Presentation on the topic of the mystery of the lost civilizations of Mesoamerica. Presentation on the topic "artistic culture of Mesoamerica." Mayan artistic culture


Art culture Mesoamerica

Long before Europeans discovered the American continent on the territory of Central and South America the cultural civilizations of the Olmecs, Aztecs, Mayans and Incas arose, which had an original and original character. It is possible to understand this uniqueness only by taking into account the historical features under which the artistic culture of the so-called pre-Columbian America(before 1492, the time of the discovery of the American continent by Christopher Columbus).

Mesoamerica became the largest center of artistic culture, which included the territory modern Mexico(except for the desert in the north) and extended south to approximately Nicaragua. This unique civilization, which is the greatest asset of world culture, was an amazing constellation of nations, city-states, ceremonial, political and economic centers known throughout the world today: Tenochtitlan, Teotihucan, Palenque, Chichen Itza.

Structure and meaning artistic language Mesoamerica provides an opportunity to comprehend the ideas and concepts that underlay a complex picture of the world, in which myth and man are inextricably linked. In this cultural area a unique architectural style, inextricably linked with other forms of art and reflecting ideas about the structure of the Universe and the movement of stars.

What is characteristic of the art of these peoples? First of all, the affirmation of the omnipotence and greatness of the sacred deity, the cult of ancestors, the glorification of victories over enemies, the exaltation of rulers and the supreme nobility.

Art culture classical period

The most ancient civilization pre-Columbian America was the Olmec culture, who lived on the Gulf Coast in the 2nd-1st millennia BC. e. Research has shown that the Olmecs had well-planned cultural centers and step pyramids, stone sculpture, objects of decorative and applied art, hieroglyphic writing, ritual calendar. Olmec architecture is poorly preserved, as building material earth and crushed stone were used, covered with a thick layer of plaster.

Olmec sculpture, represented by huge stone heads up to 3 m high and weighing up to 40 tons. Their purpose is still unknown, but most likely they were of a cult nature. These giant heads, discovered during excavations, still amaze today with their monumentality, mastery of execution, and realistic reproduction of the individual traits of personalities known at that time.

In one of famous sculptures captured young man with a wide and flat nose, as if flattened in the middle, thick lips and almond-shaped eyes, slightly covered with heavy eyelids. The height of the sculpture is 2.41 m, weight 25 tons. On the young man’s head is a tight-fitting helmet with headphones decorated with a relief pattern.

Back to top new era Olmec culture disappeared. What caused its decline is unknown, but it was replaced by new civilizations, and above all Teotihuacan city V Central America(II century BC - 7th century AD). In this city, located near modern Mexico City, two main temples dedicated to the Sun and Moon have been preserved from its heyday. They are located at the top of a huge step pyramid. The temples were decorated with colorful paintings and brightly painted statues of gods. The eyes of the statues are inlaid precious stones and mother of pearl.

The most grandiose architectural structure - pyramid of the sun(Mexico), currently 64.6 m high (in all likelihood, it was even higher in ancient times). Unlike other pyramidal structures that had a stepped shape, the Pyramid of the Sun consists of four large, decreasing truncated pyramids, placed one on top of the other. On one side of the pyramid there is a system of gradually narrowing ramps that led to the sanctuary in the temple. The planes between the terraces of the building were constructed in such a way that spectators located at the foot of the large staircase could not see what was happening at its top. The pyramid was built from huge amount mud bricks and lined with plastered stone slabs.

Most likely, the pyramid also served as a “sundial”, accurately marking the onset of the equinox. On March 20 and September 22, an amazing sight could be observed here: exactly at noon, the sun's rays caused a gradual disappearance of the direct shadow on the lower step of the western facade. The transition time from complete shading to illumination took exactly 66.6 seconds. Of course, in order to achieve such a visual effect, one had to have perfect knowledge in the fields of mathematics, astronomy and geodesy.

Several small stepped pyramids were symmetrically located around the Pyramid of the Sun, emphasizing the monumentality of the main building. In architectural decor there are decorations in the form of huge snake heads painted with white paint. On the head of each snake there was a crown of feathers, symbolizing a particularly revered deity of light.

In the middle of the 9th century. the city was abandoned by its inhabitants and turned into a heap of ruins. The civilizations of the classical period were destroyed by the invasion of peoples from the north, first the Toltecs, and in the 11th century. new conquerors - Aztecs who created their own civilization.

Aztec artistic culture

The main feature of the art of the Aztec hunting tribes was the worship of the gods. Surviving legends and tales tell of the numerous campaigns and bloody battles of this warlike people before they created a powerful empire with a highly developed culture. The main place of worship of the gods were temples, which by the beginning of the conquest by the Spaniards in the 16th century. there were more than 40 thousand.

The capital of the Aztecs was especially striking in its splendor Tenochtitlanfruit tree, growing from stone"), or Mexico City - now the capital of Mexico (named after the main god of war - Mehitli). The city center was on an island in the middle picturesque lake, it was surrounded by buildings on stilts and dams, cut by canals. In case of danger, bridges spanning the canals were raised, and the city turned into an impregnable fortress. Alas, Tenochtitlan did not escape a sad fate: at the beginning of the 16th century. the city was conquered and destroyed by the Spanish conquerors - the conquistadors.

We know very little about Aztec architecture, since many structures were destroyed or completely rebuilt. Information about them is preserved only in the descriptions of Spanish eyewitnesses. It is known that in the center of Tenochtitlan there were three palaces of the Aztec rulers and main temple supreme god of war. Two small wooden temples were built on top of the step pyramid.

The Aztec culture reached a special peak. sculpture. Monumental statues of deities are abstract and conventional in nature. As an example, we can cite the huge statue of Coatlicue- goddess of the earth and spring fertility - mother of the supreme deity of war. This statue only vaguely resembles a human figure: it has no face, no head, no arms, no legs. It is made from various materials: corn cobs, claws and fangs of jaguars, human skulls and palms, feathers, wriggling snakes, paws of eagles, etc. All this pile of various objects is strictly symmetrical and balanced.

Have a different character funeral masks Aztecs, reflecting the facial features of the buried person. Notable in this regard is the basalt head of the “eagle warrior”, in which the strong-willed face of the young warrior is masterfully conveyed. The works also attract attention small plastic surgery: graceful figurines of a man crouching on hind legs a frightened rabbit, a coiled snake, a grasshopper preparing to jump, smoking pipes decorated with a seated figure of the god of fire.

Few surviving works jewelry art amaze with their skill. Necklaces, pendants, earrings, and breast plates are distinguished by their elegance and fine design.

Mayan artistic culture

Special success reached the Mayan civilization. Long before the conquest by the Spanish conquerors in the 9th-10th centuries. Mayans invented the exact solar calendar, determined the length of the year, a thousand years earlier European civilization used the concept of zero in mathematics, accurately predicted solar and lunar eclipses, invented a developed hieroglyphic writing. The Mayan art was distinguished by sophistication and perfection.

One of the most eloquent evidence of this culture is architecture: majestic pyramids, magnificent palaces and white-stone cities, lost in the impenetrable jungle of Central America. To the achievements of architecture should be added beautiful monuments of sculpture, unique multi-colored frescoes, paintings on vessels, graceful figurines, jewelry, wonderful works made using the technique of carving wood, bone and mother-of-pearl.

The origin of the Mayan civilization is shrouded in mystery. Its appearance dates back to the turn of our era, when Caesar's legions subjugated more and more lands to the rule of Rome; its rapid flowering occurred in the 7th-8th centuries. n. e. Only towards the end of the 9th century. The majestic cities froze, the palaces were empty, and the echo of human voices fell silent in the wide squares of the Mayan cities.

What caused the death of the once prosperous civilization is still unknown. There are several versions on this score: an earthquake, sudden climate change, depletion of previously fertile lands, epidemics of terrible diseases, foreign invasion, endless wars...

Of the monuments of Mayan artistic culture, the best preserved to this day are works of architecture. They are striking in their amazing sense of proportions, majestic monumentality, and variety of architectural forms. These are not only pyramids and palaces, these are astronomical observatories, ball courts, colonnades, stairs, triumphal arches and steles.

Unlike the Egyptian pyramids, tetrahedral step pyramids were built here, on the truncated top of which a temple with two or three rooms was built. A long, wide staircase led from the base of the pyramid to the door of the sanctuary; sometimes such staircases were located on all four sides of the pyramid.

One of the peaks of Mayan architecture is Palace complex in the city of Palenque on the Yucatan Peninsula. Twenty-five buildings scattered across a rolling plain covered with thick tropical forest, are grouped around four courtyards and communicate with each other through narrow corridors and staircases. The main decorations of the complex are the palace and the step pyramid of the Inscriptions (692). To the southeast there are three more temples - the Sun, the Cross (642) and the Foliated Cross (692). This is how the French traveler M. Pessel described his first meeting with the city: “The ruins of Palenque, appearing so unexpectedly among the endless forest ocean, were simply stunning. Here the mystery of centuries appeared before me, the mystery of a civilization that had perished and disappeared, but still miraculously continues to live in these grandiose buildings - witnesses of past power and glory.”

The palace at Palenque (now badly destroyed) stands on a natural plateau, rising almost 70 m above the plain. Inside the palace there are courtyards surrounded by galleries. Richly decorated with carved and sculpted images and inscriptions, the palace has a four-story square turret, which probably served as an astronomical observatory for the Mayan priests.

The Temple of the Inscriptions is a 9-step pyramid, rising above the ground to a height of about 24 m. On its upper platform, a rectangular temple was erected, to which a staircase of 69 steps leads. The walls of the temple are decorated with panels, richly decorated bas-reliefs and relief hieroglyphic inscriptions, thanks to which the temple got its name.

As you know, step pyramids with a flat top often served as tombs of revered people. That is why kings and priests performed rituals here in order to establish a magical connection with the spirits of their ancestors. Inside the pyramid, at a depth of 25 m, in 1952, a magnificent tomb of one of the Mayan rulers was discovered. The relief on the lid of the sarcophagus of this ruler was able to tell scientists a lot. Ancient craftsmen reproduced in stone the Seven Caves - the ancestral home of many Mexican tribes and the world tree connecting the underground and upper worlds. Many symbols associated with Mayan beliefs were woven into the image of the tree (for example, a large quetzal bird with a wide open beak, symbolizing the connection between worlds, reviving the souls of the dead).

No less peculiar are the so-called stadiums- structures with courts for the iconic ball game. They represent two inclined massive walls running parallel to each other. Between them there was a court for playing ball. Participants were not allowed to touch the ball with their hands or feet. You could only play with your elbows, shoulders and sides. The winner was the team that was the first to throw the ball into the round hole made in stone wall.

Fans were located on the tops of two walls, which they climbed using stairs located on the outside.

art Maya also had its own characteristic features. There was a canon in it, which was determined by the cult of the deified ruler and his ancestors. He achieved particular perfection in works of sculpture. The Mayan ruler was most often depicted in war scenes or seated on a throne. The main attention of the sculptors was not attracted by the individual features of his appearance or his inner soul.

quality, but an accurate and careful reproduction of a magnificent costume, headdress and other attributes of power. A certain idealized person appeared before the viewer, frozen in a motionless pose, devoid of feelings and character traits. His face conveyed indifference and calm majesty. It inspired fear in the conquered captives. They, unlike the ruler, were aware of human feelings: grief, pain from wounds, silent obedience... The image of the ruler was accompanied by a short hieroglyphic text containing information about his birth, reign, military victories and other successes.

The artistic culture of the Mayan peoples had a huge influence on the American culture of subsequent eras.

Inca artistic culture

One of the most famous South American civilizations was the Inca Empire, an Indian people who lived from the 11th century. in the territory of modern Peru. This empire included the lands of modern Bolivia, the southern part of Ecuador, northern Chile and Argentina. Inca legends have been preserved, telling about the emergence of the world, the first deities and people. At the head of the Inca empire was the Supreme Inca - the Son of the Sun, and the Incas themselves considered themselves “sons of the Sun”. Image of the luminary in the form of a golden disk with human face was an object of official worship.

One of ancient legends tells that when the couple came out of Lake Titicaca, having received a magic golden rod from their father the Sun, they were predicted to found a city and a country in a certain place. They searched for this place for a long time, and then one day, after a long search, the rod suddenly went into the ground. Here the capital of the Inca Empire arose - Cusco, the ruins of which can still be seen today.

The Incas entered the history of world art thanks to the beauty and grandeur of their temples. On the coast of Peru, many pyramids have survived to this day, but, unlike other American civilizations, they served for collective burials of embalmed bodies of the dead. Some step pyramids had a circular rather than rectangular plan.

One of the most outstanding structures of the Inca period is the main Temple of the Sun- “Golden Fence”. According to the descriptions, it was surrounded by a triple wall, which had a circumference of about 380 m. Well-hewn stones were tightly fitted to each other without the use of a binding solution. The wall was decorated with a belt of gold plates “four palms wide and four fingers thick,” as one eyewitness testifies. In the main wall there was a single entrance leading from the Square of the Sun directly into the sanctuary of the deity. In the central hall of the sanctuary, an image of the Sun god was erected in the form of a huge golden disk decorated with precious stones. An unquenchable fire was constantly maintained in front of him.

Around the main buildings were the quarters of the priests and temple servants and the world famous “Golden Garden” of the Incas. Its dimensions reached approximately 220 x 100 m, and the garden itself and all its inhabitants - people, birds, lizards, insects - were made life-size from pure gold and silver.

The Incas also achieved certain successes in sculpture. One of the most significant sculptural monuments is relief at the Gate of the Sun in Tiahuanaco. On the front side of a huge monolithic stone block there is a relief carved with the image of the supreme deity. The deity stands on a dais with staffs in both hands. His headdress resembles radiating snakes. The figure of the deity is squat, he has unnaturally small legs, and his face is wide and square. On either side of him are three rows of minor deities, or winged geniuses, facing him. The relief gives the impression of calm grandeur and power. The most mysterious thing in this building is the frieze calendar depicting human figures, animals and ornaments. Among the many animals carved on the Gate of the Sun, you can even find an elephant.

Works have also survived to this day ceramics. Inca craftsmen created gold jewelry, exquisite luxury items, which used intricate graphic patterns on mythological stories about the creation of the world, the struggle of heroes with fantastic monsters, as well as episodes from Everyday life(hunting, fishing, weaving).




Most were hunters, fishermen, gatherers, or primitive farmers; Only in two relatively small areas of the Western Hemisphere did the Spaniards encounter highly developed Indian civilizations. IN scientific literature this territory was called Middle America or the Zone of High Civilizations. It is divided into two regions: northern - Mesoamerica and southern - Andean region (Bolivia - Peru), with an intermediate zone between them (southern part of Central America, Colombia, Ecuador). It was here that the centers of origin of American agriculture were located, and at the turn of our era they appeared original civilizations of the ancestors of the Nahuas, Mayans, Zapotecs, Quechuas, Aymara, etc.




Columns in the form of snakes located on top of the "Temple of Jaguars". The temple's wall decorations are among the most remarkable at Chichen Itza. The culture of the Toltecs, who came to Yucatan from the Valley of Mexico, is clearly visible here. Karakol building. Caracol means "snail" in Spanish. This name was given because of the internal staircase to the top, which has a spiral shape like a snail shell. The building served as an observatory for the Mayans. Holes were made in the roof and walls in such a way that they allowed astronomers to observe the movements of some celestial bodies.


Temple I. Height 45 meters. The Mayans of the city of Tikal considered this temple as a kind of portal to underworld. The son of Hasav-Chan-K"avil I (one of the rulers of the city also known as Ah Kakau) Yi"kin-Chan-K"avil buried his father and completed the construction of a temple over his grave. View of the "Palace", "Temple of Inscriptions " and the "Cross" group of Palenque temples. The "cross" group of temples is represented (clockwise from left to right): "Temple of the Cross", "Temple of the Foliated Cross", "Temple of the Sun" and "Temple XIV".


Bas-relief of an eagle on one of the walls in Copan. Water tank (Chikanna). The inner wall of the tank was covered with a thick layer of “stuka” (lime material) to make it waterproof.


Northeast side of the main pyramid of Akanseh. It was probably built in the early classical period. Arch. Labna town. One of the most amazing structures in Yucatan. Made with amazingly beautiful ornaments and exceptional proportions. On the right, close to the arch, there was a long building, which, unfortunately, was destroyed.





Anthropomorphic ax Messrs. BC. 22x9 cm. Green stone. A man is depicted with a split head, a jaguar's mouth and flaming eyebrows. It was intended (apparently) for religious and ritual purposes. Double ceramic vessel. Early classical period. The vessel depicts Hunahpu's twin brother firing a pipe at Vucub Kakish.


Jade mask. 200 BC-100 AD AD 28 x 17.2 cm. Although the mask has clear feline characteristics (jaguar), many scientists believe that it is a bat mask. In any case, this is one of the most precious finds in Monte Albana. Huge cat sculpture. AD Clay with pigments of various colors (orange, yellow, red, green, black, white). 111 x 48 cm. Although it is more often called a jaguar, it looks more like a mountain lion due to more rounded ears and a small number of spots on the skin.


Vessel with a figure of a skeleton. AD Clay. 32.5 x 17. Found during excavations of the tombs of rulers in the Mixtec center of Zaachil. The vessel most likely served for funeral purposes. The skeleton has some objects in both hands. Many scientists believe that he is holding a weapon in his hands. Gold buckle. In the form of a mask of the deity Xipe Totec.


Image of Tezcatlipoca. Human skull inlaid with turquoise, jade, obsidian and mother of pearl. A vessel with an image of an old man. Its head emerges from the snake's mouth, while the rest of its body is behind the snake's tongue. Xochicalco.




Conclusion The Indian civilizations of the New World managed to reach their apogee without the most important technical achievements of antiquity, which included the smelting of iron and steel, breeding of domestic animals (especially draft and pack animals), wheeled transport, Potter's wheel, plow other agriculture, arch in architecture, etc.











































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Presentation on the topic: Artistic culture of Mesoamerica

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What is Mesoamerica called? Central America, including Mexico, is commonly called Mesoamerica Cultural development peoples of these geographical areas in the period from approximately the 2nd millennium BC. and until the 15th century AD. commonly called the culture of Mesoamerica, or the culture of pre-Columbian America

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The oldest civilization of pre-Columbian America was the Olmec culture, who lived on the Gulf Coast in the 2nd-1st millennia BC. studies have shown that the Olmecs had well-planned cultural centers and step pyramids, stone sculpture, decorative objects applied arts, hieroglyphic writing, ritual calendar. Olmec architecture is poorly preserved, as the building materials used were earth and rubble, covered with a thick layer of plaster. The oldest civilization of pre-Columbian America was the Olmec culture, who lived on the Gulf Coast in the 2nd-1st millennia BC. research has shown that the Olmecs had well-planned cultural centers and step pyramids, stone sculpture, decorative arts, hieroglyphic writing, and a ritual calendar. Olmec architecture is poorly preserved, as the building materials used were earth and rubble, covered with a thick layer of plaster.

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Olmec sculpture, represented by huge stone heads up to 3 m high and weighing up to 40 tons, became world famous. Their purpose is still not known exactly, but most likely they were of a cult nature. These giant heads, discovered during excavations, still amaze today with their monumentality, mastery of execution, and realistic reproduction of the individual traits of personalities known at that time. Olmec sculpture, represented by huge stone heads up to 3 m high and weighing up to 40 tons, became world famous. Their purpose is still not known exactly, but most likely they were of a cult nature. These giant heads, discovered during excavations, still amaze today with their monumentality, mastery of execution, and realistic reproduction of the individual traits of personalities known at that time.

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One of the famous sculptures depicts a young man with a wide and flat, as if flattened nose, thick lips and almond-shaped eyes, slightly covered with heavy eyelids. The height of the sculpture is 2.41 m, weight 25 tons. On the young man’s head is a tight-fitting helmet with headphones decorated with a relief pattern. One of the famous sculptures depicts a young man with a wide and flat, as if flattened nose, thick lips and almond-shaped eyes, slightly covered with heavy eyelids. The height of the sculpture is 2.41 m, weight 25 tons. On the young man’s head is a tight-fitting helmet with headphones decorated with a relief pattern.

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Wrestler (Wrestler) Wrestler (Wrestler) 600-400 BC. 63x40 cm This basalt sculpture of a shaven, bearded man captures him in dynamics, which is almost unique for all sculptures of Mesoamerica. Although scientists are cautious in their guesses about who this figurine depicts, there is an assumption that it is still a ball player

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Monument 19 of La Venta Monument 19 of La Venta Depicts a man inside a curved snake, a man wearing clothing with the same distinctive marks as the snake. This monument is similar in theme to other Olmec monuments, which depict the emergence of a man from zoomorphic caves or niches

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Figurine of a seated man dressed as a supernatural beast Figurine of a seated man dressed as a supernatural beast 1200-600 AD BC. 29.5x21.3 cm The nose and mouth are depicted quite realistically, but the figure has no eyes at all. Instead of them, the motif of flaming eyebrows characteristic of the Olmecs

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By the beginning of the new era, the Olmec culture had disappeared. What caused its decline is unknown, but it was replaced by new civilizations, and above all the city of Teotihuacan in Central America. In this city, from its heyday, two main temples dedicated to the Sun and Moon have been preserved. They are located at the top of a huge step pyramid. The temples were decorated with colorful paintings and brightly painted statues of gods. The eyes of the sculptures are inlaid with precious stones and mother-of-pearl. By the beginning of the new era, the Olmec culture had disappeared. What caused its decline is unknown, but it was replaced by new civilizations, and above all the city of Teotihuacan in Central America. In this city, from its heyday, two main temples dedicated to the Sun and Moon have been preserved. They are located at the top of a huge step pyramid. The temples were decorated with colorful paintings and brightly painted statues of gods. The eyes of the sculptures are inlaid with precious stones and mother-of-pearl.

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The most grandiose architectural structure is the Pyramid of the Sun, which currently has a height of 64.6 m. Unlike other pyramidal structures that had a stepped shape, the Pyramid of the Sun consists of four large, decreasing truncated pyramids, placed one on top of the other. On one side of the pyramid there is a system of gradually narrowing ramps that led to the sanctuary in the temple. The planes between the terraces of the building were constructed in such a way that spectators located at the foot of the large staircase could not see what was happening at its top. The pyramid was built from a huge number of mud bricks and faced with plastered stone slabs. The most grandiose architectural structure is the Pyramid of the Sun, which currently has a height of 64.6 m. Unlike other pyramidal structures that had a stepped shape, the Pyramid of the Sun consists of four large, decreasing truncated pyramids, placed one on top of the other. On one side of the pyramid there is a system of gradually narrowing ramps that led to the sanctuary in the temple. The planes between the terraces of the building were constructed in such a way that spectators located at the foot of the large staircase could not see what was happening at its top. The pyramid was built from a huge number of mud bricks and faced with plastered stone slabs.

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Most likely, the pyramid also served as a “sundial”, accurately marking the onset of the equinox. On March 20 and September 22, an amazing sight could be observed here: exactly at noon, the sun's rays caused a gradual disappearance of the direct shadow on the lower step of the western facade. The transition time from complete shading to illumination took exactly 66.6 seconds. Of course, in order to achieve such a visual effect, one had to have perfect knowledge in the fields of mathematics, astronomy and geodesy. Most likely, the pyramid also served as a “sundial”, accurately marking the onset of the equinox. On March 20 and September 22, an amazing sight could be observed here: exactly at noon, the sun's rays caused a gradual disappearance of the direct shadow on the lower step of the western facade. The transition time from complete shading to illumination took exactly 66.6 seconds. Of course, in order to achieve such a visual effect, one had to have perfect knowledge in the fields of mathematics, astronomy and geodesy.

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Several small stepped pyramids were symmetrically located around the Pyramid of the Sun, emphasizing the monumentality of the main building. In architectural decor there are decorations in the form of huge snake heads painted with white paint. On the head of each snake there was a corolla and feathers, symbolizing a particularly revered deity. In the middle of the 9th century. The city was abandoned by its inhabitants and turned into a pile of ruins. The civilizations of the classical period were destroyed by the invasion of peoples from the north, first the Toltecs, and then the Aztecs, who created their own civilization. Several small stepped pyramids were symmetrically located around the Pyramid of the Sun, emphasizing the monumentality of the main building. In architectural decor there are decorations in the form of huge snake heads painted with white paint. On the head of each snake there was a corolla and feathers, symbolizing a particularly revered deity. In the middle of the 9th century. The city was abandoned by its inhabitants and turned into a pile of ruins. The civilizations of the classical period were destroyed by the invasion of peoples from the north, first the Toltecs, and then the Aztecs, who created their own civilization.

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The main feature of the art of the Aztec hunting tribes was the worship of the gods. Surviving legends and traditions tell of the numerous campaigns and bloody battles of this warlike people before they created a powerful empire with a highly developed culture. The main place of worship of the gods were temples, of which there were more than 40 thousand by the beginning of the Spanish conquest in the 16th century. The main feature of the art of the Aztec hunting tribes was the worship of the gods. Surviving legends and traditions tell of the numerous campaigns and bloody battles of this warlike people before they created a powerful empire with a highly developed culture. The main place of worship of the gods were temples, of which there were more than 40 thousand by the beginning of the Spanish conquest in the 16th century.

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The capital of the Aztecs, Tenochtitlan, was especially striking in its splendor. The city center was located on an island in the middle of a picturesque lake, surrounded by buildings on stilts and dams, cut by canals. In case of danger, bridges spanning the canals were raised and the city turned into an impregnable fortress. Alas, Tenochtitlan did not escape a sad fate: at the beginning of the 16th century, the city was conquered and destroyed by the Spanish conquistador conquerors. The capital of the Aztecs, Tenochtitlan, was especially striking in its splendor. The city center was located on an island in the middle of a picturesque lake, surrounded by buildings on stilts and dams, cut by canals. In case of danger, bridges spanning the canals were raised and the city turned into an impregnable fortress. Alas, Tenochtitlan did not escape a sad fate: at the beginning of the 16th century, the city was conquered and destroyed by the Spanish conquistador conquerors.

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We know very little about Aztec architecture, since many structures were destroyed or completely rebuilt. Information about them is preserved only in the descriptions of Spanish eyewitnesses. It is known that in the center of Tenochtitlan there were three palaces of the Aztec rulers and the main temple of the supreme god of war. Two small wooden temples were erected on top of the step pyramid.

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Aztec sculpture reached a special peak. Monumental statues of deities are abstract and conventional in nature. An example is the huge statue of Coatlicue - the goddess of earth and spring fertility, the mother of the supreme god of war. This statue only vaguely resembles a human figure: it has no face, no head, no arms, no legs. It is made of various materials: corn cobs, claws, human skulls, feathers, etc. all this heap is symmetrical and balanced. Aztec sculpture reached a special peak. Monumental statues of deities are abstract and conventional in nature. An example is the huge statue of Coatlicue - the goddess of earth and spring fertility, the mother of the supreme god of war. This statue only vaguely resembles a human figure: it has no face, no head, no arms, no legs. It is made of various materials: corn cobs, claws, human skulls, feathers, etc. all this heap is symmetrical and balanced.

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Aztec funeral masks had a different character, reflecting the facial features of the buried person. Notable in this regard is the basalt head of the “eagle warrior”, in which the strong-willed face of the young warrior is masterfully conveyed. Small plastic works also attract attention: graceful figurines of a frightened rabbit crouched on its hind legs and a coiled snake. Aztec funeral masks had a different character, reflecting the facial features of the buried person. Notable in this regard is the basalt head of the “eagle warrior”, in which the strong-willed face of the young warrior is masterfully conveyed. Small plastic works also attract attention: graceful figurines of a frightened rabbit crouched on its hind legs and a coiled snake.

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The few surviving works of jewelry are amazing in their craftsmanship. Necklaces, pendants, earrings, and breast plates are distinguished by their elegance and precision of modeling. The few surviving works of jewelry are amazing in their craftsmanship. Necklaces, pendants, earrings, and breast plates are distinguished by their elegance and precision of modeling.

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The Mayan civilization achieved particular success. Long before their conquest by the conquerors, the Mayans invented an accurate solar calendar, determined the length of the year, used the concept of zero in mathematics a thousand years earlier than European civilization, accurately predicted solar and lunar eclipses, and invented developed hieroglyphic writing. The Mayan art was distinguished by sophistication and perfection. One of the most eloquent evidence of this culture is architecture. The Mayan civilization achieved particular success. Long before their conquest by the conquerors, the Mayans invented an accurate solar calendar, determined the length of the year, used the concept of zero in mathematics a thousand years earlier than European civilization, accurately predicted solar and lunar eclipses, and invented developed hieroglyphic writing. The art of the Mayans was distinguished by sophistication and perfection. One of the most eloquent evidence of this culture is architecture.

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Among the monuments of artistic culture, the best preserved works of architecture have survived to this day. They are striking in their amazing sense of proportions, majestic monumentality, variety, variety of architectural forms. These are not only pyramids and courtyards, these are astronomical observatories, ball courts, columns, stairs, triumphal arches and steles. Among the monuments of artistic culture, the best preserved works of architecture have survived to this day. They are striking in their amazing sense of proportions, majestic monumentality, variety, variety of architectural forms. These are not only pyramids and courtyards, these are astronomical observatories, ball courts, columns, stairs, triumphal arches and steles.

Slide no. 29

Slide description:

One of the peaks of Mayan architecture is the Palace complex in the city of Palenque. 25 buildings scattered across a rolling plain. The main decorations of the complex are the palace and the step pyramid of the Inscriptions, three temples - the Sun, the Cross and the Foliated Cross. One of the peaks of Mayan architecture is the Palace complex in the city of Palenque. 25 buildings scattered across a rolling plain. The main decorations of the complex are the palace and the step pyramid of the Inscriptions, three temples - the Sun, the Cross and the Foliated Cross.

Slide no. 30

Slide description:

The palace in Palenque stands on a natural plateau, rising almost 70 m above the plain. Inside the palace there are courtyards surrounded by galleries. Richly decorated with carved and sculpted images and inscriptions, the palace has a four-story square turret, which probably served as an astronomical observatory for the Mayan priests. The palace in Palenque stands on a natural plateau, rising almost 70 m above the plain. Inside the palace there are courtyards surrounded by galleries. Richly decorated with carved and sculpted images and inscriptions, the palace has a four-story square turret, which probably served as an astronomical observatory for the Mayan priests.

Slide no. 31

Slide description:

The Temple of the Inscriptions is a 9-step pyramid rising above the ground to a height of about 24m. A rectangular temple was erected on its upper platform, to which a staircase of 69 steps leads. The walls of the temple are decorated with panels, richly decorated bas-reliefs and relief hieroglyphic inscriptions, thanks to which the temple got its name. The Temple of the Inscriptions is a 9-step pyramid rising above the ground to a height of about 24m. A rectangular temple was erected on its upper platform, to which a staircase of 69 steps leads. The walls of the temple are decorated with panels, richly decorated bas-reliefs and relief hieroglyphic inscriptions, thanks to which the temple got its name.

Slide no. 32

Slide description:

No less unique are the so-called stadiums, structures for the iconic ball game. They represent two inclined massive walls running parallel to each other. Between them there was a court for playing ball. Participants were not allowed to touch the ball with their hands or feet. The winner was the team that was the first to throw the ball into a round hole made in the stone wall. Fans were located on the tops of two walls, which they climbed using stairs located on the outside. No less unique are the so-called stadiums, structures for the iconic ball game. They represent two inclined massive walls running parallel to each other. Between them there was a court for playing ball. Participants were not allowed to touch the ball with their hands or feet. The winner was the team that was the first to throw the ball into a round hole made in the stone wall. Fans were located on the tops of two walls, which they climbed using stairs located on the outside.

Slide no. 33

Slide description:

Slide no. 34

Slide description:

Mayan fine art also had its own character traits. There was a canon in it, which was determined by the cult of the deified ruler and his ancestors. The Mayan ruler was most often depicted in war scenes or seated on a throne. The main attention of the sculptors was attracted not by individual features, but by the accurate and careful reproduction of a magnificent costume, headdress and other attributes of power. His face conveyed indifference and calm majesty. The image of the ruler was accompanied by a short hieroglyphic text containing information about his birth, reign, and military successes. The Mayan artistic culture had a huge influence on American culture of subsequent eras. Mayan fine art also had its own characteristic features. There was a canon in it, which was determined by the cult of the deified ruler and his ancestors. The Mayan ruler was most often depicted in war scenes or seated on a throne. The main attention of the sculptors was attracted not by individual features, but by the accurate and careful reproduction of a magnificent costume, headdress and other attributes of power. His face conveyed indifference and calm majesty. The image of the ruler was accompanied by a short hieroglyphic text containing information about his birth, reign, and military successes. The Mayan artistic culture had a huge influence on American culture of subsequent eras.

Slide no. 38

Slide description:

One of the most famous South American civilizations was the empire of the Inca, an Indian people who lived from the 11th century. in the territory of modern Peru. The Incas entered the history of world art thanks to the beauty and grandeur of their temples. On the coast of Peru, many pyramids have survived to this day. Some pyramids were not square in plan, but round. One of the most famous South American civilizations was the empire of the Inca, an Indian people who lived from the 11th century. in the territory of modern Peru. The Incas entered the history of world art thanks to the beauty and grandeur of their temples. On the coast of Peru, many pyramids have survived to this day. Some pyramids were not square in plan, but round.

Slide no. 39

Slide description:

One of the most outstanding buildings of the Inca period is the main temple of the Sun. According to the descriptions, it was surrounded by a triple wall, which had a circumference of about 380 m. The perfectly hewn stones were tightly fitted to each other without the use of a binding solution. In the main wall there was a single entrance leading from the square directly to the sanctuary of the deity. In the central hall of the sanctuary, an image of the sun god was erected in the form of a huge disk decorated with precious stones. One of the most outstanding buildings of the Inca period is the main temple of the Sun. According to the descriptions, it was surrounded by a triple wall, which had a circumference of about 380 m. The perfectly hewn stones were tightly fitted to each other without the use of a binding solution. The main wall contained the only entrance leading from the square directly to the sanctuary of the deity. In the central hall of the sanctuary, an image of the sun god was erected in the form of a huge disk decorated with precious stones.

Slide no. 40

Slide description:

Around the main buildings were the quarters of the priests and temple servants and the world famous “Golden Garden” of the Incas. Its dimensions reached approximately 220 by 100 m, and the garden itself and all its inhabitants - people, birds, lizards, insects - were made life-size from pure gold and silver. Around the main buildings were the quarters of the priests and temple servants and the world famous “Golden Garden” of the Incas. Its dimensions reached approximately 220 by 100 m, and the garden itself and all its inhabitants - people, birds, lizards, insects - were made life-size from pure gold and silver.

Slide no. 41

Slide description:

The Incas achieved some success in sculpture. One of the most significant sculptural monuments is the relief on the Gate of the Sun in Tiahuanaco. Pottery works have also survived to this day. Ing craftsmen created gold jewelry, exquisite luxury items, which used fancy graphic patterns on mythological stories about the creation of the world, the struggle of heroes with fantastic monsters, as well as episodes from everyday life. The Incas achieved some success in sculpture. One of the most significant sculptural monuments is the relief on the Gate of the Sun in Tiahuanaco. Pottery works have also survived to this day. Ing craftsmen created gold jewelry, exquisite luxury items, which used fancy graphic patterns on mythological stories about the creation of the world, the struggle of heroes with fantastic monsters, as well as episodes from everyday life.

Slide no. 42

Slide description:

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Artistic Culture of Mesoamerica Grade 10

Pre-Columbian America (before 1492)

Territory of Central and South America Originated cultural civilizations: Olmec Aztec Maya Incas

The oldest civilization of pre-Columbian America was the Olmec culture. They lived on the coast of the Gulf of Mexico in the 2nd-1st millennium BC. The Olmecs had planned cultural centers and step pyramids, stone sculpture, objects of decorative and applied art, hieroglyphic writing, and a ritual calendar.

Architecture The architecture is poorly preserved. A huge stone head up to 3m high and weighing up to 40t gained worldwide fame. Its purpose is not known, probably cultic in nature.

New civilization The city of Teotihuacan in Central America. Two main temples dedicated to the Sun and Moon have been preserved. S. 54 ab.2

Artistic culture of the Aztecs In the 11th century, conquerors came from the north - the Aztecs, who created their own civilization. The main feature of the art of the Aztec hunting tribes was the worship of the gods.

The main place of worship of the gods were temples. The capital of the Aztecs, Tenochtitlan, or Mexico City, now the capital of Mexico, was striking in its magnificence. The city center was on an island in the middle of the lake.

Aztec sculpture Monumental statues of deities were abstract and conventional in nature. The statue of Coatlicue is the goddess of the earth and spring fertility. It is made from corn cobs, jaguar claws and fangs, human skulls and palms, feathers, snakes, eagle paws, etc.

Reading. P. 56 ab 1 below, p. 57 Funeral mask Jewelry

Mayan artistic culture The Mayan tribe invented an accurate solar calendar, determined the length of the year, used the concept of zero, predicted solar and lunar eclipses, and invented hieroglyphic writing.

Architecture. Difference. (p. 58 ab.1) Egyptian pyramids Temple of the Aztec Inscriptions

Stadiums are structures with grounds for the iconic ball game. Rules of the game p. 59 ab.1 from below

Artistic culture of the Incas. The Inca Empire is an Indian people living since the 11th century. In the territory of modern Peru. There are legends about the emergence of the Inca Empire (p.61 ab.2)

Sculpture. Relief on the Gate of the Sun at Tiahuanaco

Homework: Art primitive man Artistic culture of Western Asia Architecture Ancient Egypt Artistic culture of Mesoamerica. REPEAT FOR CHECK WORK


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Slide 2

Purpose of the lesson: to introduce students to the artistic culture of Mesoamerica

Slide 3

What is Mesoamerica called?

Central America, including Mexico, is usually called Mesoamerica. The cultural development of the peoples of these geographical areas in the period from approximately the 2nd millennium BC. and until the 15th century AD. commonly called the culture of Mesoamerica, or the culture of pre-Columbian America!

Slide 4

Map of Pre-Columbian America

  • Slide 5

    Artistic culture of the classical period.

  • Slide 6

    The oldest civilization of pre-Columbian America was the Olmec culture, who lived on the Gulf Coast in the 2nd-1st millennia BC. research has shown that the Olmecs had well-planned cultural centers and step pyramids, stone sculpture, decorative arts, hieroglyphic writing, and a ritual calendar. Olmec architecture is poorly preserved, as the building materials used were earth and rubble, covered with a thick layer of plaster.

    Slide 7

    Olmec sculpture, represented by huge stone heads up to 3 m high and weighing up to 40 tons, became world famous. Their purpose is still not known exactly, but most likely they were of a cult nature. These giant heads, discovered during excavations, still amaze today with their monumentality, mastery of execution, and realistic reproduction of the individual traits of personalities known at that time.

    Slide 8

    One of the famous sculptures depicts a young man with a wide and flat, as if flattened nose, thick lips and almond-shaped eyes, slightly covered with heavy eyelids. The height of the sculpture is 2.41 m, weight 25 tons. On the young man’s head is a tight-fitting helmet with headphones decorated with a relief pattern.

    Slide 9

    Wrestler (Wrestler) 600-400 BC. 63x40 cm This basalt sculpture of a shaven, bearded man captures him in dynamics, which is almost unique for all sculptures of Mesoamerica. Although scientists are cautious in their guesses about who this figurine depicts, there is an assumption that it is still a ball player

    Slide 10

    Monument 19 from La Venta Depicts a man inside a curved snake, a man dressed in clothing with the same distinctive marks as the snake. This monument is similar in theme to other Olmec monuments, which depict the emergence of a man from zoomorphic caves or niches

    Slide 11

    Figurine of a seated man dressed as a supernatural beast 1200-600 AD. BC. 29.5x21.3 cm The nose and mouth are depicted quite realistically, but the figure has no eyes at all. Instead of them, the motif of flaming eyebrows characteristic of the Olmecs

    Slide 12

    By the beginning of the new era, the Olmec culture had disappeared. What caused its decline is unknown, but it was replaced by new civilizations, and above all the city of Teotihuacan in Central America. In this city, from its heyday, two main temples dedicated to the Sun and Moon have been preserved. They are located at the top of a huge step pyramid. The temples were decorated with colorful paintings and brightly painted statues of gods. The eyes of the sculptures are inlaid with precious stones and mother-of-pearl.

    Slide 13

    The most grandiose architectural structure is the Pyramid of the Sun, which currently has a height of 64.6 m. Unlike other pyramidal structures that had a stepped shape, the Pyramid of the Sun consists of four large, decreasing truncated pyramids, placed one on top of the other. On one side of the pyramid there is a system of gradually narrowing ramps that led to the sanctuary in the temple. The planes between the terraces of the building were constructed in such a way that spectators located at the foot of the large staircase could not see what was happening at its top. The pyramid was built from a huge number of mud bricks and faced with plastered stone slabs.

    Slide 14

    Slide 15

    Most likely, the pyramid also served as a “sundial”, accurately marking the onset of the equinox. On March 20 and September 22, an amazing sight could be observed here: exactly at noon, the sun's rays caused a gradual disappearance of the direct shadow on the lower step of the western facade. The transition time from complete shading to illumination took exactly 66.6 seconds. Of course, in order to achieve such a visual effect, one had to have perfect knowledge in the fields of mathematics, astronomy and geodesy.

    Slide 16

    Several small stepped pyramids were symmetrically located around the Pyramid of the Sun, emphasizing the monumentality of the main building. In architectural decor there are decorations in the form of huge snake heads painted with white paint. On the head of each snake there was a corolla and feathers, symbolizing a particularly revered deity. In the middle of the 9th century. The city was abandoned by its inhabitants and turned into a pile of ruins. The civilizations of the classical period were destroyed by the invasion of peoples from the north, first the Toltecs, and then the Aztecs, who created their own civilization.

    Slide 17

    Questions:

    Which Olmec sculptures are world famous? Name distinctive features Olmec pyramids. Name the most famous pyramid Olmec. ?

    Slide 18

    Aztec artistic culture

  • Slide 19

    The main feature of the art of the Aztec hunting tribes was the worship of the gods. Surviving legends and traditions tell of the numerous campaigns and bloody battles of this warlike people before they created a powerful empire with a highly developed culture. The main place of worship of the gods were temples, of which there were more than 40 thousand by the beginning of the Spanish conquest in the 16th century.

    Slide 20

    The capital of the Aztecs, Tenochtitlan, was especially striking in its splendor. The city center was located on an island in the middle of a picturesque lake, surrounded by buildings on stilts and dams, cut by canals. In case of danger, bridges spanning the canals were raised and the city turned into an impregnable fortress. Alas, Tenochtitlan did not escape a sad fate: at the beginning of the 16th century, the city was conquered and destroyed by the Spanish conquistador conquerors.

    Slide 21

    We know very little about Aztec architecture, since many structures were destroyed or completely rebuilt. Information about them is preserved only in the descriptions of Spanish eyewitnesses. It is known that in the center of Tenochtitlan there were three palaces of the Aztec rulers and the main temple of the supreme god of war. Two small wooden temples were erected on top of the step pyramid.

    Slide 22

    Aztec sculpture reached a special peak. Monumental statues of deities are abstract and conventional in nature. An example is the huge statue of Coatlicue - the goddess of earth and spring fertility, the mother of the supreme god of war. This statue only vaguely resembles a human figure: it has no face, no head, no arms, no legs. It is made of various materials: corn cobs, claws, human skulls, feathers, etc. all this heap is symmetrical and balanced.

    Slide 23

    Aztec funeral masks had a different character, reflecting the facial features of the buried person. Notable in this regard is the basalt head of the “eagle warrior”, in which the strong-willed face of the young warrior is masterfully conveyed. Small plastic works also attract attention: graceful figurines of a frightened rabbit crouched on its hind legs and a coiled snake.

    Slide 24

    The few surviving works of jewelry are amazing in their craftsmanship. Necklaces, pendants, earrings, and breast plates are distinguished by their elegance and precision of modeling.

    Slide 25

    Questions:

    1. Tell us about the features of Aztec sculpture. 2. What is remarkable about Aztec funeral masks? ?

    Slide 26

    Mayan artistic culture

  • Slide 27

    The Mayan civilization achieved particular success. Long before their conquest by the conquerors, the Mayans invented an accurate solar calendar, determined the length of the year, used the concept of zero in mathematics a thousand years earlier than European civilization, accurately predicted solar and lunar eclipses, and invented developed hieroglyphic writing. The art of the Mayans was distinguished by sophistication and perfection. One of the most eloquent evidence of this culture is architecture.

    Slide 28

    Among the monuments of artistic culture, the best preserved works of architecture have survived to this day. They are striking in their amazing sense of proportions, majestic monumentality, variety, variety of architectural forms. These are not only pyramids and courtyards, these are astronomical observatories, ball courts, columns, stairs, triumphal arches and steles.

    Slide 29

    One of the peaks of Mayan architecture is the Palace complex in the city of Palenque. 25 buildings scattered across a rolling plain. The main decorations of the complex are the palace and the step pyramid of the Inscriptions, three temples - the Sun, the Cross and the Foliated Cross.

    Slide 30

    The palace in Palenque stands on a natural plateau, rising almost 70 m above the plain. Inside the palace there are courtyards surrounded by galleries. Richly decorated with carved and sculpted images and inscriptions, the palace has a four-story square turret, which probably served as an astronomical observatory for the Mayan priests.

    Slide 31

    The Temple of the Inscriptions is a 9-step pyramid rising above the ground to a height of about 24m. A rectangular temple was erected on its upper platform, to which a staircase of 69 steps leads. The walls of the temple are decorated with panels, richly decorated bas-reliefs and relief hieroglyphic inscriptions, thanks to which the temple got its name.

    Slide 32

    No less unique are the so-called stadiums, structures for the iconic ball game. They represent two inclined massive walls running parallel to each other. Between them there was a court for playing ball. Participants were not allowed to touch the ball with their hands or feet. The winner was the team that was the first to throw the ball into a round hole made in the stone wall. Fans were located on the tops of two walls, which they climbed using stairs located on the outside.

    Slide 33

    Slide 34

    Mayan fine art also had its own characteristic features. There was a canon in it, which was determined by the cult of the deified ruler and his ancestors. The Mayan ruler was most often depicted in war scenes or seated on a throne. The main attention of the sculptors was attracted not by individual features, but by the accurate and careful reproduction of a magnificent costume, headdress and other attributes of power. His face conveyed indifference and calm majesty. The image of the ruler was accompanied by a short hieroglyphic text containing information about his birth, reign, and military successes. The Mayan artistic culture had a huge influence on American culture of subsequent eras.

    Slide 39

    One of the most outstanding buildings of the Inca period is the main temple of the Sun. According to the descriptions, it was surrounded by a triple wall, which had a circumference of about 380 m. The perfectly hewn stones were tightly fitted to each other without the use of a binding solution. The main wall contained the only entrance leading from the square directly to the sanctuary of the deity. In the central hall of the sanctuary, an image of the sun god was erected in the form of a huge disk decorated with precious stones.

    Slide 40

    Around the main buildings were the quarters of the priests and temple servants and the world famous “Golden Garden” of the Incas. Its dimensions reached approximately 220 by 100 m, and the garden itself and all its inhabitants - people, birds, lizards, insects - were made life-size from pure gold and silver.

    Slide 41

    The Incas achieved some success in sculpture. One of the most significant sculptural monuments is the relief on the Gate of the Sun in Tiahuanaco. Pottery works have also survived to this day. Ing craftsmen created gold jewelry, exquisite luxury items, which used fancy graphic patterns on mythological stories about the creation of the world, the struggle of heroes with fantastic monsters, as well as episodes from everyday life.

    Slide 42

    Questions for homework.

    Masterpieces of Aztec art World significance of Mayan artistic culture Artistic achievements of the peoples of pre-Columbian America. The most ancient cities of Mesoamerica.

    View all slides