Hyperbole, examples of artistic exaggeration in literature. What is a hyperbole? Examples and definition. Hyperbole in literature (About literature)

Russian literature is replete with a variety of speech patterns. In order to make speech more vivid and expressive, people often use figurative language and stylistic devices: comparison, inversion and others. Everyone in his life, while reading this or that literature, has probably encountered such a concept as hyperbole, without even knowing the meaning of this term.

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Use in literature

Hyperboles in literature All writers, without exception, love to use it. They do this in order to decorate their works, making them more emotional, bright, and full.

And this is not at all surprising, because without this stylistic figure and others like it, any work would be empty, boring and absolutely uninteresting. It is unlikely that such works would capture the reader’s attention, exciting his imagination, evoking in him numerous vivid emotions.

Hyperbole, in turn, helps to achieve such necessary effects. So what is a hyperbole in ? This is an artistic medium based on an excessive exaggeration of reality.

Advice! Another definition of hyperbole is exaggeration to the point of implausibility, so it is very important to remember and keep in mind that it does not need to be taken literally!

What is hyperbole used for?

They free the reader from the confines of reality and attribute supernatural characteristics natural phenomena and people. Hyperbole in literature does not play a role at all last role, since it makes our speech more lively and allows us to feel the emotional and state of mind narrator or author of the text.

This allows them to clearly and correctly convey the verbal atmosphere of the story. The function of hyperbole as a technique is - add brightness, emotionality and persuasiveness to the text. It is also often used by humor writers to create comic images for characters in their works, allowing the reader’s imagination to revive them in his imagination. .

How to find a hyperbole in a text?

Completing the task “find hyperbolas in the text” is quite simple, since among all the others speech patterns they stand out because they contain obvious exaggerations. Examples of usage: “this girl had eyes the size of saucers in surprise” or “this dog was the size of an elephant.”

All these phrases are apparent exaggeration of reality, because you won’t meet a girl with such big eyes on the street or a dog the size of an elephant, because such things simply do not exist and cannot exist in nature. These are the most simple examples use of the subject stylistic device in Russian literary language.

Attention! To find hyperbole in a text, it is enough to pay attention to an obvious significant exaggeration.

What is hyperbole in Russian?

Linguistics names any excessive exaggeration of properties, qualities, phenomena or actions to form a spectacular and attention-grabbing image created with a hyperbole . It is used not only in literary language.

In normal colloquial speech she is also frequent guest. The difference between the first application and the second is that in his speech a person uses already existing statements, and the writer strives to create his own, exclusive statement in order to distinguish his own work from many others.

Examples

Examples of hyperbole from literary and colloquial speech:

• "rivers of blood";
• “You’re always late”;
• “mountains of corpses”;
• “haven’t seen each other for a hundred years”;
• "scare to death";
• “I told you a hundred times”;
• “a million apologies”;
• “a sea of ​​ripened wheat”;
• “I’ve been waiting forever”;
• “I stood there all day”;
• “at least get wet”;
• “a house a thousand kilometers away”;
• “always late.”

Examples in fiction

We can say that everything classical works rely on the transfer of the author’s emotions to the reader, who moves him into a situation created by himself. Hyperbole in literature, in classical works very actively used by many famous authors.

The Russian language today is one of the ten most beautiful and, according to linguists, it has about half a million words, not including professionalisms and dialects. Great Russian writers contributed to the development of Russian literary language, thanks to which the language was replenished with artistic and expressive means that are used in writing and speech today.

Development of the Russian literary language and the first trails

The literary Russian language began to take shape back in the 11th century, during the period of the existence of the state Kievan Rus. Then the first chronicles and masterpieces of ancient Russian literature were created. Even a thousand years ago, authors used artistic means of expression language (tropes): personification, epithet, metaphor, hyperbole and litotes. Examples of these terms are still common today, both in fiction, and in everyday speech.

The concepts of "hyperbole" and "litotes"

Having heard the term “hyperbole” for the first time, history experts will probably associate it with the legendary country of Hyperborea, and mathematicians will remember a line consisting of two branches, which is called hyperbole. But how does this term relate to literature? Hyperbole is a stylistic figure that is used to enhance the expressiveness of a statement and deliberate exaggeration. It is not difficult to guess that this term has an antonym, because if a language has means for exaggeration, there must certainly be a stylistic figure that serves for understatement. Such an artistic and expressive means is litotes. The following examples will clearly show what litotes is and how often it is used in speech.

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The thousand-year history of hyperbole

Hyperbole is very common in ancient Russian literature, for example, in “The Tale of Igor’s Campaign”: “To him in Polotsk he rang the morning bells, early at St. Sophia’s the bells rang, and he heard the ringing in Kiev.” Analyzing the sentence, you can understand the meaning: the sound of the bell that rang in Polotsk reached Kyiv! Of course, in reality this cannot be, otherwise the residents of nearby settlements would lose their hearing. The term is of Latin origin: hyperbole means “exaggeration.” Almost all poets and writers used hyperbole, but Nikolai Gogol, Vladimir Mayakovsky, and Mikhail Saltykov-Shchedrin stood out especially for their frequent use in their works. So, in Gogol’s play “The Inspector General” there was “a watermelon worth seven hundred rubles” on the table - another exaggeration, because a watermelon cannot cost that much, unless, of course, it is gold. In Mayakovsky’s “An Extraordinary Adventure,” the sunset glowed “as high as one hundred and forty suns,” that is, incredibly bright.

Litotes in fiction

Having found out the meaning of a hyperbole, it will not be at all difficult to figure out what litotes is. Gogol also often referred to this term. In the story “Nevsky Prospekt,” he described one man’s mouth as so small that he could not miss more than two pieces. In Nikolai Nekrasov’s famous poem “Peasant Children,” the hero is a small man, but this does not mean he is a centimeter tall: with the cast, the author only wanted to emphasize that the old short man was carrying a heavy armful of firewood. Sentences with litotes can also be found in other authors. By the way, this term comes from the Greek word litotes, which means “simplicity, restraint.”

Litotes and hyperbole in everyday speech

A person, without noticing it, uses hyperbole and litotes in everyday life very often. If you can still guess the meaning of hyperbole thanks to the well-known cognate verb “to hyperbolize,” what litotes is remains a mystery to many. Having gone broke, a rich man will say: “I have no money - the cat cried,” and when he sees a tiny girl walking down the street, you can notice what a “thumbelina” she is, and if she is a little guy, “a tom-thumb.” These are the most common examples of litotes. Each of us also uses hyperbole very often, for example, having met a friend by chance, the first remark will be “haven’t seen each other for a hundred years,” and a mother, tired of making the same remark to her fidgety son, will say: “I told you a thousand times!” . So, we can once again conclude that not everyone knows what litotes and hyperbole are, but even a three-year-old child uses these techniques.

Cultural significance of tropes

The role of stylistic figures in the Russian language is great: they give emotional coloring, enhance images and make speech more expressive. Without them, the works of Pushkin and Lermontov would have lost their splendor, and now you can use beautiful speech patterns more confidently, since you know, for example, what litotes is.

In literature it is impossible to do without these techniques, which make the Russian language one of the most expressive, complex and rich. So take care of the Russian language - this treasure, this heritage, as Turgenev and our other outstanding compatriots bequeathed to us.

Hello, dear readers of the blog site. All of us in our lives have said or heard similar expressions at least once (and some more than once): YOU ARE ALWAYS LATE or HAVEN'T SEEN SEEN FOR A HUNDRED YEARS.

And few people thought that these phrases were devoid of any common sense. So, a person simply cannot “always be late.” And it’s impossible for someone not to see each other for “a hundred years,” if only because people rarely live that long.

Such exaggerations in Russian are called hyperboles and they will be discussed in this publication.

Hyperbole is a beautiful exaggeration

This word itself is Greek - “hyperbole” and it means “excess, excess, exaggeration.”

Hyperbole is one of the means strengthening emotional assessment, which consists in excessive exaggeration of any phenomena, qualities, properties or processes. This creates a more impressive image.

Moreover, exaggeration often reaches completely incomprehensible concepts, sometimes even. Any foreigner, if translated literally, will be clearly puzzled. We have long been accustomed to them, and perceive them as completely normal.

Here are examples of the most commonly used hyperboles in everyday life:

SCARE TO DEATH
A THOUSAND SORRY
AT LEAST FLY
RIVERS OF BLOOD
MOUNTAINS OF CORPSES
I'VE BEEN WAITING FOREVER
GO OVER A THOUSAND KILOMETERS
STANDED ALL DAY
LOTS OF MONEY
A Feast FOR THE WHOLE WORLD
SEA OF TEARS
NOT SEEN FOR 100 YEARS
OCEAN OF PASSIONS
WEIGHS ONE HUNDRED POUNDS
Smother in your arms
SCARED TO DEATH

All listed expressions we constantly use in colloquial speech. And for the sake of experiment, just try to parse them verbatim and see how funny and sometimes absurd some of them are.

Well, for example, “at least fill yourself up” - this should be such an amount of liquid that it is enough for a whole pool into which you could plunge headlong. Although in fact, with this expression we just want to say that we have a lot of drinks - even more than we need.

Or does the phrase “a lot of money” actually mean just good things? financial condition, and not that a person has collected all his savings and let’s put them in one pile.

And we do not use the expression “to travel a thousand kilometers” when we are talking about a real distance, for example, from Moscow to Volgograd or Rostov-on-Don. But simply in the sense of “far”, although in fact in real numbers the distance there may be only a few kilometers.

And this way you can “debunk” absolutely any hyperbole. But you shouldn't do this. They do not have to mean the absolute truth; their task is to characterize a specific situation or thought in the most picturesque way, enhancing her emotional coloring.

Examples of hyperbole in fiction

In fact, such exaggerations are very old literary device. It was used, and this was almost a thousand years ago. With the help of hyperboles, the strength of the heroes and their opponents was repeatedly strengthened.

The heroic sleep lasted 12 DAYS (well, a person cannot sleep for almost two weeks)

Countless forces stood in the way of the hero - A WOLF WILL NOT OUTRUN THEM IN A DAY, A RAVE WILL NOT FLY FROM THEM IN A DAY (how many enemies should there be - a million?)

The hero waves his hand - A STREET IS AMONG ENEMIES, he waves another - AN ALLEY (that is, with one blow the hero kills several dozen at once)

Ilya Muromets took a club WEIGHTING ONE HUNDRED POUDS (here you must understand that one hundred pounds is one and a half tons)

The Nightingale the Robber whistles - THE FOREST IS LOANING TO THE GROUND, AND PEOPLE ARE FALLING DEAD (well, this is something out of a fairy tale)

Exactly the same hyperboles occur in "The Tale of Igor's Campaign". For example:

“The Russians blocked with scarlet shields wide margins, seeking honor for yourself, and glory for the prince” or “An army such that you can splash the Volga with oars, and scoop up the Don with helmets.”

Among writers, Nikolai Vasilyevich has the most hyperbole Gogol. There are exaggerations in almost every one of his famous work. For example, he describes the Dnieper River:

A rare bird will fly to the middle of the Dnieper.
The Dnieper is like a road without end in length and without measure in width.

Or he uses exaggerations in his words, putting them in the mouths of the heroes:

I would destroy you all into flour! (Governor)
Thirty-five thousand couriers alone... The State Council itself is afraid of me. (Khlestakov)

And in " Dead souls" there are these words: "Countless human passions like the sands of the sea."

Almost every writer or poet uses hyperbole. With their help, they, for example, more colorfully describe the character of the heroes of works or show their author's attitude to them.

Moreover, writers often do not use already established expressions, but try to come up with something of their own.

Here's more examples of hyperbole in literature:

1. And a mountain of bloody bodies prevented the cannonballs from flying (Lermontov)
2. The sunset glowed with a hundred and forty suns (Mayakovsky)
3. A million torments (Griboyedov)
4. A decent person is ready to run away to distant lands for you (Dostoevsky)
5. And the pine tree reaches the stars (Mandelshtam)
6. In the dream, the janitor became as heavy as a chest of drawers (Ilf and Petrov)

Examples of hyperbole in advertising

Of course, without such an interesting technique that allows enhance the real meaning of words, advertisers couldn’t get through either. A lot of slogans are based on this principle. After all, the task is to attract the client’s attention, while promising “mountains of gold” and in every possible way emphasizing the uniqueness of the product:

1. Taste on the verge of possible (chewing gum "Stimorol")
2. Control over the elements (Adidas sneakers)
3. King of salads (Oliviez mayonnaise)

The principle of hyperbole is also often used in the creation of advertising videos. For example, a series of famous videos about Snickers bars with the slogan “You are not you when you are hungry.” Where various characters turn into completely different people and start doing all sorts of stupid things, and only a candy bar can bring them back to normal.

These commercials clearly exaggerate (greatly exaggerate) the feeling of hunger and the “miraculous” power of Snickers itself.

Well the simplest example The hyperbole that is used in advertising is expressions like “the best”, “the most stylish”, “the most comfortable” and so on, but about prices, on the contrary, they say “the lowest”.

Instead of a conclusion

You can add greater expressiveness and emotional coloring to any expression not only with the help of hyperbole. There is a technique in the Russian language that is its complete opposite. He does not exaggerate, but, on the contrary, reduces the significance.

Before you can blink an eye, the years have already flown by.

This technique is called "". This will be discussed in detail in our next article.

Good luck to you! See you soon on the pages of the blog site

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To answer the question, please give examples of hyperbole... asked by the author Light the best answer is The Serpent Gorynych hit Ivan Tsarevich and drove him knee-deep into the damp earth...

Reply from Yita Dragileva[guru]
Hyperbole (Greek hyperbole - excess, exaggeration; from hyper - through, over and bole - throw, throwing) is a stylistic figure of obvious and deliberate exaggeration, in order to enhance expressiveness and emphasize the said thought, for example “I said this a thousand times” or “ We have enough food for six months.”
Language, as a phenomenon, often uses the same words to mean various concepts. The term “hyperbole” was introduced into scientific use by the ancient Greek mathematician Apollonius of Perga. But if in mathematics the word “hyperbole” is used in its original Greek meaning, then the medieval Latin version of this word - hyperbole - from the 13th century began to be used to denote a stylistic and rhetorical device of excessive exaggeration of any properties of the depicted object, phenomenon, etc., in order to enhance the impression.
In stylistics, hyperbole is used to enhance the expressiveness of speech. This word has an antonym - litota (see), that is, a deliberate understatement (a boy the size of a finger, a man the size of a fingernail, a thumbnail). And there is a synonym - exaggeration.
Hyperbole is a figurative expression containing an exorbitant exaggeration of the size, strength, or significance of any object or phenomenon. For example: “The sunset glowed at one hundred and forty suns” (Mayakovsky). Hyperbole is used to enhance the emotional impact on the reader, as well as to more clearly highlight certain aspects of the depicted phenomenon. For example: “And the mountain of bloody bodies prevented the cannonballs from flying” (M. Yu. Lermontov). Or from N.V. Gogol: “Hare pants, the width of the Black Sea”; “A mouth the size of the arch of the General Staff building.” Hyperbole plays the greatest role in satire. Hyperbole can be idealizing and destructive.
Hyperbole has manifested itself in human thinking and consciousness since the primitive system. Thinking primitive people, undoubtedly, was very different in its characteristics from the thinking of civilized people.
An important feature of primitive communal consciousness was also that it did not yet have a distinction between the really existing and the fantastic. Primitive hunters not only highly valued in the phenomena of each genus its most valuable and powerful representatives - its ancestors and rulers, and not only animated them in their imagination; at the same time, they naively and unconsciously exaggerated their physical size, their strength, intelligence, cunning, dexterity, etc. They thought, but on the principle of hyperbole, turning into fantasy. This was an inevitable consequence of the dependence of primitive people on the forces of nature, their lack of understanding of the laws of its life, their inability to master these laws, and the ensuing feelings of fear, dependence, defenselessness, or surprise, admiration, and gratitude.
Taylor gives several examples of this statement. Thus, he quotes a statement from one missionary about the views North American Indians: “They say... that all animals of every species have an older brother, who serves as the beginning and root of all other individuals; this elder brother is amazingly strong and great. The big brother of the beavers, they told me, could be as big as our hut.” Or: the “king” of snakes, in the imagination of the blacks of South-West Africa, “was a huge monster, surpassing them all in size and considered, as it were, their ancestor.” Taylor also refers to primitive beliefs, reflected in ancient Russian fairy tales, according to which “on the island of Buyan” there lives a snake, the oldest of all snakes, the prophetic raven - the elder brother of all ravens. Bird, the largest and oldest of all birds, with an iron beak and copper claws, and the Queen Bee, the oldest of bees."

Reply from Alsou[guru]
Exaggeration---"It will open its mouth wider than the Gulf of Mexico" (Mayakovsky)
“He ate three plates” (Krylov “Demyanov’s ear”)

Reply from Irina ostrenko[guru]
A rare bird will fly to the middle of the Dnieper (Gogol)
The sunset glowed with one hundred and forty suns (Mayakovsky)
I saw how she squints -
With a wave, the mop is ready (Nekrasov)

As you know, the word is the basic unit of any language, as well as the most important component of its artistic means. The correct use of vocabulary largely determines the expressiveness of speech.

In context, a word is a special world, a mirror of the author’s perception and attitude to reality. It has its own metaphorical precision, its own special truths, called artistic revelations; the functions of vocabulary depend on the context.

Individual perception of the world around us is reflected in such a text with the help of metaphorical statements. After all, art is, first of all, the self-expression of an individual. The literary fabric is woven from metaphors that create an exciting and emotionally affecting image of a particular work of art. Additional meanings appear in words, a special stylistic coloring, creating a unique world that we discover for ourselves while reading the text.

Not only in literary, but also in oral, we use, without thinking, various techniques artistic expression to give it emotionality, persuasiveness, imagery. Let's figure out what artistic techniques exist in Russian.

The use of metaphors especially contributes to the creation of expressiveness, so let's start with them.

Metaphor

It is impossible to imagine artistic techniques in literature without mentioning the most important of them - the way of creating a linguistic picture of the world based on meanings already existing in the language itself.

The types of metaphors can be distinguished as follows:

1. Fossilized, worn out, dry or historical (bow of a boat, eye of a needle).
2. Phraseologisms are stable figurative combinations of words that are emotional, metaphorical, reproducible in the memory of many native speakers, expressive (death grip, vicious circle, etc.).
3. Single metaphor (eg homeless heart).
4. Unfolded (heart - “porcelain bell in yellow China” - Nikolay Gumilyov).
5. Traditionally poetic (morning of life, fire of love).
6. Individually-authored (sidewalk hump).

In addition, a metaphor can simultaneously be an allegory, personification, hyperbole, periphrasis, meiosis, litotes and other tropes.

The word “metaphor” itself means “transfer” in translation from Greek. IN in this case we are dealing with the transfer of a name from one object to another. For it to become possible, they must certainly have some similarity, they must be adjacent in some way. A metaphor is a word or expression used in a figurative meaning due to the similarity of two phenomena or objects in some way.

As a result of this transfer, an image is created. Therefore, metaphor is one of the most striking means of expressiveness of artistic, poetic speech. However, the absence of this trope does not mean the lack of expressiveness of the work.

A metaphor can be either simple or extensive. In the twentieth century, the use of expanded ones in poetry is being revived, and the nature of simple ones is changing significantly.

Metonymy

Metonymy is a type of metaphor. Translated from Greek, this word means “renaming,” that is, it is the transfer of the name of one object to another. Metonymy is the replacement of a certain word with another based on the existing contiguity of two concepts, objects, etc. This is the imposition of a figurative word on the direct meaning. For example: “I ate two plates.” Mixing of meanings and their transfer are possible because objects are adjacent, and the contiguity can be in time, space, etc.

Synecdoche

Synecdoche is a type of metonymy. Translated from Greek, this word means “correlation.” This transfer of meaning occurs when the smaller is called instead of the larger, or vice versa; instead of a part - a whole, and vice versa. For example: “According to Moscow reports.”

Epithet

It is impossible to imagine the artistic techniques in literature, the list of which we are now compiling, without an epithet. This is a figure, trope, figurative definition, phrase or word denoting a person, phenomenon, object or action with a subjective

Translated from Greek, this term means “attached, application,” that is, in our case, one word is attached to some other.

Epithet from simple definition distinguished by its artistic expressiveness.

Constant epithets are used in folklore as a means of typification, and also as one of the most important means of artistic expression. In the strict sense of the term, only those whose function is words in a figurative meaning, in contrast to the so-called exact epithets, which are expressed in words in a literal meaning (red berries, beautiful flowers), belong to tropes. Figurative ones are created when words are used in a figurative sense. Such epithets are usually called metaphorical. Metonymic transfer of name may also underlie this trope.

An oxymoron is a type of epithet, the so-called contrasting epithets, forming combinations with defined nouns of words that are opposite in meaning (hateful love, joyful sadness).

Comparison

Simile is a trope in which one object is characterized through comparison with another. That is, this is a comparison of different objects by similarity, which can be both obvious and unexpected, distant. It is usually expressed using certain words: “exactly”, “as if”, “similar”, “as if”. Comparisons can also take the form of the instrumental case.

Personification

When describing artistic techniques in literature, it is necessary to mention personification. This is a type of metaphor that represents the assignment of properties of living beings to objects of inanimate nature. It is often created by referring to such natural phenomena as conscious living beings. Personification is also the transference of human properties to animals.

Hyperbole and litotes

Let us note such techniques of artistic expression in literature as hyperbole and litotes.

Hyperbole (translated as “exaggeration”) is one of the expressive means of speech, which is a figure with the meaning of exaggerating what is being discussed.

Litota (translated as “simplicity”) is the opposite of hyperbole - an excessive understatement of what is being discussed (a boy the size of a finger, a man the size of a fingernail).

Sarcasm, irony and humor

We continue to describe artistic techniques in literature. Our list will be complemented by sarcasm, irony and humor.

• Sarcasm means "tearing meat" in Greek. This is evil irony, caustic mockery, caustic remark. When using sarcasm, it creates comic effect, however, there is a clear ideological and emotional assessment.
• Irony in translation means “pretense”, “mockery”. It occurs when one thing is said in words, but something completely different, the opposite, is meant.
• Humor is one of the lexical means of expressiveness, translated meaning “mood”, “disposition”. Sometimes entire works can be written in a comic, allegorical vein, in which one can sense a mocking, good-natured attitude towards something. For example, the story “Chameleon” by A.P. Chekhov, as well as many fables by I.A. Krylov.

The types of artistic techniques in literature do not end there. We present to your attention the following.

Grotesque

The most important artistic techniques in literature include the grotesque. The word "grotesque" means "intricate", "bizarre". This artistic technique represents a violation of the proportions of phenomena, objects, events depicted in the work. It is widely used in the works of, for example, M. E. Saltykov-Shchedrin (“The Golovlevs,” “The History of a City,” fairy tales). This is an artistic technique based on exaggeration. However, its degree is much greater than that of a hyperbole.

Sarcasm, irony, humor and grotesque are popular artistic techniques in literature. Examples of the first three are the stories of A.P. Chekhov and N.N. Gogol. The work of J. Swift is grotesque (for example, Gulliver's Travels).

What artistic technique does the author (Saltykov-Shchedrin) use to create the image of Judas in the novel “Lord Golovlevs”? Of course it's grotesque. Irony and sarcasm are present in the poems of V. Mayakovsky. The works of Zoshchenko, Shukshin, and Kozma Prutkov are filled with humor. These artistic techniques in literature, examples of which we have just given, as you can see, are very often used by Russian writers.

Pun

A pun is a figure of speech that represents an involuntary or deliberate ambiguity that arises when used in the context of two or more meanings of a word or when their sound is similar. Its varieties are paronomasia, false etymologization, zeugma and concretization.

In puns, the play on words is based on homonymy and polysemy. Anecdotes arise from them. These artistic techniques in literature can be found in the works of V. Mayakovsky, Omar Khayyam, Kozma Prutkov, A. P. Chekhov.

Figure of speech - what is it?

The word "figure" itself is translated from Latin as " appearance, outline, image." This word has many meanings. What does this term mean in relation to artistic speech? Syntactic means of expression related to figures: questions, appeals.

What is a "trope"?

“What is the name of an artistic technique that uses a word in a figurative sense?” - you ask. The term “trope” combines various techniques: epithet, metaphor, metonymy, comparison, synecdoche, litotes, hyperbole, personification and others. Translated, the word "trope" means "turnover". Literary speech differs from ordinary speech in that it uses special phrases that embellish the speech and make it more expressive. IN different styles different means of expression are used. The most important thing in the concept of “expressiveness” for artistic speech is the ability of a text or a work of art to have an aesthetic, emotional impact on the reader, to create poetic pictures and vivid images.

We all live in a world of sounds. Some of them cause us positive emotions, others, on the contrary, excite, alarm, cause anxiety, calm or induce sleep. Different sounds evoke different images. Using their combination, you can emotionally influence a person. Reading works of art literature and Russian folk art, we are especially sensitive to their sound.

Basic techniques for creating sound expressiveness

• Alliteration is the repetition of similar or identical consonants.
• Assonance is the deliberate harmonious repetition of vowels.

Alliteration and assonance are often used simultaneously in works. These techniques are aimed at evoking various associations in the reader.

Technique of sound recording in fiction

Sound recording is an artistic technique that is the use of certain sounds in a specific order to create a certain image, that is, the selection of words that imitate sounds real world. This technique in fiction is used both in poetry and prose.

Types of sound recording:

1. Assonance means “consonance” in French. Assonance is the repetition of the same or similar vowel sounds in a text to create a specific sound image. It promotes expressiveness of speech, it is used by poets in the rhythm and rhyme of poems.
2. Alliteration - from This technique is the repetition of consonants in literary text to create some sound image, in order to make poetic speech more expressive.
3. Onomatopoeia - transmission in special words, reminiscent of the sounds of phenomena in the surrounding world, auditory impressions.

These artistic techniques in poetry are very common; without them, poetic speech would not be so melodic.