Popularity is not always gained through participation in various competitions and castings. Sometimes a chance meeting with someone leads to fame. the right people and even a clumsily made home video. Nikolai Voronov is exactly the person who managed to become famous thanks to a private video posted secretly on the popular website Youtube. About his history, biography and creative success we will tell you in this article.
General information from life
Nikolai was born in May 1991 in Moscow. His father was Alexander Yaroslavovich Voronov, a well-known teacher at the Department of Sociology and Humanities at the International University of Nature, Society and Man “Dubna”. Since childhood, Nikolasha, as his mother called him, loved listening to music. He could sit for hours with his eyes closed and enjoy his favorite melody.
Getting a music education
At the age of five, the Voronovs decided to send the boy to the Gnessin Music School, where he could learn to play the piano. Nikolai Voronov loved to learn something new, so he gladly put himself in the hands of his teachers. The musician studied here for 12 years.
However, due to excessive zeal, the young man became too irritable, which ultimately led to nervous disorder. Therefore, the parents and themselves decided to leave the music school and take a break from studying for a while. For the same reason, Nikolai was forced to refuse to participate in the prestigious competition held in 2000 in Holland.
In 2008, he entered the Moscow State Tchaikovsky Conservatory, where the young man studied under the strict guidance of Ledenev. It was thanks to perseverance and incredible hearing that student Voronov managed to write the first poem for male choir with an orchestra, then six new pieces for violin and orchestra, and then come up with parts for cello, violin, string orchestra, viola and celesta.
Passion for Russian “pop”
Along with classical music, Voronov Nikolai Aleksandrovich became interested in domestic “pop”. According to him, interest in this musical style originated with him from the moment when he was given the first synthesizer. It was this instrument that helped compose young talent the following songs:
- "I'm waiting for you".
- "People who are right away."
- "White Dragonfly of love".
Wherein last topic about the dragonfly became a real hit. Later, Nikolai came up with other songs, many of which became popular. Among them you can find such works as:
- "Casino".
- "Fruity tenderness."
- "Run."
- "Barricade".
- "Country".
- “Chub, Kamon” and others.
One of latest works, written by the musician, is “Newspapers Write.” In total, the performer has created over 90 of his own songs, many of which he performs himself and allows other musicians and artists to do so.
Tour
Feeling the strength of a talented performer, at the end of 2008 Nikolai Voronov decided to go on his first tour around the country. Various personal managers helped the musician in organizing concerts. However, he decided to refuse their services approximately 2-3 years after the start of the first tour.
Voronov Nikolay (musician): interesting facts from life
During the beginning of his creative career and university studies, Nikolai met wonderful people, composed music, poetry and drew inspiration from the works of famous classics. Unusual, less often funny, but more often memorable situations often occurred in his life. For example, the most memorable event for him was his first appearance on stage. This happened, according to him, in mid-2008 during a small concert in Dubna, organized by representatives of the Solyanka club. At that moment, the composer and performer created a real sensation.
According to preliminary estimates, at that time over 1,500 spectators gathered in the hall who came to listen to music performed by Voronov. Later the same musical number Nikolai Voronov himself (songs written by the composer can be found in this article) posted on YouTube. Surprisingly, this video received great amount views and positive comments.
The musician’s second moment of fame was the 2008-2009 New Year’s concert, broadcast by the 2x2 TV channel. Thanks to his growing popularity on YouTube, the composer and performer Voronov was noticed even by the famous musical critic Artemy Troitsky. According to certain information, it was he who initiated the departure of Nikolai with the hit “White Dragonfly of Love” performed by the group Quest Pistols for Eurovision 2009.
And although they actually managed to submit such an application, the commission did not approve this initiative. The refusal of those responsible for the competition was due to a violation of the rules. The fact is that the song has already become a hit. It was broadcast on radio and television, which was strictly not allowed until the start of the competition.
Musician awards and honors
In the summer of 2009, Nikolai Voronov was awarded an honorary prize called “Steppen Wolf”. In addition, Nikolai has repeatedly become a laureate of various prizes and awards.
What is the musician doing today?
On this moment Nikolai Voronov offers his services as a presenter at corporate events, performs at concerts, composes new compositions and is engaged in creative work. So, during all this time Nikolai wrote:
- two quartets;
- one trio;
- about ten duets;
- one quintet;
- one sextet;
- five poems;
- about twenty-five electronic symphonies;
- more than a dozen musical works, created specifically for the orchestra;
- more than ten works for piano, etc.
He also runs his own website. He also has official page"In contact with". IN free time the young man likes to ride a bike, pick mushrooms and visit the conservatory. About how he acted in television shows and Nikolai Voronov’s programs (“Comedy Club” and others), we will tell you further.
Participation in the Comedy Club
Sometimes Nikolai is invited to various talk shows and programs of various types. For example, once he became the guest of honor at a popular Russian show Comedy Club. During live broadcast the musician entered into a funny dialogue with the hosts of the program, spoke briefly about his work and even sang a few lines from his hits: “Barricade” and “Dragonfly of Love.” By the way, it was on this program that the performer announced that the song about the dragonfly is almost 15 years old. It turned out that he wrote it at the age of eleven.
Personal life of Nikolai
While the musician speaks very willingly about his creative successes, he prefers to remain silent about his personal life or quickly changes the topic. From his words it becomes clear that serious relationship he hasn't thought about it yet. However, he boldly reports that he likes blondes with “appetizing, plump curves.”
Hobbies of a musician
Like anyone normal person, Nikolai has his own interests and taste preferences. For example, he likes any bright and interesting music, including classical. The main thing is that it captivates the listener and produces a certain effect. “It should lift your spirits and make you want to cry or laugh,” says the composer.
Nikolai hardly watches TV, but likes to read a lot. Among the musician’s favorite writers and poets are the following: Pushkin, Gogol, Dostoevsky, Chekhov, Yesenin, Mayakovsky, Tsvetaeva, Brodsky and others.
So, we have considered creative life musician and his biography. Nikolai Voronov is a popular performer today with a unique ear and sense of tact.
17-year-old Muscovite Nikolai Voronov is a real child prodigy, who was never called that at home in order to protect him from psychological trauma. The boy, born into the family of a psychologist and accompanist, showed extraordinary abilities in mathematics and music from the age of three. At the age of five, he began studying to become a pianist at the Moscow Gnessin Secondary Special School for especially gifted children. Absolute pitch and the unique musical memory identified in Nikolai led to the fact that, in parallel with general program They began to study composition with him. At the age of ten, Kolya Voronov composed the song “White Dragonfly of Love” on a simple synthesizer, which six years later was destined to become internet hit and bring fame to the author. And now a first-year student in the composition department of the Moscow Conservatory, a pop career took off - he was invited to perform at corporate parties, the New Year’s Eve of the “2x2” channel, and the clubs “Solyanka” and “Ikra”. On young musician offers of cooperation from show business representatives, requests for television filming and interviews began pouring in. Fans, having found out the Voronovs’ address, began to gather at his entrance. There was, as they say, serious hype.
The current situation worries Kolya Voronov’s parents a lot, who fear that excessive public attention will prevent their son from completing his education and thereby ruin his talent. OPENSPACE.RU decided to find out what was on Kolya Voronov’s mind.
Location: cafe on Izmailovsky Boulevard. Characters: correspondent OPENSPACE.RU Denis Boyarinov, Nikolai Voronov and his director Alexander. Voronov studies the menu, then places an order: meat in a frying pan, two bottles of mineral water.
- You bite your nails.
Yes (laughs embarrassed). I can't break the habit.
- This is some kind of characteristic for pianists. Horowitz also bit his nails in his youth.
For pianists this is such a disaster. By the way, Horowitz does. But Stravinsky didn’t bite.
-Can we start the interview?
And how.
Wonderful. Your mother and piano teacher told me in detail about your, so to speak, development as a classical musician and pianist. But, as they admit, they didn’t notice the moment when you became interested in pop music.
In fact, my mother probably noticed, but didn’t tell me. I became interested in pop music at the age of ten. I turned on the TV and listened to songs. Any - listened to the group “White Eagle”, Viktor Tsoi ( laughs)…What else is there? Decl! ( Recites.) "And who are you? Who are you? Who are you? And who are you? Who are you? Who are you?" Really good songs. And Tsoi is generally wonderful...
Well, what I’m saying is that all of this was, in principle, interesting to me. But I got into pop music when my dad bought me a synthesizer at the Savelovsky market Casio STK 571. This synthesizer has become my attribute.
- Do you still play the same synthesizer?
Yes! And I don't want to change it!
- Does it work well - the keys don’t stick?
Works well. On the contrary, sometimes you want to tear out the keys. With the roots! ( Laughs.) No, I'm afraid, I'm afraid to buy a new one. ( In a conspiratorial tone.) Do you know why I'm afraid?
- Why?
Because the new one won’t have the “Dragonfly” rhythm. No - if new, then only Casio, only Casio. Moreover, it is interesting that on the new synthesizer it will be possible to make a remix of “Dragonfly”. In general, I’m glad you heard “Dragonfly”. This is incredible! It is amazing! Why is there such an attraction to the song all of a sudden? All of a sudden! This song didn’t exist, then it appeared - and suddenly this happened. And now everyone says that Nikolai Voronov is my idol. ( Laughs.)
- What are you listening to now?
Now - classical music. She has something to tell me energetically.
- What period?
Modern. Not even modern late XIX- beginning of the 20th century.
- Modernists?
Not quite modernists yet, but already... Early avant-garde - Debussy, Scriabin, Mahler, Ravel to a lesser extent. Everything is post-Chopin. Rachmaninov is included there, of course. Naturally, dodecaphonists, the New Viennese school - Berg, Schoenberg, Webern.
- I know you compose symphonic works yourself.
Yes, I compose, of course. On my computer, I have three programs. I write in them, and the programs are immediately read out. This is very important: you compose and immediately hear what you are composing.
- How would you describe the style of your symphonic works?
I have different ones. This is probably the return of the classics. Modern harmonies... No, that's how it should be said: I'm trying to show modern harmonies classic style. In general, it’s a combination. Even “Dragonfly” is a combination. Combining pop rock with disco.
- Do you give your symphonic works titles?
- “Opus”. Opuses numbered. I can't remember the name. I give numbers to songs. Song 68 is playing now.
- So you composed 68 songs in total?
- Why do you play the same ten pieces at concerts?
- 15. Because they are the biggest hits. And so far I have only learned them.
(1991-05-15 ) (28 years old) K:Wikipedia:Articles without images (type: not specified)Nikolai Alexandrovich Voronov(born May 15, 1991) is a Russian pop singer and composer who became popular thanks to the YouTube video service.
Biography
Nikolay Voronov - Muscovite, younger son teacher of the Department of Sociology and Humanities at the International University of Nature, Society and Man “Dubna” Alexander Yaroslavovich Voronov.
According to his mother, he composes music with three years. At the age of five he began studying piano at the Moscow Gnessin Secondary Special Music School. Nikolai held his first concert in Dubna. The first appearance on the “major” stage took place in 2008 at the Solyanka club. In 2008, he entered the first year of the composition department of the Moscow State Conservatory. P. I. Tchaikovsky, where he studied in the class of R. S. Ledenev, under whose guidance he composed works in the academic style (First poem for male choir and orchestra; Six pieces for violin and orchestra; Concerto grosso for string orchestra, celesta, violin, viola and cello).
According to Nikolai, he “took up pop music” when his father bought him a Casio CTK 571 synthesizer at the Savelovsky market. The first three songs he composed were called (in chronological order) - “I'm waiting for you”, “People who are right away” and “White dragonfly of love”. In 2008, the author predicted that Dragonfly would "become his hit."
Notable works
- "Barricade"
- "People who immediately"
- "Chub, kamon"
- "Casino"
- "Fruit tenderness"
- "Just Dancing"
- "Country"
- "SMS"
- "Run"
see also
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Links
- (English) on Myspace
- on RuTube
- on YouTube
Notes
An excerpt characterizing Voronov, Nikolai Alexandrovich (musician)
“Yes, I came to you, father, and with my pregnant wife,” said Prince Andrei, watching with animated and respectful eyes the movement of every feature of his father’s face. – How is your health?“Unhealthy, brother, there are only fools and libertines, but you know me: busy from morning to evening, abstinent, and well, healthy.”
“Thank God,” said the son, smiling.
- God has nothing to do with it. Well, tell me,” he continued, returning to his favorite hobby, “how the Germans taught you to fight with Bonaparte according to your new science, called strategy.
Prince Andrei smiled.
“Let me come to my senses, father,” he said with a smile, showing that his father’s weaknesses did not prevent him from respecting and loving him. - After all, I haven’t settled in yet.
“You’re lying, you’re lying,” the old man shouted, shaking his braid to see if it was tightly braided, and grabbing his son’s hand. - The house is ready for your wife. Princess Marya will take her and show her and talk a lot about her. This is their woman's business. I'm glad for her. Sit and tell me. I understand Mikhelson’s army, Tolstoy too... a one-time landing... What will the Southern Army do? Prussia, neutrality... I know that. Austria what? - he said, getting up from his chair and walking around the room with Tikhon running and handing pieces of clothing. - Sweden what? How will Pomerania be transferred?
Prince Andrei, seeing the urgency of his father’s demand, was reluctant at first, but then became more and more animated and involuntarily, in the middle of the story, out of habit, switched from Russian to French, began to outline the operational plan for the proposed campaign. He told how a ninety-thousand-strong army was supposed to threaten Prussia in order to bring it out of neutrality and draw it into the war, how part of these troops was supposed to unite with Swedish troops, how two hundred and twenty thousand Austrians, in conjunction with one hundred thousand Russians, were to act in Italy and on the Rhine, and how fifty thousand Russians and fifty thousand English would land in Naples, and how, as a result, an army of five hundred thousand was to attack from different sides French. The old prince did not show the slightest interest in the story, as if he was not listening, and, continuing to get dressed as he walked, unexpectedly interrupted him three times. Once he stopped him and shouted:
- White! white!
This meant that Tikhon did not give him the vest he wanted. Another time he stopped and asked:
- And will she give birth soon? - and, shaking his head reproachfully, said: - Not good! Keep going, keep going.
The third time, when Prince Andrei was finishing the description, the old man sang in a false and senile voice: “Malbroug s"en va t en guerre. Dieu sait guand reviendra." [Malbroug is getting ready to go on a campaign. God knows when he will return.]
The son just smiled.
“I’m not saying that this is a plan that I approve,” said the son, “I just told you what it is.” Napoleon had already drawn up his own plan no worse than this.
“Well, you didn’t tell me anything new.” - And the old man thoughtfully said to himself in a patter: - Dieu sait quand reviendra. - Go to the dining room.
At the appointed hour, powdered and shaved, the prince went out into the dining room, where his daughter-in-law, Princess Marya, m lle Burien and the prince's architect, who, by a strange whim, was allowed to the table, was waiting for him, although by his position this insignificant person could not count on such an honor . The prince, who firmly adhered to the differences in status in life and rarely allowed even important provincial officials to the table, suddenly proved to the architect Mikhail Ivanovich, who was blowing his nose into a checkered handkerchief in the corner, that all people are equal, and more than once inspired his daughter that Mikhail Ivanovich was nothing worse than you and me. At the table, the prince most often turned to the dumb Mikhail Ivanovich.
In the dining room, hugely high, like all the rooms in the house, the household and waiters standing behind each chair were waiting for the prince to leave; the butler, with a napkin on his hand, looked around the table setting, blinking at the footmen and constantly running his restless gaze from the wall clock to the door from which the prince was supposed to appear. Prince Andrey looked at a huge, new to him, golden frame with an image of the family tree of the Bolkonsky princes, hanging opposite an equally huge frame with a poorly made (apparently by the hand of a home painter) image of the sovereign prince in a crown, who was supposed to come from Rurik and be the ancestor Bolkonsky family. Prince Andrei looked at this family tree, shaking his head, and chuckled with the look with which one looks at a portrait that is ridiculously similar.
- How do I recognize him all over here! - he said to Princess Marya, who approached him.
17-year-old Muscovite Nikolai Voronov is a real child prodigy, who was never called that at home in order to protect him from psychological trauma. The boy, born into the family of a psychologist and accompanist, showed extraordinary abilities in mathematics and music from the age of three. At the age of five, he began studying to become a pianist at the Moscow Gnessin Secondary Special School for especially gifted children. The absolute pitch and unique musical memory revealed in Nikolai led to the fact that, in parallel with the general program, they began to study composition with him. At the age of ten, Kolya Voronov composed the song “White Dragonfly of Love” on a simple synthesizer, which six years later was destined to become internet hit and bring fame to the author. And now a first-year student in the composition department of the Moscow Conservatory, a pop career took off - he was invited to perform at corporate parties, the New Year’s Eve of the “2x2” channel, and the clubs “Solyanka” and “Ikra”. The young musician received offers of cooperation from representatives of show business, requests for television filming and interviews. Fans, having found out the Voronovs’ address, began to gather at his entrance. There was, as they say, serious hype.
The current situation worries Kolya Voronov’s parents a lot, who fear that excessive public attention will prevent their son from completing his education and thereby ruin his talent. OPENSPACE.RU decided to find out what was on Kolya Voronov’s mind.
Location: cafe on Izmailovsky Boulevard. Characters: correspondent OPENSPACE.RU Denis Boyarinov, Nikolai Voronov and his director Alexander. Voronov studies the menu, then places an order: meat in a frying pan, two bottles of mineral water.
- You bite your nails.
Yes (laughs embarrassed). I can't break the habit.
- This is some kind of characteristic feature for pianists. Horowitz also bit his nails in his youth.
For pianists this is such a disaster. By the way, Horowitz does. But Stravinsky didn’t bite.
-Can we start the interview?
And how.
Wonderful. Your mother and piano teacher told me in detail about your, so to speak, development as a classical musician and pianist. But, as they admit, they didn’t notice the moment when you became interested in pop music.
In fact, my mother probably noticed, but didn’t tell me. I became interested in pop music at the age of ten. I turned on the TV and listened to songs. Any - listened to the group “White Eagle”, Viktor Tsoi ( laughs)…What else is there? Decl! ( Recites.) "And who are you? Who are you? Who are you? And who are you? Who are you? Who are you?" Really good songs. And Tsoi is generally wonderful...
Well, what I’m saying is that all of this was, in principle, interesting to me. But I got into pop music when my dad bought me a synthesizer at the Savelovsky market Casio STK 571. This synthesizer has become my attribute.
- Do you still play the same synthesizer?
Yes! And I don't want to change it!
- Does it work well - the keys don’t stick?
Works well. On the contrary, sometimes you want to tear out the keys. With the roots! ( Laughs.) No, I'm afraid, I'm afraid to buy a new one. ( In a conspiratorial tone.) Do you know why I'm afraid?
- Why?
Because the new one won’t have the “Dragonfly” rhythm. No - if new, then only Casio, only Casio. Moreover, it is interesting that on the new synthesizer it will be possible to make a remix of “Dragonfly”. In general, I’m glad you heard “Dragonfly”. This is incredible! It is amazing! Why is there such an attraction to the song all of a sudden? All of a sudden! This song didn’t exist, then it appeared - and suddenly this happened. And now everyone says that Nikolai Voronov is my idol. ( Laughs.)
- What are you listening to now?
Now - classical music. She has something to tell me energetically.
- What period?
Modern. Not even modern, late 19th - early 20th centuries.
- Modernists?
Not quite modernists yet, but already... Early avant-garde - Debussy, Scriabin, Mahler, Ravel to a lesser extent. Everything is post-Chopin. Rachmaninov is included there, of course. Naturally, dodecaphonists, the New Viennese school - Berg, Schoenberg, Webern.
- I know you compose symphonic works yourself.
Yes, I compose, of course. On my computer, I have three programs. I write in them, and the programs are immediately read out. This is very important: you compose and immediately hear what you are composing.
- How would you describe the style of your symphonic works?
I have different ones. This is probably the return of the classics. Modern harmonies... No, that's how it should be said: I'm trying to show modern harmonies in a classical style. In general, it’s a combination. Even “Dragonfly” is a combination. Combining pop rock with disco.
- Do you give your symphonic works titles?
- “Opus”. Opuses numbered. I can't remember the name. I give numbers to songs. Song 68 is playing now.
- So you composed 68 songs in total?
- Why do you play the same ten pieces at concerts?
- 15. Because they are the biggest hits. And so far I have only learned them.
The youngest son of a teacher at the International University of Nature, Society and Man "Dubna" Nikolai Voronov woke up famous in the wake of the success of the song "White Dragonfly of Love." Nine years ago, this composition blew up all the dance floors of the country, and the cult Solyanka club did not accommodate those who wanted to hear the hit live.
ON THIS TOPIC
Voronov was invited to appear on a TV show, and the media lined up to interview the young, extravagant musician. But after the legendary song, the author never created new hits. The excitement around him began to subside, and Nikolai himself went into the shadows and began running a YouTube channel.
Now Internet users are seriously puzzled by the mental state of the once famous singer, the adequacy of which is questioned by many. The fact is that Nikolai’s videos contain profanity and seem to demonstrate a challenge to common sense. website We decided to personally find out what was happening to the young performer. In a frank conversation, the musician explained such strange behavior.
“I changed my image because I am not satisfied with the claim to everyone that is made by our so-called stars, who consider themselves superior ordinary people. Stars don't exist. We have only one principle: “Your genius is not as important as how much of a career horse you are.” This really pisses me off. What then can we say about Pushkin and Dostoevsky, who are physically dead? How should we treat them? There was no radical change in image. This is just a small change because I want to help humanity realize this global problem. They are trying to impose a disease on me, but in my person the disease is diagnosed in all of humanity. Someone believed in it and died, but I won’t die. I'm here. I can only be understood correctly if one is completely separated from me and viewed in a more in a mass sense, from the perspective of society as a whole, and not part of it. I never loved myself or cared about myself. I love others,” Voronov said.
To finally dispel rumors about the musician’s mental illness, website asked psychotherapist Vitaly Kekukh to give an explanation about Nikolai’s behavior. “I can assume that the problem is the following: either something happened during the pregnancy of Nikolai’s mother, for example, intoxication; or there was an injury during childbirth, asphyxia or a pinched nerve. You know what kind of obstetricians we have - they pulled the head , they pinched a nerve. These consequences are visible on Kolya’s face. His psyche is fine, and such defiant behavior is compensation for external ones. physical feature. You can feel it in his facial expressions. But he’s great, he realized in time how to take advantage of his shortcomings,” the specialist noted.
According to Voronov’s mother, the young man has been writing music since he was three years old. When he was five, he began to study piano at the Moscow Secondary Specialized music school named after the Gnessins. Nikolai held his first concert in Dubna. In 2008, he entered the first year of the composition department of the Moscow State Conservatory named after P.I. Tchaikovsky.
As Nikolai recalls, he took up pop music when his father gave him a synthesizer. The first three songs he composed were called (in chronological order) “I'm Waiting for You,” “People Who Are Right Away,” and “White Dragonfly of Love.” In 2008, the author predicted that "Dragonfly" "will be his hit." And so it happened.