Minor notes in the poet’s work arose quite early, because he had not yet lived even half of his normal life. human life, and already began to talk about the possibility of death. The poet had his own personal opinion on this matter. Yesenin explained the existence of such philosophical thoughts simply: “A real poet is obliged to think about death, only by remembering it can one feel the importance of life in a special way...”
I don’t regret, I don’t call, I don’t cry,
Everything will pass like smoke from white apple trees.
Withered in gold,
I won't be young anymore.
Now you won't fight so much,
A heart touched by a chill,
And the country of birch chintz
It won't tempt you to wander around barefoot.
The wandering spirit! you are less and less
You stir up the flame of your lips.
Oh my lost freshness,
A riot of eyes and a flood of feelings.
I have now become more stingy in my desires,
My life! or did I dream about you?
As if I were a booming early spring
He rode on a pink horse.
All of us, all of us in this world are perishable,
Copper quietly pours from the maple leaves...
May you be blessed forever,
What has come to flourish and die.
Sergei Yesenin succeeded in creating the illusion of conversion; this is immediately clear after reading the first lines. It should be noted that the intonation of the work is created in the form of a confession, where a confidential appeal to the reader can be traced. The poet conveys all the sadness of his soul, says goodbye and thanks everything around him for giving him the opportunity to live on earth.
Throughout the entire poem, various vivid statements spill out from time to time; feelings and pressure simply captivate the reader. The phrases are simple and sincere, so they can conquer and captivate even the most scrupulous person. The author tried to create an image that would combine the human soul, his feelings and the natural character of nature.
What makes a poem exquisite?
It is common for Sergei Yesenin to use the entire palette of colors in his works. Not all poets of that time had this feature. The author used many shades in the lines, for example:
♦ “...the country of birch chintz...”;
♦ “...flame of the lips...”;
♦ “...a loud early morning...”;
♦ “...pink horse...”.
Such phrases in the lines of a poem large number and they are used appropriately. The color scheme is created in such a way that it is able to convey the subtlest moods, as well as spirituality with a picturesque character.
Many will condemn these lines and will be absolutely wrong. For example, people analyzing a poem may think that the use of pink here would be completely inappropriate, since it is inexpressive and rather intermediate, diluted in characteristics. But Yesenin was able to convey this paint in such a way that a clear expressiveness was formed around it. According to the poet, only pink is able to convey all those feelings that are associated specifically with youth, youth, beauty and freshness. Don't forget about " pink glasses”, which are associated with serenity, youth, and inexperience.
The poem has a peculiar song quality. The idea of musicality is heard in every line. The poet uses a large number of all kinds of comparisons, metaphors and creates exquisite beauty of forms. All this is used to express special experiences and feelings as fully and deeply as possible. Phrases about the past, present, as well as sad thoughts about the future are used here. Such features allow you to create a picture of spiritual autumn.
It should be noted that philosophical motives are most often found among poets in adulthood, but there are exceptions. So a shining example is precisely Sergei Aleksandrovich Yesenin, who completed his life path very early age, namely at thirty years old.
Many readers have a question: “What made a person at a young age rethink his short life?. There are many opinions on this matter. He probably had a feeling of hopelessness and lack of demand in the real world, which is constantly changing and surprises with its speed of development, becoming “iron”. But the poet does not lose liveliness in his works; he constantly uses living images. The work “I don’t regret, I don’t call, I don’t cry...” is poetry singing about the living and spiritual world.
Analysis of the poem “I don’t regret, I don’t call, I don’t cry...”
The creation of Sergei Yesenin is interesting and elegant. It allows you to feel real nature feelings, which is traced in almost all of the poet’s works. Here there is a special connection between the poet and ancient traditions in Russian literature. The line itself “I don’t regret, I don’t call, I don’t cry...” is a repetition of negative aspects, and three times. This is a kind of gradation that allows you to increase emotion in poetic speech patterns. It is this phrase that makes the reader understand that the main theme of the verse is humility and acceptance of the essence of fateful actions.
This is familiar to every Christian, because denial and acceptance are already a tradition among the people, who are ready to perceive everything as it really is, without regret and without reproaching anyone for what they have done. All this gives the poem an aphoristic quality, i.e. Each line contains original thoughts and reflections that are capable of expressing the wisdom of the Russian people, formed over many centuries. For example, the phrase “...Everything will pass away like the smoke of white apple trees...” is very clear and interesting.
It should be noted that the verse is presented in a wide range of shades and colors. Here it is used as white(smoke), and the golden wilting of foliage, showing the autumn period of the year. In all of Yesenin’s works created at that time, it is color painting that is traced - it is a characteristic feature of the typology of writing. Some things seem too complicated and can be analyzed in different ways, for example, “...a loud early morning...” or “...a pink horse...”
Almost every line of the work traces the constant regret that youth is already gone and there is only a sad and boring monotony of the future ahead. There are phrases in the text that simply scream about this:
“...Oh, my lost freshness, wildness of the eyes and flood of feelings!...”
To give the poem a particularly impressive emotion and confidence, the author uses various rhetorical questions about life situations, in addition to rhetorical appeals, for example:
“...My life? Or did I dream about you?..."
What follows in the text is an intricate answer to the question posed. The author uses many different epithets, which, at first glance, may seem “fantastic”, but have their own exclusive meaning. Yesenin points out that one should not take life too lightly, that sooner or later a person will see the light and feel the harsh reality of the real world.
It should be noted that, like many other works with a philosophical direction, this creation has the character of a confession. Yesenin used trochee pentameter when creating it, which is complemented by the most accurate rhymes. It has a leisurely and measured sound, without too intricate hidden subtext. The author, saying goodbye to his youth in poetry, creates the feeling that he will soon leave for good. This is especially evident in the lines:
“...Fading in gold, I will no longer be young...”
Here, as throughout the work, there is a sense of interpenetration human nature and naturalness. And this is understandable, because the author conveys to the reader the idea that his youth is fading, comparing his condition with trees, which cannot remain young and beautiful forever. The lines reveal the particular disappointment that he felt throughout his life.
The last lines of the verse describe the poet's revelations, which sound like a humble recognition of the essence. This indicates that only a wise person is able to calmly accept leaving the real world.
I don’t regret, I don’t call, I don’t cry,
Everything will pass like smoke from white apple trees.
Withered in gold,
I won't be young anymore.
Now you won't fight so much,
A heart touched by a chill,
And the country of birch chintz
It won't tempt you to wander around barefoot.
The wandering spirit! you are less and less
You stir up the flame of your lips
Oh my lost freshness
A riot of eyes and a flood of feelings!
I have now become more stingy in my desires,
My life, did I dream about you?
As if I were a booming early spring
He rode on a pink horse.
All of us, all of us in this world are perishable,
Copper quietly pours from the maple leaves...
May you be blessed forever,
What has come to flourish and die.
Analysis of the poem “I don’t regret, I don’t call, I don’t cry” by Yesenin
By the beginning of the 20s. philosophical reflections on meaning begin to appear in Yesenin’s work own life, longing for an irrevocably past youth, wasted. The poet had already experienced serious suffering and failures; he was a direct witness to turbulent events national history. An unsuccessful marriage with Z. Reich remained in the past. Yesenin's relations with the Soviet authorities do not develop in the best possible way. The young poet thinks seriously about inevitable death.
Few people know that the poem “I don’t regret, I don’t call, I don’t cry” (1921) was written by Yesenin under the impression of the lyrical introduction to the sixth chapter “ Dead souls" The poet admitted that positive responses to the work should be equally attributed to both.
The poem is imbued with a sad mood. At only 26 years old, Yesenin feels that his youth is gone forever. Youthful dreams and hopes will never be repeated. Life becomes a slow “withering away”. The author understands that his feelings and desires have lost their strength and sharpness. He feels that less and less often the “vagrant spirit” forces him to commit rash acts, which, although they cause trouble, allow him to live a full, rich life.
The past years have flashed by very quickly, they are like a fleeting dream. Now nothing can be changed or corrected.
At the end of the poem, Yesenin moves on to a specific reflection on death. If earlier she seemed to him like something distant, having nothing to do with him, now her silhouette emerges more and more clearly every year. The poet understands that fame and fame will not save him from the inevitable end, before which everyone is equal. The last lines are still more optimistic: Yesenin blesses higher powers who allowed him to come into this world “to flourish and die.”
Deep philosophical work contains a large amount expressive means. The poet emphasizes his sad mood with epithets: “lost”, “perishable”. The metaphors used are very touching and original: “white apple trees smoke”, “land of birch chintz”, etc. The author compares his carefree youth with a race “on a pink horse”. In the finale, Yesenin gives a lexical construction of stunning beauty: the slow fading of human life is copper pouring “from the maple leaves.”
Verse “I don’t regret, I don’t call, I don’t cry” - sample philosophical lyrics Yesenina. This is one of the first poems in which the poet is seen to hint at the possibility of suicide.
I don’t regret, I don’t call, I don’t cry, Everything will pass like smoke from white apple trees. Withered in gold, I will no longer be young. Now you won’t beat so much, Heart touched by a chill, And the country of birch chintz won’t entice you to wander around barefoot. The wandering spirit! You stir up the flame of your lips less and less often. Oh my lost freshness, Riot of eyes and flood of feelings. Have I now become stingier in my desires, my life? Or did I dream about you? As if I rode on a pink horse in the echoing early spring. All of us, all of us in this world are perishable, Copper quietly flows from the maple leaves. May you be blessed forever, That you have come to flourish and die. 1921
At the same time, the poem also contains a symbolic image - the image of a pink horse. Pink horse- a symbol of sunrise, spring, joy, a young life beginning, an unfulfilled dream (now the hero’s heart is touched by a chill of unbelief, disappointment in hopes). But even a real peasant horse at dawn turns pink in the rays rising sun. Yesenin rode such a horse in his childhood and youth in his native Ryazan region.
Then follow lines about the frailty of everything earthly and the pink color turns into cold, almost mournful copper:
All of us, all of us in this world are perishable, Copper quietly flows from the maple leaves...But the poet does not stop on this mournful note. Man, in the poet’s perception, is part of the natural world, and in nature everything is reasonable. And human life is subject to the same irrevocable and wise laws of nature as everything in the world. And with the death of one, the cycle of life does not stop; new generations will come to replace them in order to also flourish, also to know the joy of life, and then also to die. That is why everything is crowned with lines blessing life, spring, flowering:
May you be blessed forever, That you have come to flourish and die.Usually in a poem the first and last word in the line due to its position. The greater role should be played in the poem by the word that ends the entire text - “the last point”. In this poem the situation is different. Although the poem actually ends with the word “die,” the last line still emphasizes the capacious word “thrive” (which is served by the phonetic features of the word and logical intonation). By the way, the word “flourish” is also from the natural world. This poem is a song of gratitude to life, a blessing to all things. The very word “die” sounds “softer”, acquires an elegiac connotation, it seems to be lost among others that bless life and flowering... I. Bunin in “The Life of Arsenyev” argued that people are not at all equally sensitive to death: “There are people “that they have been living under its sign for the entire century, from infancy they have a heightened sense of death (most often due to an equally heightened sense of life).” In relation to the theme of death in Yesenin, this observation of I. Bunin is especially fair.
In my own way philosophical content- reflection on life in anticipation of death - Yesenin’s poem “I don’t regret, I don’t call, I don’t cry...” echoes Pushkin’s “Once again I visited that corner of the earth...” But this is an eternal theme for poetry in Yesenin, as in his own Pushkin's time sounds original and unique.