“The fairy tale is a lie, but there is a hint in it...” - said the wise Ancestors, i.e. a lie is what is given on the surface (lie), and a hint is implied deep meaning images By this they wanted to convey to their descendants the idea that Slavic fairy tales- this is a memory, a hint of real events or phenomena. This is an image, the key to understanding the essence of things, one’s own destiny, purpose, one’s own inner world, which opens the way to knowledge of the external world, understanding of universal laws. That’s why, even in Antiquity, there was a phrase: “It’s a fairy tale, but there’s a hint in it; whoever learns, that’s the Lesson.”
Slavic fairy tales seem simple only at first glance. In fact, the Knowledge and Wisdom of the Ancestors is hidden in them. Thus, the famous “Far Away Lands” are 27 (3x9) Earths in the Yarila-Sun system. That is, the Ancestors had knowledge about the presence in our solar system 27 planets that modern astronomers are discovering step by step. In the tale of Sadko, Neptune has eight daughters. But Neptune is not only sea king, it is also a planet. Only relatively recently, scientists discovered eight satellites of Neptune, and the ancient Slavs knew about this from time immemorial.
“Ryaba Hen” at first reading seems to be a simple children’s story, and not entirely logical. However, everything changes if you know that the Golden Egg is secret Wisdom, secret knowledge. It is difficult to obtain, but easy to destroy with a careless touch. And Grandfather and Baba are obviously not yet ready to accept the highest Wisdom. Therefore, they receive ordinary knowledge - in the form of a simple egg.
That is, Slavic fairy tales are a storehouse of information, but it is presented through images. And in this presentation, every word is important. Therefore in ancient times fairy tales passed down from generation to generation verbatim, without changes or additions. After all, any superfluous word could distort the transmitted information.
Often fairy-tale characters animals became Slavs. This is understandable, because the whole life of the ancient Slavic Aryans was inextricably linked with Nature. Animals symbolized the Divine protection of the Slavic Clans. Their names sound in the names of the Halls Svarog Circle. The first ancestors understood the language of animals and birds well, so these characters very often act as magical helpers.
Tales and fairy tales were often not just told, they were sung and sung. Therefore, the child is lulled to sleep, the ancient singer was called Boyan, and one of the most archaic characters was called Kot-Bayun. “They tell the truth, or they lie...” - we read from A.S. Pushkin. Humming over the baby's cradle, the loving mother conveyed to him the ancient Ancestral Knowledge, which was perceived by the child easily and naturally.
“Lie” among the Slavs was the name given to incomplete, superficial Truth. For example, you can say: “There’s a whole puddle of gasoline,” or you can say that this is a puddle dirty water, covered with a film of gasoline on top. In the second statement - True, in the first, what is said is not entirely True, i.e. Lie. “Lie” and “bed”, “bed” have the same root origin. Those. something that lies on the surface, or on the surface of which one can lie, or - a superficial judgment about an object.
And yet, why is the word “lie” applied to the Tales, in the sense of superficial truth, incomplete truth? The fact is that a Fairy Tale is indeed a Lie, but only for the Explicit, Manifested World, in which our consciousness now resides. For other Worlds: Navi, Slavi, Rule, the same fairy tale characters, their interaction, are true Truth. Thus, we can say that a Fairy Tale is still a True Story, but for a certain World, for a certain Reality. If a Fairy Tale evokes some Images in your imagination, it means that these Images came from somewhere before your imagination gave them to you. There is no fantasy divorced from reality. All fantasy is as real as our real life. Our subconscious, reacting to signals of the second signaling system(in words), “pulling out” Images from the collective field - one of the billions of realities among which we live. In the imagination there is not just one thing, around which so many are twisted. fairy tales: “Go There, we don’t know Where, Bring That, we don’t know What.” Can your imagination imagine anything like this? - For the time being, no. Although, our Many-Wise Ancestors had a completely adequate answer to this question.
“Lesson” among the Slavs means something that stands at Rock, i.e. some fatality of Being, Fate, Mission, which any person embodied on Earth has. A lesson is something that must be learned before your evolutionary Path continues further and higher. Thus, a Fairy Tale is a Lie, but it always contains a Hint of the Lesson that each of the people will have to learn during their Life.
KOLOBOK
He asked Ras Deva: “Bake me a Kolobok.” The Virgin swept the barns of Svarog, scraped the bottom of the barrel and baked Kolobok. Kolobok rolled along the Path. It rolls and rolls, and the Swan meets him: “Kolobok-Kolobok, I’ll eat you!” And he plucked a piece from Kolobok with his beak. Kolobok rolls on. Towards him - Raven: - Kolobok-Kolobok, I will eat you! He pecked Kolobok's barrel and ate another piece. Kolobok rolled further along the Path. Then the Bear meets him: “Kolobok-Kolobok, I’ll eat you!” He grabbed Kolobok across the stomach, crushed his sides, and forcibly took Kolobok’s legs away from the Bear. Kolobok is rolling, rolling along the Svarog Path, and then the Wolf meets him: - Kolobok-Kolobok, I will eat you! He grabbed Kolobok with his teeth and barely rolled away from the Wolf. But his Path is not over yet. He rolls on: a very small piece of Kolobok remains. And then the Fox comes out to meet Kolobok: “Kolobok-Kolobok, I’ll eat you!” “Don’t eat me, Foxy,” was all Kolobok managed to say, and the Fox said “am” and ate him whole.
A fairy tale, familiar to everyone since childhood, takes on a completely different meaning and a much deeper essence when we discover the Wisdom of the Ancestors. Among the Slavs, Kolobok was never a pie, a bun, or “almost a cheesecake,” as they sing in modern fairy tales and cartoons the most varied bakery products, who are given to us as Kolobok. People's thought is much more figurative and sacred than they try to imagine. Kolobok is a metaphor, like almost all images of heroes of Russian fairy tales. It is not for nothing that the Russian people were famous everywhere for their imaginative thinking.
The Tale of Kolobok is astronomical observation Ancestors behind the movement of the Moon across the sky: from the full moon (in the Hall of the Race) to the new moon (the Hall of the Fox). Kolobok’s “Kneading” - the full moon, in this tale, takes place in the Hall of Virgo and Ras (roughly corresponds to the modern constellations Virgo and Leo). Further, starting from the Hall of the Boar, the Month begins to decline, i.e. each of the encountered Halls (Swan, Raven, Bear, Wolf) “eats” part of the Month. By the Fox's Hall there is nothing left of Kolobok - Midgard-Earth (in modern terms - planet Earth) completely covers the Moon from the Sun.
We find confirmation of precisely this interpretation of Kolobok in Russian folk riddles (from the collection of V. Dahl): Blue scarf, red Kolobok: rolls on the scarf, grins at people. - This is about Heaven and Yarilo-Sun. I wonder how modern fairy-tale remakes would portray the red Kolobok? Did you mix blush into the dough?
There are a couple more riddles for the kids: A white-headed cow is looking into the gateway. (Month) When he was young, he looked like a fine fellow, when he got tired in his old age, he began to fade, a new one was born, and he became happy again. (Month) The spinner, the golden bobbin, is spinning, no one can get it: neither the king, nor the queen, nor the red maiden. (Sun) Who is the richest in the world? (Earth)
It should be borne in mind that Slavic constellations do not correspond exactly to modern constellations. In the Slavic Circle there are 16 Halls (constellations), and they had different configurations than the modern 12 Signs of the Zodiac. The palace of Ras (the cat family) can roughly be correlated with
zodiac sign Leo.
TURNIP
Everyone probably remembers the text of the fairy tale from childhood. Let us analyze the esotericism of the fairy tale and those gross distortions of imagery and logic that were imposed on us.
Reading this, like most other supposedly “folk” (i.e. pagan: “language” - “people”) fairy tales, we pay attention to the obsessive absence of parents. That is, children are presented with single-parent families, which instills in them from childhood the idea that an incomplete family is normal, “everyone lives like this.” Only grandparents raise children. Even in full family It has become a tradition to “hand over” a child to be raised by old people. Perhaps this tradition was established during the times of serfdom, as a necessity. Many will tell me that times are no better now, because... democracy is the same slave-owning system. “Demos”, in Greek, is not just “the people”, but a wealthy people, the “top” of society, “kratos” - “power”. So it turns out that democracy is the power of the ruling elite, i.e. the same slavery, only having in modern political system erased manifestation. In addition, religion is also the power of the elite for the people, and is also actively involved in the education of the flock (that is, the herd), for its own and the state elite. What do we bring up in children by telling them fairy tales to someone else’s tune? Do we continue to “prepare” more and more serfs for the demos? Or the servants of God?
From an esoteric point of view, what picture appears in the modern “Turnip”? — The line of generations has been interrupted, joint good work has been disrupted, there is a total destruction of the harmony of the Family, the Family,
prosperity and joy of family relationships. What kind of people grow up in dysfunctional families?.. And this is what recent fairy tales teach us.
Specifically, according to “TURNIP”. The two most important heroes for the child, father and mother, are missing. Let's consider what Images make up the essence of the fairy tale, and what exactly was removed from the fairy tale on the symbolic plane. So, characters: 1) Turnip - symbolizes the Roots of the Family. She's planted
Ancestor, the most ancient and wise. Without him, there would be no Turnip, and no joint, joyful work for the benefit of the Family. 2) Grandfather - symbolizes Ancient Wisdom 3) Grandmother - Tradition, Home 4) Father - protection and support of the Family - removed from the fairy tale along with figurative meaning 5) Mother - Love and Care - removed from the fairy tale 6) Granddaughter (daughter) - Offspring, continuation of the Family 7) Bug - protection of prosperity in the Family 8) Cat - good environment of the House 9) Mouse - symbolizes the well-being of the House. Mice only appear where there is an abundance, where every crumb is not counted. These figurative meanings are interconnected, like a nesting doll - one without the other no longer has meaning and completeness.
So think about it later, whether Russian fairy tales have been changed, whether known or unknown, and who they “work” for now.
CHICKEN RHOBA
It seems - well, what stupidity: they beat and beat, and then a mouse, bang - and the end of the fairy tale. What is this all for? Indeed, only tell foolish children...
This tale is about Wisdom, about the Image of Universal Wisdom contained in the Golden Egg. Not everyone and not at all times is given the opportunity to cognize this Wisdom. Not everyone can handle it. Sometimes you have to settle for the simple wisdom contained in the Simple Egg.
When you tell this or that fairy tale to your child, knowing its hidden meaning, the Ancient WISDOM contained in this fairy tale is absorbed “with mother’s milk”, on a subtle level, on a subconscious level. Such a child will understand many things and relationships without unnecessary explanations and logical confirmations, figuratively, with the right hemisphere, as modern psychologists say.
ABOUT KASHCHEY and BABA YAGA
In the book written based on the lectures of P.P. Globa, we find interesting information about the classical heroes of Russian fairy tales: “The name “Koshchey” comes from the name of the sacred books of the ancient Slavs “koschun”. These were wooden tied signs with words written on them. unique knowledge. The guardian of this immortal inheritance was called “koschey.” His books were passed down from generation to generation, but it is unlikely that he was truly immortal, as in the fairy tale. (...) And into a terrible villain, a sorcerer, heartless, cruel, but powerful... Koschey turned relatively recently - during the introduction of Orthodoxy, when everyone positive characters Slavic pantheon turned into negative. At the same time, the word “blasphemy” arose, that is, following ancient, non-Christian customs. (...) And Baba Yaga is a popular person among us... But they could not completely denigrate her in fairy tales. Not just anywhere, but precisely to her, all the Tsarevich Ivans and Fool Ivans came to her in difficult times. And she fed and watered them, heated the bathhouse for them and put them to sleep on the stove in order to show them the right path in the morning, helped to unravel their most complex problems, gave them a magic ball that itself leads to the desired goal. The role of the “Russian Ariadne” makes our granny surprisingly similar to one Avestan deity,... Chistu. This cleansing woman, who sweeps the road with her hair, drives away dirt and all evil spirits from it, clears the road of fate from stones and debris, was depicted with a broom in one hand and a ball in the other. ... It is clear that with such a position she cannot be ragged and dirty. Moreover, we have our own bathhouse.” (Man is the Tree of Life. Avestan tradition. Mn.: Arctida, 1996)
This knowledge partly confirms the Slavic idea of Kashchei and Baba Yaga. But let us draw the reader’s attention to the significant difference in the spelling of the names “Koschei” and “Kashchei”. These two are fundamental different heroes. That negative character that is used in fairy tales, with whom all the characters, led by Baba Yaga, struggle, and whose Death is “in the egg” is KASHCHEY. The first rune in the writing of this ancient Slavic word-image is “Ka,” meaning “gathering within oneself, union, unification.” For example, the runic word-image “KARA” does not mean punishment as such, but means something that does not radiate, has ceased to shine, has turned black because it has collected all the radiance (“RA”) inside itself. Hence the word KARAKUM - “KUM” - a relative or a set of something related (grains of sand, for example), and “KARA” - those who have collected radiance: “a collection of shining particles.” This has a slightly different meaning than the previous word “punishment”.
Slavic runic images are unusually deep and capacious, ambiguous and difficult for the average reader. Only the Priests owned these images in their entirety, because... writing and reading a runic image is a serious and very responsible matter, requiring great accuracy and absolute purity of thought and heart.
Baba Yoga (Yogin-Mother) is the Eternally Beautiful, Loving, Kind-hearted Goddess-Patroness of orphans and children in general. She wandered around Midgard-Earth, either on the Fiery Heavenly Chariot, or on horseback through the lands where the Clans of the Great Race and the descendants of the Heavenly Clans lived, collecting homeless orphans in towns and villages. In every Slavic-Aryan Vesi, even in every populous city or settlement, the Patron Goddess was recognized by her radiating kindness, tenderness, meekness, love and her elegant boots, decorated with gold patterns, and they showed Her where orphans lived. Simple people they called the Goddess differently, but always with tenderness. Some - Grandma Yoga Golden Leg, and some, quite simply - Yogini-Mother.
The Yogini delivered the orphans to her foothill monastery, which was located in the thicket of the forest, at the foot of the Irian Mountains (Altai). She did this in order to save the last representatives of the most ancient Slavic and Aryan Clans from imminent death. In the foothill Skete, where the Yogini-Mother conducted the children through the Fiery Rite of Initiation to the Ancient High Gods, there was a Temple of the God of the Family, carved inside the mountain. Near the mountain Temple of Rod, there was a special depression in the rock, which the Priests called the Cave of Ra. From it extended a stone platform, divided by a ledge into two equal recesses, called LapatA. In one recess, which was closer to the Cave of Ra, Yogini-Mother laid sleeping children in white clothes. Dry brushwood was placed in the second cavity, after which LapatA moved back into the Cave of Ra, and the Yogini set fire to the brushwood. For all those present at the Fire Rite, this meant that the orphans were dedicated to the Ancient High Gods and no one would see them again in the worldly life of the Clans. Foreigners who sometimes attended the Fire Rites very colorfully told in their lands that they witnessed with their own eyes how small children were sacrificed to the Ancient Gods, thrown alive into the Fiery Furnace, and Baba Yoga did this. The strangers did not know that when the lapata platform moved into the Cave of Ra, a special mechanism lowered the stone slab onto the ledge of the lapata and separated the recess with the children from the Fire. When the Fire lit up in the Cave of Ra, the Priests of the Family transferred the children from the lapata to the premises of the Temple of the Family. Subsequently, Priests and Priestesses were raised from orphans, and when they became adults, the boys and girls created families and continued their lineage. The foreigners knew none of this and continued to spread tales that the wild Priests of the Slavic and Aryan peoples, and especially the bloodthirsty Baba Yoga, sacrifice orphans to the Gods. These foreign tales influenced the Image of the Yogini-Mother, especially after the Christianization of Rus', when the Image of the beautiful young Goddess was replaced by the Image of an old, angry and hunchbacked old woman with matted hair who steals children. roasts them in an oven in a forest hut, and then eats them. Even the Name of Yogini-Mother was distorted and they began to scare all children with the Goddess.
Very interesting, from an esoteric point of view, is the fabulous Instruction-Lesson that accompanies more than one Russian folk tale:
Go There, we don’t know Where, Bring That, we don’t know What.
It turns out that not only fairy tales were taught such a Lesson. This instruction was received by every descendant from the Clans of the Holy Race that ascended the Golden Path Spiritual Development(in particular, mastering the Steps of Faith - the “science of imagery”). A person begins the Second Lesson of the First Stage of Faith by looking inside himself to see all the diversity of colors and sounds within himself, as well as to experience the Ancient Ancestral Wisdom that he received at his birth on Midgard-Earth. The key to this great storehouse of Wisdom is known to every person from the Clans of the Great Race; it is contained in the ancient instruction: Go There, not knowing Where, Know That, you do not know What.
This Slavic Lesson is echoed by more than one folk wisdom world: To seek wisdom outside oneself is the height of stupidity. (Chan saying) Look inside yourself and you will discover the whole world. (Indian wisdom)
Russian fairy tales have undergone many distortions, but, nevertheless, in many of them the Essence of the Lesson embedded in the fable has remained. It is a fable in our reality, but it is a reality in another reality, no less real than the one in which we live. For a child, the concept of reality is expanded. Children see and feel much more energy fields and flows than adults. It is necessary to respect each other's realities. What is Fable for us is Fact for the baby. That is why it is so important to initiate a child into “correct” fairy tales, with truthful, original Images, without layers of politics and history.
The most truthful, relatively free from distortion, in my opinion, are some of Bazhov’s fairy tales, the fairy tales of Pushkin’s nanny - Arina Rodionovna, recorded by the poet almost verbatim, the tales of Ershov, Aristov, Ivanov, Lomonosov, Afanasyev... The purest, in their pristine completeness of Images, to me Tales seem to be from book 4 of the Slavic-Aryan Vedas: “The Tale of Ratibor”, “The Tale of the Clear Falcon”, given with comments and explanations on words that have fallen out of Russian everyday use, but have remained unchanged in fairy tales.
11 February the Slavs remember the Great Veles and his Yaginya. And we are not even talking about Veles, the First God, the Lord of Magic, Wisdom and Music, the Ruler of Revealing and Navi, the Lord of Life and Death, the Guardian of the foundations of the Universe.
It's about about tenderness, about self-sacrifice, about strength eternal love , connecting married souls under different names and incarnations in all existing times.
There is no other story like this in the Slavic epic. There is no sadder and higher than history than a fairy tale about great love two deities - the courageous Veles and his Eternal Spouse Yagini.
Sit comfortably by the fire and listen to a short retelling of the northern fairy tale “About what begins one way, but ends completely differently” from the book “Gods and Men”. This fairy tale has it all - and beautiful souls man and woman, and fear, and hatred, and nobility and love.
The Tale of Veles and his Yagin
Yaginya
IN because that was strange. She surpassed all sciences, she walked between worlds, as others walk from bedroom to bedroom. But she was not protected from fate, because her heart remained pure, and her soul was naive and did not see evil in anyone. And beauty, apparently, was not given to her for luck, but for a week.
Veles
He sees a girl with a braid down to her toes rush past him across the sky in some little box. I couldn’t see his face, just a glimpse of his legs in gold boots. But Veles became interested: “Who is she, why don’t I know anything!” He started to rush after him, but the horse was already stumbling, tired of rushing back and forth across the open field without a goal all day.
But Veles, no, no, let him remember:
Who is this, why don’t I know? He began to slowly ask questions, find out who and where.
I found out and went to visit. He turned to the girl, who stood silently and looked at the stranger who dared to enter the temple of God without the permission of the Guardians. And he also stood and was silent, because all the words that the sweet-tongued Veles had prepared flew out of his head.
Love
And both were silent, because they understood that they were created for each other forever and ever and even Nav could not separate them.
And the wise Veles and Yaginya, who knew the secrets of ancient knowledge, who in childhood was simply called Yozhka, saw that they would have to go through many trials, but they would preserve this moment of recognition for centuries and would always find each other and recognize each other in future incarnations. They stood there for a long time, silent, just looking eye to eye.
Veles was the first to come to his senses. He remembered all the words that he had prepared for the acquaintance, but did not speak, he simply took Yaginya by the hands, pressed him to him and kissed him, conveying all the feelings that were seething and seething in him. And then he led Yaginya to his horse, sat him down, sat behind him, pressed her to his chest and began to listen to her heart beat. And at first it beat like a caught bird beats, but then suddenly both their hearts beat the same way. The horse slowly, as if all the feelings of the riders had been transferred to him, started off and carried them at a steady trot into their future life.
Hatred
Whether it took a long time or soon, they ended up at Veles’s house. Veles took his betrothed off his horse, carrying her in his arms, stepped onto the wide porch and stepped over the threshold. In the wards he was already greeted by everyone at home, and Veles’s mother, the imperious Amelfa Zemunovna, stood in front of everyone. According to custom, Veles and Yaginya bowed to their mother, and Veles said:
Here, mother, is my wife Yaginya. Bless us!
Amelfa Zemunovna frowned, black jealousy clouded her head:
Without asking, without my permission, you brought the girl into the house, and you’re asking for my blessing! This should not happen! She turned and went to her mansions. The servants followed her.
Nobility
And Veles became blacker than night, took Yaginya by the shoulders, pressed her to him, and so, hugging, led her to his mansion, and ordered the servants to prepare the wedding feast. He calmed her down, kissed his wife as much as possible and went to her mother. Yaginya could only guess what they were talking about there, but she couldn’t imagine her life without Veles, couldn’t think about it. She cried into her pillow, sighed, but remained true to her habit - she did not look into the future:
Come what may, you can’t escape fate. As Makosh tied the knot, so it will come true.
And by the time Veles arrived, she had already perked up, washed her face, combed her hair, and became even more beautiful. Veles came, looked with caution, expecting women's tears, hysterics, everything, everything, and his young wife greeted him with a smile, clear eyes, and smart speeches.
Yaginya says:
We, Veles, are to blame before our mother. I had to do everything according to custom, ask for blessings, send matchmakers, prepare my dowry. And that’s what we did - we held hands, looked into the eyes and that’s it – husband and wife. But what to do. The horses ran away, it’s too late to lock the stable, no tears are shed over runaway milk. We will love each other, enjoy every day as if it were our last, and mother will look at our happiness and become kinder, replacing her anger with mercy.
Veles looks at Yaginya, listens to her speeches and understands that he has found a wife to match himself - wise and generous.
Deception
Veles returned home one day. He ran through the mansions, opened the doors to the bedroom, and it was empty. He's in the garden, and there's no one there. He began to call his name loudly, but mother came out. I started asking where my wife was. And mother says so calmly that just as Veles left, so did his wife. She didn’t say anything to anyone, didn’t say a word, left and that’s it. Veles roared like a wild boar, rushed to the stable, and the horse said to him:
Something is wrong here. Yaginya could not leave without speaking. Ask around the servants.
Velez did just that. But no one knows anything, no one has seen anything, they know, they are afraid of the mistress more than Veles.
Cunning and cruelty
He then goes to his sister. At first Altynka also locked herself away, but then, seeing her brother being killed, she told such a terrible truth.
As Veles left home, mother, Amelfa Zemunovna, became with Yaginya sweeter than honey, softer than silk. She calls her daughter, treats her to all sorts of dishes, she’s so kind, you can even spread it on bread or eat it like that. And Yaginya, an open soul, also fawns over her. Then, not even three days had passed, when mother ordered the bathhouse to be heated.
They heated the bathhouse, she leads Yaginya and me into the steam room. She steamed me, took me out to the dressing room and told me to sit here and be silent so that I wouldn’t see or hear. And she threatened what would happen if I disobeyed. I nod, afraid to say a word. But I see that the broom she has prepared is not the ordinary birch broom that I was soaring with, but from wolf bast and honeysuckle. I covered my mouth with my hand, covering my face with a handkerchief so as not to give myself away, I heard my mother whipping me with a broom, and she was muttering something loudly. Well, definitely, I think it casts a spell. But I’m afraid to move myself. Our mother is always quick to deal. And then suddenly Yaginya screamed, and immediately fell silent. At this point I jumped into the steam room. I look, Yaginya is lying on the shelf, her body is all crimson, lashed with a poisonous broom. And on her chest lies a hot stone from a heater. And she lies there, not moving. As soon as I screamed, my mother grabbed me by the braid and threw my face into the tub with cold water tucked it in and bowed its head lower and lower. That's it, I think I'll finish swallowing water now. And she calmly says that whoever says anything will do the same. And she let go. I sat down on the floor and didn’t take my eyes off Yagini. The mother came out and came in already dressed. She told me to go put some clothes on myself. I left. Just got dressed, a man comes in, I haven’t seen him in our yard before, he carries a wooden block. Behind him is another with a lid. Yaginya was placed in this deck, a blanket was thrown on top and the deck was hammered. They took him and took him out into the yard. And there's a cart. They put the deck on the cart and drove it away. I sneak behind them, hide, sneak through the vegetable gardens. They threw the deck into the river, and it floated into the sea. And they themselves got on the cart and drove away. And more than a month has passed.
Altynka told everything as it happened and collapsed on the floor, sobbing.
A life for a life
Olga Boyanova is the heiress of an ancient family of strong northern women. The marvelous feature of these author's fairy tales is fascinating stories, in which ancient myths come to life. This is not a simple retelling of myths about Slavic Gods, this is its own story, supplemented by other characters. And suddenly magic happens - myths come to life, Slavic gods become close and understandable.
At the same time, you easily and simply immerse yourself in the world of people living in harmony with nature, with themselves and with the ancestral Gods.
Slavic myths are retold in beautiful, easy language, full of humor and folk wisdom. Now about the many secrets of the northern Slavic mythology You and I will find out too!
Based on site materials
The fairy tale is a lie, but in it there is a Hint, Whoever knows it has a Lesson.
“Lie” among the Slavs was the name given to incomplete, superficial Truth. For example, you can say: “Here is a whole puddle of gasoline,” or you can say that this is a puddle of dirty water covered with a film of gasoline on top. In the second statement - True, in the first it is not quite True, i.e. Lie. “Lie” and “bed”, “bed” have the same root origin. Those. something that lies on the surface, or on the surface of which one can lie, or - a superficial judgment about an object.
And yet, why is the word “lie” applied to the Tales, in the sense of superficial truth, incomplete truth? The fact is that a Fairy Tale is really a Lie, but only for the Explicit, Manifested World, in which our consciousness now resides. For other Worlds: Navi, Slavi, Pravi, the same fairy-tale characters, their interaction, are the true Truth. Thus, we can say that a Fairy Tale is still a True Story, but for a certain World, for a certain Reality. If a Fairy Tale evokes some Images in your imagination, it means that these Images came from somewhere before your imagination gave them to you. There is no fantasy divorced from reality. All fantasy is as real as our real life. Our subconscious, reacting to the signals of the second signaling system (per word), “pulls out” Images from the collective field - one of the billions of realities among which we live. In the imagination, there is only one thing that does not exist, around which so many fairy-tale plots revolve: “Go There, no one knows Where, Bring That, no one knows What.” Can your imagination imagine anything like this? - For the time being, no. Although, our Many-Wise Ancestors had a completely adequate answer to this question.
“Lesson” among the Slavs means something that stands at Rock, i.e. some fatality of Being, Fate, Mission, which any person embodied on Earth has. A lesson is something that must be learned before your evolutionary Path continues further and higher. Thus, a Fairy Tale is a Lie, but it always contains a Hint of the Lesson that each of the people will have to learn during their Life.
KOLOBOK
He asked Ras Deva: “Bake me a Kolobok.” The Virgin swept the barns of Svarog, scraped the bottom of the barrel and baked Kolobok. Kolobok rolled along the Path. He rolls and rolls, and towards him is the Swan: - Kolobok-Kolobok, I will eat you! And he plucked a piece from Kolobok with his beak. Kolobok rolls on. Towards him - Raven: - Kolobok-Kolobok, I will eat you! He pecked Kolobok's barrel and ate another piece. Kolobok rolled further along the Path. Then the Bear meets him: - Kolobok-Kolobok, I will eat you! He grabbed Kolobok across the stomach, crushed his sides, and forcibly took Kolobok’s legs away from the Bear. Kolobok is rolling, rolling along the Svarog Path, and then the Wolf meets him: - Kolobok-Kolobok, I will eat you! He grabbed Kolobok with his teeth and barely rolled away from the Wolf. But his Path is not over yet. He rolls on: a very small piece of Kolobok remains. And then the Fox comes out to meet Kolobok: “Kolobok-Kolobok, I’ll eat you!” “Don’t eat me, Foxy,” was all Kolobok managed to say, and the Fox said “am” and ate him whole.
A fairy tale, familiar to everyone since childhood, takes on a completely different meaning and a much deeper essence when we discover the Wisdom of the Ancestors. Among the Slavs, Kolobok was never a pie, a bun, or “almost a cheesecake,” as they say in modern fairy tales and cartoons, the most varied baked goods that are passed off to us as Kolobok. People's thought is much more figurative and sacred than they try to imagine. Kolobok is a metaphor, like almost all images of heroes of Russian fairy tales. It is not for nothing that the Russian people were famous everywhere for their imaginative thinking.
The Tale of Kolobok is an astronomical observation of the Ancestors over the movement of the Moon across the sky: from the full moon (in the Hall of the Race) to the new moon (the Hall of the Fox). Kolobok’s “kneading” - the full moon, in this tale, takes place in the Hall of Virgo and Ras (roughly corresponds to the modern constellations Virgo and Leo). Further, starting from the Hall of the Boar, the Month begins to decline, i.e. each of the encountered Halls (Swan, Raven, Bear, Wolf) “eats” part of the Month. By the Fox's Hall there is nothing left from Kolobok - Midgard-Earth (in modern terms - planet Earth) completely covers the Moon from the Sun.
We find confirmation of precisely this interpretation of Kolobok in Russian folk riddles (from the collection of V. Dahl): Blue scarf, red Kolobok: rolls on the scarf, grins at people. - This is about Heaven and Yarilo-Sun. I wonder how modern fairy-tale remakes would portray the red Kolobok? Did you mix blush into the dough?
There are a couple more riddles for the kids: A white-headed cow is looking into the gateway. (Month) When he was young, he looked like a fine fellow, when he got tired in his old age, he began to fade, a new one was born, and he became happy again. (Month) The spinner, the golden bobbin, is spinning, no one can get it: neither the king, nor the queen, nor the red maiden. (Sun) Who is the richest in the world? (Earth)
It should be borne in mind that Slavic constellations do not correspond exactly to modern constellations. In the Slavic Circle there are 16 Halls (constellations), and they had different configurations than the modern 12 Zodiac Signs. The palace of Ras (the Feline family) can roughly be correlated with the zodiac sign Leo.
TURNIP
Everyone probably remembers the text of the fairy tale from childhood. Let us analyze the esotericism of the fairy tale and those gross distortions of imagery and logic that were imposed on us.
Reading this, like most other supposedly “folk” (i.e. pagan: “language” - “people”) fairy tales, we pay attention to the obsessive absence of parents. That is, children are presented with single-parent families, which instills in them from childhood the idea that a single-parent family is normal, “everyone lives like this.” Only grandparents raise children. Even in intact families, it has become a tradition to “hand over” a child to be raised by old people. Perhaps this tradition was established during the times of serfdom, as a necessity. Many will tell me that times are no better now, because... democracy is the same slave-owning system. “Demos”, in Greek, is not just “the people”, but a wealthy people, the “top” of society, “kratos” - “power”. So it turns out that democracy is the power of the ruling elite, i.e. the same slavery, only having an erased manifestation in the modern political system. In addition, religion is also the power of the elite for the people, and is also actively involved in the education of the flock (that is, the herd), for its own and the state elite. What do we bring up in children by telling them fairy tales to someone else’s tune? Do we continue to “prepare” more and more serfs for the demos? Or the servants of God?
From an esoteric point of view, what picture appears in the modern “Turnip”? - The line of generations is interrupted, joint good work is disrupted, there is a total destruction of the harmony of the Family, the Family, the well-being and joy of family relationships. What kind of people grow up in dysfunctional families?.. And this is what recent fairy tales teach us.
Specifically, according to “TURNIP”. The two most important heroes for the child, father and mother, are missing. Let's consider what Images make up the essence of the fairy tale, and what exactly was removed from the fairy tale on the symbolic plane. So, the characters: 1) The turnip - symbolizes the Roots of the Family. It was planted by the Ancestor, the Most Ancient and Wise. Without him, there would be no Turnip, and no joint, joyful work for the benefit of the Family. 2) Grandfather - symbolizes Ancient Wisdom 3) Grandmother - Tradition, Home 4) Father - protection and support of the Family - removed from the fairy tale along with figurative meaning 5) Mother - Love and Care - removed from the fairy tale 6) Granddaughter (daughter) - Offspring, continuation of the Family 7) Bug - protection of prosperity in the Family 8) Cat - the blissful atmosphere of the House 9) Mouse - symbolizes the well-being of the House. Mice only appear where there is an abundance, where every crumb is not counted. These figurative meanings are interconnected, like a nesting doll - one without the other no longer has meaning and completeness.
So think about it later, whether Russian fairy tales have been changed, whether known or unknown, and who they “work” for now.
CHICKEN RHOBA
It seems - well, what stupidity: they beat and beat, and then a mouse, bang - and the end of the fairy tale. What is this all for? Indeed, only tell foolish children...
This tale is about Wisdom, about the Image of Universal Wisdom contained in the Golden Egg. Not everyone and not at all times is given the opportunity to cognize this Wisdom. Not everyone can handle it. Sometimes you have to settle for the simple wisdom contained in the Simple Egg.
When you tell this or that fairy tale to your child, knowing its hidden meaning, the Ancient WISDOM contained in this fairy tale is absorbed “with mother’s milk”, on a subtle level, on a subconscious level. Such a child will understand many things and relationships without unnecessary explanations and logical confirmations, figuratively, with the right hemisphere, as modern psychologists say.
ABOUT KASHCHEY and BABA YAGA
In the book, written based on the lectures of P.P. Globa, we find interesting information about the classical heroes of Russian fairy tales: “The name “Koshchey” comes from the name of the sacred books of the ancient Slavs “koschun”. These were wooden tied tablets with unique knowledge written on them. The guardian of this immortal inheritance was called “koschey.” His books were passed down from generation to generation, but it is unlikely that he was truly immortal, as in the fairy tale. (...) And into a terrible villain, a sorcerer, heartless, cruel, but powerful... Koschey turned relatively recently - during the introduction of Orthodoxy, when all the positive characters of the Slavic pantheon were turned into negative ones. At the same time, the word “blasphemy” arose, that is, following ancient, non-Christian customs. (...) And Baba Yaga is a popular person among us... But they could not completely denigrate her in fairy tales. Not just anywhere, but precisely to her, all the Tsarevich Ivans and Fool Ivans came to her in difficult times. And she fed and watered them, heated the bathhouse for them and put them to sleep on the stove in order to show them the right path in the morning, helped to unravel their most complex problems, gave them a magic ball that itself leads to the desired goal. The role of the “Russian Ariadne” makes our granny surprisingly similar to one Avestan deity,... Chistu. This cleansing woman, who sweeps the road with her hair, drives away dirt and all evil spirits from it, clears the road of fate from stones and debris, was depicted with a broom in one hand and a ball in the other. ... It is clear that with such a position she cannot be ragged and dirty. Moreover, we have our own bathhouse.” (Man - the Tree of Life. Avestan tradition. Mn.: Arctida, 1996)
This knowledge partly confirms the Slavic idea of Kashchei and Baba Yaga. But let us draw the reader’s attention to the significant difference in the spelling of the names “Koschei” and “Kashchei”. These are two fundamentally different heroes. That negative character that is used in fairy tales, with whom all the characters, led by Baba Yaga, fight, and whose Death is “in the egg”, is KASHCHEY. The first rune in the writing of this ancient Slavic word-image is “Ka”, meaning “gathering within oneself, union, unification.” For example, the runic word-image “KARA” does not mean punishment as such, but means something that does not radiate, has ceased to shine, has turned black because it has collected all the radiance (“RA”) inside itself. Hence the word KARAKUM - “KUM” - a relative or a set of something related (grains of sand, for example), and “KARA” - those who have collected radiance: “a collection of shining particles.” This has a slightly different meaning than the previous word “punishment”.
Slavic runic images are unusually deep and capacious, ambiguous and difficult for the average reader. Only the Priests owned these images in their entirety, because... writing and reading a runic image is a serious and very responsible matter, requiring great accuracy and absolute purity of thought and heart.
Baba Yoga (Yogini-Mother) - Eternally beautiful, Loving, Kind-hearted Goddess-Patroness of orphans and children in general. She wandered around Midgard-Earth, either on the Fiery Heavenly Chariot, or on horseback through the lands where the Clans of the Great Race and the descendants of the Heavenly Clans lived, collecting homeless orphans in towns and villages. In every Slavic-Aryan Vesi, even in every populous city or settlement, the Patron Goddess was recognized by her radiating kindness, tenderness, meekness, love and her elegant boots, decorated with gold patterns, and they showed Her where orphans lived. Ordinary people called the Goddess differently, but always with tenderness. Some - Grandma Yoga Golden Leg, and some, quite simply - Yogini-Mother.
The Yogini delivered the orphans to her foothill monastery, which was located in the thicket of the forest, at the foot of the Irian Mountains (Altai). She did this in order to save the last representatives of the most ancient Slavic and Aryan Clans from imminent death. In the foothill Skete, where the Yogini-Mother conducted the children through the Fiery Rite of Initiation to the Ancient High Gods, there was a Temple of the God of the Family, carved inside the mountain. Near the mountain Temple of Rod, there was a special depression in the rock, which the Priests called the Cave of Ra. From it extended a stone platform, divided by a ledge into two equal recesses, called LapatA. In one recess, which was closer to the Cave of Ra, Yogini-Mother laid sleeping children in white clothes. Dry brushwood was placed in the second cavity, after which LapatA moved back into the Cave of Ra, and the Yogini set fire to the brushwood. For all those present at the Fire Rite, this meant that the orphans were dedicated to the Ancient High Gods and no one would see them again in the worldly life of the Clans. Foreigners who sometimes attended the Fire Rites very colorfully told in their lands that they witnessed with their own eyes how small children were sacrificed to the Ancient Gods, thrown alive into the Fiery Furnace, and Baba Yoga did this. The strangers did not know that when the lapata platform moved into the Cave of Ra, a special mechanism lowered the stone slab onto the ledge of the lapata and separated the recess with the children from the Fire. When the Fire lit up in the Cave of Ra, the Priests of the Family transferred the children from the lapata to the premises of the Temple of the Family. Subsequently, Priests and Priestesses were raised from orphans, and when they became adults, the boys and girls created families and continued their lineage. The foreigners knew none of this and continued to spread tales that the wild Priests of the Slavic and Aryan peoples, and especially the bloodthirsty Baba Yoga, sacrifice orphans to the Gods. These foreign tales influenced the Image of the Yogini-Mother, especially after the Christianization of Rus', when the Image of the beautiful young Goddess was replaced by the Image of an old, angry and hunchbacked old woman with matted hair who steals children. roasts them in an oven in a forest hut, and then eats them. Even the Name of Yogini-Mother was distorted and they began to scare all children with the Goddess.
Very interesting, from an esoteric point of view, is the fabulous Instruction-Lesson that accompanies more than one Russian folk tale:
Go There, we don’t know Where, Bring That, we don’t know What.
It turns out that not only fairy tales were taught such a Lesson. This instruction was received by every descendant from the Clans of the Holy Race, who ascended the Golden Path of Spiritual Development (in particular, mastering the Stages of Faith - the “science of imagery”). A person begins the Second Lesson of the First Stage of Faith by looking inside himself to see all the diversity of colors and sounds within himself, as well as to experience the Ancient Ancestral Wisdom that he received at his birth on Midgard-Earth. The key to this great storehouse of Wisdom is known to every person from the Clans of the Great Race; it is contained in the ancient instruction: Go There, not knowing Where, Know That, you do not know What.
This Slavic Lesson is echoed by more than one folk wisdom in the world: To seek wisdom outside oneself is the height of stupidity. (Chan saying) Look inside yourself and you will discover the whole world. (Indian wisdom)
Russian fairy tales have undergone many distortions, but, nevertheless, in many of them the Essence of the Lesson embedded in the fable has remained. It is a fable in our reality, but it is a reality in another reality, no less real than the one in which we live. For a child, the concept of reality is expanded. Children see and feel much more energy fields and flows than adults. It is necessary to respect each other's realities. What is Fable for us is Fact for the baby. That is why it is so important to initiate a child into “correct” fairy tales, with truthful, original Images, without layers of politics and history.
The most truthful, relatively free from distortion, in my opinion, are some of Bazhov’s fairy tales, the fairy tales of Pushkin’s nanny - Arina Rodionovna, recorded by the poet almost verbatim, the tales of Ershov, Aristov, Ivanov, Lomonosov, Afanasyev... The purest, in their pristine completeness of Images, to me Tales seem to be from book 4 of the Slavic-Aryan Vedas: “The Tale of Ratibor”, “The Tale of the Clear Falcon”, given with comments and explanations on words that have fallen out of Russian everyday use, but have remained unchanged in fairy tales.
Myths of the ancient Slavs. Story Slavic culture and mythology. The existence of the ancient Slavs was closely connected with nature. Sometimes helpless before her, they worshiped her, prayed for shelter, harvest and successful hunting, for life itself. They animated the tree and the river, the sun and the wind, the bird and lightning, and noticed patterns natural phenomena and attributed them to the good or evil will of mysterious forces.
The white-flammable stone Alatyr was revealed at the beginning of time. He was raised from the bottom of the Milk Ocean by the World Duck. Alatyr was very small, so the Duck wanted to hide it in her beak.
But Svarog said Magic word, and the stone began to grow. The duck couldn't hold it and dropped it. Where the white-flammable stone Alatyr fell, the Alatyr Mountain rose.
The white-flammable stone Alatyr is a sacred stone, the focus of the Knowledge of the Vedas, a mediator between man and God. He is both “small and very cold” and “great like a mountain.” Both light and heavy. He is unknowable: “and no one could know that stone, and no one could lift it from the ground.”
Churila, who lived in Svarga, was so handsome that he drove all the celestials crazy. And he himself fell in love, and not even with an unmarried woman - with the wife of the god Barma himself, Tarusa.
“A sad thing happened to me,” Churila sang, “from the sweetheart of the red maiden, from the young Tarusushka... Are you sorry for you, my maiden, I keep suffering in my heart, am I not sleeping because of you?” dark night…
IN in a broad sense Vedic and pagan culture of the Russian people is the essence of Russian folk culture, in its fundamentals one with the culture of all Slavic peoples. These are Russians historical traditions, life, language, oral folk art(legends, epics, songs, fairy tales, tales, and so on), ancient written monuments with all the knowledge contained in them, Slavic wisdom (philosophy), ancient and modern folk art, the totality of all ancient and modern creeds.
In the beginning, Veles was born by the Heavenly Cow Zemun from the god Rod, who flowed from the White Mountain by the Solar Surya, the Ra River.
Veles appeared in the world before the Most High, and appeared as the Descent of the Most High. Vyshen then came to people and incarnated as the Son of Svarog and Mother Sva. Like the Son who created the Father. And Veles appeared as the Descent of the Almighty for the entire living world (for people, magical tribes and animals), and incarnated as the son of the Heavenly Cow and the Family. And therefore Veles came before Vyshny and paved the way for Him, preparing the world and people for the coming of Vyshny.
Veles and Perun were inseparable friends. Perun honored the god Veles, for thanks to Veles he gained freedom, was revived and was able to defeat the fierce enemy of his Skipper-beast.
But, as often happens, male friendship destroyed by a woman. And all because both Perun and Veles fell in love with the beautiful Diva Dodola. But Diva preferred Perun and rejected Veles.
When Dyi imposed too heavy a tribute on the people, they stopped giving him sacrifices. Then Dyy began to punish the apostates, and people turned to Veles for help.
God Veles responded and defeated Dyi, destroying his heavenly palace, made of eagle wings. Veles threw Dyya from the sky into the kingdom of Viy. And the people rejoiced:
Then Veles asked Svarog to forge him a plow, as well as an iron horse to match him. Svarog fulfilled his request. And Veles began to teach people arable farming, how to sow and reap, how to brew wheat beer.
Then Veles taught people faith and wisdom (knowledge). He taught how to make sacrifices correctly, taught stellar wisdom, literacy, and gave the first calendar. He divided people into classes and gave the first laws.
Then Surya ordered his sons Veles and his brother Khors to look for spouses. Khors and Veles shot arrows into the field - wherever the arrow lands, there they should look for the bride.