In 1842, at one of the literary evenings, Nekrasov was lucky enough to meet a charming woman, Avdotya Panayeva. She was the owner of a literary salon, where all the cream of the then St. Petersburg gathered.
It is worth noting that Avdotya was really beautiful woman, many gentlemen courted her, but only Nekrasov reciprocated.
At the time the poet and Panaeva met, the latter was already married. This fact did not stop the young Nekrasov. After some time, he moved to the Panayevs' house. Of course, such actions of the poet aroused jealousy in Avdotya’s legal husband. He was forced to become part love triangle and tolerate his wife’s infidelity.
The culmination of the romance between Nekrasov and Panaeva was the birth of a child. Unfortunately, the baby lived only a short time and died in 1849. From that moment on, the love feelings of Nikolai and Avdotya began to fade away.
Anticipating an imminent separation, in 1850 Nekrasov created the poem “I don’t like your irony...”. this work was completely devoted to the relationship between two people, their feelings that were between them.
The poet writes that feelings of love still remained between him and Panaeva, but they began to fade away every day. The reason for this was the death of their child. It was as if an invisible thread had broken between the lovers.
Nekrasov says that love feelings still burn between them, and he is trying with all his might to prolong this relationship. But, unfortunately, the ending is already clear.
“Don’t rush the inevitable outcome!
And without that she’s not far away...”
Thanks to Nikolai’s persistence, his relationship with Avdotya lasted about ten more years. In the early 60s, Panaeva’s husband dies. Nekrasov begins to hope to tie the knot with Avdotya. But the woman chose a different path. She wished to remain free and not marry again. After these events, the relationship between Nekrasov and Panaeva finally ended and the couple broke up.
This poem by Nekrasov appeared in print in 1855. In the work, the author addresses Avdotya Yakovlevna Panova, his wife and lover. It should be noted that this poem is not the first appeal to his wife written this year. Apparently, this year was especially difficult in the life of the spouses.
The lyrical hero of the poem understands that their relationship is heading towards a breakdown, and yet he begs his beloved not to rush things, not to forget about feelings ahead of time. It pains him to part with his sweetheart, and knowing that this inevitably asks him to spend at least a little more time with her as a lover, without mutual irony.
This poem, like the rest of the author’s work on the topic of love and separation, perfectly expresses the confusion, the pain that a person experiences when parting. And this very feeling when you understand that just a little more and everything will be over, and you try to breathe before death, these desperate attempts to glue a rapidly spreading crack - who doesn’t know them?
It's written quite in an unusual way– The rhyme scheme changes from stanza to stanza. Thus, in the first five-line verse the ring rhyme method is used:
(Your to her
Alive shim
Loving shim
Saving shim
In the second - cross:
(N gently
mint gently
Sword You
Neizb gently j)
And in the third, both methods are mixed:
(Next ka
Floor us
Thos ka
Re ka
Ox us)
This mixing of rhyme schemes gives the poem the feel of a lively conversation while still sounding beautiful and melodic.
Also, the effect of liveliness is added by an allegory (comparing the feeling of love with a fast-flowing river) and many colorful epithets.
Nekrasov is one of the few poets who was able in his work to convey not only the beauty and romance of love, but also the heaviness and pain that it causes. I believe that this speaks of high skill - a poet with his creativity should evoke in people not only bright feelings, but also allow them to experience grief and plunge into it. His poems have been and will be relevant at all times, until people become insensitive robots and stop experiencing anything.
By providing readers with the opportunity to experience a full range of different feelings, the writer teaches them to understand these feelings, teaches them compassion for those who experience these emotions firsthand.
Poems that describe human feelings make us more humane.
Option 2
Nikolai Nekrasov in 1842 met Avdotya Panaeva, who was the legal wife of a famous publicist, in whose house various writers often gathered. She had a gift for journalism and a special talent for writing, and communication with a wide range of creative people, allowed her to find inspiration and new ideas. In addition, she was famous for her beautiful appearance, so she immediately captivated the young and aspiring poet. But at the same time, she became the cause not only of his mental torment and captivated many visitors to their literary salon, who literally suffered from her charms and natural charm.
They actually dated for 20 years; their union cannot be called strong. They brought a lot of troubles, passions were constantly boiling between them, which also caused inconvenience to the husband of Panayeva herself. He had to live as part of a love triangle, while having to share a house with his wife, who lived with her lover. But in 1849, a child born to a girl from Nekrasov dies, which leads to the fading of love feelings.
It was during that period of life that the poem “I don’t like your irony...” appears. Nekrasov already understands that a break in the relationship is inevitable. He describes the relationship with his chosen one, which becomes cold. He recalls that earlier he had very tender feelings for the woman who was next to him, and she was no less in love with him and fascinated by him appearance. But time can not only smooth out anger and hatred, but also destroy love that does not find proper nourishment.
The author of the poem himself understands what the real problem is with what is happening. The cause is the death of a child who was the fruit of love. But at the same time, he understands that not everything has died out yet. It is still possible to restore old feelings and start all over again. And the woman herself tries to extend the date that is allotted to her. But Nekrasov already feels the approaching separation, which incredibly follows on his heels.
He understands that it is impossible to avoid the outcome, so he simply asks her to push back his moment. He cannot bear the irony of his former lover, which he actually cannot bear in his spirit. She wounds him, but at the same time Nekrasov realizes that the girl is severely wounded, she cannot survive the death of her son.
But the poet does not give up trying to save the controversial union, so it lasted for another ten years. Nekrasov hoped to the last that as soon as Panaeva’s husband died, she would become his legal wife. But contrary to all his hopes and expectations, this does not happen.
Their union breaks up completely, she leaves him. Despite the fact that there were many women in his life, he could not completely drive her away from his heart. This is also evidenced by the fact that virtually all love lyrics Nekrasov was written at this point in his life. The rest of the women did not leave such a mark in his life as Panaeva, who became the meaning of his life, for her sake he worked, regardless of the opinions of the people around him who condemned such a union.
Analysis of the poem I don’t like your irony according to plan
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“I don’t like your irony” Nekrasov
“I don’t like your irony” analysis of the work - theme, idea, genre, plot, composition, characters, issues and other issues are discussed in this article.
History of creation
The poem “I don’t like your irony” was written by Nekrasov, presumably in 1850, published in the Sovremennik magazine No. 11 for 1855. It is included in the collection of poems of 1856.
The poem is addressed to Avdotya Panaeva, with whom Nekrasov was in love. Their romance, which began in 1846 and lasted almost two decades, never ended in legal marriage. In this sense, the poem “I don’t like your irony” is prophetic.
Avdotya Panaeva was the wife of Nekrasov’s friend Ivan Panaev, with whom they revived Sovremennik together. Since 1847, the trio lived together, Nekrasov, with the consent of the flighty Ivan, became common-law husband Panaeva. Both were burdened by this connection, although they loved each other.
The relationship between Nekrasov and Panaeva was uneven. There were stormy showdowns and temporary cooling towards each other. This is what the poem is about.
Literary direction, genre
The poem “I don’t like your irony” refers to intimate lyrics and is included in the so-called “Panaev cycle”. It tells the story of the development love relationship, explaining realistically internal reasons external changes in communication.
Theme, main idea and composition
The theme of the poem is the development of love relationships, the fading and cooling of feelings.
Main idea: only love is real life, therefore, love must be protected, you need to take care of its preservation, noticing the first signs of fading.
The poem is an appeal to a beloved. The reason for the appeal was the mockery, the irony of the beloved in relation to the lyrical hero.
In the first stanza, the lyrical hero admits that his feelings are fading, that the once ardent love is only warming in his heart. Irony, from a point of view lyrical hero, is characteristic of “those who have become obsolete and who have not lived,” that is, those who did not love at all or no longer love.
In the second stanza, the lyrical hero describes the current state of the relationship: the woman shyly and tenderly wants to extend the date, in the heart of the lyrical hero “jealous anxieties and dreams are boiling.” But love fades away, which is conveyed by the words “for now.” The last line of the second stanza calls the extinction of love an inevitable denouement.
In the last stanza, the lyrical hero no longer harbors illusions, does not hope to continue the relationship, which he calls for in the first two stanzas, using exclamatory sentences. Scandals and conflicts are a sign of the end of a relationship, when there is already “secret coldness and melancholy” in the heart.
Paths and images
The poem is based on the opposition of cold and hot, boiling and icing. Love is like a boiling water torrent, which is described using metaphors: those who loved dearly, jealous anxieties and dreams are boiling, boiling more intensely, full of the last thirst. Feelings are opposed secret cold and melancholy hearts (metaphor of indifference).
Nekrasov compares the feelings preceding cooling to a river, which bubbles more strongly in the fall, although it becomes colder. Thus, the strength of feelings (storminess) is not equivalent for the lyrical hero to their quality (warmth or coldness). The river will boil and freeze, and so will love.
The poem has a complete thought even without the last two lines, which are preceded by an ellipsis. Comparison of feelings with rushing river- that last argument that the lyrical hero gives in order to achieve the understanding of his beloved.
Epithets are of great importance in the poem. All of them are negatively colored: jealous anxieties and dreams, final thirst, inevitable denouement, secret cold. They are contrasted with adverbial epithets with a positive connotation: passionately loved, wished shyly and tenderly, seething rebelliously. The lyrical hero perceives the actions of the heroes as a manifestation of love, but state ( anxiety, thirst, denouement) considers them deprived of the desired feeling. This is how the idea of a poem works on a linguistic level.
Meter and rhyme
The poem has an unusual rhythmic organization and rhyme pattern. The meter is defined as iambic pentameter, but there are so many pyrrhichs that the rhythm gets confused, like a person who cannot even out his breathing from excitement. This effect is facilitated by the shortened last line in the first stanza.
Each stanza consists of 5 lines, the rhyme pattern in each stanza is different. In the first stanza it is circular, in the second it is cross, in the third the cross alternates with the adjacent one. This disorder corresponds to the internal rebellion of the lyrical hero. The male rhyme alternates with the female rhyme, also disorderly due to different rhymes.
N. Nekrasov, like V. Mayakovsky, is considered by many to be only a “political” poet, a fighter for civil rights ordinary people. But even if a dispute may arise about the poetic meaning of Nekrasov’s “civil” poems, then the disagreements are significantly smoothed out and sometimes even disappear when we talk about Nekrasov as an ethicist and lyricist.
I don't like your irony.
Leave it obsolete and not living,
And for you and me, who loved so dearly... The fierce singer of grief and suffering was completely transformed, becoming surprisingly tender, soft, kindly, as soon as it came to women and children.
Still shy and tender
Do you want to extend the date?
While rebelliousness is still boiling inside me
Jealous worries and dreams -
Don't rush the inevitable outcome!
Nekrasov's lyricism arose on the fertile soil of burning and strong passions who owned it, and a sincere awareness of their moral imperfection. To a certain extent living soul What saved Nekrasov was precisely his “guilts,” which he often spoke about, turning to portraits of friends who “reproachfully looked at him from the walls.” His moral shortcomings gave him a living and immediate source of impetuous love and thirst for purification. The power of Nekrasov’s calls is psychologically explained by the fact that he acted in moments of sincere repentance. Who forced him to talk with such force about his moral failures, why did he have to expose himself from an unfavorable side? But obviously it was stronger than him. The poet felt that repentance brought forth the best pearls from the bottom of his soul, and gave himself entirely to his spiritual impulse.
We are boiling more intensely, full of the last thirst,
But there is a secret coldness and melancholy in the heart...
So in autumn the river is more turbulent,
But the raging waves are colder...
The strength of feeling arouses enduring interest in Nekrasov’s lyrical poems - and these poems, along with poems, for a long time provided him with a primary place in Russian literature. His accusatory satires are now outdated, but from Nekrasov’s lyrical poems and poems one can compose a volume of highly artistic merit, the meaning of which will not die as long as the Russian language lives.
The poem “I don’t like your irony” was written by Nekrasov, presumably in 1850, published in the Sovremennik magazine No. 11 for 1855. It is included in the collection of poems of 1856.
The poem is addressed to Avdotya Panaeva, with whom Nekrasov was in love. Their romance, which began in 1846 and lasted almost two decades, never ended in legal marriage. In this sense, the poem “I don’t like your irony” is prophetic.
Avdotya Panaeva was the wife of Nekrasov’s friend Ivan Panaev, with whom they revived Sovremennik together. Since 1847, the trio lived together; Nekrasov, with the consent of the flighty Ivan, became Panaeva’s common-law husband. Both were burdened by this connection, although they loved each other.
The relationship between Nekrasov and Panaeva was uneven. There were stormy showdowns and temporary cooling towards each other. This is what the poem is about.
Literary direction, genre
The poem “I don’t like your irony” refers to intimate lyrics and is included in the so-called “Panaev cycle”. It tells the story of the development of love relationships, realistically explaining the internal reasons for external changes in communication.
Theme, main idea and composition
The theme of the poem is the development of love relationships, the fading and cooling of feelings.
The main idea: only love is real life, so love needs to be protected, you need to take care of its preservation, noticing the first signs of fading.
The poem is an appeal to a beloved. The reason for the appeal was the mockery, the irony of the beloved in relation to the lyrical hero.
In the first stanza, the lyrical hero admits that his feelings are fading, that the once ardent love is only warming in his heart. Irony, from the point of view of the lyrical hero, is characteristic of “those who have become obsolete and who have not lived,” that is, those who did not love at all or no longer love.
In the second stanza, the lyrical hero describes the current state of the relationship: the woman shyly and tenderly wants to extend the date, in the heart of the lyrical hero “jealous anxieties and dreams are boiling.” But love fades away, which is conveyed by the words “for now.” The last line of the second stanza calls the extinction of love an inevitable denouement.
In the last stanza, the lyrical hero no longer harbors illusions, does not hope to continue the relationship, which he calls for in the first two stanzas, using exclamatory sentences. Scandals and conflicts are a sign of the end of a relationship, when there is already “secret coldness and melancholy” in the heart.
Paths and images
The poem is based on the opposition of cold and hot, boiling and icing. Love is like a boiling stormy stream, which is described using metaphors: those who loved dearly, jealous anxieties and dreams are boiling, boiling more intensely, full of the last thirst. Feelings are opposed secret cold and melancholy hearts (metaphor of indifference).
Nekrasov compares the feelings preceding cooling to a river, which bubbles more strongly in the fall, although it becomes colder. Thus, the strength of feelings (storminess) is not equivalent for the lyrical hero to their quality (warmth or coldness). The river will boil and freeze, and so will love.
The poem has a complete thought even without the last two lines, which are preceded by an ellipsis. Comparing feelings with a stormy river is the last argument that the lyrical hero gives in order to achieve understanding of his beloved.
Epithets are of great importance in the poem. All of them are negatively colored: jealous anxieties and dreams, final thirst, inevitable denouement, secret cold. They are contrasted with adverbial epithets with a positive connotation: passionately loved, wished shyly and tenderly, seething rebelliously. The lyrical hero perceives the actions of the heroes as a manifestation of love, but state ( anxiety, thirst, denouement) considers them deprived of the desired feeling. This is how the idea of a poem works on a linguistic level.
Meter and rhyme
The poem has an unusual rhythmic organization and rhyme pattern. The meter is defined as iambic pentameter, but there are so many pyrrhichs that the rhythm gets confused, like a person who cannot even out his breathing from excitement. This effect is facilitated by the shortened last line in the first stanza.
Each stanza consists of 5 lines, the rhyme pattern in each stanza is different. In the first stanza it is circular, in the second it is cross, in the third the cross alternates with the adjacent one. This disorder corresponds to the internal rebellion of the lyrical hero. The male rhyme alternates with the female rhyme, also disorderly due to different rhymes.
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