Question: An essay on the topic “Yaroslavna is the image of a Russian woman.” An essay on a work on the topic: Yaroslavna is a continuation of folklore traditions in the image (2)

“I’ll fly,” he says, “like a cuckoo along the Danube.”

I will wet my silk sleeve in the Kayala River,

I will wipe off the prince’s bloody wounds on his mighty body.

The history of Russian literature has preserved many interesting female images who embodied the ideal of a Russian woman. The most striking of them is the image of Yaroslavna, the wife of Prince Igor, in the ancient Russian story “The Tale of Igor’s Campaign.”

The image of Yaroslavna is built on the best folklore traditions. The monologue of the wife of the courageous Prince Igor occupies only a page and is a cry and lamentation, but its significance for the entire story is great. We see the love, tenderness, and loyalty of the Russian woman who helped brave warriors survive in their military exploits. After all, the warriors knew that they were eagerly awaited in their homeland and they definitely needed to return.

The author of “The Lay” compares Yaroslavna with a cuckoo, because it was this bird that was popularly a symbol of a lonely, grieving woman. As in many folk works, we can observe the heroine’s appeal to various phenomena

Nature: wind, Dnieper, sun. Even during the times of paganism, the Slavs turned with prayers to these natural phenomena, believing in their omnipotence.

An interesting fact is that Yaroslavna is worried not only about the thought of Igor’s injury, but also about the fate of his soldiers. This once again confirms that this woman is a true princess, for whom the fate of the state is important:

Why, my lord, did you spread your hot rays

All is well with the warriors;

In a waterless field, thirst bent their bows...

Unfortunately, the lot of many wives, mothers, and sisters of that time was to wait a long time for their warriors. But all the warriors returned from campaigns, and sorrowful crying echoed across the Russian land. Perhaps this is why tragic motifs predominate in the depiction of female images in Russian folklore.

Yaroslavna is the ideal of a Russian woman - a devoted, loving wife, a wise ruler.

In the great monument ancient Russian literature“The Tale of Igor’s Campaign” has an undoubted connection with folk traditions. The very idea of ​​the work is popular; nationality is manifested in the description of events, and in language, and in artistic manner the author, as well as in the images that he creates. One of these folk images Igor’s young wife, Yaroslavna, appears in the poem.

Yaroslavna is a typical Russian woman. This image occupies a very important place in ideological plan poems. He is covered with thoughts of peace, family, home, imbued with tenderness and affection, a bright folk principle. The image of Yaroslavna and other women expresses the sadness and care of the homeland and people for their soldiers. They contain the idea of ​​creation, which opposes troubles and Destruction, the idea of ​​contrasting war and peace. The wives of Russian soldiers mourn their husbands who died on the battlefield. And their cry, full of tenderness and sadness, is deeply folk.

The character of the heroine is most clearly revealed in the famous cry of Yaroslavna. The author seems to quote the cry of a Russian woman pitying not only her husband, but also his soldiers:

Oh wind, sail!..

Why are you rushing Khin's arrows?

On your porches

On my dear warriors?..

Bright and thrice bright sun!..

Why, lord, did you spread your hot rays

Are my warriors happy?

In a waterless field thirst twisted their bows,

Have they filled their quivers with grief?

She also recalls Svyatoslav’s glorious campaign against, of which the Russian people can rightfully be proud. In her cries and sentences one can hear folk tunes. It was not by chance that the author chose this style of presentation - the style of folk lyrical songs. He most accurately reveals the image of the heroine as a representative of her people. It is precisely the same words and expressions that are filled with crying that were used verbally. folk art- in songs, laments, parables. The appeals and images that the author uses are present in all folk works of that time. From the very beginning, the lament is built exclusively on folklore images - Yaroslavna, for example, strives, like the heroines of folk tales, to “fly like a cuckoo along the Danube.” Such transformation into birds or animals was very typical for ancient parables and songs.

Yaroslavna turns to nature: to the wind blowing under the clouds, nurturing ships on the blue sea; to the Dnieper, which broke through stone mountains and cherished Svyatoslav’s plantings; to the sun, which is beautiful for everyone, but in the steppe the Russian soldiers were overcome with waterless thirst and languor. All these images contain characteristics of the great and vast Rus'. These appeals clearly reflect the inextricable connection of the heroine with the entire Russian people. It is at native nature she is looking for sympathy and help:

About Dnepr Slovutych!

Come, sir, to my dear one,

So that I don’t send him tears

It's early at sea.

The peculiarity of Yaroslavna’s monologue is also that it reveals inner world Yaroslavny. She stands on equal terms with the powerful forces of nature. She shows courage, wanting to be with her husband in danger, as well as mercy: with her presence she wants to ease the suffering of the wounded Igor.

In Yaroslavna’s voice one can hear not only suffering and sadness. Every word of her cry is filled with tenderness and love. Her tender lyrical words bring reconciliation to feelings, soften the bitterness of loss and defeat. She deeply grieves for the army, but her grief is bright, full of hope. Together with her, all Russian women, the entire Russian people hope and believe in a happy outcome of events. And these hopes come true - Igor escapes from captivity. He is helped by the same nature to which the heroine turned with a prayer.

Thus, in Yaroslavna the author embodied typical features people, he created the type of Russian woman devoted to her husband and home country. And, besides, this image became the embodiment of the sorrows and joys of the Russian people, their hopes. Through him, as well as through other characters, the poet conveys the main idea of ​​his work - a call for unity in the name of happiness and peace throughout Rus'.

Essay The Lay of Igor’s Campaign - “The Lay of Igor’s Host”

Topic of the essay: - Yaroslavna - continuation folklore traditions in character (2)

“I’ll fly,” he says, “like a cuckoo along the Danube.”

I will wet my silk sleeve in the Kayala River,

I will wipe off the prince’s bloody wounds on his mighty body.

The history of Russian literature has preserved many interesting female images that embodied the ideal of the Russian woman. The most striking of them is the image of Yaroslavna, the wife of Prince Igor, in the ancient Russian story “The Tale of Igor’s Campaign.”

The image of Yaroslavna is built on the best folklore traditions. The monologue of the wife of the courageous Prince Igor occupies only a page and is a cry - a lamentation, but its significance for the entire story is great. We see the love, tenderness, and loyalty of the Russian woman who helped brave warriors survive in their military exploits. After all, the warriors knew that they were eagerly awaited in their homeland and they definitely needed to return.

The author of “The Lay” compares Yaroslavna with a cuckoo, because it was this bird that was popularly a symbol of a lonely, grieving woman. As in many folk works, we can observe heroines to various phenomena

Nature: wind, Dnieper, sun. Even during the times of paganism, the Slavs turned with prayers to these natural phenomena, believing in their omnipotence.

An interesting fact is that Yaroslavna is worried not only about the thought of wounding Igor, but also his soldiers. This once again confirms that this woman is a true princess, for whom the fate of the state is important:

Why, my lord, did you spread your hot rays

All is well with the warriors;

In a waterless field, thirst bent their bows...

Unfortunately, the lot of many wives, mothers, and sisters of that time was to wait a long time for their warriors. But all the warriors returned from campaigns, and sorrowful crying echoed across the Russian land. Perhaps this is why tragic motifs predominate in the depiction of female images in Russian folklore.

“I will fly,” he says, “like a cuckoo along the Danube. I will wet the silk sleeve in the Kayala River, and I will wipe off the prince’s bloody wounds on his mighty body. In the history of Russian literature, many interesting female images have been preserved that embodied the ideal of the Russian woman. The most striking of them is the image of Yaroslavna, the wife of Prince Igor, in the ancient Russian story “The Tale of Igor’s Campaign.” The image of Yaroslavna is built on the best folklore traditions. The monologue of the wife of the courageous Prince Igor occupies only a page and is a cry and lamentation, but its significance for the entire story is great. We see the love, tenderness, and loyalty of the Russian woman who helped brave warriors survive in their feats of arms.

After all, the warriors knew that they were eagerly awaited in their homeland and they definitely needed to return. The author of “The Lay” compares Yaroslavna to a cuckoo, because this particular bird was popularly a symbol of a lonely, grieving woman. As in many folk works, we can observe the heroine’s appeal to various natural phenomena: the wind, the Dnieper, the sun. Even in the times of paganism, the Slavs turned with prayers to these natural phenomena, believing in their omnipotence. An interesting fact is that Yaroslavna is worried not only about the thought of Igor’s injury, but also about the fate of his soldiers. This once again confirms that this woman is a true princess, for whom the fate of the state is important: Why, my lord, did he stretch out his hot torches to the warriors; in a waterless field with thirst he bent their bows...

Unfortunately, the lot of many wives, mothers, and sisters of that time was to wait a long time for their warriors. But all the warriors returned from campaigns, and sorrowful crying echoed across the Russian land. Perhaps this is why tragic motifs in the depiction of female images predominate in Russian folklore. Yaroslavna is the ideal of a Russian woman - a devoted, loving wife, a wise ruler.

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What could be better than love and fidelity? Nothing. Therefore, the image of Yaroslavna from “The Tale of Igor’s Campaign” exudes inner beauty, which surprises us with its integrity and depth. This woman combined a great feeling for her beloved with great love for native land. And it seems that Yaroslavna is the entire Russian land, which is crying for its sons. Somewhere on the Danube, like “a complaining seagull,” Yaroslavna is moaning, waiting for her husband.

And her husband is Grand Duke Igor, who was captured by the Polovtsians. How hard it is for this unfortunate woman who doesn’t even know if her husband is alive! And tears of pain, despair, sad tears of great love flow. Yaroslavna is crying, and in her crying the voices of all the women whose husbands died in a foreign land or were captured are heard. Yaroslavna's cry in Putivl is not just a wife's appeal to her husband, it is personified Rus', which calls its defenders to itself. And she mourns Igor not only as a husband, but also as a defender of the Motherland, who was defeated in a battle with enemies.

She appeals to the three forces of nature. Yaroslavna reproaches Vetra for blowing Khin's arrows at her husband's warriors (during the battle the wind was blowing from the Polovtsians): "Why are you throwing Khin's arrows at the warriors of my people?" She asks the Dnieper-Slavuta to cherish her husband on her waves. Yaroslavna complains about the sun because she tormented the Russian soldiers with thirst during the battle in the waterless steppe. Yaroslavna cries to appease nature, so that she can hear that groan that goes across all Russian lands. This faithful patriotic woman cannot tolerate the injustice that comes from the Polovtsian invaders. And her cry, her immortal words are both a woman’s melancholy and an accusation of the forces of nature, which, instead of helping the Russian soldiers, tried to destroy them.

The author of "The Lay" created immortal image Russian woman with such poetic power that the small “Lament of Yaroslavna” became a masterpiece of world literature. There are so many poetic feelings in the lament, so much active love and sincere devotion, so much is contained in appeals to the wind, the Dnieper-Slavuta, to the sun, living allusions to the real the position of the warriors during the difficult battle and after it, that even the forces of nature did not remain indifferent! Yaroslavna is the image of an ideal Russian woman, a patriotic woman, he still lives in our hearts. It lives as a reminder of great love, of fidelity, of love for one’s native land. Yaroslavna is a symbol of the Russian land, which yearns for its defenders, and her cry is not only a poetic creation, but also a real conversation. I believe that for many, many years she will be a model of fidelity and love for future generations.

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  2. In the great monument of ancient Russian literature, “The Tale of Igor’s Campaign,” there is an undoubted connection with folk traditions. The very idea of ​​the work is popular; nationality is also manifested in the description of events...

  3. The patriotic idea of ​​“The Tale of Igor’s Campaign” is to warn Rus' of impending disaster. So that the princes stop their civil strife and take up important matters in...

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  5. Yaroslavna, as a real historical person, is the wife of Prince Igor Svyatoslavich of Novgorod-Seversky, the daughter of the powerful Galician prince Yaroslav Vladimirovich, called Osmomysl in the Lay. The princess is referred to in the text by...


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    • - 10,650 views
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