Jos Guadalupe Posda(Spanish Jos Guadalupe Posada, February 2, 1852, Aguascalientes - January 20, 1913, Mexico City) - Mexican graphic artist, cartoonist, book illustrator.
Biography
His older brother taught him to read, write and draw. school teacher. In 1871 he began publishing political cartoons in the local newspaper El Jicote ("The Bumblebee"). After the closure of the newspaper, which offended the authorities, Posada moved to Leon. He opened a shop for engravings, lithographs, books with illustrations, posters, etc. products. In 1883 he began teaching the art of lithography at the city school. After the flood of 1888 and the collapse of his trade, he moved to Mexico City. He worked for the liberal newspaper Patria Ilustrada, which was published by Octavio Paz's grandfather. He became famous for his cartoons upper classes, having found for them a form that synthesized the traditional Mexican culture of the Festival of the Dead, folk popular prints and the achievements of modern graphics. In particular, his engraving “The Skull of Katrina” is widely known.
During the Mexican Revolution he was on the side of the rebels. But by the end of his life he had already significantly lost popularity and was almost forgotten. He died in poverty.
He was buried in the poor metropolitan cemetery of the Pantheon de Dolores in the lowest category; Since for seven years none of his relatives or friends had asked for his reburial, his ashes were transferred to a common grave.
"Katrina's Skull" H. G. Posada
Don Quixote. H. G. Posada
Battle of Puebla. H. G. Posada
Demonstration against the re-election of Porfirio Diaz. H. G. Posada
Showcase of Posada's workshop
Heritage
His figure and work were resurrected in the 1920s by Diego Rivera and José Clemente Orozco, whose work he significantly influenced. A representative collection of his works is in the National Institute fine arts and literature in Mexico City. In the city of Aguascalientes there is a museum dedicated to the artist.
Literature
- Posada's Mexico/ Ron Tyler, ed. Washington: Library of Congress, 1979
- Rothenstein J. Posada: Messenger of Mortality. New York: Moyer Ltd, 1989
- Toor F. Las obras de Jose Guadalupe Posada: grabador mexicano. Mxico: Ed. RM, 2002
- Cortez C. a.o. Viva Posada!: a salute to the great printmaker of the Mexican revolution. Chicago: Charles H. Kerr, 2002
- Lpez Casillas M. Jos Guadalupe Posada: ilustrador de cuadernos populares. Mxico: Editorial RM, 2003
- Miliotes D.H. Jos Guadalupe Posada and the Mexican broadside. Chicago: Art Institute of Chicago, 2006
- Topete del Valle A. Jos Guadalupe Posada: prcer de la grfica popular mexicana. Aguascalientes: Universidad Autnoma de Aguascalientes, 2007
- Jos Lebrero Stals J., Revert R. Posada: Mexican engraver. Seville: Centro Andaluz de Art Contemporneo; Mexico: Editorial RM, 2008 (exhibition catalogue)
, Aguascalientes - January 20, Mexico City) - Mexican graphic artist, cartoonist, book illustrator.
Biography
His older brother, a school teacher, taught him to read, write and draw. B began publishing political cartoons in the local newspaper El Jicote("Bumblebee"). After the closure of the newspaper, which offended the authorities, Posada moved to Leon. He opened a shop for engravings, lithographs, books with illustrations, posters, etc. products. S began teaching the art of lithography at the city school. After the flood and the collapse of his trade, he moved to Mexico City. Worked for a liberal newspaper Patria Ilustrada, which was published by Octavio Paz's grandfather. He became famous for his caricatures of the upper classes, finding for them a form that synthesized the traditional Mexican culture of the Festival of the Dead, popular popular prints and the achievements of Art Nouveau graphics. In particular, his engraving “The Skull of Katrina” is widely known.
Write a review of the article "Guadalupe Posada, Jose"
Literature
- Posada's Mexico/ Ron Tyler, ed. Washington: Library of Congress, 1979
- Rothenstein J. Posada: Messenger of Mortality. New York: Moyer Ltd, 1989
- Toor F. Las obras de Jose Guadalupe Posada: grabador mexicano. Mexico: Ed. RM, 2002
- Cortez C. a.o. Viva Posada!: a salute to the great printmaker of the Mexican revolution. Chicago: Charles H. Kerr, 2002
- López Casillas M. José Guadalupe Posada: ilustrador de cuadernos populares. Mexico: Editorial RM, 2003
- Miliotes D.H. José Guadalupe Posada and the Mexican broadside. Chicago: Art Institute of Chicago, 2006
- Topete del Valle A. José Guadalupe Posada: prócer de la gráfica popular mexicana. Aguascalientes: Universidad Autónoma de Aguascalientes, 2007
- José Lebrero Stals J., Reverté R. Posada: Mexican engraver. Seville: Centro Andaluz de Art Contemporáneo; Mexico: Editorial RM, 2008 (exhibition catalogue)
Links
Excerpt characterizing Guadalupe Posada, José
As always happens for single women who have lived for a long time without male society, when Anatole appeared, all three women in the house of Prince Nikolai Andreevich equally felt that their life had not been life before that time. The power to think, feel, and observe instantly increased tenfold in all of them, and as if it had hitherto been happening in darkness, their lives were suddenly illuminated by a new, full of meaning light.Princess Marya did not think or remember at all about her face and hairstyle. The handsome, open face of the man who might be her husband absorbed all her attention. He seemed to her kind, brave, decisive, courageous and generous. She was convinced of it. Thousands of dreams about the future family life constantly appeared in her imagination. She drove them away and tried to hide them.
“But am I too cold with him? - thought Princess Marya. “I try to restrain myself, because deep down I feel too close to him; but he doesn’t know everything that I think about him, and he can imagine that he is unpleasant to me.”
And Princess Marya tried and failed to be polite to the new guest. “La pauvre fille! Elle est diablement laide,” [Poor girl, she’s devilishly ugly,] Anatole thought about her.
M lle Bourienne, also armed by the arrival of Anatole on high degree excitement, I thought in a different way. Of course, a beautiful young girl without a certain position in the world, without relatives and friends and even a homeland, did not think of devoting her life to the services of Prince Nikolai Andreevich, reading books to him and friendship with Princess Marya. M lle Bourienne has long been waiting for that Russian prince who will immediately be able to appreciate her superiority over the Russian, bad, poorly dressed, awkward princesses, fall in love with her and take her away; and this Russian prince finally arrived. M lle Bourienne had a story that she heard from her aunt, completed by herself, which she loved to repeat in her imagination. It was a story about how a seduced girl introduced herself to her poor mother, sa pauvre mere, and reproached her for giving herself to a man without marriage. M lle Bourienne was often moved to tears, telling him, the seducer, this story in her imagination. Now this he, a real Russian prince, has appeared. He will take her away, then ma pauvre mere will appear, and he will marry her. This is how M lle Bourienne's whole future history, at the same time she was talking to him about Paris. It was not calculations that guided m lle Bourienne (she didn’t even think for a minute about what she should do), but all this had been ready in her for a long time and was now only grouped around the appearance of Anatole, whom she wanted and tried to please as much as possible.
The little princess, like an old regimental horse, hearing the sound of a trumpet, unconsciously and forgetting her position, prepared for the usual gallop of coquetry, without any ulterior thought or struggle, but with naive, frivolous fun.
Biography
His older brother, a school teacher, taught him to read, write and draw. B began publishing political cartoons in the local newspaper El Jicote("Bumblebee"). After the closure of the newspaper, which offended the authorities, Posada moved to Leon. He opened a shop for engravings, lithographs, books with illustrations, posters, etc. products. S began teaching the art of lithography at the city school. After the flood and the collapse of his trade, he moved to Mexico City. Worked for a liberal newspaper Patria Ilustrada, which was published by Octavio Paz's grandfather. He became famous for his caricatures of the upper classes, finding for them a form that synthesized the traditional Mexican culture of the Festival of the Dead, popular popular prints and the achievements of Art Nouveau graphics. In particular, his engraving “The Skull of Katrina” is widely known.
During the Mexican Revolution he was on the side of the rebels. But by the end of his life he had already significantly lost popularity and was almost forgotten. He died in poverty.
He was buried in the poor metropolitan cemetery of the Pantheon de Dolores in the lowest category; Since for seven years none of his relatives or friends had asked for his reburial, his ashes were transferred to a common grave.
Heritage
His figure and work were resurrected in the 1920s by Diego Rivera and José Clemente Orozco, whose work he significantly influenced. A representative collection of his works is housed at the National Institute of Fine Arts and Letters in Mexico City.
Literature
- Posada's Mexico/ Ron Tyler, ed. Washington: Library of Congress, 1979
- Rothenstein J. Posada: Messenger of Mortality. New York: Moyer Ltd, 1989
- Toor F. Las obras de Jose Guadalupe Posada: grabador mexicano. Mexico: Ed. RM, 2002
- Cortez C. a.o. Viva Posada!: a salute to the great printmaker of the Mexican revolution. Chicago: Charles H. Kerr, 2002
- López Casillas M. José Guadalupe Posada: ilustrador de cuadernos populares. Mexico: Editorial RM, 2003
- Miliotes D.H. José Guadalupe Posada and the Mexican broadside. Chicago: Art Institute of Chicago, 2006
- Topete del Valle A. José Guadalupe Posada: prócer de la gráfica popular mexicana. Aguascalientes: Universidad Autónoma de Aguascalientes, 2007
- José Lebrero Stals J., Reverté R. Posada: Mexican engraver. Seville: Centro Andaluz de Art Contemporáneo; Mexico: Editorial RM, 2008 (exhibition catalogue)
Links
Categories:
- Artists of Mexico
- Mexico charts
- Cartoonists of Mexico
- Born in 1852
- Died in 1913
- Deaths in Mexico City
Wikimedia Foundation. 2010.
See what “Guadalupe Posada, Jose” is in other dictionaries:
Guadalupe Posada, José José Guadalupe Posada José Guadalupe Posada (Spanish: José Guadalupe Posada, February 2, 1852, Aguascalientes - January 20, 1913, Mexico City) - Mexican graphic artist, cartoonist, book illustrator ... Wikipedia
- (Posada) (1851 1913), Mexican graphic. The founder of the Mexican school of graphics of the 20th century. Studied graphics from M. Manilla. He collaborated with many newspapers and created over 15 thousand woodcuts. In Posada’s work, which has absorbed traditions... ... Art encyclopedia
- (Posada) (1851 1913), Mexican graphic. Woodcuts, often in tradition folk art(“calavera” scenes with skeletons), illustrated songs, ballads, stories, and called for revolutionary struggle. * * * POSADA Jose Guadalupe POSADA... ... Encyclopedic Dictionary
Posada Jose Guadalupe (2.2.1851, Aguascalnes, 20.1.1913, Mexico City), Mexican graphic artist. Working from 1887 in Mexico City at the publishing house of A. Vanegas Arroyo, he studied graphics with M. Manilla. Collaborated in many newspapers, created over 15 thousand... ...
- (1851 1913) Mexican graphic. Woodcuts, often in the tradition of folk art (calavera scenes with skeletons), illustrated songs, ballads, stories, called for revolutionary struggle... Big Encyclopedic Dictionary
- (Posada) Jose Guadalupe (2.2.1851, Aguascalnes, 20.1.1913, Mexico City), Mexican graphic artist. Working from 1887 in Mexico City at the publishing house of A. Vanegas Arroyo, he studied graphics with M. Manilla. Collaborated in many newspapers, created over 15 thousand... ... Great Soviet Encyclopedia
United Mexican States, state in the southwest part of the north. America. In 1821, Spanish independence was proclaimed. colonies of New Spain. The resulting new state took the name Mexico City (Spanish: Mexico, Mejico) after the name of the capital of the state city... ... Geographical encyclopedia
Mexico- (Mexico) State of Mexico, geography, history, population and cities of Mexico Information about the state of Mexico, geography, cities, history and population of Mexico, economy and political structure Contents United Mexican States, ... ... Investor Encyclopedia
Mexican culture was formed from a mixture of Spanish and Indian traditions. In the 20th century she was influenced by culture European countries and the USA. In the pre-Columbian period, highly developed civilizations flourished in Mexico, creating... ... Collier's Encyclopedia
A service list of articles created to coordinate work on the development of the topic. This warning is not set... Wikipedia
The Aguascalientes Museum is a painting museum that displays the works of some of the best Mexican artists of all time. It was built in 1903 in the city of the same name. The building was built according to the project of Refugio Reyes Rivas in a neoclassical style. From 1903 to 1915 there was a Catholic college here. After minor renovations and an increase in area, a school for girls was organized here, which existed until 1975. To commemorate the fourth anniversary of the official founding of the city of Aguascalientes, the Aguascalientes Museum was opened to the public in October 1975.
The interior of the museum consists of two courtyards. The first is dominated by arches with rectangular columns. In the second courtyard there is a beautiful garden with fountains. The museum features 5 permanent galleries where works by artists such as Saturnino Herr n with his “El m s pintor de los mexicanos y m s mexicano de los pintores”, Gabriel Fern ndez Ledesma, Juan de Mata y Pacheco, Jes s F. Contreras and Francisco D az de Le n, as well as two rooms that offer temporary exhibitions of contemporary national art. The museum is open from Tuesday to Sunday and costs 10 pesos.
Counterinsurgency Museum
The Counterinsurgency Museum is located in what was once the largest house in the city and was opened in October 1967 to display events related to the fight for Mexican independence.
The museum offers an exhibition that includes a list of artifacts that tell the story of the last two centuries in Mexican history, including the defeat of the rebels at the Battle of Puente de Calder n.
The courtyard of the museum is a unique garden, incorporating representatives of the flora of the region.
Recognizing the historical value of the institution, UNESCO included the museum in the list cultural heritage humanity.
National Museum of Death
National Museum Death is located in the cultural part of the city of Aguascalientes on the territory of the Autonomous University. The museum is dedicated to the dissemination of objects related to the theme of death in Mexico. These items belonged to the collection of the writer Octavio Gil Bajonero, who donated them to the university.
Octavio Gil Bajonero began his collection with items that Mexicans used to decorate their homes during the Day of the Dead. Over the years, the collection was replenished with works of fine art by Manuel Manilla, Jose Guadalupe Posada and Francisco Toledo. On November 8, 2006, an agreement was signed between the Autonomous University and Octavio Gil Bajonero for the donation of all works and the creation of a museum. On June 19, 2007, the National Museum of Death opened to celebrate the 34th anniversary of the founding of the university.
The museum's collection includes approximately 2,000 works of pre-Hispanic, sacred, modern and craft art.
The museum is open from Tuesday to Sunday from 10:30 to 18:30. Admission costs 10 pesos, free on Sundays.
Jose Guadalupe Posada Museum
The Jose Guadalupe Posada Museum is a museum that displays the original printing plates used to create graphic images. The museum is located in the historic Triana district of Aguascalientes, where graphic artist José Guadalupe Posada was born and lived.
The museum was opened in 1972, near the El Señ or del Encino church, built in the 18th century. It is operated by the state and federal governments. The museum area is small, so there is no bookstore or souvenir shop.
The museum's collection includes original forms for printing on spreads and the rarest collections of Posad's works that have come down to us. Covers for a series of books and music collections are of particular interest to visitors. The main pride of the museum is its several famous characters Jose Posada, drawn for newspaper publication, which are cut out and presented in life size. Museum visitors who are intimately familiar with the images of José Guadalupe are struck by the small size of some of the plates, which were often reissued in monumental ways.
Regional Museum of History and Local Lore
The Regional History Museum is a place that protects, preserves and disseminates the historical and cultural heritage of Mexico. It is located on Venustiano Carranza Street in the city of Aguascalientes.
The museum is located in an old house, which was built in 1914. The space is adapted to climatic conditions region. The architectural eclecticism of the museum combines various art styles. The Mediterranean style is manifested in the connections of all rooms with each other. French academicism is shown in the symmetry of the facades, made in two colors. Beautiful carved doors, frames and cornices give the building a special charm. In the central courtyard of the museum you can see an abundance of decorative motifs and columns in Art Nouveau style.
In total, the museum has 9 halls, which are located in chronological order. Each room opens up for visitors a new round of history of both the city of Aguascalientes and Mexico as a whole.
Jose Guadalupe Posada (Spanish: José Guadalupe Posada)
February 2, 1852, Aguascalientes - January 20, 1913, Mexico City.
Mexican graphic artist, cartoonist, book illustrator.
His older brother, a school teacher, taught him to read, write and draw. In 1871 he began publishing political cartoons in the local newspaper El Jicote ("The Bumblebee"). After the closure of the newspaper, which offended the authorities, Posada moved to Leon. He opened a shop for engravings, lithographs, books with illustrations, posters, etc. products. In 1883 he began teaching the art of lithography at the city school. After the flood of 1888 and the collapse of his trade, he moved to Mexico City. He worked for the liberal newspaper Patria Ilustrada, which was published by Octavio Paz's grandfather. He became famous for his caricatures of the upper classes, finding for them a form that synthesized the traditional Mexican culture of the Festival of the Dead, popular popular prints and the achievements of modern graphics. In particular, his engraving “The Skull of Katrina” is widely known.
During the Mexican Revolution he was on the side of the rebels. But by the end of his life he had already significantly lost popularity and was almost forgotten. He died in poverty.
He was buried in the poor metropolitan cemetery of the Pantheon de Dolores in the lowest category; Since for seven years none of his relatives or friends had asked for his reburial, his ashes were transferred to a common grave.
His figure and work were resurrected in the 1920s by Diego Rivera and José Clemente Orozco, whose work he significantly influenced. A representative collection of his works is housed at the National Institute of Fine Arts and Letters in Mexico City.
Literature
Posada's Mexico/ Ron Tyler, ed. Washington: Library of Congress, 1979
Rothenstein J. Posada: Messenger of Mortality. New York: Moyer Ltd, 1989
Toor F. Las obras de Jose Guadalupe Posada: grabador mexicano. Mexico: Ed. RM, 2002
Cortez C. a.o. Viva Posada!: a salute to the great printmaker of the Mexican revolution. Chicago: Charles H. Kerr, 2002 (engravings by A.N. were scanned from this book)
López Casillas M. José Guadalupe Posada: ilustrador de cuadernos populares. Mexico: Editorial RM, 2003
Miliotes D.H. José Guadalupe Posada and the Mexican broadside. Chicago: Art Institute of Chicago, 2006
Topete del Valle A. José Guadalupe Posada: prócer de la gráfica popular mexicana. Aguascalientes: Universidad Autónoma de Aguascalientes, 2007
José Lebrero Stals J., Reverté R. Posada: Mexican engraver. Seville: Centro Andaluz de Art Contemporáneo; Mexico: Editorial RM, 2008 
