Analysis “You and I are stupid people” Nekrasov. Analysis of the poem “You and I are stupid people” (N. A. Nekrasov)

/ / / Analysis of Nekrasov’s poem “You and I are stupid people...”

Nikolai Nekrasov’s poem “You and I are stupid people...” can be safely attributed to love lyrics poet. It was published in 1851 during whirlwind romance the author and Avdotya Panaeva.

The relationship between the two young people caused heated discussion and condemnation among acquaintances and friends. And this is not surprising, because Avdotya was a married woman. Moreover, Nekrasov moved to Panaeva’s house, where he lived under the same roof with her legal husband. The romance between Nikolai and Avdotya lasted 16 years, which resulted in the birth of a baby. Unfortunately, the child lived only a few weeks.

After the death of the baby, the relationship between the lovers began to cool and eventually stopped altogether. The main reason Nekrasov considered the atmosphere that reigned in the Panaevs’ house to be parting. Constant quarrels and scenes of jealousy ultimately took their toll. The poet describes what is happening simply: “In a minute, the flash is ready!”

What was surprising was the fact that everything that was happening did not in any way affect the work of the trio. At this time, Nekrasov and Panaev were working on the revival of the Sovremennik magazine, and Avdotya was the owner of a literary salon, where lyrical evenings often took place and the literary flower of St. Petersburg gathered. With the participation of Panaeva, Nekrasov creates his own “Panaev cycle” of works, which included not only poetic works, but also stories of the poet and writer.

Returning to the poem “You and I are stupid people...”, it should be noted that the first notes of parting can already be traced in it. So, quarrels between lovers could break out out of the blue. Nekrasov was terribly jealous of Avdotya’s legal spouse, which led to scandals with breaking dishes.

The poet says to his beloved: “Speak when you are angry, everything that excites and torments your soul!” He believes that you don’t need to keep everything to yourself, you need to talk about it and then your soul will feel better. This is what will help you avoid ridiculous quarrels.

But, despite this, Nekrasov believes that quarrels are an inevitable phenomenon. In their absence, life will become fresh and dry. Quarrels add a certain zest to the relationship between two people, because after reconciliation, feelings of love flare up with renewed vigor.

The poem “You and I are stupid people...” written in 1851, like other works of Nikolai Alekseevich Nekrasov, does not have a melodramatic overtones. It is addressed to a real woman, the poet’s beloved, Avdotya Yakovlevna Panaeva. For sixteen long years they were connected not only romantic relationship, but also joint activities in the Sovremennik magazine.

The poet’s difficult, hot-tempered character and the ambiguity of his relationship with Panaeva are reflected in the first line of the poem, where the author calls the lyrical heroes “stupid.” He explains this by saying that quarrels and disagreements flare up in their relationship every minute. However, these moments life together the author perceives it not as something destructive, but rather as a relief for the soul. At the same time, the poet does not focus on the angry words spoken during the quarrel.

On the contrary, he turns to his beloved with a call to speak, not to hold back negative emotions inside, throw out everything that worries you. Nekrasov sincerely believed that quiet everyday life does not make life easier; he admitted that quarrels are necessary because they are an adornment to routine life. Lyrical hero in the process of reflection pays special attention because after a stormy quarrel there always comes sweet reconciliation. And, since life is impossible without disagreements and violent quarrels, one must only take advantage of them, since only during such outbursts does understanding of each other occur, loving people begin to show more involvement to their other half.

Background to the writing of the poem

Joint activities in the Sovremennik magazine, founded by Alexander Sergeevich Pushkin, led to the fact that in 1845 long-time friends, Nekrasov and Panaev, bought the publication. The fateful acquaintance for the poet with Panaev’s wife, Avdotya Yakovlevna, took place long before this, at one of the poetry evenings. She was a very beautiful, educated and talented young woman, the owner of a literary salon. Many cultural figures sought the beauty’s favor, and Nekrasov was among them. Panaeva rejected her 26-year-old fan for a long time, explaining that she did not believe in the sincerity of his feelings.

The personal relationship between the poet and Panaeva was not calm and measured. Contemporaries noted many quarrels that arose almost out of nowhere. The reason could be a careless glance or an accidentally dropped word. It was after one of these discords that the poem “You and I are stupid people...” appeared. In addition to this work, the “Panaev cycle,” which critics recognized as a masterpiece, includes other poems and stories. Their distinctive feature are deep reflections about feelings, love, everyday life.

Over the course of a year, the poet sought the attention of Avdotya Yakovlevna, even rented an apartment next to the Panaevs’ house. After a joint trip to Kazan, where the lovers explained their feelings to each other, the two families began to live under one roof, which caused discontent among society. However, the young people in love were satisfied with this situation. Despite the fact that his relatives, acquaintances and even his closest friends turned their backs on the writer, he experienced a true sense of happiness.

Ivan Panaev was a lover of women and had a reputation as a rake. He did not pay attention to his wife from the first year of their marriage. But the church did not give permission for divorce married couple, so there was no other choice. The civil marriage of Nekrasov and Panaeva took place under the same roof with her official spouse, which led to numerous quarrels and scandals arising from the poet’s jealousy.

In fact, all participants in this drama were its hostages.

Despite the ambiguity of the situation, collaboration over literary works and the editorial office was very fruitful, which united young people. At the same time, Avdotya served as a proofreader in the magazine and, at the same time, was the poet’s muse. In 1848, Nekrasov came up with the idea of ​​writing works together. At that time, this was the first attempt at joint creativity, which did not arouse enthusiasm in literary society. However, the lovers discussed the general idea, decided on the plot, and the creation was written.

Their first novel, “Three Countries of the World,” received positive reviews from critics, was popular and helped Sovremennik stay afloat, filling itself with material from issue to issue. The second joint work, “Dead Lake,” was not such a success, since Avdotya Yakovlevna worked on it almost alone, Nekrasov was completely immersed in editorial concerns.

In 1849, the couple had their first child. But the boy, named Ivan, was very weak and died after a few weeks. Perhaps this is why by 1855 the relationship between Nekrasov and Panaeva began to subside, but they continued to live in the same house. The couple separated in 1863, shortly after the death of Ivan Panaev.

Women of Nekrasov


Throughout his life, Nikolai Alekseevich had three long-term romances. The first one, which left an indelible mark on the poet’s soul, was with Panaeva. Despite the difficult breakup, the writer kept her image in his soul all his life and even mentioned her in his will.

In 1864, Nekrasov made a three-month trip abroad. They kept him company sister poet, Anna Alekseevna, and Frenchwoman Selina Lefren. The actress of the Mikhailovsky Theater had a calm and easy-going character, which greatly attracted the writer. Their relationship can be called rather cool, but Nekrasov was pleased with the rare meetings. In 1867, they went abroad again, however, Selina never returned. In the summer of 1869, Nekrasov spent a month improving his health on the French coast. But first he went to Paris, where he again met with the actress.

The writer's only official wife was a simple peasant girl, Fekla Anisimovna Viktorova. At the time of their first meeting she was 23 years old. Nekrasov was almost twice her age. Sincere admiration for the writer's talent and memorization of his works by heart flattered the author. In order to supplement the meager education and fill the gaps cultural life, Nikolai Alekseevich took the girl to exhibitions, theatrical performances, taught her to read and write and languages. The only thing that haunted the writer was the name of the chosen one. Nekrasov considered it too simple and replaced it with something more attractive to him, Zinaida Nikolaevna.

Nekrasov met his future wife in 1870, and in 1875 doctors diagnosed him with a fatal disease, intestinal cancer. Being in a state of strong emotional oppression, the author writes “Last Songs.” Perhaps the news of his imminent death, or perhaps the sincerity and sincerity of the work allowed critics to classify it as one of the best to come from Nekrasov’s pen.

The wedding with Zinaida took place a few months before the death of the writer, in 1877. After the funeral, the Nekrasov family accused the girl of selfish motives and took away all her property, including the results of her dying creativity.

Poem composition

The work consists of three stanzas, each of which has its own emotional coloring:

The first stanza does not contain a single verb, therefore it evokes a feeling of static, inaction; it describes the current situation and literary characters;

The second stanza is filled with verbs imperative mood, encourages the heroine to act, it is here that the reader can see a clear indication that the beloved is an ordinary earthly woman, with shortcomings and a complex character, but this makes her even more loved by the lyrical hero;

The third speaks of the expectation of reconciliation and subsequent happiness, she wears philosophical character, explaining the role of quarrels in everyday life.


The poem “You and I are stupid people...” is written in three-foot anapest; to add melody to the stanzas, the author used feminine rhyme, that is, stress on the last syllable.

The main idea of ​​the poem is that quarrels and discord should be present in every life, as they bring acute emotions to life. love relationship and lead to a stormy reconciliation.

Means artistic expression used in the work with great care. It is thanks to this that after reading you are left with the impression of participating in a real life situation.

“You and I are stupid people...” Nikolai Nekrasov

You and I are stupid people:
In just a minute, the flash is ready!
Relief for a troubled chest
An unreasonable, harsh word.

Speak up when you're angry
Everything that excites and torments the soul!
Let us, my friend, be openly angry:
The world is easier and more likely to get boring.

If prose in love is inevitable,
So let's take a share of happiness from her:
After a quarrel, so full, so tender
Return of love and participation...

Analysis of Nekrasov’s poem “You and I are stupid people...”

Nekrasov’s personal life was condemned by many of his acquaintances. The thing is that the aspiring writer not only fell in love with married woman, but also moved to live in her house, sharing shelter with her legal spouse. The affair with Avdotya Panaeva, insane and outrageous in its audacity, lasted almost 16 years, and its culmination was the birth of their common child, who lived only a few weeks. After his death, the relationship between the lovers began to deteriorate, and they soon separated.

Nekrasov himself considered one of the reasons for the breakup to be the unbearable atmosphere that reigned in the Panayevs’ house. He was jealous of his beloved for his legal spouse, and she periodically made ugly scenes with swearing and breaking dishes. It is noteworthy that this did not at all prevent this unusual trio from getting along well when it came to work. During this period, Panaev and Nekrasov revived the Sovremennik magazine, and Avdotya was the owner of a literary salon, where meetings with young writers and poets regularly took place. By the way, many writers, including Fyodor Dostoevsky, fell into the network of Avdotya Panayeva, who at that time was considered one of the most attractive women in St. Petersburg. However, she reciprocated only with Nekrasov, becoming not only his mistress, but also a like-minded person. It was with her participation that the so-called “Panaev cycle” of works was created, which included not only poems, but also stories by Nekrasov. The author dedicated some of his creations to his chosen one, and among them is the poem “You and I are stupid people...”, written in 1851. At this time, the poet’s romance with Avdotya Panaeva was in full swing, but the first signs of the impending separation were already making themselves felt. They were expressed in constant quarrels between lovers, and Nekrasov characterizes these difficult relationships with one succinct phrase: “Any minute, the flash is ready!” Indeed, one thoughtless word or an insufficiently gentle glance could provoke a quarrel. Therefore, turning to his chosen one, Nekrasov asks: “Say, when you are angry, everything that excites and torments your soul!” The author believes that if you do not restrain your irritation from the very beginning and allow it to spill out, then the outbursts of anger will be less violent. And he himself will be able to stop in time, without bringing the situation to a scandal.

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Personal life Nekrasova caused condemnation among many of his acquaintances. The thing is that the aspiring writer not only fell in love with a married woman, but also moved to live in her house, sharing shelter with her legal spouse. The affair with Avdotya Panaeva, insane and outrageous in its audacity, lasted almost 16 years, and its culmination was the birth of their common child, who lived only a few weeks. After his death, the relationship between the lovers began to deteriorate, and they soon separated.

He considered one of the reasons for the breakup to be the unbearable atmosphere that reigned in the Panayevs’ house. He was jealous of his beloved husband, and she periodically staged ugly scenes with swearing and breaking dishes. It is noteworthy that this did not at all prevent this unusual trio from getting along well when it came to work. During this period, Panaev and Nekrasov revived the Sovremennik magazine, and Avdotya was the owner of a literary salon, where meetings with young writers and poets regularly took place. By the way, many writers, including Fyodor Dostoevsky, fell into the network of Avdotya Panayeva, who at that time was considered one of the most attractive women in St. Petersburg. However, she reciprocated only with Nekrasov, becoming not only his mistress, but also a like-minded person. It was with her participation that the so-called “Panaev cycle” of works was created, which included not only poems, but also stories by Nekrasov. The author dedicated some of his creations to his chosen one, and among them is a poem written in 1851. At this time, the poet’s romance with Avdotya Panaeva was in full swing, but the first signs of the impending separation were already making themselves felt. They were expressed in constant quarrels between lovers, and Nekrasov characterizes these difficult relationships with one succinct phrase: “Any minute, the flash is ready!” Indeed, one thoughtless word or an insufficiently gentle glance could provoke a quarrel. Therefore, turning to his chosen one, Nekrasov asks: “Say, when you are angry, everything that excites and torments your soul!” The author believes that if you do not restrain your irritation from the very beginning and allow it to spill out, then the outbursts of anger will be less violent. And he himself will be able to stop in time, without bringing the situation to a scandal.

At the same time, Nekrasov sees a special charm in such everyday quarrels, which he considers inevitable, but at the same time believes that they can also bring a special piquancy to the relationship between two people in love. “After a quarrel, the return of love and participation is so complete, so tender...”, the poet believes.

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