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BBC Russian Service - Information services. Harry Potter pays more than the classics

There is an opinion that Joanne Rowling was not very lucky with Russian translators at first. Some Harry Potter fans are still angry on the Internet about Igor Oransky and Marina Litvinova, who worked on the first four books. The fifth novel, Harry Potter and the Order of the Phoenix, was commissioned by the publishing house to the experienced Viktor Golyshev, Vladimir Bobkov and Leonid Motylev. Well, the sixth - “Harry Potter and the Half-Blood Prince” - to Sergei Ilyin and Maya Lahuti. This sixth book turned out to be probably the best translated.


The final novel, “Harry Potter and the Deathly Hallows,” will be released in translation by the same Ilyin and Lahuti on October 13. In the meantime, we decided to ask Sergei Ilyin about how the work was going.

Voldemort should have been renamed!

- How did you become a translator of “Potter”?

I got a call from the Rosman publishing house a couple of months before The Half-Blood Prince was supposed to be published in English, and they offered to translate it. I had never read a single Harry Potter book before. Well, when we agreed with the publishing house, I quickly read everything in Russian and English.

- Your predecessor Marina Litvinova baptized Voldemort into Voldemort, the owl Hedwig into Hedwig, and Russified other names as best she could. Do you approve of this?

Yes, because almost all of Rowling's names carry meaning. Vol de Mort, for example, literally translates from French as “flight of death.” And in Russian you need to build something similar in meaning. But this is not always possible.

- Translation of "Potter" brings more money than a translation of a bestseller?

Much more. The publishing house is very generous in this regard, but it also pays for the translation to be done in an extremely short time: the book needs to be published as quickly as possible, before not everyone has time to read it on the Internet.

- How much time did the publisher give you for the seventh Harry Potter?

I won’t give exact dates, but... I worked on the book twelve hours a day and have now submitted the translation.

The book was delivered to me on the morning of the day sales began. I split the novel in half with my co-author, Maya Lahouti. She translated the second part, and I translated the first. By the way, on “The Half-Blood Prince” we worked the same way, only, on the contrary, I translated the second part.

Deathly Hallows for a young magician

Rowling announced the title of the novel late last year. On the Russian Internet it was translated as “Harry Potter and the Fatal Relics.” But when the book was published in English, it turned out that there was no trace of any fatal relics there.

- Title Harry Potter and the Deathly Hallows finally decided to translate as “Harry Potter and the Deathly Hallows”?

Apparently, this option will remain.

- Maybe it’s better, like the French, “...and relics of Death”?

The word “relics” in Russian has a certain sacred connotation... Actually, The Deathly Hallows is three specific things. Inside the novel there is a tale about three brothers who once met Death. She gave everyone a magical item. Two of her brothers were quickly driven to the grave by her gifts, but the third used his wisely and lived to old age. According to legend, the person who collects all three gifts of Death is absolutely protected from death. So... No, these are not relics.

-Have you read the “folk” translation of this book on the Internet?

I looked it up when I started translating it myself. At that time, five or six chapters had already been posted. To be honest, the thought even flashed through my mind whether I shouldn’t use some individual finds... But I didn’t find any special finds there: I really didn’t like this translation precisely because of the quality of the Russian language. It was done by non-professionals, and they did it hastily, literally in a week.

- You liked it yourself last novel about Harry Potter?

I like all seven books overall. For approximately two reasons. Firstly, they are not evil, and fantasy in recent times has begun to move towards evil and cruelty, remember Roger Zelazny or Michael Moorcock. There are also plenty of horror stories in The Deathly Hallows, but that’s why it’s the final book - the last fight with evil; but there is still no malice there. Well, secondly, Rowling did a very important thing for humanity: she adapted huge amount people to read, taking them away from TV and computer games.

- Was there anything difficult in your work on “Deathly Hallows”?

No, there were no particular difficulties there. After Nabokov and Frye, dealing with Rowling is still easier.

PERSONAL MATTER

Sergei ILIN was born in 1948 in Saratov. A theoretical physicist by training. I started translating, as he says, on occasion. As a result, he translated into Russian all the novels that Vladimir Nabokov wrote in English (except for “Lolita” - Nabokov translated it personally), as well as books by Thornton Wilder, Joseph Heller, Christopher Buckley, Stephen Fry.

...Some amazing freedom of the author, who does what he wants and knows what he wants... (about T.H. White).
from the interview “Conversation with Sergei Ilyin about the Gormenghast trilogy”

Today we will have a conversation with one of those translators from the North-West, whose translation I liked and remembered most of all (with Elena Khaetskaya, as we know, it turned out not to be a matter of translation). From the covers you probably guessed that it would be Sergei Borisovich Ilyin. Some people know him from his translations of Nabokov, others, like me, know him from his translations of White, Peake and a little bit of Beagle. With this, he continues to delight subtle connoisseurs of the fantastic in Literature: depending on the personal perception of the fantasy genre and the reader’s experience, one can classify or not classify the named authors as this genre (that is, mix or not mix with fantasy artisans). At the beginning of the year, the famous reprint of Gormenghast (previously published by Symposium) was published in Livebook/Gayatri. And now White's new edition is coming out.

Since we already have a long-standing (2002), but very detailed interview in the Russian Journal (under the title “I’m waiting for the attentive reader to come”) of such an experienced interviewer of translators as Elena Kalashnikova, as well as a recent video “Conversation with Sergei Ilyin about the “Gormenghast” trilogy (YouTube), (I did not ask classic questions about favorite books, translations, and the like, detailed questions about the intricacies of the profession), and also asked about the latest publications. My questions are mainly limited to White's translation and publication and the fantasy series. For the rest, I refer you in advance to the two links provided.

website: Sergey Borisovich, as an example, I will give quotes from publications on the Internet about other translators and artists of the first books in the fantasy series.

Vadim Nazarov writes:

Buddy godfather One of my children knew Vladimir Grushetsky, who had just finished translating “The Lord of the Rings,” and “Physical Education and Sports” was slow to make an advance to Mikhail Gilinsky, and the smoke-stained manuscript of “The Chronicles of Corum” also ended up on my desk.
Vadim Nazarov “It’s me, Vadichka”
There is such an editor, Vadim Nazarov - a real master of looking for talents, both literary and artistic. He came to the department at Mukha and asked the head if there was anyone among the students who could illustrate fantasy. He pointed at me. I was extremely surprised that I was offered such a job, because back then it was not easy to get a chance and find the time to complete an order efficiently along with studying.
"Becoming an Artist." Conversation with Pavel Borozents. Dmitry Zolotnitsky

how did the publishing house contact you or did you contact the publishing house?


Sergey Ilyin: This is a long story. The translations of Nabokov I made were passed around in the second half of the 80s, including in St. Petersburg. And when North-West was started, one of its three founders, Sasha Kononov, decided that he had the opportunity to publish them. And he started looking for me. But I did not sign the translations, “for fear of the Jews.” He looked for me for a long time, despaired and abandoned me, his friend already found me - after my first publication in the Ural magazine. And the publishing house began preparing a volume with three novels. Meanwhile, Sasha, who is now “Symposium” and with whom we have been friends since then, decided to try to order me something. And since he was in charge of this same yellow series at the publishing house, he ordered White - this was my first publishing order, everything was as it should be: a test, and then we’ll see. The test went off with a bang, Sashka read it aloud at the publishing house general meeting- and so on, as Kilgore Trout said.

website: Who did you work with directly at the publishing house? Who was your editor?


Sergey Ilyin: Directly and only - with Sasha. White's first editor was (a Tolkien scholar, author of the article "The Early Poetry of John Tolkien" - site note), a university English teacher for whom it was her first, again - everything was her first - editorial work. The second two novels were edited by Sanya Glebovskaya, with whom I have been “again” friends since then; she herself is an excellent translator.

website: White's volume was released just at the peak of the popularity of the “yellow series” (late 1992 - 1993), 200 thousand copies. Were there any emotions that your translation appeared in it?

Sergey Ilyin: There were no “yellow” emotions; I never took this series particularly seriously. Emotions were connected with the fact that Nabokov’s volume, which had been in preparation for a long time, and four of White’s novels were published at the same time. Then Viktor Toporov predicted to me rich life- White will be reprinted and republished. Yeah.

website: Do you have a favorite White edition?


Sergey Ilyin: There are only two of them. The second one is terrible. Therefore, the favorite is yellow. True, it’s about to come out, it should have been announced already in February, this will definitely be a favorite - because there are three volumes in silk, in a box and with fantastic illustrations on each page.

Photo of the new edition from Sergei Ilyin


website: Do you have books in the series in your personal library, and if so, how many are there?

Sergey Ilyin: I now live some distance from my personal library. My son definitely has something there - Mary Stewart for sure. Not much, however.

website: Terrence H. White, Mervyn Peake, would you like to translate Lord Dunsany?

Sergey Ilyin: Alas, this is the first time I've heard about it. I'm not at all an expert on these matters. Yes, strictly speaking, both White and Peake - what the hell kind of fantasy writers are they? Excellent writers (there is also Peter Beagle) - and that’s all.

website: The most frequently discussed fantasy translations on the Internet are those of Tolkien, Zelazny, and Ursula Le Guin (“A Wizard of Earthsea”). Do you have an opinion about the translations of these authors or your favorite translations?

Sergey Ilyin: No. I read Tolkien and Ursula in the original, back under Soviet rule. (Grushetsky’s translation - right? - I looked at when I was translating “Plasticine of Rings”, and discovered a number of lacunae, although it seems to be the most thorough and simply good.) In general, as for translators, I profess the norm of Alexander Sergeevich: “people, about whom I do not judge, because I belong to them"

.

website: And also, as I understand from the video interview, you have started translating Gormenghast for the North-West? Can you give a little detail?

Sergey Ilyin: I didn’t translate “Gormenghast” for SZ. The same Sasha Kononov pointed me to this novel, but while I was reading Titus Groan, the publishing house managed to order a translation from some sinologist. The sinologist's translation did not work out, the publishing house collapsed, and I was left with the big dream of translating these three novels. Which he carried out for ten years. And when I finished, the BBC created a series. Here, as usual, a couple of interested publishers appeared, but the third novel was published - the same Sasha Kononov, already in the Symposium. The circle is closed, as in the novel itself.

website: I also want to clarify information from your old interview for Russian Journal, where you said:

For the same “North-West” I translated Beagle’s novel “The Folk of the Air” - something like “Air Tribe”, “Air Folk” - its original author’s title was “The Knight of Ghosts and Shadows”. The fact that this is a fantasy becomes clear only towards the middle, and so people called themselves the “Society of Archaic Entertainment” and play in the Middle Ages: guilds, knightly tournaments, a king, a witch, with whom it all begins... I called the novel “Archaic Entertainment ”, but here the publisher usually decides what is best for him. However, that will happen later. The novel just lies there motionless.

What is the fate of the translation of this novel?

Sergey Ilyin: There were no changes in the fate of Beagle's novel. Lying down. A piece was once published by the magazine “New Youth”. The rest can be found using Flibusta and, it seems, Moshkov’s library.

Sergey Ilyin: It still doesn't seem to be visible. Everything you described is good and beautiful, but for the majority of people reading from e-books, neither an editor, nor a proofreader, nor the quality of the text is required, the main thing is a freebie, and also to pay? Yes, you will be run over by a horse. I think this too will pass. People for whom this very quality is important gradually sprout among other rubbish, this has always been the case, otherwise the “reading public” would not exist. Sooner or later those who will agree to buy books for the price of a pack of cigarettes will grow up. And, lo and behold, they will begin to figure out what it is that we guys are buying. Belinsky with Gogol or Bulgarin with who knows? Today Vladimir Novikov asked the pirates to present, after all, the last, seventh, edition of his book about Vysotsky in ZhZL. Hopeless, I think. Maybe the time will come when “Belinsky and Gogol will be taken from the market.” I’m unlikely to live to see them, but you, you see, will be disappointed. Which I also highly doubt. I can go on for a long time on the topic of “consumer, quality of consumed text” and so on. What's the point? The century follows its iron path. And also: what was, that will be, what was done, that will be done. And there is nothing new under the sun.


website: My traditional thanks for your time and attention.


And once again I advise you to read other interviews using the links above, as well as the links below. They are interesting. There are questions that I did not duplicate here. Keep in mind that 2007 is basically Harry Potter.


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Some criticize the translations of "Harry Potter" into Russian, while others say that without them Rowling's books would not have found their readers in Russia. The translator of the final "Harry Potter" Sergei Ilyin shared his impressions of the new book with Alvina Kharchenko.

BBC:You have translated Nabokov's English works and much other literature that is much more serious than Harry Potter. What is your impression of the final book as a literary text?

The impression from both the seventh and the previous book is quite good. I can’t say that this is mass literature, but I also had to do this, so I can imagine the level. Rowling is fine with English- what other claims could there be? From my point of view, this is a quite decent and high-quality text.

BBC: Is Harry Potter just work for you?

S.I.: It's impossible to call me a fan. I didn’t read it at all until I started translating it. I have already read the first five books, as they say, out of necessity. Of course, this is more like work, but some things suddenly start to twitch. If we talk about which of the characters I like the most, it is, of course, Dumbledore, and some things connected with him, with his relationship with Harry, made me happy.

BBC: Is there some kind of evolution of the characters of the epic heroes?

S.I.: Of course, it is associated with growing up. Both the books themselves and Harry Potter are growing up last book very different from the first Harry Potter. I won’t say that the sixth and seventh books became adults in every sense of the word, but they definitely became unchildish. These books are as old as their characters. Rowling was able to navigate very precisely - apparently, the experience of a school teacher helped - on different ages and the transition from age to age.

BBC:Rowling deliberately abandoned the image of a children's writer?

S.I.: I think this is, and this is what was intended from the very beginning - to write such an educational novel. In a sense, Harry Potter is a modern-day Sentimental Education. There are seven school classes, there are seven books. I know of another novel that I translated - Terence Hanbury White's The Once and Future King - which begins as a children's novel and ends almost as a philosophical treatise. But there is a more serious task there, and literature too. Rowling, it seems to me, had a different idea - she started with a children's book that accompanies children with enough early childhood before entering the adult world.

BBC:Before the release of the last book in Russia, there were reports that it would be called "Harry Potter and the Fatal Powers."

S.I.: These “powers” ​​that appeared from the very beginning have nothing to do with the matter and do not fit into any gates. To understand what was what, you just had to look at the book. There is a whole chapter about these relics, from which it follows that these are not relics at all, but completely normal artifacts that have a certain power over a person or give power. Another thing is that they were given by death. In the Russian version, the title of the last book will sound like “Harry Potter and the Deathly Hallows” - this is the title that I last time heard from the editor. I personally would replace “gifts” with “offerings,” but not every word fits on the cover.

BBC:Were there any difficulties in translating into Russian proper names and associations that are understandable only to an English-speaking reader?

S.I.: There are always difficulties, especially since all the names in Harry Potter are meaningful and have a meaning. But here’s another thing: we already got an almost complete set of heroes, relatively few new ones appeared there. Since this is a multi-volume epic, even if we disagreed with the transfer of a name or title by previous translators, we could not do anything. Because if an object begins to be called differently in different books, it will completely confuse the reader and create a completely unnecessary surreal idea of ​​​​what is happening there.

It was rather a problem with time. We had to translate fairly large volumes of text in a short time frame. If something interesting popped into my head, then it remained, but there was absolutely no time to think for a long time about how to do it. But these were all the publisher’s considerations about when the next book should be published and whether the Internet will overtake us. At the time I started, there was already a translation of five and a half chapters on the Internet - completely ridiculous. The book was still on sale at that time.

BBC:What do you think about “folk translation”?

S.I.: I never looked at them closely. One thing that caught my eye was translated, in my opinion, quite successfully. There is such a card game that occurs from a snap, but something is also attached to it that allows you to think about an explosion. Students play it under their desks in class. The name that was left in the end looks something like an “explosive firecracker” - understand that we are talking about card game, is completely impossible. And in the popular translation they came up with a completely different version: “subversive fool.”

BBC: What do you think about the quality of the translation of the book? There is an opinion that Rowling's texts are very poor in translation.

S.I.: This is nonsense, in my opinion. Depends on how it is translated. It’s kind of awkward for me to talk about my translations, but as for the fifth book, which was translated by Golyshev, Bobkov and Motylev, then, in my opinion, everything is in perfect order there compared to English text. If God willing, and the publishing house starts working on this book seriously, and not as a sprint, maybe there will be a translator who will do it all, because such things should be translated by one person. It was difficult to seriously engage with this as a literary text, because only a few months were given for translation.

BBC: What is the mystery of Harry Potter and why has the whole world gone so crazy about this book?

S.I.: On the one hand, this is the effect of the series. A story that goes on for a long time, which you can follow with pleasure, guessing who will die, whether the heroine will love or not, and the like. This is one side of the matter and it initially sits in the minds of the TV viewer. On the other hand, I don’t know of other serial books with such, on the one hand, a wealth of imagination, and on the other hand, with very decent language and a certain ethical message.

The entire moral and ethical side of this book can be gleaned from other sources - for example, from the Gospel. But in order to read the Gospel, you must have the habit of reading. And one of Rowling’s greatest merits is that she instilled the habit of reading in part of an entire generation. People started reading again, rather than waiting for a book to be made into a movie.

List of works

  • Pale Fire: [Novel, short stories]/ Vladimir Nabokov; [Translation from English, notes and translation. foreign terms of S. Ilyin; Artist A. Kazantsev]. - Sverdlovsk: Independent Publishing Enterprise “91”, 1991. - 352, p.: ill.; 17 cm. (in translation): B. ts.
  • The Sword in the Stone: Novels/ Terence H. White; lane from English Sergei Ilyin; Sword in the Stone; Queen of Air and Darkness - St. Petersburg: North-West, 1992. - 416, p.: ill. ISBN 5-8352-0093-5 (Translated): B. ts.
  • Candle in the Wind: Novels/ Terence H. White; lane from English Sergei Ilyin; A knight who has committed a crime; Candle in the wind - St. Petersburg: North-West, 1993. - 480, p.: ill. ISBN 5-8352-0095-1 (Translated): B. ts.
  • Bend Sinister: [Novels]/ Vladimir Nabokov; [Translation from English, comment. and lane foreign terms of S. Ilyin; Artist M. Zanko]. - St. Petersburg: North-West, 1993. - 525, p.: ill.; 21 cm - (Ex libris). ISBN 5-8352-0019-6 (Translated): B. ts. Contents: The True Life of Sebastian Knight; Pnin; Bend Sinister
  • / Vladimir Nabokov; [Transl. from English and comments by S. Ilyin; Artist V. N. Belousov]. - M.: DI-DIK, B. G. (1996). - 572, p.: ill.; 22 cm. - (Almanac “Modern Classics”, ISSN 0206-2178). ISBN 5-87583-024-7 (Translated): B. ts.
  • / Vladimir Nabokov; [Compiled by S. B. Ilyin, A. K. Kononov; Preface and comment. A. M. Luxemburg]; Fund for support of book publishing “Petersburg. book." - St. Petersburg: Symposium, 1997-. - 21 cm. [T. 1.]: The True Life of Sebastian Knight; Under the sign of the illegitimate - St. Petersburg: Symposium, 1997. - 605, p.: ill. ISBN 5-89091-016-7 (Translated): B. ts.
  • Collected Works of the American Period: [Trans. from English] / Vladimir Nabokov [Compiled by S. B. Ilyin, A. K. Kononov; Comment. A. M. Luxemburg]; Fund for support of book publishing “Petersburg. book." - St. Petersburg: Symposium, 1997-. - 22 cm. [T. 2]: Lolita; Laughter in the Dark: [Novels]. - St. Petersburg: Symposium, 1997. - 670, p.: ill. ISBN 5-89091-017-5 (Translated): B. ts.
  • Collected Works of the American Period: [Trans. from English]/ Vladimir Nabokov; [Compiled by S. B. Ilyin, A. K. Kononov]; Fund for support of book publishing “Petersburg. book." - St. Petersburg: Symposium, 1997-. - 21 cm. [T. 3]: Pnin; Pale Flame; Stories / [Comment. A. M. Luxemburg, S. B. Ilyin; Artist M. G. Zanko]. - St. Petersburg: Symposium, 1997. - 700, p.: ill. ISBN 5-89091-023-X (Translated): B. ts.
  • Collected Works of the American Period: [Trans. from English]/ Vladimir Nabokov; [Compiled by S. B. Ilyin, A. K. Kononov]; Fund for support of book publishing “Petersburg. book." - St. Petersburg: Symposium, 1997-. - 21 cm. [T. 4]: Hell, or the Joy of Passion / [Translation by S. Ilyin; Auto. note V. Damore-Block; Comment. S. B. Ilyin, A. M. Luxemburg; Artist M. G. Zanko]. - St. Petersburg: Symposium, 1997. - 666, p.: ill. ISBN 5-89091-036-1 (Translated): B. ts.
  • Collected Works of the American Period: [Trans. from English]/ Vladimir Nabokov; [Compiled by S. B. Ilyin, A. K. Kononov]; Fund for support of book publishing “Petersburg. book." - St. Petersburg: Symposium, 1999-. - 21 cm. [T. 5]: Look at the harlequins!; Memory, speak / [Translation by S. Ilyin; Comment. S. B. Ilyin, A. M. Luxemburg; Artist M. G. Zanko]. - St. Petersburg: Symposium, 1999. - 698, p.: ill. ISBN 5-89091-014-0 (Translated): B. ts.
  • World of wildlife/ [Transl. from English Sergei Ilyin]. - M.: AST-Press, 2000. - 216, p.: color. ill.; 21x20 cm - (My first illustrated encyclopedia). ISBN 5-7805-0552-7 (Russian)
  • Lie That Wouldn't Die = Lie That Wouldn't Die: "Protocols" Elders of Zion": hundred years of history/ Hadassah Ben-Itto; lane from English Sergei Ilyin. - M.: Rudomino, 2001. - 477, p.; 22 cm. ISBN 5-7380-0149-4
  • Kabbalah: [Novel]: [Trans. from English Sergei Ilyin]/ Thornton Wilder. - St. Petersburg: Symposium, 2001. - 233, p.; 21 cm - (Symposium). ISBN 5-89091-158-9
  • Infamy: A Novel/ J.M. Coetzee; lane from English Sergei Ilyin. - M.: Inostranka: B.S.G.-Press, 2001. - 292 p.; 17 cm. ISBN 5-94145-026-5 (“Foreigner”)
  • Autumn in St. Petersburg: Roman/ J.M. Coetzee; lane from English Sergei Ilyin. - M.: Inostranka: B.S.G.-Press, 2001. - 289, p.; 17 cm. ISBN 5-94145-010-9 (Foreigner)
  • They Smoking Here: Roman/ Christopher T. Buckley; lane from English Sergei Ilyin. - M.: Inostranka: B.S.G.-Press, 2001. - 439, p.; 17 cm. ISBN 5-94145-014-1 (Foreigner)
  • God knows: Novel/ Joseph Heller; lane from English Sergei Ilyin; - M.: Inostranka: B.S.G.-Press, 2002. - 575, 17 cm.
  • Plasticine of rings: Roman/ Henry Bird, Douglas Kenny; lane from English Sergei Ilyin; [poems in trans. Alexandra Glebovskaya;]. - St. Petersburg: Symposium, 2002. - 272, p.: 17 cm. ISBN 5-89091-193-7
  • Titus Groan: A Novel/ Mervyn Peak; lane from English Sergei Ilyin; [Ill. Mervyn Peake]. - St. Petersburg: Symposium, 2003. - 588, p.: ill.; 21 cm. ISBN 5-89091-228-3: 4000
  • Liar = The Liar: [Novel]/ Stephen Fry; lane from English Sergei Ilyin. - M.: Phantom Press, 2003 (Type. JSC Mol. Guard). - 446 pp.; 17 cm - (Zebra Series). ISBN 5-86471-341-4 (translated)
  • Hippopotamus: [Novel]/ Stephen Fry; lane from English Sergei Ilyin. - M.: Phantom Press, 2003 (Type. JSC Mol. Guard). - 444 pp.; 17 cm - (Zebra Series). ISBN 5-86471-328-7 (translated)
  • White Mice: A Novel/ Nicholas Blincoe; lane from English Sergei Ilyin. - M.: Inostranka, 2003 (Ekaterinburg: Ural Worker). - 245 pp.; 20 cm. - (Behind the porthole: lit. of the new century; 043). ISBN 5-94145-098-2 (translated)
  • How late it is all: [Novel]/ James Kelman; lane from English Sergei Ilyin. - M.: EKSMO, 2003-336 pp.; 21 cm. - ISBN 5-699-02668-1 (translated)
  • Translation of testimony: [Novel]/ James Kelman; lane from English Sergei Ilyin. - M.: EKSMO, 2003-320 p.; 21 cm. - ISBN 5-699-03676-8 (translated)
  • Gormenghast: A Novel/ Mervyn Peak; lane from English Sergei Ilyin; [Poems in trans. Alexandra Glebovskaya]. - St. Petersburg: Symposium, 2004. - 604, p.; 21 cm. ISBN 5-89091-263-1: 4000
  • Titus' Solitude: A Novel/ Mervyn Peak; lane from English Sergei Ilyin; [poems in trans. Alexandra Glebovskaya; ill. Mervyn Peake]. - St. Petersburg: Symposium, 2004. - 394, p.: ill.; 21 cm. ISBN 5-89091-277-1: 4000
  • The guts of any person: [Novel]/ William Boyd; lane from English S. Ilyina. - M.: ROSMEN, 2005. - 800, p.; 21 cm. ISBN 5-353-01531-2 (translated)
  • South Wind: A Novel/ Norman Douglas, [trans. Sergei Ilyin]. - M.: B.S.G.-PRESS, 2004. - 525, p., l. ill., portrait; 21 cm - (Post Factum). ISBN 5-93381-147-5 (translated)
  • Harry Potter and the Half-Blood Prince: [Novel]/ J. K. Rowling; lane from English M. Lahuti and S. Ilyina. - M.: ROSMEN, 2005 (Yaroslavl: Yaroslavl Printing Plant). - 668, p.; 21 cm. ISBN 5-353-02187-8 (translated)
  • A Magical Tale of New York: A Novel/ James Patrick Dunleavy; lane from English Sergei Ilyin. - M.: NLO, 2005. - 544, p.; 221 cm. ISBN 5-89091-118-X: 4000
  • Age of Mercury. Jews in modern world / Yuri Slezkine; lane from English Sergei Ilyin. - St. Petersburg: Symposium, 2005. - 478, p.; 21 cm. ISBN 5-86793-355-5: 4000
  • How to make history = Making History: [Novel]/ Stephen Fry; lane from English Sergei Ilyin. - M.: Phantom Press, 2005. - 639 p.; 17 cm - (Zebra Series). ISBN 5-86471-370-8: 10000
  • Dorian = Dorian: A Novel/ Will Self; lane from English Sergei Ilyin. - M.: Inostranka, 2005 (Ekaterinburg: Ural Worker). - 399 pp.; 20 cm. - (Behind the porthole: lit. of the new century; 043). ISBN 5-94145-349-3 (translated)
  • / Terence H. White; lane from English Sergei Ilyin [ill. Natalya Dobrokhotova-Maikova] M.: House of Hope, 2006. - 288, p.: ill. ISBN 5-902430-04-6 (Translated): B. ts.
  • Sleep, Sweet Prince: A Novel/ D. Dickinson; lane from English Sergei Ilyin. - M.: Slovo, 2006. - 384, p.: ill.; 21 cm. - ISBN 5-85050-873-2 (translated)
  • An incomplete but definitive story classical music / Stephen Fry; lane from English Sergei Ilyin. - M.: Phantom Press, 2006. - 544, p.: ill.; 21 cm - (The Best of Phantom). ISBN 5-86471-402-X (translated)
  • Harry Potter and the Deathly Hallows: [Novel]/ J. K. Rowling; lane from English S. Ilyina and others - M.: ROSMEN, 2007. - 637, p.; 21 cm. ISBN 978-5-353-02907-6 (translated)
  • Maestro myth/ Norman Lebrecht; lane from English S. Ilyina. - M.: Classics-XXI, 2007. - 448, p.; 21 cm. ISBN 978-5-89817-192-6 (Translated)
  • The Fahrenheit Twins: [stories]/ Michelle Faber; lane from English Sergei Ilyin. - M.: Creation Machines, 2007. - 272, p.: 21 cm. ISBN 978-5-902918-12-7 (translated)
  • Autobiography: Moab is my washbasin/ Stephen Fry; lane from English Sergei Ilyin. - M.: Phantom Press, 2007. - 604, p.: ill.; 21 cm - (The Best of Phantom). ISBN 978-5-86471-426-3 (translated)
  • The Stars Tennis Balls/ Stephen Fry; [transl. from English Sergei Ilyin]. - M.: Phantom Press, 2007. - 509, p.; 20 cm - (The Best of Phantom). ISBN 5-86471-408-9 (translated)
  • Prophecy and politics/ Jonathan Frenkel; lane from English Sergei Ilyin. - M.: Bridges of Culture, 2008. - 24 cm. - 2008. - 847, p., (erroneous) (translated)
  • The Fry and Laurie Show/ Stephen Fry and Hugh Laurie; lane from English Sergei Ilyin. - M.: Phantom Press, 2008. - 20 cm. - (The Best of Phantom). 1. - 2008. - 343, p., l. color ill. ISBN 978-5-86471-461-4 (translated)
  • The Lady Who Loved Clean Toilets: A Novel/ James Patrick Dunleavy; lane from English Sergei Ilyin. - M.: Geleos, 2008. - 171, p.; 21 cm. ISBN 978-5-8189-1184-7: 4000
  • Of course you're joking, Mr. Feynman! = Surely You're Joking, Mr. Feynman: adventures amazing person, which he told to Ralph Layton/ Richard Feynman; lane from English Sergei Ilyin. - M.: KoLibri, 2008. - 479 p.; 21 cm. - (Biographies). ISBN 978-5-389-00122-0 (translated)
  • Club Rakaliy/ Jonathan Coe; lane from English Sergei Ilyin. - M.: Phantom Press, 2008. - 636, p.: ill.; 20 cm - (The Best of Phantom). ISBN 5-86471-407-0 (translated)
  • E=mc². Biography of the most famous equation in the world/ David Bodanis; lane from English Sergei Ilyin. - M.: Kolibri, 2009. - 448, p.: ill.; 21 cm. ISBN 978-5-389-00499-3 (translated)
  • Electric Universe/ David Bodanis; lane from English Sergei Ilyin. - M.: Kolibri, 2009. - 384, p.: ill.; 21 cm. ISBN 978-5-389-00506-8 (translated)
  • Paperweight = Paperweight/ Stephen Fry; lane from English Sergei Ilyin. - M.: Phantom Press, 2009. - 638, p.: ill.; 20 cm - (The Best of Phantom). ISBN 978-5-86471-483-6 (translated)
  • Maestros, masterpieces and madness/ Norman Lebrecht; lane from English S. Ilyina. - M.: Classics-XXI, 2009. - 328, p.; 21 cm. ISBN 978-5-89817-289-3 (Translated)
  • Five operas and a symphony/ B. M. Gasparov; lane from English S. Ilyina. - M.: Classics-XXI, 2009. - 320, p.; 21 cm. ISBN 978-5-89817-291-6 (Translated)
  • Taking Woodstock/ Eliot Tiber; lane from English S. Ilyina. - M.: Astrel Publishing House, 2009. - 320, p.; see ISBN 978-5-271-24546-6 (translated)
  • Crimson Petal and White: A Novel/ Michelle Faber; lane from English Sergei Ilyin; Mariam Salganik. - M.: Machines of Creation, 2009. - 872, p.: 24 cm. ISBN 978-5-902918-15-8 (translated)
  • Apple: [Stories about people from the "Crimson Petal"]/ Michelle Faber; lane from English Sergei Ilyin. - M.: Creation Machines, 2010. - 208, p.: 14 cm. ISBN 978-5-902918-16-5 (translated)
  • Supreme Courtship: Novel/ Christopher Buckley; lane from English Sergei Ilyin. - M.: Inostranka, 2010. - 526, p.; 17 cm - (The Best of Foreigner). ISBN 978-5-389-00649-2 (translated)
  • Look at the harlequins!: [Text]: [Novel]/ Vladimir Nabokov; [transl. from English Sergey Ilyin]. - St. Petersburg: ABC-classics, 2010. - 314, p.; 17 cm. ISBN 978-5-9985-0850-9
  • Imagine a picture: [Novel]/ Joseph Heller; [Transl. from English S. Ilyina;]. - M.: AST Astrel, 2010. - 319, p.: 21 cm. ISBN 978-5-271-28749-7 (translated): B. ts.
  • Flesh and Blood: A Novel/ Michael Cunningham; lane from English S. Ilyina. - M.: Astrel Publishing House, 2010. - 704, p.; see ISBN 978-5-271-28984-2 (translated)
  • Stephen Fry in America/ Stephen Fry; [transl. from English Sergei Ilyin]. - M.: Phantom Press, 2010. - 312, p.; 29 cm. ISBN 978-5-86471-503-1 (Translated)
  • From Murder to Murder: A Novel/ Aravind Adiga; [transl. from English Sergei Ilyin]. - M.: Phantom Press, 2010. - 448, p.; 17 cm. ISBN 978-5-86471-524-6 (translated)
  • It Can't Be Blacker: A Novel/ Nayo Marsh; lane from English S. Ilyina. - M.: Astrel Publishing House, 2010. - 507, p.; see ISBN 978-5-271-31771-2 (translated)
  • Breakup: Romance/ Lelic, Simon; [transl. from English Sergei Ilyin]. - M.: Phantom Press, 2011. - 384, p.; see ISBN 978-5-86471-543-7 (translated)
  • Meet Orson Welles/ Orson Welles and Peter Bogdanovich; lane from English S. Ilyina. - M.: Rosebud Publishing. Post Modern Technology, 2011. - 496, p.; see ISBN 978-5-904175-08-5 (translated)
  • The Adventures of Tom Sawyer and Huckleberry Finn/ Mark Twain; lane from English S. Ilyina. - M.: Reader's Digest, 2011. - 477, p.; see ISBN 978-5-89355-627-8 (translated)
  • Chronicles of Fry. Autobiography/ Stephen Fry; lane from English Sergei Ilyin. - M.: Phantom Press, 2011. - 544, p.: ill.; 21 cm - (The Best of Phantom). ISBN 978-5-86471-600-7 (translated)
  • Philosopher/ Jesse Kellerman; lane from English Sergei Ilyin. - M.: Phantom Press, 2012. - 383, ; 21 cm. ISBN 978-5-86471-618-2 (Translated)
  • Any third thought/ John Bart; lane from English Sergei Ilyin. - St. Petersburg: Azbuka, Azbuka-Atticus, 2012. - 224 p. ISBN 978-5-389-02988-0 (translated)
  • Under the Sign of the Illegitimate: [Novel]/ Vladimir Nabokov; [transl. from English Sergey Ilyin]. - St. Petersburg: Azbuka, 2012. - 286 p.; 17 cm. ISBN 978-5-389-04369-5
  • Snowdrops: [Novel]/ Miller E. D.; [transl. from English Sergey Ilyin]. - M.: Phantom Press, 2012. - 319 p.; 17 cm. ISBN 978-5-86471-628-1
  • A Week in December: [Novel]/ Sebastian Faulks; [transl. from English Sergey Ilyin]. - M.: Astrel, Corpus, 2012. - 606 p.; 20 cm. ISBN 978-5-271-42655-1
  • Heat/ Jesse Kellerman; lane from English Sergei Ilyin. - M.: Phantom Press, 2012. - 416, ; 21 cm. ISBN 978-5-86471-647-2 (Translated)
  • The unreal life of Sergei Nabokov/ Paul Russell; lane from English Sergei Ilyin. - M.: Phantom Press, 2013. - 416, ; 21 cm. ISBN 978-5-86471-661-8 (Translated)
  • Amendment after amendment/ Joseph Heller; lane from English Sergei Ilyin. - M.: AST, 2013. - 412, ; 21 cm. ISBN 978-5-17-078138-6 (Translated)
  • Canada: Novel/ Richard Ford; lane from English Sergei Ilyin. - M.: Phantom Press, 2013. - 480, ; 21 cm. ISBN 978-5-86471-676-2 (Translated)
  • The Once and Future King: Novels / Terence H. White; lane from English Sergei Ilyin; Sword in the Stone; Queen of Air and Darkness - M.: RIPOL classic, 2014. - 590, p.: ill. ISBN 978-5-386-06559-1 (translated)
  • The Once and Future King: Novels / Terence H. White; lane from English Sergei Ilyin; A knight who has committed a crime; Candle in the wind - M.: RIPOL classic, 2014. - 592, p.: ill. ISBN 978-5-386-05839-5 (translated)
  • The Once and Future King: Novels / Terence H. White; lane from English Sergei Ilyin; Merlin's book - M.: RIPOL classic, 2014. - 176, p.: ill. ISBN 978-5-386-06414-3 (translated)
  • Gormenghast: Titus Groan: Roman / Mervyn Peake; lane from English Sergei Ilyin; [Poems in trans. Alexandra Glebovskaya]. - M.: LiveBook, 2014. - 733, p.: ill.; see ISBN 978-5-904584-79-5 (translated)
  • Gormenghast: Gormenghast: Roman / Mervyn Peake; lane from English Sergei Ilyin; [Poems in trans. Alexandra Glebovskaya]. - M.: LiveBook, 2014. - 765, p.: ill.; see ISBN 978-5-904584-80-1 (translated)
  • Gormenghast: Titus alone: Roman / Mervyn Peake; lane from English Sergei Ilyin; [Poems in trans. Alexandra Glebovskaya]. - M.: LiveBook, 2014. - 413, p.: ill.; see ISBN 978-5-904584-81-8 (translated)
  • Settled scores: Stories / Woody Allen; lane from English Sergei Ilyin and others. - M.: AST, 2014. - 224, ; see ISBN 978-5-17-084391-6 (translated)
  • Dancer/Colum McCann; lane from English Sergei Ilyin. - M.: Phantom Press, 2014. - 416, ; 21 cm. ISBN 978-5-86471-665-6 (Translated)
  • Under the skin: Roman / Michelle Faber; lane from English Sergei Ilyin. - M.: Creation Machines, 2014. - 319, p.: 24 cm. ISBN 978-5-902918-43-1 (translated)
  • And the birds sang...: [Novel] / Sebastian Faulks; [transl. from English Sergey Ilyin]. - M.: Sinbad, 2014. - 600 pp.; 20 cm. ISBN 978-5-905891-38-0
  • 50 ideas you need to know about. Physics / Joanne Baker; lane from English Sergei Ilyin. - M.: Phantom Press, 2014. - 208, ; 21 cm. ISBN 978-5-86471-688-5
  • Unknown Fields: Novel, short stories/ Peter Beagle; (In the lane). - Lviv-Kharkov, 2014. - 446, Gift edition, not for sale.
  • Sports Journalist: Roman/ Richard Ford; lane from English Sergei Ilyin. - M.: Phantom Press, 2014. - 448, ; 21 cm (trans.)
  • Jinx: A Romance/ Sage Blackwood; lane from English Sergei Ilyin. - M.: Abrikobuks, 2015. - 302, ; 21 cm. ISBN 978-5-9905904-1-0 ] (Translated)
  • Ada, or the Joys of Passion: [Family Chronicle: Novel]/ Vladimir Nabokov; ger. from English S. Ilyina. - St. Petersburg: Azbuka, 2015. - 702, ; 22 cm. ISBN 978-5-389-09541-0 (translated)
  • There's still plenty of dope: Memories/ Stephen Fry; lane from English Sergei Ilyin. - M.: Phantom Press, 2015. - 383, ; 21 cm. ISBN 978-5-86471-705-9 (Translated)
  • Possible Life: [Novel]/ Sebastian Faulks; lane from English Sergey Ilyin. - M.: Sinbad, 2015. - 350 pp.; 20 cm. ISBN 978-5-905891-78-6
  • The Great Gatsby: [Novel]/ Scott Fitzgerald; lane from English Sergey Ilyin. - M.: EKSMO, 2015. - 224 p.; 20 cm. ISBN 978-5-699-84232-2
  • The Boy in the Dark and Other Stories/ Mervyn Peak; lane from English Sergei Ilyin, Max Nemtsov; [Ill. Mervyn Peake]. - M.: Livebook, 2016. - 248, p.: ill.; ISBN 978-5-9907254-6-1
  • Jinx's Magic: A Novel/ Sage Blackwood; lane from English Sergei Ilyin. - M.: Abrikobuks, 2016. - 376, ; 21 cm. ISBN 978-5-9905904-4-1 (Translated)
  • Tender is the Night: [Novel]/ Scott Fitzgerald; lane from English Sergey Ilyin. - M.: EKSMO, 2016. - 480 pp.; 20 cm. ISBN 978-5-699-84952-9
  • Area of ​​interest:[Novel]/ Martin Amis; lane from English Sergei Ilyin. - M.: Phantom Press, 2016. - 416, ; 21 cm. ISBN 978-5-86471-724-0 (Translated)
  • Mrs. Masham's Rest: A Novel/ Terence H. White; lane from English Sergei Ilyin [ill. Tatyana Kormer] M.: ALBUS CORVUS, 2016. - 288, p.: ill. ISBN 978-5-906640-68-0 (translated)
  • The Last of the Unicorns: A Novel. "Two Hearts: A Tale./ Peter Beagle; (in translation)
  • Riot on the Bounty: A Novel/ John Boyne;
  • Independence Day: Novel/ Richard Ford;
  • Host: Roman/ Terence H. White; (In translation)
  • The Sword in the Stone: Chapters from the first draft of the novel/ Terence H. White; (In translation)
  • Archaic entertainment; Leela, the werewolf; Come Lady Death: A Novel, Stories/ Peter Beagle; (in translation)
  • Unicorn Sonata: A Novel/ Peter Beagle; (in translation)
  • Gospel of Fire: A Novel/ Michel Faber ; (in translation)
  • King among the branches. Revenge: Tales/ Stephen Millhauser; (in translation)
  • Our gang: Roman/ Philip Roth; (in translation)
  • Adolescence. Youth. Summer: 3 novels/ J. Coetzee; (in translation)
  • Jinx's Flame/ Blackwood, Sage; (in translation)
  • Elephant and kangaroo/ White, Terence H.; (in translation)

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Links

  • in the "Magazine Hall"
  • : Interview with Denis Korsakov // “ Komsomolskaya Pravda", August 28, 2007.
  • : Interview with Olga Kopsheva // Newspaper of the Week in Saratov, October 26, 2010.

Excerpt characterizing Ilyin, Sergey Borisovich

- Here he is... ours... My friend, Kolya... He has changed! No candles! Tea!
- Yes, kiss me!
- Darling... and then me.
Sonya, Natasha, Petya, Anna Mikhailovna, Vera, the old count, hugged him; and people and maids, filling the rooms, muttered and gasped.
Petya hung on his legs. - And then me! - he shouted. Natasha, after she had bent him to her and kissed his entire face, jumped away from him and holding onto the hem of his Hungarian jacket, jumped like a goat all in one place and squealed shrilly.
On all sides there were sparkling tears of joy, loving eyes, on all sides there were lips seeking a kiss.
Sonya, red as red, also held his hand and was all beaming in the blissful gaze fixed on his eyes, which she was waiting for. Sonya was already 16 years old, and she was very beautiful, especially at this moment of happy, enthusiastic animation. She looked at him without taking her eyes off, smiling and holding her breath. He looked at her gratefully; but still waited and looked for someone. The old countess had not come out yet. And then steps were heard at the door. The steps are so fast that they couldn't be his mother's.
But it was she in a new dress, still unfamiliar to him, sewn without him. Everyone left him and he ran to her. When they came together, she fell on his chest, sobbing. She could not raise her face and only pressed it to the cold strings of his Hungarian. Denisov, unnoticed by anyone, entered the room, stood right there and, looking at them, rubbed his eyes.
“Vasily Denisov, a friend of your son,” he said, introducing himself to the count, who was looking at him questioningly.
- You are welcome. I know, I know,” said the count, kissing and hugging Denisov. - Nikolushka wrote... Natasha, Vera, here he is Denisov.
The same happy, enthusiastic faces turned to the shaggy figure of Denisov and surrounded him.
- Darling, Denisov! - Natasha squealed, not remembering herself with delight, jumped up to him, hugged and kissed him. Everyone was embarrassed by Natasha's action. Denisov also blushed, but smiled and took Natasha’s hand and kissed it.
Denisov was taken to the room prepared for him, and the Rostovs all gathered in the sofa near Nikolushka.
The old countess, without letting go of his hand, which she kissed every minute, sat next to him; the rest, crowding around them, caught his every movement, word, glance, and did not take their rapturously loving eyes off him. The brother and sisters argued and grabbed each other's places closer to him, and fought over who should bring him tea, a scarf, a pipe.
Rostov was very happy with the love that was shown to him; but the first minute of his meeting was so blissful that his present happiness seemed not enough to him, and he kept waiting for something else, and more, and more.
The next morning, the visitors slept from the road until 10 o'clock.
In the previous room were scattered sabers, bags, swords, open suitcases, dirty boots. The cleaned two pairs with spurs had just been placed against the wall. Servants brought washbasins, hot water for shaving, and cleaned dresses. It smelled of tobacco and men.
- Hey, G"ishka, t"ubku! – Vaska Denisov’s hoarse voice shouted. - Rostov, get up!
Rostov, rubbing his drooping eyes, raised his confused head from the hot pillow.
- Why is it late? “It’s late, it’s 10 o’clock,” answered Natasha’s voice, and in the next room the rustling of starched dresses, the whisper and laughter of girls’ voices was heard, and something blue flashed through the slightly open door, ribbons, black hair and funny faces. It was Natasha with Sonya and Petya, who came to see if he was up.
- Nikolenka, get up! – Natasha’s voice was heard again at the door.
- Now!
At this time, Petya, in the first room, seeing and grabbing the sabers, and experiencing the delight that boys experience at the sight of a warlike older brother, and forgetting that it was indecent for sisters to see undressed men, opened the door.
- Is this your saber? - he shouted. The girls jumped back. Denisov with with frightened eyes hid his furry legs in a blanket, looking back to his comrade for help. The door let Petya through and closed again. Laughter was heard from behind the door.
“Nikolenka, come out in your dressing gown,” said Natasha’s voice.
- Is this your saber? - Petya asked, - or is it yours? - He addressed the mustachioed, black Denisov with obsequious respect.
Rostov hastily put on his shoes, put on his robe and went out. Natasha put on one boot with a spur and climbed into the other. Sonya was spinning and was just about to puff up her dress and sit down when he came out. Both were wearing the same, new ones, blue dresses– fresh, rosy, cheerful. Sonya ran away, and Natasha, taking her brother by the arm, led him to the sofa, and they began a conversation. They did not have time to ask each other and answer questions about thousands of little things that could only interest them alone. Natasha laughed at every word that he said and that she said, not because what they said was funny, but because she was having fun and was unable to contain her joy, which was expressed by laughter.
- Oh, how good, great! – she condemned everything. Rostov felt how, under the influence of the hot rays of love, for the first time in a year and a half, that childish smile blossomed on his soul and face, which he had never smiled since he left home.
“No, listen,” she said, “are you completely a man now?” I'm terribly glad that you are my brother. “She touched his mustache. - I want to know what kind of men you are? Are they like us? No?
- Why did Sonya run away? - Rostov asked.
- Yes. That's another whole story! How will you talk to Sonya? You or you?
“As it will happen,” said Rostov.
– Tell her, please, I’ll tell you later.
- So what?
- Well, I’ll tell you now. You know that Sonya is my friend, such a friend that I would burn my hand for her. Look at this. - She rolled up her muslin sleeve and showed a red mark on her long, thin and delicate arm under the shoulder, much above the elbow (in that place that is sometimes covered by ball gowns).
“I burned this to prove my love to her.” I just lit the ruler on fire and pressed it down.
Sitting in his former classroom, on the sofa with pillows on his arms, and looking into those desperately animated eyes of Natasha, Rostov again entered that family, children's world, which had no meaning to anyone except him, but which gave him some of the best pleasures in life; and burning his hand with a ruler to show love did not seem useless to him: he understood and was not surprised by it.
- So what? only? – he asked.
- Well, so friendly, so friendly! Is this nonsense - with a ruler; but we are forever friends. She will love anyone, forever; but I don’t understand this, I’ll forget now.
- Well, what then?
- Yes, that’s how she loves me and you. - Natasha suddenly blushed, - well, you remember, before leaving... So she says that you forget all this... She said: I will always love him, and let him be free. It’s true that this is excellent, noble! - Yes, yes? very noble? Yes? - Natasha asked so seriously and excitedly that it was clear that what she was saying now, she had previously said with tears.
Rostov thought about it.
“I don’t take back my word on anything,” he said. - And then, Sonya is such a charm that what kind of fool would refuse his happiness?
“No, no,” Natasha screamed. “We’ve already talked about this with her.” We knew you would say this. But this is impossible, because, you know, if you say that, you consider yourself connected word, it turns out that she seemed to say this on purpose. It turns out that you are still forcibly marrying her, and it turns out completely different.
Rostov saw that all this was well thought out by them. Sonya amazed him with her beauty yesterday too. Today, having caught a glimpse of her, she seemed even better to him. She was a lovely 16-year-old girl, obviously loving him passionately (he did not doubt this for a minute). Why shouldn’t he love her now, and not even marry her, thought Rostov, but now there are so many other joys and activities! “Yes, they came up with this perfectly,” he thought, “we must remain free.”
“Well, great,” he said, “we’ll talk later.” Oh, how glad I am for you! - he added.
- Well, why didn’t you cheat on Boris? - asked the brother.
- This is nonsense! – Natasha shouted laughing. “I don’t think about him or anyone else and I don’t want to know.”
- That's how it is! So what are you doing?
- I? – Natasha asked again, and a happy smile lit up her face. -Have you seen Duport?
- No.
– Have you seen the famous Duport the dancer? Well, you won't understand. That's what I am. – Natasha took her skirt, rounding her arms, as they dance, ran a few steps, turned over, did an entreche, kicked her leg against the leg and, standing on the very tips of her socks, walked a few steps.
- Am I standing? after all, she said; but couldn’t help herself on her tiptoes. - So that’s what I am! I will never marry anyone, but will become a dancer. Just don't tell anyone.
Rostov laughed so loudly and cheerfully that Denisov from his room became envious, and Natasha could not resist laughing with him. - No, it’s good, isn’t it? – she kept saying.
- Okay, don’t you want to marry Boris anymore?
Natasha flushed. - I don’t want to marry anyone. I'll tell him the same thing when I see him.
- That's how it is! - said Rostov.
“Well, yes, it’s all nothing,” Natasha continued to chatter. – Why is Denisov good? – she asked.
- Good.
- Well, goodbye, get dressed. Is he scary, Denisov?
- Why is it scary? – asked Nicholas. - No. Vaska is nice.
- You call him Vaska - strange. And that he is very good?
- Very good.
- Well, come quickly and drink tea. All together.
And Natasha stood on tiptoe and walked out of the room the way dancers do, but smiling the way only happy 15-year-old girls smile. Having met Sonya in the living room, Rostov blushed. He didn't know how to deal with her. Yesterday they kissed in the first minute of the joy of their date, but today they felt that it was impossible to do this; he felt that everyone, his mother and sisters, looked at him questioningly and expected him to see how he would behave with her. He kissed her hand and called her you - Sonya. But their eyes, having met, said “you” to each other and kissed tenderly. With her gaze she asked him for forgiveness for the fact that at Natasha’s embassy she dared to remind him of his promise and thanked him for his love. With his gaze he thanked her for the offer of freedom and said that one way or another, he would never stop loving her, because it was impossible not to love her.
“How strange it is,” said Vera, choosing a general moment of silence, “that Sonya and Nikolenka now met like strangers.” – Vera’s remark was fair, like all her comments; but like most of her remarks, everyone felt awkward, and not only Sonya, Nikolai and Natasha, but also the old countess, who was afraid of this son’s love for Sonya, which could deprive him of a brilliant party, also blushed like a girl. Denisov, to Rostov’s surprise, in a new uniform, pomaded and perfumed, appeared in the living room as dandy as he was in battle, and as amiable with ladies and gentlemen as Rostov had never expected to see him.

Returning to Moscow from the army, Nikolai Rostov was received by his family as best son, hero and beloved Nikolushka; relatives - as a sweet, pleasant and respectful young man; acquaintances - like a handsome hussar lieutenant, a deft dancer and one of the best grooms in Moscow.
The Rostovs knew all of Moscow; this year the old count had enough money, because all his estates had been re-mortgaged, and therefore Nikolushka, having got his own trotter and the most fashionable leggings, special ones that no one else in Moscow had, and boots, the most fashionable, with the most pointed socks and little silver spurs, had a lot of fun. Rostov, returning home, experienced a pleasant feeling after some period of time trying himself on to his old living conditions. It seemed to him that he had matured and grown very much. Despair for failing to pass an exam according to the law of God, borrowing money from Gavrila for a cab driver, secret kisses with Sonya, he remembered all this as childishness, from which he was now immeasurably far away. Now he is a hussar lieutenant in a silver mentic, with a soldier's George, preparing his trotter to run, together with famous hunters, elderly, respectable. He knows a lady on the boulevard whom he goes to see in the evening. He conducted a mazurka at the Arkharovs’ ball, talked about the war with Field Marshal Kamensky, visited an English club, and was on friendly terms with a forty-year-old colonel whom Denisov introduced him to.
His passion for the sovereign weakened somewhat in Moscow, since during this time he did not see him. But he often talked about the sovereign, about his love for him, making it felt that he was not telling everything yet, that there was something else in his feelings for the sovereign that could not be understood by everyone; and with all my heart he shared the general feeling of adoration in Moscow at that time for Emperor Alexander Pavlovich, who in Moscow at that time was given the name of an angel in the flesh.
During this short stay of Rostov in Moscow, before leaving for the army, he did not become close, but on the contrary, broke up with Sonya. She was very pretty, sweet, and obviously passionately in love with him; but he was in that time of youth when there seems to be so much to do that there is no time to do it, and the young man is afraid to get involved - he values ​​​​his freedom, which he needs for many other things. When he thought about Sonya during this new stay in Moscow, he said to himself: Eh! there will be many more, many more of these, somewhere, still unknown to me. I’ll still have time to make love when I want, but now there’s no time. In addition, it seemed to him that there was something humiliating for his courage in female society. He went to balls and sororities, pretending that he was doing it against his will. Running, an English club, carousing with Denisov, a trip there - that was another matter: it was befitting of a fine hussar.
At the beginning of March, the old Count Ilya Andreich Rostov was preoccupied with arranging a dinner at an English club to receive Prince Bagration.
The Count in a dressing gown walked around the hall, giving orders to the club housekeeper and the famous Theoktistus, the senior cook of the English club, about asparagus, fresh cucumbers, strawberries, veal and fish for Prince Bagration's dinner. The Count, from the day the club was founded, was its member and foreman. He was entrusted by the club with arranging a celebration for Bagration, because rarely did anyone know how to organize a feast in such a grand manner, hospitably, especially because rarely did anyone know how and want to contribute their money if they were needed to organize the feast. The cook and housekeeper of the club listened to the count's orders with cheerful faces, because they knew that under no one else could they profit better from a dinner that cost several thousand.
- So look, put scallops, scallops in the cake, you know! “So there are three cold ones?...” asked the cook. The Count thought about it. “No less, three... mayonnaise times,” he said, bending his finger...
- So, will you order us to take large sterlets? - asked the housekeeper. - What can we do, take it if they don’t give in. Yes, my father, I forgot about it. After all, we need another entrée for the table. Ah, my fathers! “He grabbed his head. - Who will bring me flowers?
- Mitinka! And Mitinka! “Ride off, Mitinka, to the Moscow region,” he turned to the manager who came in at his call, “jump off to the Moscow region and now tell Maximka to dress up the corvée for the gardener. Tell them to drag all the greenhouses here and wrap them in felt. Yes, so that I have two hundred pots here by Friday.
Having given more and more different orders, he went out to rest with the countess, but remembered something else he needed, returned himself, brought back the cook and the housekeeper, and again began to give orders. A light, masculine gait and the clanking of spurs were heard at the door, and a handsome, ruddy, with a black mustache, apparently rested and well-groomed from his quiet life in Moscow, entered the young count.
- Oh, my brother! “My head is spinning,” the old man said, as if ashamed, smiling in front of his son. - At least you could help! We need more songwriters. I have music, but should I invite the gypsies? Your military brethren love this.
“Really, daddy, I think Prince Bagration, when he was preparing for the Battle of Shengraben, bothered less than you do now,” said the son, smiling.
The old count pretended to be angry. - Yes, you interpret it, you try it!
And the count turned to the cook, who, with an intelligent and respectable face, looked observantly and affectionately at father and son.
- What are young people like, eh, Feoktist? - he said, - the old people are laughing at our brother.
“Well, Your Excellency, they just want to eat well, but how to assemble and serve everything is not their business.”
“Well, well,” the count shouted, and cheerfully grabbing his son by both hands, he shouted: “So that’s it, I got you!” Now take the pair of sleighs and go to Bezukhov, and tell him that the count, they say, Ilya Andreich sent to ask you for fresh strawberries and pineapples. You won't get it from anyone else. It’s not there, so you go in, tell the princesses, and from there, that’s what, go to Razgulay - Ipatka the coachman knows - find Ilyushka the gypsy there, that’s what Count Orlov was dancing with, remember, in a white Cossack, and bring him back here to me.
- And bring him here with the gypsies? – Nikolai asked laughing. - Well, well!...
At this time, with silent steps, with a businesslike, preoccupied and at the same time Christianly meek look that never left her, Anna Mikhailovna entered the room. Despite the fact that every day Anna Mikhailovna found the count in a dressing gown, every time he was embarrassed in front of her and asked to apologize for his suit.
“Nothing, Count, my dear,” she said, meekly closing her eyes. “And I’ll go to Bezukhoy,” she said. “Pierre has arrived, and now we’ll get everything, Count, from his greenhouses.” I needed to see him. He sent me a letter from Boris. Thank God, Borya is now at headquarters.
The Count was glad that Anna Mikhailovna took part of his instructions, and ordered her to pawn a small carriage.
– You tell Bezukhov to come. I'll write it down. How is he and his wife? – he asked.
Anna Mikhailovna rolled her eyes, and deep sorrow was expressed on her face...
“Ah, my friend, he is very unhappy,” she said. “If what we heard is true, it’s terrible.” And did we think when we rejoiced so much at his happiness! And such a lofty, heavenly soul, this young Bezukhov! Yes, I feel sorry for him from the bottom of my heart and will try to give him the consolation that will depend on me.
- What is it? - asked both Rostov, the elder and the younger.

(1999) - JB RETECHPDSH about BVPLPCHB.

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