Founded at the end of 1969 on the basis of the amateur vocal and instrumental ensemble "Avangard-66", organized in the summer of 1966 consisting of:
Alexander Petrenko,
Boris Samygin (guitar),
Evgeny Bronevitsky (guitar),
Vladimir Antipin (bass),
Lev Vildavsky (piano),
Evgeny Maimistov (drums).
After Bronevitsky and Vildavsky left for the SINGING GUITAR VIA, and their place was taken by the “St. Petersburg Elvis”, University student Vyacheslav Mostiev, the composition of the ensemble stabilized for a long time. He received a permanent engagement in the first St. Petersburg youth cafe “Eureka”, where crowds of fans from all over the city gathered, which forced the administration to fire overly noisy, albeit profitable artists.
During the second half of the 60s, “AVANGARD-66” went on tour several times from various philharmonic societies (on one of these trips they found and brought to Leningrad the then very young Yuri Antonov.
In November 1969, the need to earn a living and the limited amateur status forced Avangard-66 to finally establish itself at the Philharmonic and change its name to “Good Fellows.”
Jaroslav Jansa (trumpet),
Alexander Morozov (trombone)
Vsevolod Levenshtein (alto saxophone).
During the first half of the 70s, he toured the country a lot, in 1974 he recorded his first record with Antipin’s songs and a cover version of The Fortunes’ song “Freedom Come, Freedom Go” (which in the Russian version was called Golden Dawn).
Although the core of the ensemble remained unchanged over the years, other musicians joined it at different stages: in 1970-72 Yuri Antonov played, who wrote the “program” song “About Good Fellows” for the ensemble; soloists were Zhanna Bichevskaya, Svetlana Plotnikova, Alexander Lerman (ex-“Skomorokhs”, “Winds of Change”, “Jolly Fellows”), Roman Vlasenko and others.
In 1973, Levenshtein left the ensemble, returning to Leningrad, where he played with the group "Myths", and later emigrated to England, where he became famous as a leader music programs Russian edition of the BBC under the name Seva Novgorodtsev. Moscow keyboard player Anatoly Kiselyov became the new leader of “Good Fellows”.
In April 1974, all of its founding veterans left the ensemble. A. Kiselev and R. Vlasenko dialed new line-up, got a job at Rosconcert. In 1976, the ensemble “Good Fellows” performed “My Heart” in D. Tukhmanov’s famous album “In the Wave of My Memory”, and in 1977 they recorded a series of songs by A. Flyarkovsky based on poems by A. Didurov for feature film"Raffle."
A brilliant galaxy of composers in different years collaborated with pleasure in “Good Fellows”: David Tukhmanov, Evgeny Krylatov, Yuri Antonov, Vyacheslav Dobrynin, Alexander Flyarkovsky and many other luminaries of Russian song classics adorned the ensemble’s repertoire with their works.
And with Mark Fradkin, “Good Fellows” traveled all over former USSR, visited Germany, Poland, Yugoslavia, Mongolia. The two-hour program, compiled only from the works of Mark Grigorievich and including songs of the war years, Komsomol and the latest lyrical ones, was heard by millions of listeners in all corners of our country from Kaliningrad to Yuzhno-Sakhalinsk.
In 1982, they recorded the soundtrack for the New Year's TV movie "Sorcerers" and starred in the roles of the guys from the Pamarin ensemble.
“Good Fellows” disbanded in 1990, so that in 1994, through the efforts of its oldest member (in the group since 1978) Andrei Kirisov, “resurrect” again, restore the old repertoire and have time to “take” it on tour, making sure that the ensemble is still not forgotten by listeners, loved and popular.
In 1994, “Good Fellows” were the only VIA in our country that performed at concert venues. They were the first who began to revive the lost layer of our culture, returning to the people their favorite songs, songs of vocal and instrumental ensembles of the 70s.
Now there are young guys in the team who have brought a fresh musical spirit, and old favorite songs sound in a new way. Young people listen to them and sing with pleasure. Recorded in 1997, the album “Everything best songs 70s" (producer Sergei Gorbatov) is selling like hot cakes.
At the beginning of 2005 it was released new album“Golden Dawn” is already the 21st century. But all the new songs live next to the old, seemingly forgotten melodies.
Modern rhythms require a new sound, but the style and manner of singing of “Good Fellows” remain as before, just as kind and young!
VIA concerts are always a success, as they take into account the tastes of the widest audience. And the main thing is that all the songs can be sung, sung together. This is so missing on our stage.
VIA ‘Dobra Molodtsy’ is one of the most popular, successful groups 70s. The ensemble was formed on the basis of amateur popular group“Avangard-66’’. In 1969, young, energetic, perky guys performed enthusiastically in St. Petersburg at the youth cafe ''Eureka''. Crowds of fans gathered at their concerts, but they brought a lot of problems to the administration, so the guys had to leave the cafe. They also toured a little, but the status of an amateur group could not provide financial opportunities for the development and existence of the group. If you are interested in more detail about this period of the group’s existence, you can get this information on the official website of the VIA agent Dobry well done. Therefore, the group “Avangard-66” at the end of 1969 changed its name to “Good fellows” and established itself at the Philharmonic. The composition of the group also underwent some changes. VIA Good fellows began working in Moscow in Rosconcert in 1970. This period of their work came at the very peak of their popularity. They experimented a lot with their programs, using Russian ones too. folk songs, which were given an original treatment. You can invite Good Fellows to an event or holiday by contacting the Big City concert agency.
Organizer and artistic director Vladimir Antipin The legendary VIA “Dobry Molodtsy” was created by Leningrad musicians of the group “Avangard-66” in the summer of 1969. The first composition of the ensemble included: Vladimir Antipin - bass guitar, vocals, Alexander Petrenko - guitar, vocals, Boris Samygin - guitar, vocals, Vyacheslav Mastiev - soloist-vocalist, Evgeny Maimistov - percussion instruments, vocals. At the dawn of the creation of the Dobry Molodtsy ensemble, the guys played jazz and rock and roll at recreational evenings for Leningrad youth. Temporarily, Lev Vildavsky played drums in the ensemble, after which he was the keyboard player of the first VIA “Singing Guitars” in our country. Later, working for the Donetsk Philharmonic, fate first brought them together with the young musician Yuri Antonov, who worked for some time in the youth ensemble. In April 1967, the musicians returned home to Leningrad. They again play popular music by foreign authors at relaxation evenings. In the summer they go to the city of Sochi, and play dances there in the evenings. At this time, Yuri Antonov leaves the ensemble. Upon returning home, they are invited to the jazz orchestra of Joseph Weinstein. They tour a lot as part of the orchestra, working for the Chita Philharmonic. At this time, the ensemble includes: Valentin Milevsky - keyboards, vocals, Igor Petrenko - saxophone, flute, guitarist Mikhail Belyakov, future co-author of the lyrics of Yuri Antonov's song “There is no more beautiful you” and the Russian lyrics of D. Boon’s song “Beautiful Sunday” in performed by the VIA "Singing Guitars", keyboardist Vladimir Shafranov, Vladimir Kirillov - soloist, Nikolai Rezanov, later the leader of the legendary ensemble "The Pearl Brothers". By mid-1969, the musicians were making their new concert program, and the VIA “Good Fellows” was born in our country! The VIA “Good Fellows” program consisted of two sections. The first one featured Russian folk songs in a modern arrangement: “ Evening bells", "Lapti", "Luchina", "Brooms", "About a mosquito", "Meadow duck" and others, in the second there are pop songs of Soviet and foreign authors. At this time, the ensemble’s brass section: Vyacheslav Yans – trumpet, Alexandra Morozov – trombone, was joined by Seva Novgorodtsev /Vsevolod Levenshtein/ – alto saxophone, who would subsequently lead the ensemble. The ensemble “Good Fellows” begins to work on the professional stage from Rosconcert. In the early 70s, the musical television film “Good Fellows are Singing about Rus'” was released on the screens of the country, which was a great success among fans of the talent of the ensemble members. At this time, songs performed by the Dobry Molodtsy ensemble are often heard on the radio. In 1971, the ensemble was replenished with a new soloist, Roman Vlasenko / later group“Galaxy”/, Yuri Antonov returns to the ensemble from VIA “Singing Guitars”, who replenishes the concert program with his new songs - hits: “About good fellows and fair maidens”, “Snow”, “Yesterday”, “Don’t say words” ", "Summer is ending", "Where is my courage", "Song, guitar and me" and others. I note that the songs young composer Yuri Antonov: “Yesterday”, “Summer is ending”, “Snow” to the words of the songwriter Onegin Gadzhikasimov on All-Union Radio are included in the popular program of Viktor Tatarsky “Record on your tape recorders”! In October of this year, the ensemble was joined by Vladislav Petrovsky - keyboards and vocals. I, personally, was lucky enough in 1972 to listen to the VIA concert “Good Fellows” in the summer in Riviera Park in Sochi. At this time, the ensemble included: Vladimir Antipin - bass guitar, vocals, Anatoly Bortnik - guitar, vocals, Boris Samygin - guitar, vocals, Mikhail Pokhozhaev - trombone, Seva Novgorodtsev - saxophone, flute, Victor Iezdikovsky - trumpet, Yuri Antonov – keyboard instruments, tambourine, vocals, Vlad Petrovsky – keyboard instruments, vocals, Vladimir Kirillov – tambourine, vocals, Evgeny Maimistov – percussion instruments, vocals. Also in the ensemble “Good Fellows” in different years of their creative work there were singers - beautiful girls: Valentina Oleynikova, Zhanna Bichevskaya, Svetlana Plotnikova. Zhanna Bichevskaya, as part of the ensemble, performed her solo folk numbers, accompanying herself on acoustic guitar. Her repertoire also included Russian folk songs, songs by the author and composer Bulat Okudzhava, which did not disturb the harmony concert program ensemble, but only complemented it. Grigory Yakovlevich Gelbo worked as the ensemble's administrator at that time. In 1973, Yuri Antonov left to work for Anatoly Kroll’s Sovremennik orchestra. At this time, the composition of the ensemble changed frequently and by 1974 it was: Vladimir Antipin - bass guitar, vocals, Boris Samygin - guitar, vocals, Alexander Morozov - trombone, Vladimir Vasilevsky - trumpet, Georgy Chikov - trumpet, Vsevolod Novgorodtsev - tenor saxophone , flute, Vladimir Shafranov - keyboards, vocals, Evgeniy Maimistov - percussion instruments, vocals. Also in the ensemble at one time were trumpeters Anatoly Kulikov and Evgeny Pozdyshev, bass guitarists Vladimir Vasiliev / later VIA “Singing Guitars”, Stas Namin’s group “Flowers”, group “Krug” / and Pyotr Makienko. In 1974, the All-Union Recording Company "Melodiya" released the first EP of VIA "Good Fellows" with the songs: "At Spring and Love" / V. Antipin - A. Olgin /, "Golden Dawn" / B. Richard - r.t.L .Derbenev/, “About you, probably” /V.Antipin - O.Gadzhikasimov/. Also in the same year, composer David Tukhmanov included his songs “I’m going to the sea” to the words of the poet Vladimir Kharitonov and “Galina” to the words of the poet Leonid Zavalnyuk performed by the ensemble “Good Fellows” in the giant disc “This Merry Planet”. The team included drummer Anatoly Ponomarenko, as well as legendary musician Alexander Lerman – bass guitar, vocals / ex-groups “Skomorokhi”, “Wind of Changes”, “Araks”, VIA “Veselye Rebyata”/, who recorded many songs as part of the ensemble. Great value The wonderful choirmaster Anatoly Akulshin, who previously worked in the Leningrad ensemble “Druzhba”, also played in the ensemble. The song “Sing with us” / V. Antipin - M. Belyakov / on the All-Union Radio is included in the popular program of Viktor Tatarsky “At all latitudes”! In 1975, the magazine “Krugozor” writes about the work of the popular ensemble and records songs performed by it on an insert - a gramophone record: “Sing with us” / V. Antipin - M. Belyakov /, “Meadow Duck” / Russian folk song/ - soloist Alexander Lerman, “How to be happy” / V. Dobrynin - I. Shaferan / - soloists and bass players: Vladimir Vasiliev and Sergey Kukushkin. The Dobry Molodtsy ensemble tours a lot throughout our country and abroad, and success awaits the musicians everywhere. They perform in joint concerts with many Soviet pop masters. Popular composers Oleg Ivanov and Mark Fradkin tour as part of the ensemble. Despite great success with the public, at the beginning of 1975, almost all participants left the Dobry Molodtsy ensemble. They go to work in different groups and ensembles. Vladimir Antipin and Vlad Petrovsky are initially invited to the VIA “Jolly Guys”, but Vladimir, Boris Samygin and Evgeny Maimistov leave for their hometown and work in the Leningrad VIA “Kalinka” under the leadership of Sergei Lavrovsky, and Vlad eventually begins to work in Stas Namin’s group “Flowers”. At this time, the leadership of the Dobry Molodtsy ensemble was headed by keyboard player Anatoly Kiselyov. The ensemble consists of musicians: Vadim Golutvin - lead guitar, Alexander Evdokimov - bass guitar, vocals, Andrey Kostyuchenko - guitar, vocals, Anatoly Kiselev - keyboards, Roman Vlasenko, Vladimir Kostromin, Boris Tuarshev, Marina Smirnova, Lyudmila Barykina - soloists of the ensemble. At this time, the ensemble collaborates with many composers and songwriters and records many songs on their original gramophone records. In 1976, he recorded a song to the music of composer Mark Fradkin “Morse” on the author’s disc - the giant poet Mikhail Plyatskovsky. In parallel with his work in the ensemble, Alexander Lerman takes part in the project “In the Wave of My Memory” by composer David Tukhmanov and records the song “Heart, My Heart” /I. Goethe, translation by V. Levik/. In the same year, the ensemble closely collaborates with composer Alexander Flyarkovsky, the vocal group takes part in recording songs for the feature film “Prank” directed by Vladimir Menshov. In the same year VIA“Good fellows” becomes the Laureate of the First All-Russian competition of Soviet song performers, which was held in the city of Sochi. In 1977, the ensemble “Dobry Molodtsy” recorded songs for the giant author’s disc “Indian Summer” by the poet Igor Kokhanovsky: “Difficult Love”, soloist Alexander Lerman, to the music of Anatoly Kiselyov and “Garden Ring”, soloist Alexander Lerman, “Blame the Falling Leaves” , “Without You” to the music of Yuri Antonov. The magazine "Krugozor" in the section "Music by A. Flyarkovsky from the film "Rozygrysh"" includes on its music page the song "Farewell Waltz" /A. Didurov/, vocal group VIA "Dobry Molodtsy". In 1978, the All-Union record company "Melodiya" released the first giant disc of the ensemble "Good Fellows" to the music of composer Alexander Flyarkovsky - "At the very birth of the day", where, along with songs from the film "Prank", other songs were recorded. The ensemble takes part in original concerts by composer Alexander Flyarkovsky at the Krasnye Zori festival. The magazine “Club and Amateur Arts” records a fragment of the song “Farewell Waltz” / A. Didurov / from this film on its musical page. The series of gramophone records “For you, women” includes the song of the group “Day and Night” /Yu.Saulsky - M.Tanich/. Subsequently, the ensemble collaborates with composers Oscar Feltsman, Evgeny Krylatov and many others. As the fruit of their close cooperation, the All-Union record company “Melodiya” is releasing their next minions. This year, singer Andrei Kirisov joins the Dobry Molodtsy ensemble, who many years later will again recreate the concert and creative activity musical group. In his work on the stage, Andrei also collaborated with VIA “Music”, artistic director Nikolai Vorobyov. As part of this ensemble, the singer recorded the song “It’s Far, Far Away” / L. Garin - L. Zavalnyuk /, and also performed the role of the Coal Miner in the opera extravaganza by Andrei Bogoslovsky “ Scarlet Sails" The following musicians went through the school of pop art at the VIA “Dobry Molodtsy” under the direction of Anatoly Kiselyov: Yuri Makhin – bass guitar, later a member of the rock groups “Black Coffee” and “Cruise”, Vitaly Baryshnikov – keyboard instruments, singer Alexey Glyzin, Alexander Pravdin , Vladimir Kaplinsky, Dmitry Zotov, Vladimir Salov, Pavel Smeyan, Sergey Zharov, Vladimir Lisenkov, Sergey Tsires, Nikolay Rumyantsev, L. Privina, S. Kovalenko, S. Shashkin, A. Buluktaeva and many others. In 1982, members of the ensemble took part in the film directed by Konstantin Bromberg “Sorcerers” and recorded their next EP with songs by composer Evgeny Krylatov: “Centaurs”, “Song about a Snowflake” to the words of the poet Leonid Derbenev, where in the recording “Song about a Snowflake” took participation and young singer Olya Rozhdestvenskaya. In parallel with this, the ensemble records songs and its artistic director Anatoly Kiselyov: “White Veil”, soloist Vladimir Kostromin, to the words of V. Popkov, “What’s wrong with you” to the words of V. Tatarinov, “It was the month of May” to the words of I. Kokhanovsky, “Your view” to the words of B. Dubrovin, “Spring of Victory”, “I will give it to you”, “I confess my love” to the words of V. Sergeev. In 1983, the magazine “Krugozor” again turns its attention to the work of the group and on its musical page records songs performed by the VIA “Good Fellows” - “Razdolnye Open Spaces” / A. Flyarkovsky - A. Dostal /, “Centaurs” from t/f “Sorcerers” /E. Krylatov - L. Derbenev/. In 1986, the magazine “Club and Amateur Arts” also again turns to the work of the ensemble and on its musical page includes the songs: “Spring of Victory” and “I confess my love” / A. Kiselyov - V. Sergeev /, soloist S. Kovalenko, in the subsequent issue in the competition section “New Year's Carnival” he records their song “Coming New Year» /A. Kiselyov - I. Belous/. In 1987, singer Pavel Smeyan, as part of the VIA “Dobra Molodtsy”, recorded the songs: “If in the house”, “Creepy dream”, “Drop by drop”, “Well, why?” /A. Kiselyov – M. Kanevsky/ for the cartoon “Brownies, or a Winter Night’s Dream”, directed by Vladimir Samsonov. In 1988, the magazine “Club and Amateur Activities” under the heading “Who, if not us?” included the songs “Drop by Drop”, “Close the Door!”, “Why?” /A.Kiselev - M.Kanevsky/, in the subsequent issue in the section “Melodies of Love” - “And the day will come” /A.Kiselev - A.Didurov/, soloist Larisa Dolina and VIA “Dobry Molodtsy” and “Petrushka” /A .Kiselyov - V.Tatarinov/, soloist Ais Buluktaeva and VIA “Dobry Molodtsy”. In 1990, the Dobry Molodtsy ensemble temporarily stopped its touring and concert activities. In 1994, singer Andrei Kirisov invites Moscow musicians to take part in the new composition of the VIA “Dobry Molodtsy”. The ensemble consisted of: Sergey Novikov - lead guitar, vocals, Alexander Andreev - bass guitar, Sergey Gorbatov - rhythm guitar, vocals, Nikolay Sokolov - keyboards, Vladimir Ostrikov - percussion instruments, Valery Kirisov - sound engineer. In 1996, on the initiative of Andrei Kirisov, the first album with the best songs of the long-term creativity of VIA “Good Fellows” was released, recorded on a CD. In 1998, members of the VIA “Dobry Molodtsy” recorded their first album with the best songs of the 20th century. In 2000, the ensemble's next album was released with the best Soviet pop songs. Singer Sergei Naydenkov also took part in the recording of songs. In 2005, the next album “Golden Dawn” by the ensemble “Good Fellows” was released. Currently, the VIA “Dobry Molodtsy” includes: Sergey Novikov – lead guitar, vocals, Dmitry Barekhov – bass guitar, vocals, Sergey Gorbatov – rhythm guitar, vocals, Yuri Tokarev – keyboard instruments, vocals, Andrey Kostyuchenko – button accordion, keyboard instruments, vocals, Vladimir Vdovenko - drums, Yuri Kondrashov - percussion instruments, Andrey Kirisov - soloist, Valery Kirisov - sound engineer. VIA “Dobry Molodtsy” tours a lot around our country, often performing in joint concerts with Stars of Soviet and national stage. He rightfully continues the song chronicle of the legendary VIA “Good Fellows”. We wish the members of the popular ensemble “Dobra Molodtsy” new songs, new albums and success in everything!!! Yuri Ryndin June 26, 2007 St. Petersburg
VIA “Good fellows”- vocal and instrumental ensemble.
Story
The core of the Dobry Molodtsy ensemble was made up of members of the Leningrad beat group Avangard, founded in 1963 in Leningrad, which began regular performances in 1965.
First cast
- Alexander Petrenko (lead guitar/vocals)
- Boris Samygin (rhythm guitar/vocals)
- Vladimir Antipin (bass guitar/vocals)
- Evgeny Maimistov (drums)/vocals.
In 1965, the group worked in student clubs and cafes and, being practically the first beat group in the city, enjoyed enormous popularity.
In 1967, the leader of the famous jazz orchestra I.V. Weinstein invited the Avangard group to his program. The first experiment of a beat group working with a big band took place. In 1968 the group left for Far East, and in the spring of 1969 work began on new program, one section of which consisted of Russian folk songs, and the other - pop songs. This is how the show program and ensemble “Good Fellows” was born.
In 1969, saxophonist and flutist Igor Petrenko, trumpeter Viktor Iezdikovsky and vocalist Vladimir Kirillov joined the ensemble.
Since 1970, the VIA “Good Fellows,” consisting entirely of Leningrad musicians, began working at Rosconcert in Moscow. By that time, under the influence of “Blood, Sweat & Tears” and “Chicago”, the ensemble acquired a brass group:
- Jaroslav Jansa (trumpet)
- Alexander Morozov (trombone)
- saxophonist Vsevolod Levenshtein (aka Seva Novgorodtsev) led VIA from 1972 to 1974 and emigrated to the UK in 1975.
At this time he began working in the ensemble again Yuri Antonov, who back in 1967 was for some time a member of the Avangard group.
In 1973, a young Moscow composer, Anatoly Kiselyov, joined the team and found himself in “Good Fellows” as the only musician with a conservatory education. The beginning of the 70s was the period of the highest popularity of the VIA “Good Fellows”. Thanks to the songs of Yu. Antonov (“About good fellows”, “Yesterday”, “Summer is ending”, etc.), collaboration with David Tukhmanov (“Galina”, “I’m going to the sea”), as well as original arrangements by Russian folk songs, the ensemble constantly collected full concert halls and Sports Palaces.
:
Vladimir Kirillov - vocals/percussion
Igor Petrenko - saxophone/flute/vocals
Vladimir Antipin - bass guitar/vocals
Alexander Petrenko - lead guitar/weld trombone/vocals
Boris Samygin - rhythm guitar/vocals
Valery Milevsky - keyboards/vocals
Evgeny Maimistov - drums/vocals
VIA “Good fellows”- vocal and instrumental ensemble.
Story
The core of the Dobry Molodtsy ensemble was made up of members of the Leningrad beat group Avangard, founded in 1963 in Leningrad, which began regular performances in 1965.
First lineup:
- Alexander Petrenko (lead guitar/vocals)
- Boris Samygin (rhythm guitar/vocals)
- Vladimir Antipin (bass guitar/vocals)
- Evgeny Maimistov (drums)/vocals.
In 1965, the group worked in student clubs and cafes and, being practically the first beat group in the city, enjoyed enormous popularity.
In 1967, the leader of the famous jazz orchestra I.V. Weinstein invited the Avangard group to his program. The first experiment of a beat group working with a big band took place. In 1968, the group left for the Far East, and in the spring of 1969, work began on a new program, one section of which consisted of Russian folk songs, and the other of pop songs. This is how the show program and ensemble “Good Fellows” was born.
In 1969, saxophonist and flutist Igor Petrenko, trumpeter Viktor Iezdikovsky and vocalist Vladimir Kirillov joined the ensemble.
Compound
IN different times musicians worked in the ensemble of different ages, different musical tastes and hobbies.
Former members
- Seva Novgorodtsev (saxophone)
- Sergey Petrov (guitar)
- Lyudmila Barykina (vocals) (1975)
- Nikita Zaitsev (guitarist and violinist)
Discography
Gramophone records(vinyl):
- - “Melody”. Songs of David Tukhmanov. Ensemble "Good fellows". “I’m going to the sea” (V. Kharitonov).
- - “Melody”. Songs of David Tukhmanov. Ensemble “Good fellows” - “Galina” (L. Zavalnyuk).
- 1974 - “Melody”. David Tukhmanov. "This is a fun planet." (Giant disc) Ensemble “Good fellows” - “Galina” (L. Zavalnyuk), “I’m going to the sea” (V. Kharitonov).
- - “Melody”. VIA “Good fellows”. Head Vladimir Antipin. “At Spring and Love” (V. Antipin - A. Olgin), “Golden Dawn” (Barry Richard, Russian text by L. Derbenev), “About you, probably” (V. Antipin - O. Gadzhikasimov).
- 1975 - “Melody”. Poems and songs by Mikhail Plyatskovsky. (giant disc) Ensemble “Good fellows” - “Morse code” (M. Fradkin).
- 1975 - “Melody”. Songs of Vyacheslav Dobrynin. Ensemble “Good fellows” - “How happy to be” (II. Shaferan).
- - “Melody”. David Tukhmanov. "According to my memory." “Heart, my heart” (J. V. Goethe, translation by V. Levin) - soloist Alexander Lerman (VIA “Good fellows”).
- 1976 - “Melody”. Songs based on poems by Igor Kokhanovsky. Ensemble "Good fellows" - "Garden Ring" (Yu. Antonov) - soloist Alexander Lerman, "Could this be possible" (V. Dobrynin) - soloist Lyudmila Barykina, "Difficult Love" (A. Kiselyov) - soloist Alexander Lerman.
- - “Melody”. Moscow ensemble "Good fellows". Head Anatoly Kiselev. “Butterflies are flying” (A. Flyarkovsky - A. Didurov), “Sneakers” (A. Flyarkovsky - L. Derbenev), “September Melody” (A. Flyarkovsky - A. Didurov).
- - “Melody”. Songs by Yuri Antonov to poems by Igor Kokhanovsky. Ensemble “Good fellows” - “Guilty, leaf fall” (Yu. Antonov), soloist Roman Vlasenko, “Without you” (Yu. Antonov) - soloist Lyudmila Barykina.
- 1978 - “Melody”. "Screen ringtones" Songs from the movie "The Prank". The vocal group of the ensemble “Good fellows” and the Goskino orchestra conducted by Georgy Garanyan - soloist Vyacheslav Kiselev.
- 1978 - “Melody”. VIA “Good fellows” - director Anatoly Kiselyov (the first and only giant disc). Songs of Alexander Flyarkovsky. “Farewell Waltz”, “Swifts”, “What’s Coming”, “Look at Me”, “First Rain” - songs from the movie “Prank” with lyrics by Alexey Di-durov, “Man-God” (N. Olev), “ Russia" (M. Sergeev), "September Melody" (A. Didurov), "Sneakers" (L. Derbenev).
- 1978 - “Melody”. Songs based on the poems of Igor Kokhanovsky “Indian Summer” (giant disc) ensemble “Good fellows” - “Difficult Love” (A. Kiselyov), “Garden Ring”, “It’s the fall of the leaves”, “Without you” (Yu. Antonov).
- 1978 - “Melody”. “For you, women” - ensemble “Good fellows” - “Day and Night” (Yu. Saulsky-M. Tanich).
- - “Melody”. VIA “Good fellows” - director Anatoly Kiselyov. Songs by Oscar Feltsman. “You are forever”, “A place in the sun”, “You are not with me” (poems by N. Olev), “Only a glance” (E. Dolmatovsky).
- - “Melody”. VIA “Good fellows” - director Anatoly Kiselyov. Songs of Anatoly Kiselyov. “White Veil” (V. Popkov), “What’s the matter with you” (V. Tatarinov), “It was the month of May” (I. Kokhanovsky).
- - “Melody”. The ensemble “Good fellows” is led by Anatoly Kiselyov. “Your Look” (A. Kiselyov - B. Dubrovin), “There Will Be One” (I. Yakushenko - I. Shaferan), “Swing” (L. Reed, Russian text by M. Belyakov), “Our Love” (P Aedonitsky - A. Dementyev).
- - “Melody”. “Flat Planet” - Songs based on poems by Leonid Derbenev, (giant disc). Ensemble “Good fellows” - “Centaurs” (E. Krylatov).
- - “Melody”. Evgeny Krylatov “Imagine” poems by Leonid Derbenev. Songs from the TV movie “Sorcerers” (giant disc). The ensemble “Good fellows” - “Song about a snowflake” - performed by Olya Rozhdestvenskaya, “Centaurs”.
- 1984 - “Melody”. “Love will come to you too” (giant disc) - ensemble “Good fellows” - “Morning Song” (R. Rozhdestvensky)
CDs:
- - “Aprelevka sound production” - “The Lion Left Home” (from the archives of the Melodiya company).
- 1995 - “Quad-disk”. VIA “Good fellows”. "All the best songs of the 70s."
- 1995 - “R.M.J.” VIA “Good fellows” - “Once again about football.” Songs by Alexander Klevitsky to poems by Mikhail Shabrov.
- - Frost Records. VIA “Good fellows” - “I remember when I was a child...”.
- “Let's go to the sea” - songs based on poems by Igor Kokhanovsky. “Good fellows” - “Difficult Love”, “Garden Ring”, “My Wealth” (recordings of 1977).
- “Indian Summer” - songs based on poems by Igor Kokhanovsky - “Good fellows” - soloist Lyudmila Barykina - “I can live without you” (recorded in 1977).
- - “Quad-disc” VIA “Good fellows” - “Golden Dawn”. (Old and new songs) - recording from 2004.
Filmography
- Musical television film “Good fellows are singing about Rus'”, 1970
- “Prank” - Mosfilm film studio 1978 - music track with songs performed by vocal VIA group“Good fellows” under the leadership of Anatoly Kiselyov.
- “Sorcerers” - Odessa Film Studio commissioned by the USSR State Television and Radio Broadcasting Company, 1982. Soundtrack recording. VIA members play cameo roles musicians of the amateur ensemble "Pomorin".
- “Brownies, or A Winter Night’s Dream” - creative association “Ekran” 1987 - cartoon for adults.
- “December 32” - creative association “Ekran” 1988 - cartoon for adults.
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Excerpt characterizing Good fellows
“Your Excellency,” Prince Andrei interrupted the silence with his sharp voice, “you deigned to send me to Captain Tushin’s battery.” I was there and found two thirds of the men and horses killed, two guns mangled, and no cover.Prince Bagration and Tushin now looked equally stubbornly at Bolkonsky, who was speaking restrainedly and excitedly.
“And if, Your Excellency, allow me to express my opinion,” he continued, “then we owe the success of the day most of all to the action of this battery and the heroic fortitude of Captain Tushin and his company,” said Prince Andrei and, without waiting for an answer, he immediately stood up and walked away from the table.
Prince Bagration looked at Tushin and, apparently not wanting to show distrust of Bolkonsky’s harsh judgment and, at the same time, feeling unable to fully believe him, bowed his head and told Tushin that he could go. Prince Andrei followed him out.
“Thank you, I helped you out, my dear,” Tushin told him.
Prince Andrei looked at Tushin and, without saying anything, walked away from him. Prince Andrei was sad and hard. It was all so strange, so unlike what he had hoped for.
“Who are they? Why are they? What do they need? And when will all this end? thought Rostov, looking at the changing shadows in front of him. The pain in my arm became more and more excruciating. Sleep was falling irresistibly, red circles were jumping in my eyes, and the impression of these voices and these faces and the feeling of loneliness merged with a feeling of pain. It was they, these soldiers, wounded and unwounded, - it was they who pressed, and weighed down, and turned out the veins, and burned the meat in his broken arm and shoulder. To get rid of them, he closed his eyes.
He forgot himself for one minute, but during this short period of oblivion he saw countless objects in his dreams: he saw his mother and her big white hand, saw Sonya’s thin shoulders, Natasha’s eyes and laughter, and Denisov with his voice and mustache, and Telyanin, and his whole story with Telyanin and Bogdanich. This whole story was one and the same thing: this soldier with a sharp voice, and this whole story and this soldier so painfully, relentlessly held, pressed and all pulled his hand in one direction. He tried to move away from them, but they did not let go of his shoulder, not even a hair, not even for a second. It wouldn’t hurt, it would be healthy if they didn’t pull on it; but it was impossible to get rid of them.
He opened his eyes and looked up. The black canopy of night hung an arshin above the light of the coals. In this light, particles of falling snow flew. Tushin did not return, the doctor did not come. He was alone, only some soldier was now sitting naked on the other side of the fire and warming his thin yellow body.
“Nobody needs me! - thought Rostov. - There is no one to help or feel sorry for. And I was once at home, strong, cheerful, loved.” “He sighed and involuntarily groaned with a sigh.
- Oh, what hurts? - asked the soldier, shaking his shirt over the fire, and, without waiting for an answer, he grunted and added: - You never know how many people have been spoiled in a day - passion!
Rostov did not listen to the soldier. He looked at the snowflakes fluttering over the fire and remembered the Russian winter with a warm, bright house, a fluffy fur coat, fast sleighs, healthy body and with all the love and care of the family. “And why did I come here!” he thought.
The next day, the French did not resume the attack, and the rest of Bagration’s detachment joined Kutuzov’s army.
Prince Vasily did not think about his plans. He even less thought of doing evil to people in order to gain benefit. He was only socialite, who succeeded in the world and made a habit out of this success. He constantly, depending on the circumstances, depending on his rapprochement with people, drew up various plans and considerations, of which he himself was not well aware, but which constituted the entire interest of his life. Not one or two such plans and considerations were in his mind, but dozens, of which some were just beginning to appear to him, others were achieved, and others were destroyed. He did not say to himself, for example: “This man is now in power, I must gain his trust and friendship and through him arrange for the issuance of a one-time allowance,” or he did not say to himself: “Pierre is rich, I must lure him to marry his daughter and borrow the 40 thousand I need”; but a man in strength met him, and at that very moment instinct told him that this man could be useful, and Prince Vasily became close to him and at the first opportunity, without preparation, by instinct, flattered, became familiar, talked about what what was needed.
Pierre was under his arm in Moscow, and Prince Vasily arranged for him to be appointed a chamber cadet, which was then equivalent to the rank of state councilor, and insisted that the young man go with him to St. Petersburg and stay in his house. As if absent-mindedly and at the same time with an undoubted confidence that this should be so, Prince Vasily did everything that was necessary in order to marry Pierre to his daughter. If Prince Vasily had thought about his plans ahead, he could not have had such naturalness in his manners and such simplicity and familiarity in his relations with all the people placed above and below himself. Something constantly attracted him to people stronger or richer than himself, and he was gifted with the rare art of catching exactly the moment when it was necessary and possible to take advantage of people.
Pierre, having unexpectedly become a rich man and Count Bezukhy, after recent loneliness and carelessness, felt so surrounded and busy that he only managed to be left alone with himself in bed. He had to sign papers, deal with government offices, the meaning of which he had no clear idea of, ask the chief manager about something, go to an estate near Moscow and receive many people who previously did not want to know about his existence, but now would offended and upset if he didn’t want to see them. All these various persons - businessmen, relatives, acquaintances - were all equally well disposed towards the young heir; all of them, obviously and undoubtedly, were convinced of the high merits of Pierre. He constantly heard the words: “With your extraordinary kindness,” or “with your wonderful heart,” or “you yourself are so pure, Count...” or “if only he were as smart as you,” etc., so he He sincerely began to believe in his extraordinary kindness and his extraordinary mind, especially since it always seemed to him, deep down in his soul, that he was really very kind and very smart. Even people who had previously been angry and obviously hostile became tender and loving towards him. Such an angry eldest of the princesses, with a long waist, with hair smoothed like a doll’s, came to Pierre’s room after the funeral. Lowering her eyes and constantly flushing, she told him that she was very sorry for the misunderstandings that had happened between them and that now she felt she had no right to ask for anything, except permission, after the blow that had befallen her, to stay for a few weeks in the house that she loved so much and where made so many sacrifices. She couldn't help but cry at these words. Touched that this statue-like princess could change so much, Pierre took her hand and asked for an apology, without knowing why. From that day on, the princess began to knit a striped scarf for Pierre and completely changed towards him.
– Do it for her, mon cher; “All the same, she suffered a lot from the dead man,” Prince Vasily told him, letting him sign some kind of paper in favor of the princess.
Prince Vasily decided that this bone, a bill of 30 thousand, had to be thrown to the poor princess so that it would not occur to her to talk about Prince Vasily’s participation in the mosaic portfolio business. Pierre signed the bill, and from then on the princess became even kinder. The younger sisters also became affectionate towards him, especially the youngest, pretty, with a mole, often embarrassed Pierre with her smiles and embarrassment at the sight of him.
It seemed so natural to Pierre that everyone loved him, it would seem so unnatural if someone did not love him, that he could not help but believe in the sincerity of the people around him. Moreover, he did not have time to ask himself about the sincerity or insincerity of these people. He constantly had no time, he constantly felt in a state of meek and cheerful intoxication. He felt like the center of some important general movement; felt that something was constantly expected of him; that if he didn’t do this, he would upset many and deprive them of what they expected, but if he did this and that, everything would be fine - and he did what was required of him, but something good remained ahead.
More than anyone else at this first time, Prince Vasily took possession of both Pierre’s affairs and himself. Since the death of Count Bezukhy, he has not let Pierre out of his hands. Prince Vasily had the appearance of a man weighed down by affairs, tired, exhausted, but out of compassion, unable to finally abandon this helpless young man, the son of his friend, to the mercy of fate and the swindlers, apres tout, [in the end,] and with such a huge fortune. In the few days that he stayed in Moscow after the death of Count Bezukhy, he called Pierre to himself or came to him himself and prescribed to him what needed to be done, in such a tone of fatigue and confidence, as if he was saying every time:
“Vous savez, que je suis accable d"affaires et que ce n"est que par pure charite, que je m"occupe de vous, et puis vous savez bien, que ce que je vous propose est la seule chose faisable." [ You know, I’m overwhelmed with business; but it would be merciless to leave you like this; of course, what I’m telling you is the only possible thing.]
“Well, my friend, tomorrow we’re going, finally,” he told him one day, closing his eyes, moving his fingers on his elbow and in such a tone, as if what he was saying had been decided a long time ago between them and could not be decided otherwise.
“We’re going tomorrow, I’ll give you a place in my stroller.” I'm very happy. Everything important is over here. I should have needed it a long time ago. This is what I received from the chancellor. I asked him about you, and you were enlisted in the diplomatic corps and made a chamber cadet. Now the diplomatic path is open to you.
Despite the strength of the tone of fatigue and the confidence with which these words were spoken, Pierre, who had been thinking about his career for so long, wanted to object. But Prince Vasily interrupted him in that cooing, bassy tone that excluded the possibility of interrupting his speech and which he used when extreme persuasion was necessary.
- Mais, mon cher, [But, my dear,] I did it for myself, for my conscience, and there is nothing to thank me for. No one ever complained that he was too loved; and then, you are free, even if you quit tomorrow. You will see everything for yourself in St. Petersburg. And it’s high time for you to move away from these terrible memories. – Prince Vasily sighed. - Yes, yes, my soul. And let my valet ride in your carriage. Oh yes, I forgot,” Prince Vasily added, “you know, mon cher, that we had scores to settle with the deceased, so I received it from Ryazan and will leave it: you don’t need it.” We will settle with you.
What Prince Vasily called from “Ryazan” were several thousand quitrents, which Prince Vasily kept for himself.