A native of Orel became the leading ballerina of the Bolshoi Theater: interview with Kristina Kretova. Bolshoi Theater ballerina Kristina Kretova: “On New Year’s Day I’ll have a spoonful of Olivier! What prize did you receive for winning Bolero?

One of the leading soloists Bolshoi Theater now there is a young ballerina Kristina Kretova. Her biography, despite her age, is quite rich in roles and events.

Biography

Kristina Kretova was born on January 28, 1984 in the city of Orel. None of her relatives move in a creative environment. Orel doesn't even have a separate ballet theater. At the age of seven, the girl began going to a choreographic school. She really liked the classes, and here the talent of a ballerina began to manifest itself for the first time. In 1994, Christina went to enter the Moscow State Academy of Choreography. She was accepted despite huge competition.

During my studies I changed several teachers. Among them are Lyudmila Kolenchenko, Marina Leonova, Elena Bobrova. The young ballerina is grateful to each of them, Lyudmila Alekseevna for her special attitude, attention and care, Marina Konstantinovna for her workload and cohesion.

Creative path

After graduating from the academy, Kristina Kretova comes to work at the Kremlin Theater as a soloist. The ballerina considers this proposal quite successful and enjoys plunging into the world of professional ballet. Kristina tours a lot both in Russia and abroad, including as a participant in the “Russian Seasons 21st Century” project. As part of this project, she performed the roles of the Firebird from the production of the same name by Po and Tamar in the ballet of the same name by M. Balakirev, staged by A. Liepa. By the way, in one interview, Andries Liepa expressed the opinion that Kretova, with her energetic, brilliant dance, is the ideal embodiment of the Firebird.

Kristina Kretova also visited the stage of the Yekaterinburg Academic Tatra Opera and Ballet Theater (the role of the Mistress of the Copper Mountain from the ballet “The Stone Flower”). In 2007, as part of the International Festival of Classical Ballet named after Rudolf Nureyev in Kazan, she danced the roles of Gulnara (The Corsair) and the Lilac Fairy (The Sleeping Beauty).

Since 2010, Kristina Kretova has been a ballerina in the troupe. K.S. Stanislavsky and Vl.I. Nemirovich-Danchenko.

In 2011, Christina moved to work at the Bolshoi Theater.

Kremlin Theater

The young ballerina received an offer to work in this theater while still studying at the school and accepted it without hesitation. From 2002 to 2010, the prima ballerina of the Kremlin Theater was Kristina Kretova. Her height creative career began on this stage largely thanks to the efforts of her teacher Nina Lvovna Semizorova. Kristina Kretova formed a cohesive and very effective creative union with Semizorova.

Initially, Christina gets the solo role of Emmy Lawrence in the play "Tom Sawyer", which is quite complex in terms of choreography. But she is learning other parts with Nina Lvovna. It is under her strict guidance that Kretova blossoms as a ballerina.

Her first achievement was the premiere role of Aurora in the production of The Sleeping Beauty. This game allowed Kretova to fully open up. Her princess is full of tenderness, youth and beauty. She is graceful and captivating in her movements. In this ballet, music intertwined with the soul of the ballerina and splashed out on stage as a true miracle of creativity.

In complete contrast to Aurora, Kretova appeared in the role of Esmeralda from the production of the same name to the music of Ts. Puni and R. Drigo, choreography by A. Petrov. Here Christina is not just a ballerina - she most talented actress. The viewer can observe on stage the transformation of a cheerful, carefree gypsy into a disappointed, desperate woman.

And, of course, the dream of every ballerina is the role of Giselle. In this role, Kretova embodied the symbiosis of classical dance academism with living human emotions. The production embodies the traditions of Nina Semizorova, an inimitable student.

Kristina Kretova is a ballerina of more than one role. At the Kremlin Theater in her piggy bank, the roles of Odette-Odile (" Swan Lake"), Marie ("The Nutcracker"), Kitri ("Don Quixote"), Naina ("Ruslan and Lyudmila"), Suzanne ("Figaro").

Theater named after Stanislavsky and Nemirovich-Danchenko

After maternity leave, Christina goes to work in Nemirovich-Danchenko again as a prima ballerina. The team welcomes the newcomer very warmly. Kristina Kretova is still friends with some actors. She continues to work in the already familiar roles from Esmeralda, Swan Lake, and Don Quixote. By the way, from the last ballet she masters new role Lords of the Dryads.

During this period, Christina tried herself in Western productions. One of these works is “Sharpening to Sharpness” by J. Elo. The ballerina really liked this experiment. At first it was incredibly difficult, I had to learn new movements, men’s steps, but it was also very exciting.

Bolshoi Theater

The transition to the stage of the Bolshoi Theater was a very responsible step on the part of Kristina Kretova. Of course, every ballerina dreams of working in such a world-class theater, but Christina understood that this was also a huge, hard work and responsibility. In all previous theaters she was initially a prima ballerina, but at the Bolshoi she still needed to prove herself.

The beginning of Kristina Kretova’s career at the Bolshoi coincided with the end of the theater’s reconstruction. Christina is happy to get involved in her work. The Kretov-Semizorov alliance is being restored again.

The risk of moving to the first theater in the country was fully justified. Her first production at the Bolshoi was the already familiar Giselle. A very emotionally complex performance. But to this were also added purely technical aspects of performing on a new unfamiliar stage. However, Christina coped with the role brilliantly, as always, passing a kind of test in the new team.

In general, Kristina Kretova is more impressed by tragic roles. But she gladly takes on any game.

Now the prima of the Bolshoi Theater Kristina Kretova has played leading roles in almost all classical productions.

Awards

Kristina Kretova is a ballerina who has received well-deserved awards in the field of ballet.

The first award was a grant from the independent Triumph Award, which the ballerina received in 2003. It is also worth noting the 2nd prize that she received at the All-Russian competition of Yuri Grigorovich “Young Ballet of Russia”, which was held in Krasnodar.

In 2006, in Sochi, Kristina Kretova received 1st prize International competition"Young Ballet of the World" In the same year, Ballet magazine awarded her the Soul of Dance award in the Rising Star category.

Kristina Kretova is noted not only in Russian ballet, but also in internationally. So, in 2014 she received the Miss Virtuosity award at the International Ballet Dance Open Award. And in the January issue of Dance Magazine, a top list of stars who made a breakthrough in 2013 was published, which included Christina.

Television projects

In 2011, it started on Channel One television project"Bolero". One of the brightest ballerinas of this show was Kristina Kretova. Dancing with her participation literally attracted the attention of television viewers. Kristina danced together with figure skater Alexei Yagudin.

The essence of the project was that the leading ballet soloists performed in pairs with the best figure skaters of the country. The couples were given creative freedom when staging choreographic numbers. It was a symbiosis classical dance with modern choreography, and, judging by the feedback from TV viewers, very successful. Athletes and dancers trained for several months with the world's leading choreographers.

The project was a competition between eight participating pairs. The winner, quite deservedly, was the couple of Christina and Alexey.

Family

“You need to work at work,” says Kristina Kretova. The ballerina’s personal life is no less eventful than her creative one.

Christina is married. Her son is growing up. His name is Isa. The baby is already 6 years old. Ballerina tries her best free time dedicate to the child, despite the busy schedule of rehearsals, performances and tours. In many interviews, Christina emphasizes that at work she is completely devoted to roles and productions, but when leaving the theater, she becomes just a wife and mother.

Kristina Kretova’s husband tries to support his significant other in everything. He never misses almost a single premiere. The couple's relationship is very romantic and harmonious. Even after a few years life together the spouse never forgets to present his significant other with a bouquet of flowers for the performance, and sometimes even a bouquet.

It cannot be said that Christina leads an ascetic lifestyle, but her profession obliges her to keep herself in shape. The ballerina admits that she is a little prone to being overweight, so she has to exclude flour and not eat after six during those periods when there is a little less work.

Plans

“I live for today,” says Kristina Kretova. The ballerina is passionate about her work and performances. She dreams of playing the part of Juliet at the Bolshoi Theater. And he really hopes to get the role of Nika from La Bayadère.

In general, this ballerina is open to all roles; there is practically no role that she could refuse, both among classical and modern productions. Kristina Kretova is characterized by a healthy creative curiosity and a complete absence of prima ballerina star fever. She delights both discerning foreign ballet admirers and ordinary spectators with her creativity.

I would like to wish her further professional growth and thank her for her loyalty to Russian ballet.

Kristina Kretova is a Russian ballerina, leading soloist of the Bolshoi Theater, as well as a jury member in the most popular television shows“Dancing on TNT” and “You are super!” Dancing". Experts call the dancer a direct heir to the traditions of the ballet star.

The future ballet dancer was born in the city of Orel and at the age of six she began studying classical dancing. In parallel with secondary school the girl also attended a choreographic studio, where she mastered the basics of ballet. Dance became the meaning of the young artist’s life, and criticism from the teachers, who assured Christina’s mother that her daughter was not stretching enough, only gave the girl strength, and she increased the number of workouts.

At the age of 10, Christina goes to Moscow and, through difficult entrance tests, becomes a student at the Moscow State Academy of Choreography. At one time, the dancer studied with teachers Lyudmila Kolenchenko, Marina Leonova, Elena Bobrova.

Ballet

After graduating in 2002, the petite Kretova joined the dance troupe of the Kremlin Ballet Theater, where she danced most of the roles in the classical repertoire.

On stage, Kretova appeared as the main characters in productions of ballets by Adolf Adam and Ludwig Minkus. The artist also appeared in the performances of “Esmeralda” by Cesar Pugni, as well as “Figaro” to the music of and.

During these same years, the artist regularly participated in the “Russian Seasons of the 21st Century” project, organized by Charitable Foundation them. , SAV Entertainment company and the theater group where the ballerina performed. Therefore, Kristina Kretova got the opportunity to shine on foreign stages. The ballets “Firebird” and “Tamara” were performed with the participation of the prima.


In 2007, a prominent metropolitan soloist was invited to participate in productions of the Tatar Academic Opera and Ballet Theater dedicated to International festival classical ballet named after. Christina performed leading roles in the ballets “Corsair” and “Sleeping Beauty”.

In 2008, Kretova managed to collaborate with the Yekaterinburg State Academic Opera and Ballet Theater, where she danced the Mistress of the Copper Mountain at the premiere performance of the ballet “The Stone Flower”.


Since 2010, the ballerina has been dancing in the theater named after him, where he invited the artist. A year later, the director moved to the Bolshoi Theater, Kristina Kretova followed him. But the successful actress had to go through the casting along with other contenders.

In 2011, Christina became the first soloist of the Moscow Bolshoi Theater. To return to the previous level of prima, Kretova needed to work hard. A new period of ascent has begun in creative biography ballerinas The dancer’s mentor was Nina Semizorova, a student of Galina Ulanova. The soloist's repertoire in the new theater group has expanded. In addition to the classic ballet performances, the artist had the opportunity to participate in performances based on the music of 20th-century composers and in experimental ballets.


During her collaboration with the Bolshoi Theater, Kristina Kretova traveled to Samara to participate in the production of “Anyuta”, as well as to the Mikhailovsky Theater in St. Petersburg, where she danced in the ballet “Don Quixote”.

TV show

In 2011, Kristina Kretova agreed to become a participant in the entertainment project “Bolero,” which was shown on Channel One. The essence of the program was that the leading ballet soloists performed in tandem with the best athletes in the country. Christina was paired with the Honored Master of Sports of Russia in figure skating. The artists created a symbiosis of classical dance with modern choreography and were so successful that at the end of the project they became winners.

The ballerina assures that this show gave her a lot. Kristina Kretova took a fresh look at the essence of dance, worked with outstanding choreographers and choreographers and Vyacheslav Kulaev, and tried herself in new styles, different from the classics. All this gave Kretova the opportunity to grow even more professionally.

And in 2015, Christina was invited to another dance project, the talent show “Dancing on TNT.” The ballerina first appeared as a guest jury member in the second season, and in the new year she became a permanent judge along with Ukrainian choreographer, famous dancer and choreographer and American star modern choreography Pacman, whose real name is Philip Chbib.

Personal life

Ballerina Kristina Kretova has been married for many years. The dancer keeps the name of her husband secret, but according to information from social networks it is known that the man has nothing to do with theatrical life, although he tries not to miss his own wife’s performances, and after each performance he gives his wife lush bouquets of flowers.


In 2009, Christina became a mother for the first time: she and her husband had a son, who was named Muslim name Isa. The dancer admits that during rehearsals and performances she is completely focused on work, but as soon as she leaves the theater, she immediately forgets about professional problems, thinking only about her family. The artist’s personal life is going well.

Like other ballet dancers, Kretova observes strict diet, but Christina loves to pamper her family delicious pastries. The ballerina does not believe that she leads an ascetic lifestyle. Acts on behalf of the dancer official page V " Instagram", where Kristina Kretova posts photos from performances, as well as television broadcasts where the artist manages to appear.

Kristina Kretova now

In 2017, Kristina Kretova’s repertoire was replenished with new roles in premiere productions, including the role of Margot in the play “Nureyev” to the music of Ilya Demutsky, directed by.

The artist also continued her collaboration with television. In September 2017, the project “You are super!” was launched on the NTV channel. Dancing”, where Kristina Kretova was invited as a member of the jury. In addition to the soloist of the Bolshoi Theater, places in the judge's chairs were taken by, and. The event was hosted by an actor and showman.

145 talented orphans who are interested in choreographic art, from 13 countries of the post-Soviet space. Kristina Kretova noted the positive attitude of the contestants, as well as some similarities between her own fate and the life of the competition participants: at the age of 10, the future ballerina had to leave her family and live in a boarding school. The first place was taken by Valeria Rodionova, a 14-year-old dancer from Kostroma who is interested in modern dance.

Projects

  • 2011 – “Bolero”
  • 2015 – “Dancing on TNT”
  • 2017 – “You are super!” Dancing"

Kristina Kretova- famous Russian ballerina, prima of the Bolshoi Theater. Born on January 28, 1984 in the city of Orel.

Christina began studying ballet at the age of six. At ten she was invited to study at the choreographic academy in Moscow, after graduating from which she began working at the Kremlin Theater, then performed for a year on the stage of the Theater. Stanislavsky and Nemirovich-Danchenko, and in 2011 became a soloist of the Bolshoi Theater.

On the jury of the popular show “Dancing” on TNT (season 3)

IN dance world Kretova has long won great love from the audience, but mass fame came to her after her appearance on “ blue screen" In 2011, together with Alexei Yagudin, she won the Bolero show on Channel One. And in 2015, she became a member of the jury of the dance project “Dancing” on TNT.

With son Isa

Despite the dense tour schedule and constant rehearsals, Christina finds time for her personal life. She is married and has a growing son, Isa. The girl keeps her husband’s name a secret; there is not a single photo with her husband on her Instagram.

They are sold in packs of one hundred pieces. One such package lasts me three months, and I buy them for the whole year in advance! I use them every day, because they nourish the skin very well and relieve puffiness. By the way, these masks are now available even in our stores or when purchased online.

About nails, prohibitions and pedicure

At the Bolshoi Theater, under no circumstances should I go on stage with a bright manicure, but otherwise you can put anything on your nails. I love pastel colors or a French jacket, which I almost always wear now.

I’ve been wearing the “soft square” uniform for quite some time now, and I really like it. Some ballerinas do not trust their feet to pedicurists because they are afraid, however, I admit, I never do a pedicure for myself, I prefer to go to trusted beauty salons.

About your favorite perfume and your dislike for Dolce&Gabbana

I always wear perfume, even when I go on stage. I like citrus notes, for example, from Hermes. I categorically cannot stand the scent No. 3 L"Imperatrice from Dolce&Gabbana; to be honest, it even makes me sick.

I became interested in Kristina Kretova quite recently. I saw these unusual beautiful photos and immediately wanted to know more about her.

What beautiful makeup here! What a facial expression!




She was born in Orel. In 2002 she graduated from the Moscow State Academy of Choreography and was accepted into the theater " Kremlin Ballet", where she performed the leading roles - Giselle, Odette-Odile, Masha, Kitri, Esmeralda

as well as Emmy Lawrence (“Tom Sawyer” by P. Ovsyannikov, choreography by A. Petrov),

Naina (“Ruslan and Lyudmila” by V. Agafonnikov, choreography by A. Petrov), etc.

In 2008, she performed the role of the Mistress of the Copper Mountain at the premiere of the ballet “The Stone Flower” by S. Prokofiev at the Yekaterinburg State Theater academic theater opera and ballet (choreography by A. Petrov).

** By the way, I didn’t know about this. I didn’t go to the premiere performance; I saw it much later. It turns out that she visited us too)))

In 2010 she joined the troupe of the Moscow Academic Musical theater them. K.S. Stanislavsky and Vl.I. Nemirovich-Danchenko, taking the position of prima ballerina. In the 2011/12 season she entered ballet troupe Bolshoi Theater. Rehearses under the direction of Nina Semizorova.

Kristina Kretova in Vadim Vernik's author's program "Who's There". Broadcast from 02/10/2012

Variation from "The Nutcracker", 2011

Now Kristina Kretova is the leading soloist of the Bolshoi Theater. Over these two seasons she has already danced many roles, as in classical ballets, and modern productions - (Soloist (“Cinque” to the music of A. Vivaldi, staged by M. Bigonzetti),

Mireille de Poitiers (“Flames of Paris”), Anyuta, duet (“Dream of Dream”)

Leading couple (“Classical Symphony” to the music of S. Prokofiev, staged by Y. Posokhov), Ramsey (“Pharaoh’s Daughter”), Polyhymnia (“Apollo Musagete”), etc.


Awards:

2003 - youth grant of the independent award "Triumph". 2004 - won 2nd prize All-Russian competition Yuri Grigorovich "Young Ballet of Russia" (Krasnodar).

2006 - awarded the 1st prize at the International Competition “Young Ballet of the World” (Sochi) and the “Soul of Dance” award from the “Ballet” magazine (in the “Rising Star” category).

"Swan Lake" with S. Chudin

**
Maybe she's not a perfect dancer. In some places there is a lack of coordination between the positions of the head and the body (for example, in Giselle), in some places the transitions are rough, and there are not enough nuances in some adagios. But overall she is a very expressive, well-trained, experienced ballerina, with a chiseled figure, beautiful legs, and dramatic talent. At least that's how I saw her.

It's amazing how they suit her dramatic roles, and characteristic.


"Giselle" with Dmitry Gudanov

Kristina Kretova / V. Lantratov - Sleeping Beauty

Performance by Bolshoi Theater artists at the Festival of Arts in Odessa. 2012 Benefit performance of Vladimir Vasiliev.

Gala concert "Dedication to Maris Liepa"

Pas de deux from the ballet Don Quixote. Kristina Kretova (Music Theater named after Stanislavsky and Nemirovich-Danchenko) and Mikhail Martynyuk (Kremlin Ballet), aired: 07/27/2011


Http://vk.com/ballerina_kretova

Very nice profile!

But here Gamzatti has a very interesting view! Fear is visible in her face, she still doesn’t know how to start a conversation with Nikiya.... very interesting!


This outfit from Act 1 really suits her!

Thank you for your attention!