We decided to please the subscribers of the KurskOnline home network for the New Year (KurskOnline) retro postcards from Soviet times. New Year's cards were selected from the family archive (my childhood collection of postcards) wonderful artist, animator – Vladimir Ivanovich Zarubin. After scanning, the postcards underwent restoration in the editor Adobe Photoshop – spots and cracks on the paper were “removed” :-) We played around with the congratulatory text a little - played with the fonts;-) The reverse side of the postcard had to be drawn “by hand” in the editor CorelDRAW. The text has changed a little ;-) but instead postage stamp placed the logo "KurskTelecom".
Vladimir Ivanovich Zarubin– author of the most touching and bright New Year’s cards. There was probably not a single person in the USSR who did not receive a New Year a postcard with kind scenes, carefully drawn by hand artist Vladimir Zarubin.
Zarubin Vladimir Ivanovich (07.08.1925–21.06.1996) – Soviet artist, cartoonist.
New Year's cards by artist Zarubin copied for wall newspapers, characters created by Vladimir Ivanovich, on the eve of the New Year gouache paints painted on store windows...
The main characters of New Year's cards Vladimir Zarubin– charming bunnies, squirrels, bear cubs, hedgehogs, snowmen, rosy Santa Claus with a bag of gifts. How many smiles did Zarubin’s postcards bring back then... how many warm memories they awaken now...
Soviet New Year card
38 parrots ( 2013 is the year of the snake) :: artist Vladimir Ivanovich Zarubin
§ Interactive New Year Flash card with which you can play around with the mouse;-) Put together a phrase from individual letters: "Happy New Year!" or fill the card with snowflakes on the green page “Flash Workshop”.
Postcards are available download and print on a photo printer ;-)
I congratulate everyone on the upcoming holidays and thank my colleagues, together with whom during 2012 ideas for sketches of advertising layouts for the KurskOnline home network were “generated”: Olga Belyaeva, Evgenia Kovaleva, Konstantina Pankov.
Happy New Year! Hurray comrades;-)
MaximMaxim
Vladimir Zarubin is an inimitable sorcerer and unsurpassed master of New Year's cards! Nostalgia stifled me, but at the same time a divine warmth spread in my soul.
Respect for the page!
Michael
Davyd
These cards always caused great joy in childhood and now too with their magical aura.
NEW YEAR CARDS
§ New Year's bouquet of seven German postcards from the 50s of the last century
Today on the program is a delightful selection of German New Year and Christmas cards from the 50s of the last century and exciting journey to the world of foreigners magic symbols pagan origin. Pigs, fly agarics and four-leaf clover branches...
§ Nostalgia: Soviet New Year's by Vladimir Zarubin (year of the dog)
Soviet New Year's cards by the wonderful cartoonist Vladimir Zarubin, on which leading role or in the episode the symbol of the coming 2018 appears - a dog...
§ Nostalgia: The magic of New Year's Eve and the Golden Moon
I invite readers to plunge headlong into enchanting nostalgia and indulge themselves in astronomy ;-) Curious readers of the green pages will have to figure out the question: “Which month’s crescent is depicted on each of the postcards - young or old?”...
§ Nostalgia: Soviet New Year cards by Alexey Isakov
Soviet New Year's cards by animal artist Alexey Isakov, made in warm nut-chocolate and tangerine tones...
§ Nostalgia: Soviet New Year cards from the 60s of the last century
New Year is a time not only for bold dreams and fabulous aspirations, but also for sweet nostalgia for the years gone by... in which there were many joyful events and happy accomplishments...
§ ON CHRISTMAS EVE. New Year's cards-covers (2013, KurskTelecom)
Two New Year cards. A little bit educational information and a recipe for sochiva - lean milk made from hazelnuts...
§ New Year's cards-covers (2012, KurskTelecom)
"Gold on blue." Cover for the desk calendar “Seasons”…
§ New Year cards with marketing filling;-) (2011, KurskTelecom)
New Year's greeting card from the Home Network “KurskOnline”...
THE CHARMING MAGIC OF WINTER MOOD
§
For your attention riddles and proverbs about snow, the inimitable poetry of winter performed by Ivan Alekseevich Bunin and Robert Ivanovich Rozhdestvensky, masterpieces of world painting and my beloved physics...
§ Seasons: Winter
I invite readers of the green pages to take a short journey into the world of Russian mythology: Korochun - the day of the winter solstice. oh Korochun is much cooler :-))) foreign... Celtic Halloween;-) And also... treat yourself to amazing winter landscapes...
§ Physics around us: Photo album “Frosty patterns on the windows”
We bring to your attention photographs accompanied by entertaining and educational material - articles from the popular scientific and mathematical journal “Kvant”: “About frosty patterns and scratches on the glass...
§ Physics and fiction: Optics
Fortune telling with mirrors for Christmastide…
The feeling of mystery is the most beautiful experience available to us. It is this feeling that stands at the cradle of true art and true science. Albert Einstein
A quality physics problem dedicated to the delightful mysteries of Yuletide New Year's fortune telling. The task was based on an excerpt from the story “Mirror” by Anton Pavlovich Chekhov. Let’s add to this task the painting “Svetlana” by Alexander Nikonorovich Novoskoltsev and the enchanting poetic magic of Afanasy Afanasyevich Fet...
§ Box of quality problems in physics: Melting and crystallization
We present to your attention 50 high-quality problems in physics on the topic: “Melting and crystallization” and on the topic... small gallery: “Winter in painting”...
§ Literary living room: In the wild north it stands alone...
The poem “In the wild north stands alone...” by Mikhail Yuryevich Lermontov and the painting “In the wild north...” by Ivan Ivanovich Shishkin...
Distribution of site materials is welcome.
A link to the materials is highly desirable, but not strictly required ;-)
“Knowledge should serve the creative purposes of man. It is not enough to accumulate knowledge;
we need to disseminate them as widely as possible and apply them in life.” Rubakin N.A.
9 chosen
Probably everyone born in the USSR has special memories imbued with the warmth of New Year's anticipation. My conscious childhood took place already in the 90s, but it contained many signs of a bygone era associated with the most important and most desired holiday of the year. Now the store shelves are bursting with abundance New Year's toys, postcards and other paraphernalia, certainly attractive, but not as soulful as what decorated our New Year's childhood.
In my parents' house, among the glass toys my grandmother brought from the GDR, I still keep a box of New Year's greeting cards from previous years. My sister and I really loved sorting through and looking at them on the eve of the holiday: there was something magical about it. And later in school years As a representative of the editorial board, I often used the treasured box in search of inspiration when releasing the next New Year's wall newspaper.
The box, I must say, is impressive, and most of it is occupied by my favorite greeting cards created by Vladimir Ivanovich Zarubin. It is impossible not to recognize them: bright, kind and light, depicting small scenes with carefully drawn details. The heroes of his postcards are touching, as if alive, with their own character, with a mood corresponding to the plot. And how can you not smile when you pick up a card slightly yellowed by time... Nostalgia...
The creator of these postcards, Vladimir Ivanovich Zarubin, had a very difficult fate. How, after a youth filled with grief and loss, he managed to maintain a bright outlook and share it with his compatriots throughout his life is simply amazing...
Vladimir Zarubin was born on August 7, 1925 in the village of Andriyanovka, Oryol region. During the war, Zarubin lived with his parents in Lisichansk, Ukraine. After the city was captured by the Germans, the young boy was driven to Germany and worked in a prisoner labor camp in the Ruhr, where he had to experience a lot: cruelty, bullying, hunger, fear of death... A few years later, the city was liberated by American troops, and Vladimir Zarubin moved to our occupation zone, where he served in the army for several years. It is known that he was interested in boxing and shooting. And, of course, even then he began to draw seriously. Here is from his memoirs: “Since childhood, I have really loved animals and birds. And now there is a feeder with lard on the balcony. In the morning, a woodpecker flew in... As far as I remember, my first drawing in my life is connected with animals and with... a smile: a horse is running, and “apples” are falling from under its tail. I was five years old at the time, and this drawing passed from hand to hand all over the village. It was there, in a rural house, that he first became familiar with art. My father brought a lot of books on painting, had a good one (by the standards of rural areas- simply wonderful) - five thousand copies - a collection of postcards.”
In 1949, Vladimir Ivanovich began his career as an artist: he worked at the Ministry of Coal Industry, then at a factory. In 1956 he entered the Moscow Evening high school, in parallel with his studies, taking courses for animators at the Soyuzmultfilm film studio. Since 1957, Zarubin worked as an animator at Soyuzmultfilm, taking part in the creation of about a hundred hand-drawn animated films.
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The artist devoted all his strength to his favorite work. In 1973, he received the title of winner of a social competition at the studio and had his first heart attack. The fact is that the work of a Soviet animator was only art on one side, but on the other hand it was equated to the same production with a plan, invoices, outfits, and so on. In addition, his passion, honesty and openness often collided with traditional intrigue and cronyism. Only in the late 1970s, Zarubin was accepted into the Union of Cinematographers of the USSR, but he was often called the best animator in the country.
In parallel with animation, Vladimir Zarubin talentedly and fruitfully worked in the genre of postal miniatures - he created greeting cards, drawings on envelopes and calendars. His first postcard was released in 1962.
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Zarubin himself believed that he started creating postcards and envelopes relatively late: “ You know, I wanted to find an outlet, because the work of an animator is exhausting and nervous. So I tried my hand first in “Crocodile”, “Kid”, “Izogiz”. The first postcard was published under the editorship of Yuri Ryakhovsky. He helped me find myself in the postal schedule. And the little animals - bear cubs, hares, hedgehogs, as well as gnomes and other heroes - are mine, only mine.
They are truly recognizable and have their own unique face. It was precisely because of this originality that I had difficulties at artistic councils. Well, this is back in “those” times. They would sometimes look at a sketch and begin to analyze it from a socialist realist perspective: “Where have you seen a dog walking on two legs?”, or: “What kind of bear would shout “Aw!” in the forest?” How can you explain? Or here’s the story with a spring card in which Hedgehog presents Hedgehog with a candy rooster. He was wearing my boots, so the artistic council forced Hedgehog to take his shoes off. I remade the postcard, but I felt sorry for the Hedgehog - is it easy to be barefoot in the March snow? So I raised one of his paws so that he wouldn’t freeze...
In previous years, quite a few of my postcards and envelopes, as they say, were fluffed up for nothing at the artistic council».
Many years later, Zarubin left the studio and started working at home.
« It’s nice, of course, that people don’t ignore my work., - said Vladimir Ivanovich. - They write, ask to draw more, and the most active ones suggest plots. It helps, but only morally. It’s generally difficult for me to work on orders. I invent everything myself. But I always want to draw. Even if I’m sick, I just lie down and think. I first “roll” a postcard or envelope in my head so that then everything transfers to paper very quickly. But then I sometimes redraw the plots several times: I’ll finish, as if I’ll take a closer look - no, not quite right. I undertake to add and remove details of the drawing again. A little fairy tale in a drawing...»
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In the early 1990s, the artist began working full-time with one small publishing house. Over time, it grew, mainly thanks to Zarubin's work, but soon the publisher began to delay payment, and then stopped paying altogether, demanding new postcards. This went on for over a year. On June 21, 1996, Vladimir Ivanovich was informed by telephone that “the company had gone bankrupt.” A few hours later the artist died.
Vladimir Ivanovich Zarubin is a wonderful Soviet animator who also worked talentedly and fruitfully in the genre of postal miniatures.The bright author's style of Vladimir Ivanovich is unmistakably recognizable to anyone who has seen his postcards at least several times. All of us, “born in the USSR,” all of our families received from different corners countries postcards with incomparable and charming bunnies, squirrels, bear cubs and hedgehogs. Each card contains a sweet little scene with carefully drawn details. Each face has its own expression that corresponds to the plot. They look like they are alive. This is probably why we love V.I.’s works so much. Zarubina.
About the artist:
Vladimir Ivanovich Zarubin (08/07/1925 – 06/21/1996)
Born in the village of Andriyanovka, Oryol region. Participated in the Great Patriotic War. According to the story of his son, at the beginning of the war he lived with his parents in Lisichansk, from where, when the city was captured by German troops, he was driven to Germany and worked in a labor camp in the Ruhr, from where he was liberated by American troops.
After the war, from 1945 to 1949 he served as a shooter in the commandant's office Soviet army. In 1949 he began his career as an artist. At first he worked as an artist at the Ministry of Coal Industry (until 1950), from 1950 to 1958 he was an artist at a plant (now NPO Giperon).
In 1956 he entered the Moscow Evening Secondary School, from which he graduated in 1958. In parallel with his studies, he took courses for animators at the Soyuzmultfilm film studio and at the University of Marxism-Leninism MGK CPSU.
From 1957 to 1982 he worked as an animator at Soyuzmultfilm, taking part in the creation of about a hundred hand-drawn animated films. At the end of the 1970s he was admitted to the Union of Cinematographers of the USSR.
Vladimir Zarubin is also known as an artist of greeting cards (mainly with cartoon themes), drawings on envelopes, calendars, etc. His works are valued by collectors. Collecting Zarubin's postcards is an independent topic in philocarty. In 2007, a catalog of postcards by Vladimir Zarubin was published.
Good New Year cards from Vladimir Zarubin.
Everyone remembers this artist’s postcards; at one time they sold millions of copies throughout the Soviet Union.
And they were drawn by Vladimir Ivanovich Zarubin (1925-1996), an animator at the Soyuzmultfilm film studio. He has 103 animated films, among which are the first issues of “Well, wait a minute!” and “The Adventures of Vasya Kurolesov”, “The Secret of the Third Planet” and “Once Upon a Time There Was a Dog”. Of the ten parts of Mowgli, two and a half are by Zarubina. The detective in The Town Musicians of Bremen is also his.
Each postcard from Zarubin is a little fairy tale, more often a New Year’s or birthday card; patriotic themes were not close to him. Once he tried to draw a May Day picture, but it didn’t work...
Vladimir Ivanovich sincerely loved all his heroes. Once at the artistic council they were looking at this postcard of his for March 8th. Only the lollipop was not criticized by Soviet officials. The hedgehog was wearing boots (it’s snowing in March, it’s cold!), but members of the artistic council demanded to take off the boots (where have you seen a hedgehog in shoes?!). Zarubin redrawn the postcard, but he felt sorry for the hedgehog and, so that his paws would not freeze, he raised one of his legs and placed the other on his toe...
Today, Zarubin's postcards are valued by collectors - collecting his works is an independent topic in philocarty.
ZARUBIN Vladimir Ivanovich(1925-1996). Russian Soviet artist. Born in the Oryol region. There were three children in the family: the eldest son was drawn to technology, the middle one wrote poetry, and the youngest Volodya loved to draw since childhood. Perhaps this contributed to large collection postcards and books with reproductions of paintings that my father, a traveling engineer, brought to the house. Volodya spent a long time looking at the paintings of old masters, listening to the adults’ explanations, and tried to draw something himself. One of his first drawings delighted the villagers so much that the picture began to be passed from hand to hand. The boy was only 5 years old, but probably one of his fellow villagers predicted his future as an artist.
During the days of the Great Patriotic War The older brothers went to the front, and Volodya, who was not even 17 years old, was driven to Germany. There he worked in a “labor camp” at one of the factories in the Ruhr. Cruelty, bullying, meager food, fear of execution - this is how the childhood of the future artist ended.
In 1945, Vladimir was released, but remained in the Soviet occupation zone, where he served in the army for several years. After demobilization, he got a job as an artist at one of the Moscow factories. One day he came across an advertisement for animator courses at the Soyuzmultfilm film studio. Vladimir Ivanovich decided to try and went to study. Subsequently, from his pen came the images of characters from about 100 cartoons, including his favorites: “Well, wait a minute,” “Mowgli,” “In the footsteps of Bremen Town Musicians", "The Secret of the Third Planet" and many others.
At the same time, the artist began to try his hand at postal miniatures. In 1962, his first postcard was issued with the symbol of that time - a cheerful astronaut.
Here is from his memoirs: “Since childhood, I have really loved animals and birds. And now there is a feeder with lard on the balcony. In the morning, a woodpecker flew in... As far as I remember, my first drawing in my life is connected with animals and with... a smile: a horse is running, and “apples” are falling from under its tail. I was five years old at the time, and this drawing passed from hand to hand all over the village. It was there, in a rural house, that he first became familiar with art. Father brought a lot of books on painting, had a good (and by the standards of rural areas, simply wonderful) - five thousand copies - collection of postcards.”
In 1949, Vladimir Ivanovich began his career as an artist: he worked at the Ministry of Coal Industry, then at a factory. In 1956, he entered the Moscow Evening Secondary School, parallel to his studies, taking courses for animators at the Soyuzmultfilm film studio. Since 1957, Zarubin worked as an animator at Soyuzmultfilm, taking part in the creation of about a hundred hand-drawn animated films.
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The artist devoted all his strength to his favorite work. In 1973, he received the title of winner of a social competition at the studio and had his first heart attack. The fact is that the work of a Soviet animator was only art on one side, but on the other hand it was equated to the same production with a plan, invoices, outfits, and so on. In addition, his passion, honesty and openness often collided with traditional intrigue and cronyism. Only in the late 1970s, Zarubin was accepted into the Union of Cinematographers of the USSR, but he was often called the best animator in the country.
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Zarubin himself believed that he took up creating postcards and envelopes relatively late: “You know, I wanted to find an outlet, because the work of an animator is exhausting and nervous. So I tried my hand first in “Crocodile”, “Kid”, “Izogiz”. The first postcard was published under the editorship of Yuri Ryakhovsky. He helped me find myself in the postal schedule. And the little animals - bear cubs, hares, hedgehogs, as well as gnomes and other heroes - are mine, only mine.
They are truly recognizable and have their own unique face. It was precisely because of this originality that I had difficulties at artistic councils. Well, this is back in “those” times. They would sometimes look at a sketch and begin to analyze it from a socialist realist perspective: “Where have you seen a dog walking on two legs?”, or: “What kind of bear would shout “Aw!” in the forest?” How can you explain? Or here’s the story with a spring card in which Hedgehog presents Hedgehog with a candy rooster. He was wearing my boots, so the artistic council forced Hedgehog to take his shoes off. I remade the postcard, but I felt sorry for the Hedgehog - is it easy to be barefoot in the March snow? So I raised one of his paws so that he wouldn’t freeze...
In previous years, quite a few of my postcards and envelopes, as they say, were fluffed up for nothing at the artistic council.”
Many years later, Zarubin left the studio and started working at home.
“It’s nice, of course, that people don’t ignore my work,” said Vladimir Ivanovich. “They write, ask me to draw more, and the most active ones suggest stories.” It helps, but only morally. It’s generally difficult for me to work on orders. I invent everything myself. But I always want to draw. Even if I’m sick, I just lie down and think. I first “roll” a postcard or envelope in my head so that then everything transfers to paper very quickly. But then I sometimes redraw the plots several times: I’ll finish, as if I’ll take a closer look - no, not quite right. I undertake to add and remove details of the drawing again. A little fairy tale in a drawing..."
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In the early 1990s, the artist began working full-time with one small publishing house. Over time, it grew, mainly thanks to Zarubin's work, but soon the publisher began to delay payment, and then stopped paying altogether, demanding new postcards. This went on for over a year. On June 21, 1996, Vladimir Ivanovich was informed by telephone that “the company had gone bankrupt.” A few hours later the artist died.
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Zarubin's postcards were very popular among his contemporaries: they were copied for wall newspapers, copied for shop windows, and bought not only for mailing, but also for their own collection. These postcards continue to be collected today, and in 2007 a whole catalog of his postal miniatures was published. The total circulation of Zarubin's postal miniatures, including envelopes and telegrams, amounted to 1,588,270,000 copies. Vladimir Ivanovich Zarubin painted them before last day your life
The kindest artist in the country was undoubtedly very kind person. When Vladimir Ivanovich was asked what was the main thing in his work, he invariably answered: “I draw envelopes and postcards with my little animals, hoping for the most important thing: maybe this will help people become a little kinder.”
The artist has passed away, but his works continue to live in albums, in boxes, like mine, and in memories. They still have warmth and kindness, the sly look of their creator and a kind smile.
I hope that after viewing these cards you also smiled, which means that this world has become a little brighter. With coming!
Elena Starkova, especially for iledebeaute.ru
ZARUBIN Vladimir Ivanovich(1925-1996). Russian Soviet artist. Born in the Oryol region. There were three children in the family: the eldest son was drawn to technology, the middle one wrote poetry, and the youngest Volodya loved to draw since childhood. Perhaps this was facilitated by the large collection of postcards and books with reproductions of paintings that my father, a travel engineer, brought to the house. Volodya spent a long time looking at the paintings of old masters, listening to the adults’ explanations, and tried to draw something himself. One of his first drawings delighted the villagers so much that the picture began to be passed from hand to hand. The boy was only 5 years old, but probably one of his fellow villagers predicted his future as an artist.
During the Great Patriotic War, the older brothers went to the front, and Volodya, who was not even 17 years old, was driven to Germany. There he worked in a “labor camp” at one of the factories in the Ruhr. Cruelty, bullying, meager food, fear of execution - this is how the childhood of the future artist ended.
In 1945, Vladimir was released, but remained in the Soviet occupation zone, where he served in the army for several years. After demobilization, he got a job as an artist at one of the Moscow factories. One day he came across an advertisement for animator courses at the Soyuzmultfilm film studio. Vladimir Ivanovich decided to try and went to study. Subsequently, from his pen came the images of the heroes of about 100 cartoons, including his favorites: “Well, Just Wait,” “Mowgli,” “In the Footsteps of the Bremen Town Musicians,” “The Secret of the Third Planet” and many others.
At the same time, the artist began to try his hand at postal miniatures. In 1962, his first postcard was issued with the symbol of that time - a cheerful astronaut. Subsequently, Vladimir Ivanovich illustrated many books, but his main love remained postcards. IN Soviet era dozens of them were brought to every home - the tradition of congratulating relatives, friends, teachers, classmates, former neighbors by mail was established and beloved. Quite quickly, Zarubin’s postcards became the most popular in the country. People asked for them at the post office, queues lined up for them in stores, and children, of course, collected these postcards and wrote letters to the artist. Surprisingly, he found time to answer. The kindest artist in the country was also a very kind person. When Vladimir Ivanovich was asked what is most important in his work, he invariably answered: “ Maybe my postcards will help people become a little kinder».
Their total circulation, including envelopes and telegrams, amounted to 1,588,270,000 copies. Vladimir Ivanovich Zarubin painted them until the last day of his life, June 21, 1996.
The artist passed away, but his works continue to live, in them we still feel his warmth, sly look and kind smile. Taking these cards in your hands, you will also definitely smile, which means there will be a little more light and joy in this world. With a smile!