The same Munchausen on May 31st. Quotes from Soviet films that same Munhausgen

A magnificent story by Grigory Gorin, in which there is a lot of subtle, kind, sincere and sharp humor. Almost every phrase is a diamond! Brilliant acting. And what actors! Constellation! And of course, a wonderful production by Mark Zakharov.

The story of this film begins with theatrical production- the play “The Most Truthful”, for the creation of which plots from the works of the German writer Rudolf Erich Raspe about the adventures of the legendary Baron Munchausen were used, Grigory Gorin wrote at the request of actor Vladimir Zeldin, who really wanted to play the role of Baron Munchausen. The performance was staged at the Soviet Army Theater and was an incredible success among the audience. Mark Zakharov watched this performance and decided to transfer it to the big screen.

Here is how the director himself talks about how he came up with the idea of ​​making a television version of the play: “That Same Munchausen” began for me with a wonderful play by Grigory Gorin, when I saw the premiere performance of it at the Theater Soviet army. Munchausen is a wise and skillful jester who instills in people a joyful belief that miracles can become reality. But it is met with misunderstanding by the majority. And people who don’t fit into the majority have always interested me personally.”

However, members of the artistic council also had doubts about the correctness of the choice of director. Zakharov was told that Yankovsky was not suitable in age and was fit to be the baron’s son. Screenwriter Grigory Gorin also had doubts about Yankovsky, writing in his memoirs: “Before that, he played straightforward, tough, strong-willed people - Volga characters that betrayed his origin. I didn't believe in his baron. The work began, he got into character, changed before our eyes. He grew into the role, and Munchausen appeared - smart, ironic, subtle. What a mistake it would be if we took another actor!”

Nevertheless, Zakharov managed to defend Yankovsky’s candidacy. “There was an element of risk in inviting Oleg Yankovsky to the role of Baron Munchausen,” the director recalled. “He still developed as an actor of a completely non-comedy kind. But to Oleg’s credit, his acting palette also contained comedic colors, which found worthy embodiment in the film, especially in its first part.”

But choosing an actress to play Martha turned out to be a difficult task. Among the contenders for the role of the baron's beloved were Irina Mazurkevich and Galina Zolotareva, but Zakharov was inclined to cast Tatyana Dogileva in the film. The fact that Koreneva, unlike Dogileva, as well as more than half of the actors in the film, was not an actress at Lenkom, directed by Zakharov, helped make the choice in favor of Elena Koreneva, who was ultimately invited to the filming. “If everyone is taken to filming, who will act in the theater?” - Mark Anatolyevich noted.

Satire Theater actor Yuri Vasiliev played the role of Theophilus, but Leonid Yarmolnik was cast.

An actor from the Moscow Art Theater Kolesnikov auditioned for the role of Ramkopf, but the majority on the artistic council voted for Alexander Abdulov. They said that although there is no irony in him, he has youth, charm, and he has the sympathy of the audience.

But Leonid Bronevoy was approved without tests.

In the initial scene of Munchausen's conversation with the hunters, German actors were filmed together with Oleg Yankovsky and Yuri Katin-Yartsev, who were later voiced by Russians. If you look closely, you will notice that their articulation does not match the text.

It turned out to be difficult to depict a deer with a cherry tree on its head, which comes out of the forest in confirmation of Munchausen’s words. “When we came to the zoo to film the animal, it turned out that the deer were just shedding their antlers, so there was no need to attach the tree,” says combined filming operator Vsevolod Yakubovich. - We tried to remove the scarecrow, but his eyes were empty. Then they resorted to combined photography. At the animal base of the Tsentrnauchfilm studio, they found a deer that could be passed off as a deer, decorated the enclosure's lattice to resemble a forest, and laid turf. They released the deer, and instead of walking in front of the camera, he began to roll on the ground. Then we decided to try to lure the deer with a treat. It worked. He followed him along the required route. Then we took a cherry tree trunk from the Moscow State University biological station and attached artificial flowers to it. Our familiar choreographer from the Operetta Theater, having carefully studied the passage of the deer, repeated his movements with a tree on his head. After which the tree was cut out and combined with the deer.”

Combined photography was also used in the scene of Martha and Baroness Jacobina passing in a carriage. “We filmed this episode in the Mosfilm pavilion, and it was necessary to place a city german landscape, - says Vsevolod Yakubovich. - It turned out that the footage taken in Germany was not suitable: the camera was placed on a high tripod, and the carriage windows were at the level of the second floor. I had to zoom in a lot and only use the bottom of the frame.”

“There is a scene in the film: Munchausen’s servant looks through a telescope and, when he sees ducks flying up, gives the baron a sign,” says combined filming operator Vsevolod Yakubovich. - He shoots into the chimney, and a roast duck falls out of the fireplace. According to the idea, the servant was supposed to see ducks in the chimney flying towards him. When we started looking in film libraries for such a flight, we found many shots of ducks flying away from the camera, but not a single one of them flying in the other direction. I had to organize a movie hunt for ducks and drive them towards the camera. A bear also took part in the filming of the film - according to the plot, he came out of the forest during the ducal hunt. In order for the animal to go in the right direction, it was lured with a jar of sprat - when they knocked on it, the bear followed the familiar sound.”

A German stuntman, a kind of German macho, took part in the filming. During the break, the dashing Abdulov approached him and offered to measure his strength: to find out who has stronger fingers. They crossed index fingers and started pushing against each other. “Suddenly I heard a crunching sound and saw that Abdulov’s finger was twisted somehow unnaturally,” says Dolinsky. “I tell him: “It seems he broke it for you.” “It doesn’t seem like it, but for sure,” Abdulov answers. How Zakharov cursed later! Alexander was given an invisible plaster cast, and he continued filming with it. But his adventures did not end there. Right on the set, Abdulov also managed to break his toe.”

Mark Zakharov already spoke about this: “It wasn’t broken, it was dislocated. Abdulov - very gambler and persuaded me to allow him to jump from a four-meter fence without an understudy. The second director - a more experienced person - said that it was necessary to make a special hole that would soften the impact on the ground, and something else. I took it lightly. As a result, Alexander Gavrilovich jumped and injured his leg. I really regretted giving in to him. There was another episode involving risk for Yankovsky, when his hero climbs a rope ladder. I tried it myself first, the steps disappeared from under my feet, it was scary. But Yankovsky, without a backup and insurance, rose to a decent height.”

“That Same Munchausen” suffered less from censorship than Zakharov’s other films - for example, when “An Ordinary Miracle” was submitted to the artistic council, each phrase had to be defended with a fight. A single insignificant scene was cut from “Munchausen”: “Director Mark Zakharov set me the task of writing words for a song about Munchausen, which the heroine Lyubov Polishchuk would sing,” says poet Yuri Entin. - Zhanna Rozhdestvenskaya recorded it. When the film was released, I sat down by the TV in the hope of hearing my song, I watched the first episode, the second - there was no song, although my last name was indicated in the credits. Then it turned out that the song was banned because of Polishchuk, who at that time for some reason was out of favor on television. I resigned myself to not including “That Munchausen” in my filmography, but a few years later the song was returned to the film.”

The director himself believes that he owes such luck to the fact that the film was released on the eve of the New Year, and the film officials who received the film were already in a pre-holiday mood, as a result of which they were not so picky about his new creation. From the very first showing on television, the film became very popular, and now, more than thirty years after the premiere, it, having acquired the status of a cult film, remains beloved a huge amount spectators.

The town of Wernigerode is amazingly beautiful and romantic. “Earthly paradise”, “half-timbered pearl” - that’s what tourists call it. The first mentions of the city are found in historical documents from 1121. Count Adalbert that year began to build his fortress, which became the predecessor of the famous Wernigerode castle. This castle is often called “Neuschwanstein in the Harz” - it is as beautiful as the legendary Neuschwanstein. […]

Town Wernigerode amazingly beautiful and romantic. “Earthly paradise”, “half-timbered pearl” - that’s what tourists call it. The first mentions of the city are found in historical documents from 1121. Count Adalbert that year he began to build his fortress, which became the predecessor of the famous Wernigerode castle. This castle is often called “Neuschwanstein in the Harz” - it is as beautiful as the legendary Neuschwanstein.

Wernigerode Palace (Schloss Wernigerode) was built on a medieval route to hunting grounds in the Harz Mountains. The founder of the dynasty of Counts of Wernigerode - the first owner of the castle - moved to these parts from Swabia during Henry V. Throughout the history of the castle, it was rebuilt many times. In 1674-76. it was reconstructed in the Baroque style, and its current appearance acquired closer to end of the 19th century century. During that period, the count's residence was significantly expanded and supplemented; The architects managed to achieve complete harmony with the neighboring buildings. The reconstruction was carried out in the style of historicism, so the building acquired the features of the neo-Gothic style that was fashionable at that time. In the course of the work, a large-scale colorful ensemble was created, which to this day proudly towers over the Harz Mountains.

Graph Otto Stolteberg, the owner of the castle at that time, was influential and rich. He managed to make a brilliant career and even became deputy to the “Iron Chancellor” Otto Bismarck. In 1890 he received princely title. Until 1929, Wernigerode was the residential residence of the count's family; later, parts of this building were opened to the public.

Even if you have never been to Germany, the appearance of Wernigerode Castle may seem familiar to you. In 1979, the cult film was filmed here film by Mark Zakharov - “That Same Munchausen”- a painting based on the play Gorina, with Yankovsky and Koreneva starring. At that time, the territory of the city and castle belonged to the GDR. The streets of Wernigerode had their original appearance; they were almost not damaged during the war. TO crowd scenes and German actors and city residents were involved in the episodes. In the film you can see old half-timbered houses, the old town hall and Wernigerode Castle.

Tourists coming to the city must visit the castle to experience its medieval romance. You can get here from the old city center by taking the popular tourist train on wheels. From the mountain Agnesberg, on which the castle is located, offers an amazing view of the Harz peaks, the ski slope, orchards and the red roofs of the ancient houses of Wernigerode.

To go back down, you need to pass by your exes master's stables(today they house residential apartments); pass old princely park with a baroque orangery. The greenhouse served as a court library since 1826. It contained more than 100,000 volumes. In the region, this collection of books was considered the most significant. A copy of Luther's Bible, a translation of the Holy Scriptures made in 1534, was kept here. IN post-war years part of the library collections was taken to Soviet Union. After this, the empty building began to collapse. Currently it contains land archive region of Saxony-Anhalt.

Museum at Wernigerode Castle

Royalty often visited Wernigerode Castle. The last crowned guest of the residence was Ahmad Fuad I- ruler of Egypt. His visit to the castle took place in 1929.

Until 1930, the owners of the castle retained the status of a residence, but later they moved to their other properties, and Wernigerode was partially opened to visitors as a public museum. At the same time, the financing of the historical site was carried out at the expense of the state. After World War II, Wernigerode was nationalized, and in 1949 it acquired the status state museum GDR.

During the war years, part of the castle's furnishings were lost. Interior items and accessories were selected from the collections of other German museums. This substitution did not affect big picture— in general, the decor of the castle looks completely authentic. Full-scale restoration was carried out within last decade. Along with restoration work, an active search was carried out original works art and other items previously located in Wernigerode.

Am Schloss 1 38855 Wernigerode, Germany
schloss-wernigerode.de‎

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In the main
cast Oleg Yankovsky
Inna Churikova
Elena Koreneva
Alexander Abdulov
Operator Vladimir Nakhabtsev Composer Alexey Rybnikov Original TV channel CT USSR Studio Film studio "Mosfilm".
Creative association of television films
Duration 142 min A country USSR USSR Language Russian release date 1979 First show January 1, 1980 Number of episodes 2 IMDb ID 0080037

"The Same Munchausen"- a Soviet feature two-part television film from 1979, filmed at the Mosfilm studio commissioned by the USSR Central Television. The script by Grigory Gorin was created loosely based on the works of Rudolf Erich Raspe, dedicated to the adventures of Baron Munchausen. One of the most important works in the work of Mark Zakharov and Oleg Yankovsky. The film premiered on January 1, 1980 at the USSR Central Television.

Plot [ | ]

Episode 1 [ | ]

The film begins on May 30, 1779 in Hanover and its environs. Baron Karl Munchausen is perceived by others as an inventor living in the world of his fantasies. However, they have a strange property of turning out to be reality. So, at a rest stop, the hunters, laughing at the story of Munchausen’s hunt for a deer, when he was shooting with a cherry pit, suddenly see for themselves how a noble animal comes out of the forest with a cherry tree in the place where the antlers should be. The Baron proudly says that he became famous not for his exploits, but for the fact that he never lies. He really doesn’t know how to lie, even when it would be useful for himself or those close to him. He is disgusted by the very idea of ​​lying for profit or “out of decency.”

Munchausen lives in his castle with charming girl Martha. They have been thinking about marriage for a long time, but there is one problem: the baron is married. In his youth, at the behest of his parents, for purely practical reasons, he was married to Jacobina von Dutten, with whom he was never associated with tender feelings. She lives separately with their adult son Theophilus. Munchausen seeks a divorce. Only the Duke can give permission, but Jacobina and her lover Heinrich Ramkopf do their best to prevent this.

Relatives are trying to get Munchausen declared insane in order to dispose of his property. He had already tried all the workarounds, but all the priests with whom he talked refused to marry the couple. One happy day, the Duke, irritated by a quarrel with the Duchess, signs Munchausen’s petition for divorce with the words: "To the freedom of all, to freedom". Martha is happy, but she is very afraid that her lover will make another joke during the court hearing, which must approve the divorce.

This is how it happens - when signing the divorce papers, Munchausen writes May 32 in the “date” column - according to his calculations, an error has crept into the calendar and there should be one more extra day this year. But ideas and astronomical observations No one is interested in the baron and everyone perceives his action as another challenge public order. A scandal ensues. The court, considering itself insulted, refuses to approve the divorce. They demand that the baron renounce: he must admit all his stories are empty fantasies, and in writing, point by point, renounce everything that he wrote and said. Friends, servants, Martha - everyone persuades the baron to obey.

The last straw is Martha's statement. She gives the Baron an ultimatum: his stories about meetings with William Shakespeare and Isaac Newton or her. The Baron surrenders: he signs a renunciation of himself, burns all his manuscripts that evening and retires to the room with a pistol. A shot is heard.

Episode 2 [ | ]

3 years have passed since the officially established death of Baron Munchausen. From a living troublemaker, the baron became a dead celebrity: Jacobina publishes “the adventures of the baron.” At the same time, the baron’s memories are not just edited - they are embellished and supplemented with outright fabrications. They sing songs about Munchausen in restaurants and paint pictures. He is called “a great man not understood by his contemporaries,” and on May 32 (the 3-year anniversary of his death) main square cities unveil a monument to the baron.

Ramkopf leads tourists on tours of the baron's castle and provides a scientific basis for the possibility of lifting oneself by the hair. Theophilus unsuccessfully tries to repeat his feats: lifting himself into the air by his hair and hitting ducks through the chimney. Munchausen's former servant Thomas (one of the few who supported the baron in everything), going to Muller's shop to buy flowers, recognizes his own in the florist former owner. It turns out that the suicide and subsequent funeral were staged; after her, the baron, leaving everything to the official heirs, turned into Muller's florist, thanks to which he was able to marry Martha and live with her.

But usual life The baron has changed greatly: from a merry fellow and a dreamer, he turned into a gloomy and calculating cynic ( “My funeral alone brought me more money than my entire previous life.”). In the end, it got to the point that Martha left him, unable to bear living with her changed lover. Munchausen decides to return Martha and understands: “to return her, you need to return yourself” and become yourself again. But for the city, the deceased Munchausen has already become a symbol and a legend, and no one except Martha and Thomas needs him alive.

As soon as the baron tells those initiated into his secret about his decision to “resurrect,” the burgomaster, once a close friend of the baron, “for the sake of maintaining public peace,” declares him an impostor and sends him to prison “until his identity is clarified.” The trial, designed to establish the identity of the baron, takes place in the mode of an organized performance: one after another, the baron’s former acquaintances, relatives and friends refuse to recognize him. But in last moment Martha appears as a witness, ready to confirm Munchausen's identity, which is why the court session has to be interrupted. The Baroness and Ramkopf threaten Martha to act as a false witness. Martha agrees to save the Baron from prison or even death.

The final, decisive test awaits: the baron is offered to recognize himself as Müller or, to prove his identity, repeat the cannonball flight to the moon. The “investigative experiment” takes place on May 32, 1783, in a solemn atmosphere, according to the script. The hesitant Martha first reads to the Duke a petition for pardon for her “abnormal husband Müller,” but then she can’t stand it and confesses to her beloved: they put raw gunpowder in the cannon so that the cannonball, having flown a few meters, fell on the grass amidst everyone’s laughter, after which the baron’s imposture would be considered proven.

When the cannon is reloaded with a bag of dry gunpowder brought by Thomas, there is a general commotion: the test participants only wanted to laugh at the baron, and not kill him. The Duke is immediately persuaded by his decision to recognize the Baron’s identity as established, and his new journey to the Moon as successful. The Baron is offered to “return from his journey” in a blaze of glory. The previously planned “general fun” begins practically unchanged, just for a different reason - as a celebration of this return.

Jacobina, as if nothing had happened, says that she traveled to the moon with the baron and is preparing to publish memoirs about it. The Baron is quietly prompted: “Join inconspicuously.” Munchausen rushes from one company to another for some time, seeing glasses raised for his journey, hearing calls: “Join us, Baron!”, after which he returns to the fortress wall to the cannon and pronounces the final monologue:

I understand what your problem is: you are too serious! An intelligent face is not a sign of intelligence, gentlemen. All stupid things on earth are done with this facial expression. Smile, gentlemen! Smile!

The Baron gives orders for the day of his return, after which he begins to climb the rope ladder to the mouth of the cannon. The perspective changes, and it turns out that the staircase has become very long, and there is no longer any cannon - the baron is simply climbing the stairs into the sky. The final theme song plays.

Cast [ | ]

Actor Role
Oleg Yankovsky Hieronymus Carl Friedrich von Munchausen
Elena Koreneva Martha Martha
Inna Churikova Jacobina Munchausen Jacobina Munchausen
Alexander Abdulov Heinrich Ramkopf Heinrich Ramkopf
Igor Kvasha burgomaster burgomaster
Leonid Bronevoy Duke Duke
Leonid Yarmolnik Theophilus Munchausen Baron's son Theophilus Munchausen
Vladimir Dolinsky pastor pastor
Yuri Katin-Yartsev Thomas Thomas
Vsevolod Larionov judge judge
Semyon Farada commander in chief commander in chief
Igor Yasulovich Duke's secretary Duke's secretary
Lyubov Polishchuk Little Bertha singer Little Bertha
Vladimir Firsov Musician in the Baron's castle Little Bertha's accompanist, mime Musician in the Baron's castle
Nina Palladina Duke's advisor Duke's advisor
Anatoly Skoryakin Episode Episode
Evgeniy Markov courtier with clock courtier with clock
Grigory Gorin episode in the Duke's retinue episode in the Duke's retinue
Grigory Malikov guardsman tried to arrest Munchausen guardsman

Film crew[ | ]

  • Scriptwriter: Grigory Gorin
  • Stage director: Mark Zakharov
  • Second director: Leonid Chertok
  • Director of the film: Lazar Milkis
  • Director of photography: Vladimir Nakhabtsev
  • Operator: Sergey Armand
  • Production designer: Georgy Kolganov
  • Sound engineer: Yuri Rabinovich
  • Composer: Alexey Rybnikov
  • Lyrics: Yuri Entin
  • Conductor: Sergey Skripka
  • Costume designer: Natalya Firsova
  • Make-up: N. Minaeva

Background and casting[ | ]

Original literary material The script was based on Grigory Gorin’s play “The Most Truthful,” which was successfully performed at the Soviet Army Theater (Munchausen - Vladimir Zeldin). Mark Zakharov liked the performance and decided to transfer it to the television screen. During the work on the script, the play was seriously revised and changed greatly compared to the theatrical version. Alexey Rybnikov's music was also originally written for the performance.

Oleg Yankovsky, who just starred in the role Wizard in the television film “An Ordinary Miracle”, according to the director, he was quite suitable for the role of Munchausen. However, Mark Zakharov had to convince the artistic council of the film studio for quite some time. Before this, Yankovsky’s role was considered to be more consistent with heroic roles. In addition, the image of the baron that emerged from the book and play corresponded to an elderly man with an adult son. Yankovsky was only 35 years old at the time of filming. As a result, the director managed to defend his point of view.

I am grateful to Mark Zakharov for believing in me and recognizing in me that atypical comedy, the ability to convey the sad irony of a character, which I, frankly speaking, did not suspect in myself. Zakharov chose to take an actor known to the audience and use him in a different role, in a different genre quality. And for me it was truly a gift of fate

The backbone of the acting ensemble was the Lenkom Theater troupe. Leonid Bronevoy was accepted for the role without auditioning. An actor initially auditioned for the role of Theophilus

January 1, 1980 New Year brought a real gift - the premiere of the film That Same Munchausen, based on the work of Rudolf Erich Raspe, took place. Literary work became the basis for the film, but by and large the film is an independent cinematic work. No viewer is left indifferent by the heartfelt acting, grandiose scenery, entertaining plot and, of course, the statements and dialogues of the characters. In our selection you will find the most popular quotes from the film that will cheer you up and remind you of the best shots from the film.

The two-part melodrama tells the viewer about the adventures of Baron Munchausen. He was an inventor and a romantic, but his words had the ability to come true. Munchausen was special not only for this - he also did not know how to lie. The plot centers on the baron's love for a young girl, Martha, and the protagonist's dreams of marrying her. He always tries to interfere with the happiness of lovers ex-wife Munchausen, which he himself considers a mistake of his youth.

Oleg Yankovsky plays the role of Munchausen; this is not his first joint film with Zakharov. Alexander Abdulov, Lyubov Polishchuk, Inna Churikova, Igor Kvasha and other luminaries also played in the film contemporary to that movie time.

Quotes

Unfortunately, if your wife is alive, you cannot remarry.
- When alive? Are you proposing to kill her?

Are you considering the proposal not to remarry?)

To get her back, you need to get yourself back.

Before you look for someone, you need to find yourself.

I am an ordinary woman. Don't demand more from me than I can.

Humandoes what he is capable of and what is in his power.

This is a mistress, let’s be clear: if you have a mistress, good luck! Nowadays everyone has mistresses. But you can’t allow him to marry her, it’s immoral!

To be a mistress is low, to marry a mistress is even lower.

Is it night?
- Night.
- And how long?
- Since the evening.

Everything is natural in nature)

This is the fate of all great people - their contemporaries do not understand them.
- Contemporaries - perhaps. But we are relatives!

To understand a great person, you need to become one yourself.

Thomas! Are you happy that we have May 32nd!?
- Actually, not very much, Mister Baron. On June 1st I get paid...
- You did not understand.

What’s not clear here: one more day until payday...)

In half an hour the divorce proceedings will begin.
- It started a long time ago. The day I saw you.

This is how it happens: no sooner have people come together than they are already separated...

Divorce is disgusting not only because it separates spouses, but also because it calls the man free and the woman abandoned.

Gender inequality and injustice exist even after divorce.

The truth cannot offend.

Believe me, it is possible.

Get up at 6 o'clock in the morning!
- Not punishable.

Getting up at 6 am is normal, but at 10 – not quite...

There can't be one clever man I didn’t understand the other one...

Why can't it, maybe. They are too smart to understand anyone but themselves.

You are a great man, Baron Munchausen, and yet the dust falls on you too.

Everything and everyone in this world is gathering dust.

Every husband, returning home after a week's absence, tries to deceive his wife, but not everyone would think of claiming that he was on the moon!

Coming up with a decent excuse for yourself is almost a talent.

She ran away from me two years ago.
- To tell the truth, Baron, if I were in her place I would do the same.
“That’s why I’m not marrying you, but Martha.”

Do you think she won't run away?!)

The pharmacist's daughter is the pharmacist's daughter.

And there is nothing to demand from her the habits of an aristocrat.

In Germany, having the surname Müller is the same as not having any.

What if in Russia I am Pushkin, so now I have no family name?

Karl, why is it so late?
- In my opinion, it’s too early: not all nonsense has been said yet!

Late is when there is absolutely nothing left to say.

Where is the commander?
- Commands!

Everyone minds their own business.

War is not poker! You can’t announce it whenever you want!

War is not a game and should not be played.

Lord, why didn’t England please him?!

You better tell me who or what pleased him, it’s not all right for him...

To the side, please. You will leave altogether.

Why didn’t you like me so much, huh?)

An intelligent face is not yet a sign of intelligence.

A sign of intelligence is the right actions, balanced decisions and thoughtful words.

The fact is that time in heaven and on earth does not fly the same way. There are moments, there are centuries... Everything is relative. However, this takes a long time to explain.

If there is something to do in life and there is no time to count the minutes, then on earth time flies very quickly.

Long live divorce! It eliminates the lies that I hate so much!

Are we now celebrating not a wedding, but a divorce?

It only takes a minute to fall in love. To get a divorce, sometimes you have to live together for twenty years.

Love is also not eternal, otherwise there would be no divorce.

We were sincere in our misconceptions!

What a person always does from the bottom of his heart is to make mistakes.

Let’s be honest: I’m also not happy with a lot of things, I also don’t agree with a lot of things! Yes Yes! In particular, I am not delighted with our calendar - and not for the first year. But I don’t allow myself to have breakdowns!

For some the weather is not like that, for others the power is bad, but for the calendar to be bad is already something new.

The waist is ten centimeters lower than in peacetime.
- Below?
- That is, higher.
- And the chest?
- What about breasts?
- Should we leave it where it is?
- No, we take it with us.

We will carry everything we have with us.)

All love is legitimate if it is love.

And if I love my mistress, is that also legal?)

And they said - such a smart man!
- Well, you never know what people say...

What, it’s not clear that they lied?

At one time, Socrates told me: Get married. If you get a good wife, you will become happy. Bad - you will become a philosopher. It is still unknown which is better.

Maybe then it’s better not to get married at all?

These are not my adventures, this is not my life! She is smoothed, combed, powdered and neutered!

Hello, dear readers of the Sprint-Response website. Today is September 30, 2017, on Channel One most interesting game, which is called . All answers in the game dated September 30, 2017 can be found in the game review; the article can be accessed via the link above. But tomorrow will not be September 31, because we do not have Baron Munchausen, unfortunately he was in the singular.

What day, according to the film “That Same Munchausen,” did the title character give to his hometown?

Unfortunately, the players were unable to correctly answer the eleventh question of today's game and left with nothing. The question turned out to be really difficult, I myself did not know the exact answer. After all, we were confused by a film called “June 31st”.

“June 31” is a Soviet two-part television musical film in the fantasy genre based on the story of the same name. English writer John Boynton Priestley, filmed in 1978. Significantly different from the book. This is one of the most significant works of director Leonid Kvinikhidze and composer Alexander Zatsepin.

As we can see, this film is not what we need to answer this question correctly. To answer the question, we need to turn to the desired text.

May 32 is another day of spring...

- Stop! Stop! Our trial has been turned into a shameful farce.
Mister Judge, please read it again
divorce letter from Baron von Munchausen.

- I, Baron Karl von Munchausen...
- Read the date!
- 1779, May 32. Mister Baron, you are mistaken, such a number does not exist.
- Happens!
- If yesterday was May 31st, what is today?
- 32nd. This day is my discovery. This is my gift hometown.

- I’ll explain everything to you now!
- Gentlemen, gentlemen!
- I’ll explain everything to you now.
- This can’t be, this can’t be!
- Bravo.

- Thirty what?
- 32, Your Highness.
-Where does he propose to insert it?
- Here.
- 29th, 30th, 31st...
- 32nd.
- There’s no room here.
“That’s why the court considered itself deeply offended, Your Highness.” We ask you to cancel the divorce decree.
- 29th, 30th, 31st...
- And so on.