the impression of the one already mentioned above "American Graffiti".
By the way, the name Obi-Wan Kenobi– not a simple set of beautiful sounds. Lucas compiled it from quite meaningful components: the syllable Obi means common in the West Indies, Africa and South America pagan ritual, something akin to witchcraft practices; Van is an archaic designation for darkness and sadness; Ken is Barbie's friend, knowledge and range of vision... And where did he pick all this out from?
How to ignore yourself Darth Vader? Another resident of Foggy Albion was invited to play the role of the antagonist - a former athlete, two meters tall David Prowse. By the way, the character of Darth was one of the first to be created by Lucas.
And the three squires? S3-PO was played Anthony Daniels, thanks to whose British accent the robot, described in the script as “a guy with manners similar to a used car salesman,” acquired the features of a prim butler. Tiny R2-D2 portrayed by another subject of Her Majesty - Kenny Baker whose height is just above 110 cm! By the way, Lucas wanted to call a couple of cute robots A-2 and S-3.
Role Chewbacca went to a regular hospital orderly Peter Mayhew just ten seconds after meeting Lucas. All Pete had to do was get up from the table: 220 cm tall, you know. By the way, in the camp of followers of the universe it is a shame not to know that the name Chewbacca consonant with the word sobaka. The same applies to Jabba-zhaba... It would seem, what does the Russians have to do with it?
So, having gathered such a motley audience under his wing, Lucas was ready, headlong, to rush into a brave battle for the right to enter eternity. He really had a serious fight ahead of him, because the studio was so confident in the collapse that awaited it that it began negotiations on the sale of the rights to the picture. The one that will be the first in history to overcome the bar in $ 300.000.000 and will become a resounding pop cultural phenomenon.
FILMING
Having decided on casting issues, the director had to create a universe in which he could place all his actors. I was disappointed to discover that the studio's special effects department XX Century Fox dissolved, Lucas starts a company ILM: Industrial Light & Magic, production capacity which are located... in an ordinary warehouse in a tiny Californian town Van Nuys!
So humble beginnings didn't hurt ILM become true pioneers: the first ever fully three-dimensional character - the intelligent water-sausage in " to the abyss"; the first ever main three-dimensional character - T-1000; history's first 3D animals and dinosaurs in " Jurassic Park“- all this and much more is on the conscience of ILM! To date, ILM has created special effects for such hits as " Avengers», « Men in Black III», « Timekeeper», « Super 8», « Harry Potter and the Deathly Hallows: Part 2», « October sky», « Starship Troopers», « Titanic», « Labyrinth», « Alien" - more than 300 films in total! Not bad for guys who started out in a barn, right?
By the way, I like to destroy some legend Jamie Hyneman and director of such imperishable films as “ Jumanji" And " Honey, I shrunk the kids» Joe Johnston- people from ILM! Moreover, Bobba Fett And Yoda, as you know them, they were created exactly Johnston: it was he who developed and brought to mind the concept of their “bow”.
Let's get back to filming.
The phrase " Motor!"was heard for the first time on Tunisian soil, and it was March 22, 1976. Very soon the all-powerful colonel intervened in the filming process. Gaddafi. The leader of the Jamahiriya did not like the fact that there was some suspicious military equipment. Not wanting to conflict, the government Tunisia asked politely Lucas run over. And the suspicions of the Libyan ruler were aroused... Jawa sandcrawler- slaver ship!
Alas, the problems were just beginning: the electrics kept going out, there were problems with the decorations. On top of that, in the desert where filming was taking place, a multi-day downpour began... for the first time in 50 (!) years! Lucas decides to move to a comfortable studio under London...By the way, to this day in Tunisia there is a hotel where some interior scenes of the house were filmed Luke. And the hotel is located in a small town… Tatooine!
Leaving Tunisia behind and lining up in England scenery, Lucas came to an interesting idea: why not show futuristic locations/props/etc not as cosmic sterile, but, as he himself said, “filthy.” The idea was to make everything look lived in, and for quite some time. Yes, according to R2-D2 went through with a saw, rolled it out in the dust and kicked it off... But even here there were problems that came from unexpected places: one evening a team of cleaners came to the site and carefully licked all the dirt - in the morning Lucas had to restore all the beauty again.
However, the difficulties were not only external - not everything was smooth on board either. Lucas ridiculed for the stupid-looking characters and the general strangeness of what was happening, and most willingly they mocked... his own actors! Ford, for example, I was perplexed by the giant in a monkey costume, buns on his head Lei and killer dialogues that “can be written, but it’s simply impossible to say this shit out loud!”
The director did not remain in debt - the dissatisfaction was mutual. IN And Denia Lucas The filmed picture, scenery and costumes did not match. He began to rarely communicate with the actors and all that was heard from him was “ Hurry up!" One day Lucas he screamed so hard that he lost his voice; his team immediately presented him with a sign with one single word - “ FASTER!».
With such “successes,” George stopped meeting deadlines and budgets (it was eventually exceeded by $3.000.000 !!) – the studio cut off his phone, threatening to close the project. Seeing that the captain was falling into depression, the crew began to cheer him up, trying to make him smile at least occasionally. But a perfectionist and a workaholic Lucas Finally, he was diagnosed with “hypertension and exhaustion” and ended up in the hospital.
But pleasant moments still happened. So, in one of the scenes, due to incorrectly placed light, her breasts became clearly visible through Princess Leia’s clothes... As she later laughed it off Carrie Fisher « As far as I know, they don't wear underwear in space.».
By the way, about clothes.
Famous costume Darth Vader was developed based on the clothes of Bedouin warriors by the designer Ralph McQuarrie(it was he who created the promotional art that convinced the studio, like those in “ Argo"). So here it is Ralph sewed and cut with the thought that in such clothes Dart could even float in zero gravity. But why the villain always wears it was explained only in the sequel. And, yes, the legendary mask - it was so big even for a giant Prowse that it was secured on his face with special foam.
By the way, on the screen the villain of the villains shines, pathetic for personalities of such magnitude 12 minutes! 12 nondescript minutes. Why nondescript? Yes, because the legendary " Imperial March”, accompanying any of his appearances, was simply not written yet and was not heard in the first film!
Bye David Prowse sweated in silence Harrison Ford And Mark Hamill had fun to the fullest. Ford, for example, he did not always bother to learn the text and sometimes engaged in pure improvisation. But fooling around Ford And Hamill stopped immediately when he appeared on the site Sir Alec Guinness: he had a very organizing effect on them.
Alas, the strength of the organization was not always enough. Or not everyone: during the filming there were some incidents.
In the episode "Garbage Bin" Hamill he held his breath to escape the stench, and tried so hard that his eye capillary burst, so much so that in subsequent scenes he had to be filmed all the time from one side. Well, the eye has healed, but Chewbacca less fortunate: the suit was saturated with a stench, which was never removed until the end of filming... By the way, the studio tried to force Lucas to dress Chewie in shorts - you see, they were embarrassed by this shaggy disgrace.
The shaggy shame remained undisguised, but the light bulb and the 19th century pistol were covered up so well that the first one turned into a lightsaber (its handle is just a part of a flash lamp, flavored with rubber and loops; this lamp can still be bought today... for fabulous money , Certainly); and the second - into blaster X ana solo(under the layer of “make-up” you can find the usual Mauser).
By the way, Lucas filmed all this masquerade splendor with cameras VistaVision. No, not because they were somehow cool: just Lucas could only rent such old stuff from 50 -s. But then such cameras simply skyrocketed in price!
AFTER FILMING
After filming was completed, it was time for editing. Seeing what happens in the end, Lucas I was horrified: the scenes looked low-energy, with a kind of sleepy book-like pace. Moreover, in the first version completely different versions of scene takes were used, and total number"matches" with the canonical version reached pathetic 40 %!
The unfortunate editor immediately lost his job. On the advice of my friend Scorsese, Lucas enlists the services of an editing wizard whose work in the film "New York, New York" Martin was very pleased... Lucas was also pleased, so much so that he even took the craftswoman as his wife.
Meanwhile in ILM worked on special effects. But the number of scenes requiring processing was so great that instead of the required 6 months of work threatened to stretch into a year. The budget also increased by a third. Wanting to motivate the team and show what he would like to see in the end, Lucas regularly arranged viewings of old recordings of air battles. By the way, five of the eight million budget was “eaten” ILM, and half of this money went to effects 4 -the scenes.
There was also a lot of work to be done on the voice acting. An impressive library of sound effects was created, which Lucas nicknamed "organic soundtrack". Thus, the blaster was sounded by cutting off a high-voltage wire; and the sound that has become canonical lightsaber created by mixing the idle hum of a 35mm film projector and an exposed cable.
We also tinkered with a couple of droids. Voice for S-3RO searched among 30 candidates, until one of them hinted to Lucas that the pronouncement of the Daniels(who played S-3RO) quite good. That's what they decided on. Regarding the sounds made R2-D2, then these are voices passed through a synthesizer Baker(played R2), Lucas and even babies.
If S-3RO lucky to leave your vote then Vader found himself in a double span. Firstly, Lucas really didn't like the Bristol accent Prowse(on the set they even called him Darth Farmer). In the end, the Oscar-winning king speaks for him Zamunda, sworn enemy Conan And Mufasa all Disney - James Earl Jones. Secondly, the famous wheezes, are also not Vader's: they belong to a sound effects master who recorded his breathing through the oxygen supply system in scuba tanks.
Even though Jones And Prowse never met in person, Prowse still harbors a grudge, calling Lucas’s act “reverse racism”: they say, there were no blacks in the cast and by inviting Jones, the director got out of his way in front of the studio...
I don't know how sincere Prowse, but this cutting of scenes into which Vader speaks in an original voice, funny to the point of disgrace: indeed, Darth Farmer.
Having figured out the voices of everyone in the film, Lucas had to give the film itself a voice. At first he only wanted to use classical music(following the example "2001: A Space Odyssey"). But Spielberg introduced him to John Williams, who created the legendary soundtrack, which has also become a modern classic.
I can't help but say a few words about Williams. The amazing gift of mastery of seven notes made it possible to create such music that in itself is the property of the Republic: themes from “ Jaws», « Star Wars», « Indiana Jones" or " Jurassic Park“Proof of this...” John Williams is a man!!” (c)
So the film was ready. The studio wanted to release it by Christmas '76, but delays pushed the release to May '77. The bosses were indignant and afraid of competition with new job Burt Reynolds. Oh, what short-sighted fools! Premiere " Star Wars"just blew up the box office!
The film didn't just break the record " Jaws”, which were the first in history to raise $100,000,000. The film broke this record three times (!) and remained an unattainable leader until the release of " Alien", and after the re-release in the 90s, he regained the palm... True, not for long... " Titanic", you know. By the way, the fabulous revenue allowed the studio XX century Fox next year to release instead of the usual 20 films - less than ten.
Following the box office success came recognition from critics, whose delight showered Lucas and his team with 11 (!) nominations for Oscar, 7 of which George took with him. By the way, this is the only part of the Saga and the first sci-fi in history that competed for the title Best Film year.
With such fame, the shock wave from the film began to spread to everything around. Yes, exactly " Star wars" gave birth to a merchandise industry that was previously in its infancy. It is noteworthy that the studio did not want to pay Lucas much and agreed to give him almost all the rights to related products. Need I explain that due to the shortsightedness of management, George quickly amassed a phenomenal fortune.
And even music world couldn't get away. Disco arrangement of music from the film, performed by the arranger Meco for several weeks it topped (!) the Billboard chart. Additionally, the title track, released as a single, became the best-selling instrumental single of all time.
AFTERWORD
"Star wars"- an undoubted “watershed” that changed and influenced the entire industry.
Thus, it is the concept of the “shabby future” invented by Lucas that is the same Ridley Scott successfully applied in " Alien" And " Blade Runner" Among other “impressed” ones we can safely name Peter Jackson, Roland Emmerich, Kevin Smith, Christopher Nolan, David Lynch…
But he gave me the best time of all James Cameron, who quit his job as a truck driver to devote himself full-time to filmmaking! What did you do for hip-hop at your age?!
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One of the most famous and large-scale projects of “all times and peoples” - the fantastic saga "Star Wars" - began to be created by American director George Lucas back in the early 1970s. To implement his plans, it took enormous efforts from him, which ensured the triumph of the first film, released in May 1977. Moreover, according to the testimony of those who participated in the creation of this epic, what happened during the work could well become the plot for a separate fascinating film. So, where and how was Star Wars filmed?
A few words about George Lucas
Before we begin the story of how Star Wars was filmed, we should pay a little attention to the personality of the director.
Today, George Lucas is one of the wealthiest representatives of his profession with a capital of 5 million dollars, and at the time when he came up with the idea for the project, he was not even 30 years old, and he had only two full-length films. In fairness, it must be said that he had already made films in the science fiction genre, but it was not a resounding success. The plot of this film, known as "THX 1138", is a story about a future world where humanity, forced to live underground, is ruled by computers. The film is certainly inferior in entertainment to Star Wars, but its heroes are still fighting for their right to remain human and make all decisions on their own.