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Gorky's works. Gorky's early romantic works. According to Gorky’s definition, this is a book about “an intellectual of average value who goes through a whole series of moods, looking for the most independent place in life, where he could

04.07.2020

Gorky's early work is striking, first of all, because it is unusual for young writer artistic diversity, the bold confidence with which he creates works of different colors and poetic intonation. The enormous talent of the artist of the rising class - the proletariat, drawing powerful strength from the “movement of the masses themselves”, was revealed already at the very beginning literary work Maxim Gorky.
By acting as a herald of the coming storm, Gorky fell in line with the public mood. In 1920, he wrote: “I began my work as a stirrer of revolutionary sentiment with glory to the madness of the brave.” Exam questions and answers. Literature. 9 and 11 graduating classes. Tutorial. - M.: AST-PRESS, 2000. - P.214. This applies, first of all, to Gorky’s early romantic works. In the 1890s. he wrote the stories “Makar Chudra”, “Old Woman Izergil”, “Khan and His Son”, “Mute”, “Return of the Normans from England”, “Blindness of Love”, fairy tales “The Girl and Death”, “About the Little Fairy and the Young Shepherd” ”, “Song of the Falcon”, “Song of the Petrel”, “Legend of Marco”, etc. All of them are distinguished by one feature, which can be defined in the words of L. Andreev: “the taste of freedom, something free, broad, bold.” Gorky M. Prose. Dramaturgy. Journalism. - M.: Olimp; LLC "AST Publishing House", 1999. - P.614. In all of them there is a motif of rejection of reality, confrontation with fate, and a daring challenge to the elements. In the center of these works is the figure of a strong, proud, courageous man, not submitting to anyone, unbending. And all these works, like living gems, shimmer with unprecedented colors, spreading a romantic glow around.

The story “Makar Chudra” is a statement of the ideal of personal freedom
At the center of Maxim Gorky's early works are exceptional characters, strong-willed and proud people who, according to the author, “have the sun in their blood.” This metaphor gives rise to a number of images close to it, associated with the motif of fire, sparks, flame, and torch. These heroes have burning hearts. This feature is characteristic not only of Danko, but also of the characters in Gorky’s first story, “Makar Chudra.” Rogover E.S. Russian literature of the twentieth century. To help school graduates and applicants: Study guide. - St. Petersburg: “Paritet”, 2002. - P.131.
The old gypsy Makar Chudra begins his story to the brooding melody of the splashing of the oncoming waves. From the very first lines, the reader is overwhelmed by a feeling of the unusual: the boundless steppe on the left and the endless sea on the right, the old gypsy lying in a beautiful strong pose, the rustling of coastal bushes - all this sets the mood for a conversation about something intimate, the most important. Makar Chudra slowly talks about man’s calling and his role on earth. “A person is a slave as soon as he is born, a slave all his life and that’s it,” argues Makar. Gorky M. Prose. Dramaturgy. Journalism. - M.: Olimp; LLC "AST Publishing House", 1999. - P.18. And he contrasts this with his own: “Man will be born to learn what will is, the expanse of the steppe, to hear the conversation sea wave"; “If you live, then you become kings over the whole earth.”
This idea is illustrated by the legend of the love of Loiko Zobar and Rada, who did not become slaves to their feelings. Their images are exceptional and romanticized. Loiko Zobar has “eyes like clear stars, and a smile like the whole sun.” Ibid., p.21. When he sits on a horse, it seems as if he was forged from one piece of iron along with the horse. Zobar's strength and beauty are not inferior to his kindness. “You need his heart, he himself would tear it out of his chest and give it to you, if only it would make you feel good.” Ibid., p.20. The beautiful Rada matches. Makar Chudra calls her an eagle. “You can’t say anything about her in words. Perhaps its beauty could be played on a violin, and even those who know this violin like their soul.”
The proud Rada for a long time rejected the feelings of Loiko Zobar, because will was more valuable to her than love. When she decided to become his wife, she set a condition that Loiko could not fulfill without humiliating himself. An insoluble conflict leads to tragic ending: heroes die, but remain free, love and even life are sacrificed to the will. In this story we first appear romantic image loving human heart: Loiko Zobar, who could tear the heart out of his chest for the happiness of his neighbor, checks whether his beloved has a strong heart and plunges a knife into it. And the same knife, but in the hands of soldier Danila, strikes Zobar’s heart. Love and the thirst for freedom turn out to be evil demons that destroy people's happiness. Together with Makar Chudra, the narrator admires the strength of character of the heroes. And together with him, he cannot answer the question that runs like a leitmotif through the entire story: how to make people happy and what happiness is.
The story “Makar Chudra” formulates two different understandings of happiness. The first is in the words of the “strict man”: “Submit to God, and he will give you everything you ask.” Ibid., p.18. This thesis is immediately debunked: it turns out that God did not even give the “strict man” clothes to cover his naked body. The second thesis is proven by the fate of Loiko Zobar and the Rada: will more valuable than life, happiness is in freedom. The romantic worldview of the young Gorky goes back to the famous Pushkin words: “There is no happiness in the world, but there is peace and will...”

The story “Old Woman Izergil” - awareness of a person’s personality
On seashore near Akkerman in Bessarabia, the author of the legend of the old woman, Izergil, listens. Everything here is full of atmospheric love: the men are “bronze, with lush black mustaches and thick shoulder-length curls,” the women are “cheerful, flexible, with dark blue eyes, also bronze.” The author's imagination and the night make them irresistibly beautiful. Nature harmonizes with the author’s romantic mood: the foliage sighs and whispers, the wind plays with the silky hair of women.
The old woman Izergil is depicted in contrast: time has bent her in half, a bony body, dull eyes, a creaky voice. Ruthless time takes away beauty and with it love. The old woman Izergil talks about her life, about her lovers: “Her voice crunched, as if the old woman was speaking with bones.” Gorky leads the reader to the idea that love is not eternal, just as man is not eternal. What remains in life for centuries? Gorky put two legends into the mouth of the old woman Izergil: about the eagle’s son Lara, who considered himself the first on earth and wanted happiness only for himself, and about Danko, who gave his heart to people.
The images of Lara and Danko are sharply contrasting, although both of them are brave, strong and proud people. Lara lives according to the laws of the strong, to whom “everything is permitted.” He kills the girl because she did not submit to his will, and steps on her chest with his foot. Lara's cruelty is based on a sense of superiority of a strong individual over the crowd. Gorky debunks popular theories at the end of the 19th century. ideas of the German philosopher Nietzsche. In Thus Spoke Zarathustra, Nietzsche argued that people are divided into strong (eagles) and weak (lambs) who are destined to be slaves. Nietzsche's apology for inequality, the idea of the aristocratic superiority of the chosen over all others were subsequently used in the ideology and practice of fascism. Spiridonova L.A. “I came into the world to disagree.”
In the legend of Lara, Gorky shows that a Nietzschean who professes the morality “everything is permitted to the strong” will face loneliness, which worse than death. “His punishment is in himself,” says the wisest of people after Lara commits a crime. And Lara, doomed to eternal life and eternal wandering turns into a black shadow, dried up by the sun and winds. Condemning an egoist who only takes from people without giving anything in return, the old woman Izergil says: “For everything that a person takes, he pays with himself, with his mind and strength, sometimes with his life.”
Danko pays with his life, performing a feat in the name of people's happiness. The blue sparks that flare up at night in the steppe are the sparks of his burning heart, which illuminated the path to freedom. Impenetrable forest where giant trees stood stone wall, the greedy maw of the swamp, strong and evil enemies gave birth to fear in people. Then Danko appeared: “What will I do for people,” Danko shouted louder than thunder. And suddenly he tore his chest with his hands and tore his heart out of it and raised it high above his head. It burned as bright as the sun and brighter than the sun, and the whole forest fell silent, illuminated by this torch great love to people, and the darkness was scattered from its light...”
As we have seen, the poetic metaphor of “giving your heart to your loved one” arose both in the story “Makar Chudra” and in the fairy tale about the little fairy. But here it turns into an expanded poetic image, interpreted literally. Gorky puts a new, high meaning into the erased banal phrase that has accompanied declarations of love for centuries: “to give your hand and heart.” Danko's living human heart became a torch illuminating the path to a new life for humanity. And although " careful man“Still stepped on it with his foot, blue sparks in the steppe always remind people of Danko’s feat.
The meaning of the story “Old Woman Izergil” is determined by the phrase “In life there is always a place for exploits.” The daredevil Danko, who “burned his heart for people and died without asking them for anything as a reward for himself,” expresses Gorky’s innermost thought: the happiness and will of one person are unthinkable without the happiness and liberation of the people.

“Song of the Falcon” - a hymn to action in the name of freedom and light
“The madness of the brave is the wisdom of life,” Gorky states in “Song of the Falcon.” The main technique by which this thesis is affirmed is a dialogue between two different “truths”, two worldviews, two contrasting images - the Falcon and the Snake. The writer used the same technique in other stories. The free shepherd is the antipode of the blind Mole, the egoist Lara is opposed to the altruist Danko. In “The Song of the Falcon,” a hero and a tradesman appear before the reader. Smug Already convinced of the inviolability of the old order. He feels great in the dark gorge: “warm and damp.” The sky for him is an empty place, and the Falcon, dreaming of flying into the sky, is a real madman. With poisonous irony, Already claims that the beauty of flying is in the fall.
In the soul of the Falcon lives an insane thirst for freedom and light. By his death, he confirms the rightness of the feat in the name of freedom.
The death of the Falcon is at the same time a complete debunking of the “wise” Snake. In “Song of the Falcon” there is a direct echo with the legend of Danko: blue sparks of a burning heart flash in the darkness of the night, forever reminding people of Danko. The death of the Falcon also brings him immortality: “And drops of your hot blood, like sparks, will flare up in the darkness of life and will ignite many brave hearts with an insane thirst for freedom and light!”
From work to work in early work Gorky’s theme of heroism grows and crystallizes. Loiko Zobar, Rada, the little fairy commit crazy things in the name of love. Their actions are extraordinary, but this is not yet a feat. The girl, who comes into conflict with the king, boldly defeats Fear, Fate and Death (“The Girl and Death”). Her courage is also the madness of the brave, although it is aimed at protecting personal happiness. Lara's courage and audacity lead to a crime, for he, like Pushkin's Aleko, “only wants freedom for himself.” And only Danko and Sokol, by their deaths, affirm the immortality of the feat. So the problem of the will and happiness of an individual person fades into the background, replaced by the problem of happiness for all humanity. “The Madness of the Brave” brings moral satisfaction to the daredevils themselves: “I go to burn as brightly as possible and to illuminate the darkness of life more deeply. And death for me is my reward! - declares Gorky's Man. Spiridonova L.A. “I came into the world to disagree.” Early romantic works Gorky was awakened by the consciousness of the inferiority of life, unfair and ugly, and gave birth to the dream of heroes rebelling against the order established over centuries.
The revolutionary romantic idea determined and artistic originality Gorky's works: pathetic sublime style, romantic plot, fairy tale genre, legends, songs, allegories, conventionally symbolic background of action. In Gorky's stories it is easy to detect the exceptional character, setting, and language characteristic of romanticism. But at the same time, they contain features characteristic only of Gorky: a contrasting comparison of the hero and the tradesman, the Man and the slave. The action of the work, as a rule, is organized around a dialogue of ideas; the romantic frame of the story creates a background against which the author’s thought appears prominently. Sometimes such a frame is a landscape - a romantic description of the sea, steppe, thunderstorm. Sometimes - a harmonious harmony of the sounds of a song. The importance of sound images in Gorky’s romantic works is difficult to overestimate: the melody of the violin sounds in the story of the love of Loiko Zobar and Rada, the whistle of the free wind and the breath of a thunderstorm - in the tale of the little fairy, “wonderful music of revelation” - in the “Song of the Falcon”, a menacing roar storms - in “Song of the Petrel”. The harmony of sounds complements the harmony of allegorical images. The image of an eagle as a symbol of a strong personality arises when characterizing heroes who have Nietzschean traits: the eagle Rada, free as an eagle, the shepherd, the son of the eagle Lara. The image of the Falcon is associated with the idea of an altruistic hero. Makar Chudra calls a falcon a storyteller who dreams of making all people happy. Finally, the Petrel symbolizes the movement of the masses themselves, the image of future retribution.
Gorky generously uses folklore motifs and images, retells Moldavian, Wallachian, Hutsul legends that he overheard while wandering around Rus'. The language of Gorky's romantic works is flowery and patterned, melodiously sonorous.

Conclusion
The early work of Maxim Gorky is remarkable different styles, noted by L. Tolstoy, A.P. Chekhov and V.G. Korolenko. The work of young Gorky was influenced by many writers: A.S. Pushkin, Pomyalovsky, G. Uspensky, N.S. Leskova, M.Yu. Lermontov, Byron, Schiller.
The writer turned to both the realistic and romantic movements of art, which in some cases existed independently, but were often whimsically mixed. However, at first, Gorky’s works were dominated by the romantic style, standing out sharply for their brightness.
Indeed, in early stories Gorky is dominated by the features of romanticism. First of all, because they depict a romantic situation of confrontation strong man(Danko, Lara, Sokol) with the world around him, as well as the problem of man as an individual in general. The action of the stories and legends is transferred to fantastic conditions (“He stood between the boundless steppe and the endless sea”). The world of the works is sharply divided into light and darkness, and these differences are important when assessing the characters: after Lara there remains a shadow, after Danko - sparks.
The gap between the heroic past and the pitiful, colorless life in the present, between the “should” and the “existent”, between the great “dream” and the “gray era” was the soil on which the romanticism of early Gorky was born.
All the heroes of Gorky's early works are morally emotional and experience mental trauma, choosing between love and freedom, but they still choose the latter, bypassing love and preferring only freedom.
People of this type, as the writer foresaw, can turn out to be great in extreme situations, in days of disasters, wars, revolutions, but they are most often unviable in normal conditions human life. Today, the problems posed by the writer M. Gorky in his early work are perceived as relevant and pressing for solving the issues of our time.
Gorky, who openly declared at the end of the 19th century his faith in man, in his mind, in his creative, transformative capabilities, to today continues to arouse interest among readers.

(estimates: 6 , average: 3,17 out of 5)

Name: Alexey Maksimovich Peshkov
Nicknames: Maxim Gorky, Yehudiel Chlamida
Birthday: March 16, 1868
Place of Birth: Nizhny Novgorod, Russian Empire
Date of death: June 18, 1936
A place of death: Gorki, Moscow region, RSFSR, USSR

Biography of Maxim Gorky

Maxim Gorky was born in Nizhny Novgorod in 1868. In fact, the writer’s name was Alexey, but his father was Maxim, and the writer’s last name was Peshkov. The father worked as a simple carpenter, so the family could not be called wealthy. At the age of 7 he went to school, but after a couple of months he had to quit his studies due to smallpox. As a result, the boy received a home education, and he also studied all subjects independently.

Gorky had a rather difficult childhood. His parents died too early, and the boy lived with his grandfather , who had a very difficult character. Already at the age of 11, the future writer set out to earn his living, working part-time in a bread store or in a canteen on a ship.

In 1884, Gorky found himself in Kazan and tried to get an education, but this attempt failed, and he had to work hard again to earn money to feed himself. At the age of 19, Gorky even tries to commit suicide due to poverty and fatigue.

Here he becomes interested in Marxism and tries to agitate. In 1888 he was arrested for the first time. He gets a job at an iron job where the authorities keep a close eye on him.

In 1889, Gorky returned to Nizhny Novgorod and got a job as a clerk for lawyer Lanin. It was during this period that he wrote “The Song of the Old Oak” and turned to Korolenko to evaluate the work.

In 1891, Gorky went to travel around the country. His story “Makar Chudra” was published for the first time in Tiflis.

In 1892, Gorky again travels to Nizhny Novgorod and returns to the service of lawyer Lanin. Here he is already published in many publications in Samara and Kazan. In 1895 he moved to Samara. At this time he actively wrote and his works were constantly published. The two-volume “Essays and Stories,” published in 1898, is in great demand and is very actively discussed and criticized. In the period from 1900 to 1901 he met Tolstoy and Chekhov.

In 1901, Gorky created his first plays “The Bourgeois” and “At the Lower Depths”. They were very popular, and “The Bourgeois” was even staged in Vienna and Berlin. The writer became famous already international level. From that moment on, his works were translated into different languages world, and he and his works become the object close attention foreign critics.

Gorky became a participant in the revolution in 1905, and since 1906 he has left his country due to political events. He has lived on the Italian island of Capri for a long time. Here he writes the novel “Mother”. This work influenced the emergence of a new direction in literature, like socialist realism.

In 1913, Maxim Gorky was finally able to return to his homeland. During this period, he actively worked on his autobiography. He also works as an editor for two newspapers. At the same time, he gathered proletarian writers around him and published a collection of their works.

The period of the revolution in 1917 was controversial for Gorky. As a result, he joins the ranks of the Bolsheviks, even despite doubts and torment. However, he does not support some of their views and actions. In particular, regarding the intelligentsia. Thanks to Gorky, most of the intelligentsia in those days avoided hunger and painful death.

In 1921, Gorky left his country. There is a version that he does this because Lenin was too worried about the health of the great writer, whose tuberculosis had worsened. However, the reason could also be Gorky’s contradictions with the authorities. He lived in Prague, Berlin and Sorrento.

When Gorky turned 60, Stalin himself invited him to the USSR. The writer was given a warm welcome. He traveled around the country, where he spoke at meetings and rallies. They honor him in every possible way and take him to the Communist Academy.

In 1932, Gorky returned to the USSR for good. He is very active literary activity, organizes All-Union Congress Soviet writers, releases a large number of newspapers.

In 1936, terrible news spread throughout the country: Maxim Gorky left this world. The writer caught a cold when he visited his son’s grave. However, there is an opinion that both son and father were poisoned due to political views, but this has never been proven.

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Bibliography of Maxim Gorky

Novels

1899
Foma Gordeev
1900-1901
Three
1906
Mother (second edition - 1907)
1925
Artamonov case
1925-1936
Life of Klim Samgin

Stories

1908
The life of an unnecessary person
1908
Confession
1909
Okurov town
Life of Matvey Kozhemyakin
1913-1914
Childhood
1915-1916
In people
1923
My universities

Stories, essays

1892
The Girl and Death
1892
Makar Chudra
1895
Chelkash
Old Isergil
1897
Former people
The Orlov couple
Mallow
Konovalov
1898
Essays and stories (collection)
1899
Song of the Falcon (prose poem)
Twenty six and one
1901
Song of the Petrel (prose poem)
1903
Man (prose poem)
1913
Tales of Italy
1912-1917
In Rus' (cycle of stories)
1924
Stories from 1922-1924
1924
Notes from a diary (series of stories)

Plays

1901
Bourgeois
1902
At the bottom
1904
Summer residents
1905
Children of the Sun
Barbarians
1906
Enemies
1910
Vassa Zheleznova (reworked in December 1935)
1915
Old man
1930-1931
Somov and others
1932
Egor Bulychov and others
1933
Dostigaev and others

Journalism

1906
My interviews
In America" (pamphlets)
1917-1918
series of articles " Untimely thoughts" in the newspaper "New Life"
1922
About the Russian peasantry

The great Russian writer Maxim Gorky (Peshkov Alexey Maksimovich) was born on March 16, 1868 in Nizhny Novgorod - died on June 18, 1936 in Gorki. IN early age“went public,” in his own words. He lived hard, spent the night in the slums among all sorts of rabble, wandered, subsisting on an occasional piece of bread. He covered vast territories, visited the Don, Ukraine, the Volga region, Southern Bessarabia, the Caucasus and Crimea.

Start

He was actively involved in social and political activities, for which he was arrested more than once. In 1906 he went abroad, where he began to successfully write his works. By 1910, Gorky had gained fame, his work aroused great interest. Earlier, in 1904, they began to publish critical articles, and then the book “About Gorky”. Gorky's works interested politicians and public figures. Some of them believed that the writer interpreted events taking place in the country too freely. Everything that Maxim Gorky wrote, works for the theater or journalistic essays, short stories or multi-page stories, caused a resonance and was often accompanied by anti-government protests. During the First World War, the writer took an openly anti-militarist position. greeted him enthusiastically, and turned his apartment in Petrograd into a meeting place for political figures. Often Maxim Gorky, whose works became more and more topical, gave reviews of his own work in order to avoid misinterpretation.

Abroad

In 1921, the writer went abroad to undergo treatment. For three years, Maxim Gorky lived in Helsinki, Prague and Berlin, then moved to Italy and settled in the city of Sorrento. There he began publishing his memoirs about Lenin. In 1925 he wrote the novel “The Artamonov Case”. All of Gorky's works of that time were politicized.

Return to Russia

The year 1928 became a turning point for Gorky. At Stalin's invitation, he returns to Russia and for a month moves from city to city, meets people, gets acquainted with achievements in industry, and observes how socialist construction develops. Then Maxim Gorky leaves for Italy. However, the next year (1929) the writer came to Russia again and this time visited the Solovetsky special-purpose camps. The reviews are the most positive. Alexander Solzhenitsyn mentioned this trip of Gorky in his novel

The writer's final return to Soviet Union happened in October 1932. Since that time, Gorky has lived in his former dacha in Spiridonovka in Gorki, and goes to Crimea on vacation.

First Writers' Congress

After some time, the writer receives a political order from Stalin, who entrusts him with preparing the 1st Congress of Soviet Writers. In light of this order, Maxim Gorky creates several new newspapers and magazines, publishes book series on the history of Soviet plants and factories, civil war and some other events of the Soviet era. At the same time he wrote plays: “Egor Bulychev and others”, “Dostigaev and others”. Some of Gorky's works, written earlier, were also used by him in preparing the first congress of writers, which took place in August 1934. At the congress it was mainly decided organizational matters, the leadership of the future Union of Writers of the USSR was elected, writing sections were created by genre. Gorky's works were also ignored at the 1st Congress of Writers, but he was elected chairman of the board. Overall, the event was considered successful, and Stalin personally thanked Maxim Gorky for his fruitful work.

Popularity

M. Gorky, whose works for many years caused fierce controversy among the intelligentsia, tried to take part in the discussion of his books and especially theatrical plays. From time to time, the writer visited theaters, where he could see with his own eyes that people were not indifferent to his work. And indeed, for many, the writer M. Gorky, whose works were understandable to the common man, became a guide to a new life. Theater audiences went to the performance several times, read and re-read books.

Gorky's early romantic works

The writer's work can be divided into several categories. Gorky's early works are romantic and even sentimental. They do not yet feel the harshness of political sentiments that permeate the writer’s later stories and tales.

The writer's first story "Makar Chudra" is about gypsy fleeting love. Not because it was fleeting, because “love came and went,” but because it lasted only one night, without a single touch. Love lived in the soul without touching the body. And then the death of the girl at the hands of her beloved, the proud gypsy Rada passed away, and after her Loiko Zobar himself - they floated across the sky, hand in hand.

Amazing plot, incredible storytelling power. The story "Makar Chudra" became long years business card Maxim Gorky, firmly taking first place in the list " early works Gorky".

The writer worked a lot and fruitfully in his youth. Gorky's early romantic works are a cycle of stories whose heroes were Danko, Sokol, Chelkash and others.

A short story about spiritual excellence makes you think. "Chelkash" - a story about common man, carrying high aesthetic feelings. Fleeing from home, vagrancy, meeting of two - one is doing his usual thing, the other is brought by chance. Gavrila's envy, mistrust, readiness for submissive servility, fear and servility are contrasted with Chelkash's courage, self-confidence, and love of freedom. However, Chelkash is not needed by society, unlike Gavrila. Romantic pathos is intertwined with tragic. The description of nature in the story is also shrouded in a flair of romance.

In the stories "Makar Chudra", "Old Woman Izergil" and, finally, in "Song of the Falcon" the motivation for the "madness of the brave" can be traced. The writer places the characters in difficult conditions and then, beyond any logic, leads them to the finale. What makes the work of the great writer interesting is that the narrative is unpredictable.

Gorky's work "Old Woman Izergil" consists of several parts. The character of her first story, the son of an eagle and a woman, the sharp-eyed Larra, is presented as an egoist, incapable of high feelings. When he heard the maxim that one inevitably has to pay for what one takes, he expressed disbelief, declaring that “I would like to remain unharmed.” People rejected him, condemning him to loneliness. Larra's pride turned out to be destructive for himself.

Danko is no less proud, but he treats people with love. Therefore, he obtains the freedom necessary for his fellow tribesmen who trusted him. Despite the threats of those who doubt that he is capable of leading the tribe out, the young leader continues on his way, taking people along with him. And when everyone’s strength was running out, and the forest still did not end, Danko tore open his chest, took out his burning heart and with its flame illuminated the path that led them to the clearing. The ungrateful tribesmen, having broken free, did not even look in Danko’s direction when he fell and died. People ran away, trampled on the flaming heart as they ran, and it scattered into blue sparks.

Gorky's romantic works leave an indelible mark on the soul. Readers empathize with the characters, the unpredictability of the plot keeps them in suspense, and the ending is often unexpected. In addition, Gorky’s romantic works are distinguished by deep morality, which is unobtrusive, but makes you think.

The theme of personal freedom dominates the writer’s early work. The heroes of Gorky's works are freedom-loving and are ready to even give their lives for the right to choose their own destiny.

Poem "The Girl and Death" - shining example self-sacrifice in the name of love. Young, full of life a girl makes a deal with death for one night of love. She is ready to die in the morning without regret, just to meet her beloved again.

The king, who considers himself omnipotent, dooms the girl to death only because, returning from the war, he was in a bad mood and did not like her happy laughter. Death spared Love, the girl remained alive and the “bony one with a scythe” no longer had power over her.

Romance is also present in “Song of the Storm Petrel”. The proud bird is free, it is like black lightning, rushing between the gray plain of the sea and the clouds hanging over the waves. Let the storm blow stronger, the brave bird is ready to fight. But it is important for the penguin to hide his fat body in the rocks; he has a different attitude towards the storm - no matter how he soaks his feathers.

Man in Gorky's works

The special, sophisticated psychologism of Maxim Gorky is present in all his stories, while the individual is always given the main role. Even the homeless tramps, the characters of the shelter, are presented by the writer as respected citizens, despite their plight. In Gorky’s works, man is placed at the forefront, everything else is secondary - the events described, the political situation, even actions government agencies are in the background.

Gorky's story "Childhood"

The writer tells the life story of the boy Alyosha Peshkov, as if on his own behalf. The story is sad, it begins with the death of the father and ends with the death of the mother. Left an orphan, the boy heard from his grandfather, the day after his mother’s funeral: “You are not a medal, you shouldn’t hang around my neck... Go join the people...”. And he kicked me out.

This is how Gorky's work "Childhood" ends. And in the middle there were several years of living in the house of my grandfather, a lean little old man who used to flog everyone who was weaker than him on Saturdays. And the only people inferior to his grandfather in strength were his grandchildren living in the house, and he beat them backhand, placing them on the bench.

Alexey grew up, supported by his mother, and hung in the house thick fog enmity of everyone with everyone. The uncles fought among themselves, threatened the grandfather that they would kill him too, the cousins got drunk, and their wives did not have time to give birth. Alyosha tried to make friends with the neighboring boys, but their parents and other relatives were in such complicated relationships with his grandfather, grandmother and mother that the children could only communicate through a hole in the fence.

"At the bottom"

In 1902, Gorky turned to philosophical topic. He created a play about people who, by the will of fate, sank to the very bottom Russian society. The writer depicted several characters, the inhabitants of the shelter, with frightening authenticity. At the center of the story are homeless people on the verge of despair. Some are thinking about suicide, others are hoping for the best. M. Gorky's work "At the Lower Depths" is a vivid picture of social and everyday disorder in society, which often turns into tragedy.

The owner of the shelter, Mikhail Ivanovich Kostylev, lives and does not know that his life is constantly under threat. His wife Vasilisa persuades one of the guests, Vaska Pepel, to kill her husband. This is how it ends: the thief Vaska kills Kostylev and goes to prison. The remaining inhabitants of the shelter continue to live in an atmosphere of drunken revelry and bloody fights.

After some time, a certain Luka appears, a projector and a blabbermouth. He “fills up” for no reason, conducts lengthy conversations, promises everyone indiscriminately a happy future and complete prosperity. Then Luke disappears, and the unfortunate people whom he encouraged are at a loss. There was severe disappointment. A forty-year-old homeless man, nicknamed Actor, commits suicide. The rest are not far from this either.

Nochlezhka as a symbol of the dead end of Russian society late XIX century, an undisguised ulcer of the social structure.

The works of Maxim Gorky

"Makar Chudra" - 1892. A story of love and tragedy.
"Grandfather Arkhip and Lenka" - 1893. A poor, sick old man and with him his grandson Lenka, a teenager. First, the grandfather cannot withstand adversity and dies, then the grandson dies. Good people The unfortunates were buried along the road.
"Old Woman Izergil" - 1895. Some stories from an old woman about selfishness and selflessness.
"Chelkash" - 1895. A story about "an inveterate drunkard and a clever, brave thief."
"The Orlov Spouses" - 1897. A story about a childless couple who decided to help sick people.
"Konovalov" - 1898. The story of how Alexander Ivanovich Konovalov, arrested for vagrancy, hanged himself in a prison cell.
"Foma Gordeev" - 1899. A story about the events of the late 19th century that took place in the Volga city. About a boy named Thomas, who considered his father a fabulous robber.
"Bourgeois" - 1901. A story about bourgeois roots and the new spirit of the times.
"At the Bottom" - 1902. A poignant, topical play about homeless people who have lost all hope.
"Mother" - 1906. A novel on the theme of revolutionary sentiments in society, about events taking place within a manufacturing factory, with the participation of members of the same family.
"Vassa Zheleznova" - 1910. The play is about a youthful 42-year-old woman, the owner of a shipping company, strong and powerful.
"Childhood" - 1913. A story about a simple boy and his far from simple life.
"Tales of Italy" - 1913. Cycle short stories on the topic of life in Italian cities.
"Passion-face" - 1913. Short story about a deeply unhappy family.
"In People" - 1914. A story about an errand boy in a fashionable shoe store.
"My Universities" - 1923. The story of Kazan University and students.
"Blue Life" - 1924. A story about dreams and fantasies.
"The Artamonov Case" - 1925. A story about the events taking place at a woven fabric factory.
"The Life of Klim Samgin" - 1936. Events of the beginning of the 20th century - St. Petersburg, Moscow, barricades.

Every story, novel or novel you read leaves an impression of high literary skill. The characters carry a number of unique characteristics and characteristics. The analysis of Gorky's works involves comprehensive characteristics of the characters followed by a summary. The depth of the narrative is organically combined with complex but understandable literary devices. All works of the great Russian writer Maxim Gorky were included in the Golden Fund of Russian Culture.

December 8, 2014

The great Russian writer Maxim Gorky (Peshkov Alexey Maksimovich) was born on March 16, 1868 in Nizhny Novgorod - died on June 18, 1936 in Gorki. At an early age he “became popular,” in his own words. He lived hard, spent the night in the slums among all sorts of rabble, wandered, subsisting on an occasional piece of bread. He covered vast territories, visited the Don, Ukraine, the Volga region, Southern Bessarabia, the Caucasus and Crimea.

Start

He was actively involved in social and political activities, for which he was arrested more than once. In 1906 he went abroad, where he began to successfully write his works. By 1910, Gorky had gained fame, his work aroused great interest. Earlier, in 1904, critical articles and then books “About Gorky” began to be published. Gorky's works attracted the interest of politicians and public figures. Some of them believed that the writer interpreted events taking place in the country too freely. Everything that Maxim Gorky wrote, works for the theater or journalistic essays, short stories or multi-page stories, caused a resonance and was often accompanied by anti-government protests. During the First World War, the writer took an openly anti-militarist position. He greeted the 1917 revolution with enthusiasm, and turned his apartment in Petrograd into a meeting place for political figures. Often Maxim Gorky, whose works became more and more topical, gave reviews of his own work in order to avoid misinterpretation.

Abroad

Return to Russia

The writer's final return to the Soviet Union occurred in October 1932. Since that time, Gorky has lived in the former Ryabushinsky mansion on Spiridonovka, at a dacha in Gorki, and goes to Crimea on vacation.

First Writers' Congress

After some time, the writer receives a political order from Stalin, who entrusts him with preparing the 1st Congress of Soviet Writers. In light of this order, Maxim Gorky creates several new newspapers and magazines, publishes book series on the history of Soviet plants and factories, the civil war and some other events of the Soviet era. At the same time he wrote plays: “Egor Bulychev and others”, “Dostigaev and others”. Some of Gorky's works, written earlier, were also used by him in preparing the first congress of writers, which took place in August 1934. At the congress, organizational issues were mainly resolved, the leadership of the future Union of Writers of the USSR was elected, and writing sections by genre were created. Gorky's works were also ignored at the 1st Congress of Writers, but he was elected chairman of the board. Overall, the event was considered successful, and Stalin personally thanked Maxim Gorky for his fruitful work.

Popularity

Gorky's early romantic works

Amazing plot, incredible storytelling power. The story "Makar Chudra" became the calling card of Maxim Gorky for many years, firmly taking first place in the list of "Gorky's early works."

The writer worked a lot and fruitfully in his youth. Gorky's early romantic works are a cycle of stories whose heroes were Danko, Sokol, Chelkash and others.

A short story about spiritual excellence makes you think. "Chelkash" is a story about a simple man who carries within himself high aesthetic feelings. Fleeing from home, vagrancy, complicity in crime. A meeting of two - one is doing his usual thing, the other is brought by chance. Gavrila's envy, mistrust, readiness for submissive servility, fear and servility are contrasted with Chelkash's courage, self-confidence, and love of freedom. However, Chelkash is not needed by society, unlike Gavrila. Romantic pathos is intertwined with tragic. The description of nature in the story is also shrouded in a flair of romance.

Gorky's work "Old Woman Izergil" consists of several parts. The character of her first story, the son of an eagle and a woman, the sharp-eyed Larra, is presented as an egoist incapable of high feelings. When he heard the maxim that one inevitably has to pay for what one takes, he expressed disbelief, declaring that “I would like to remain unharmed.” People rejected him, condemning him to loneliness. Larra's pride turned out to be destructive for himself.

Danko is no less proud, but he treats people with love. Therefore, he obtains the freedom necessary for his fellow tribesmen who trusted him. Despite the threats of those who doubt that he is able to lead the tribe out of the dense forest, the young leader continues on his way, taking people along with him. And when everyone’s strength was running out, and the forest still did not end, Danko tore open his chest, took out his burning heart and with its flame illuminated the path that led them to the clearing. The ungrateful tribesmen, having broken free, did not even look in Danko’s direction when he fell and died. People ran away, trampled on the flaming heart as they ran, and it scattered into blue sparks.

The theme of personal freedom dominates the writer’s early work. The heroes of Gorky's works are freedom-loving and are ready to even give their lives for the right to choose their own destiny.

The poem "The Girl and Death" is a vivid example of self-sacrifice in the name of love. A young girl, full of life, makes a deal with death for one night of love. She is ready to die in the morning without regret, just to meet her beloved again.

Man in Gorky's works

The special, sophisticated psychologism of Maxim Gorky is present in all his stories, while the personality is always given the main role. Even the homeless tramps, the characters of the shelter, are presented by the writer as respected citizens, despite their plight. In Gorky's works, man is placed at the forefront, everything else is secondary - the events described, the political situation, even the actions of government bodies are in the background.

Gorky's story "Childhood"

Alexey grew up, supported by his mother, and a thick fog of enmity between everyone and everyone hung in the house. The uncles fought among themselves, threatened the grandfather that they would kill him too, the cousins got drunk, and their wives did not have time to give birth. Alyosha tried to make friends with the neighboring boys, but their parents and other relatives were in such complicated relationships with his grandfather, grandmother and mother that the children could only communicate through a hole in the fence.

"At the bottom"

In 1902, Gorky turned to a philosophical topic. He created a play about people who, by the will of fate, sank to the very bottom of Russian society. The writer depicted several characters, the inhabitants of the shelter, with frightening authenticity. At the center of the story are homeless people on the verge of despair. Some are thinking about suicide, others are hoping for the best. M. Gorky's work "At the Lower Depths" is a vivid picture of social and everyday disorder in society, which often turns into tragedy.

Nochlezhka, as a symbol of the dead end of Russian society at the end of the 19th century, is an undisguised ulcer of the social structure.

The works of Maxim Gorky

"Makar Chudra" - 1892. A story of love and tragedy.
"Grandfather Arkhip and Lenka" - 1893. A poor, sick old man and with him his grandson Lenka, a teenager. First, the grandfather cannot withstand adversity and dies, then the grandson dies. Good people buried the unfortunate people near the road.
"Old Woman Izergil" - 1895. Some stories from an old woman about selfishness and selflessness.
"Chelkash" - 1895. A story about "an inveterate drunkard and a clever, brave thief."
"The Orlov Spouses" - 1897. A story about a childless couple who decided to help sick people.
"Konovalov" - 1898. The story of how Alexander Ivanovich Konovalov, arrested for vagrancy, hanged himself in a prison cell.
"Foma Gordeev" - 1899. A story about the events of the late 19th century that took place in the Volga city. About a boy named Thomas, who considered his father a fabulous robber.
"Bourgeois" - 1901. A story about bourgeois roots and the new spirit of the times.
"At the Bottom" - 1902. A poignant, topical play about homeless people who have lost all hope.
"Mother" - 1906. A novel on the theme of revolutionary sentiments in society, about events taking place within a manufacturing factory, with the participation of members of the same family.
"Vassa Zheleznova" - 1910. The play is about a youthful 42-year-old woman, the owner of a shipping company, strong and powerful.
"Childhood" - 1913. A story about a simple boy and his far from simple life.
"Tales of Italy" - 1913. A series of short stories on the theme of life in Italian cities.
"Passion-face" - 1913. A short story about a deeply unhappy family.
"In People" - 1914. A story about an errand boy in a fashionable shoe store.
"My Universities" - 1923. The story of Kazan University and students.
"Blue Life" - 1924. A story about dreams and fantasies.
"The Artamonov Case" - 1925. A story about the events taking place at a woven fabric factory.
"The Life of Klim Samgin" - 1936. Events of the beginning of the 20th century - St. Petersburg, Moscow, barricades.

Every story, novel or novel you read leaves an impression of high literary skill. The characters carry a number of unique characteristics and characteristics. The analysis of Gorky's works involves comprehensive characteristics of the characters followed by a summary. The depth of the narrative is organically combined with complex but understandable literary techniques. All works of the great Russian writer Maxim Gorky were included in the Golden Fund of Russian Culture.

Works of Gorky: full list . Maxim Gorky: early romantic works The great Russian writer Maxim Gorky (Peshkov Alexey Maksimovich) was born on March 16, 1868 in Nizhny Novgorod - died on June 18, 1936 in Gorki. At an early age he “became popular,” in his own words. He lived hard, spent the night in the slums among all sorts of rabble, wandered, subsisting on an occasional piece of bread. He covered vast territories, visited the Don, Ukraine, the Volga region, Southern Bessarabia, the Caucasus and Crimea. Beginning He was actively involved in social and political activities, for which he was arrested more than once. In 1906 he went abroad, where he began to successfully write his works. By 1910, Gorky had gained fame, his work aroused great interest. Earlier, in 1904, critical articles and then books “About Gorky” began to be published. Gorky's works attracted the interest of politicians and public figures. Some of them believed that the writer interpreted events taking place in the country too freely. Everything that Maxim Gorky wrote, works for the theater or journalistic essays, short stories or multi-page stories, caused a resonance and was often accompanied by anti-government protests. During the First World War, the writer took an openly anti-militarist position. He greeted the 1917 revolution with enthusiasm, and turned his apartment in Petrograd into a meeting place for political figures. Often Maxim Gorky, whose works became more and more topical, gave reviews of his own work in order to avoid misinterpretation. Abroad In 1921, the writer went abroad to undergo treatment. For three years, Maxim Gorky lived in Helsinki, Prague and Berlin, then moved to Italy and settled in the city of Sorrento. There he began publishing his memoirs about Lenin. In 1925 he wrote the novel “The Artamonov Case”. All of Gorky's works of that time were politicized. Return to Russia The year 1928 became a turning point for Gorky. At Stalin's invitation, he returns to Russia and for a month moves from city to city, meets people, gets acquainted with achievements in industry, and observes how socialist construction develops. Then Maxim Gorky leaves for Italy. However, the next year (1929) the writer came to Russia again and this time visited the Solovetsky special-purpose camps. The reviews are the most positive. Alexander Solzhenitsyn mentioned this trip of Gorky in his novel “The Gulag Archipelago”. The writer's final return to the Soviet Union occurred in October 1932. Since that time, Gorky has lived in the former Ryabushinsky mansion on Spiridonovka, at a dacha in Gorki, and goes to Crimea on vacation. The First Congress of Writers Some time later, the writer received a political order from Stalin, who entrusted him with preparing the 1st Congress of Soviet Writers. In light of this order, Maxim Gorky creates several new newspapers and magazines, publishes book series on the history of Soviet plants and factories, the civil war and some other events of the Soviet era. At the same time he wrote plays: “Egor Bulychev and others”, “Dostigaev and others”. Some of Gorky's works, written earlier, were also used by him in preparing the first congress of writers, which took place in August 1934. At the congress, organizational issues were mainly resolved, the leadership of the future Union of Writers of the USSR was elected, and writing sections by genre were created. Gorky's works were also ignored at the 1st Congress of Writers, but he was elected chairman of the board. Overall, the event was considered successful, and Stalin personally thanked Maxim Gorky for his fruitful work. Popularity M. Gorky, whose works for many years caused fierce debate among the intelligentsia, tried to take part in the discussion of his books and especially theatrical plays. From time to time, the writer visited theaters, where he could see with his own eyes that people were not indifferent to his work. And indeed, for many, the writer M. Gorky, whose works were understandable to the common man, became a guide to a new life. Theater audiences went to the performance several times, read and re-read books. Gorky's early romantic works The writer's work can be divided into several categories. Gorky's early works are romantic and even sentimental. They do not yet feel the harshness of political sentiments that permeate the writer’s later stories and tales. The writer's first story "Makar Chudra" is about gypsy fleeting love. Not because it was fleeting, because “love came and went,” but because it lasted only one night, without a single touch. Love lived in the soul without touching the body. And then the death of the girl at the hands of her beloved, the proud gypsy Rada passed away, and after her Loiko Zobar himself - they floated across the sky, hand in hand. Amazing plot, incredible storytelling power. The story "Makar Chudra" became the calling card of Maxim Gorky for many years, firmly taking first place in the list of "Gorky's early works." The writer worked a lot and fruitfully in his youth. Gorky's early romantic works are a cycle of stories whose heroes were Danko, Sokol, Chelkash and others. A short story about spiritual excellence makes you think. "Chelkash" is a story about a simple man who carries within himself high aesthetic feelings. Fleeing from home, vagrancy, complicity in crime. A meeting of two - one is doing his usual thing, the other is brought by chance. Gavrila's envy, mistrust, readiness for submissive servility, fear and servility are contrasted with Chelkash's courage, self-confidence, and love of freedom. However, Chelkash is not needed by society, unlike Gavrila. Romantic pathos is intertwined with tragic. The description of nature in the story is also shrouded in a flair of romance. In the stories "Makar Chudra", "Old Woman Izergil" and, finally, in "Song of the Falcon" the motivation for the "madness of the brave" can be traced. The writer places the characters in difficult conditions and then, beyond any logic, leads them to the finale. What makes the work of the great writer interesting is that the narrative is unpredictable. Gorky's work "Old Woman Izergil" consists of several parts. The character of her first story, the son of an eagle and a woman, the sharp-eyed Larra, is presented as an egoist incapable of high feelings. When he heard the maxim that one inevitably has to pay for what one takes, he expressed disbelief, declaring that “I would like to remain unharmed.” People rejected him, condemning him to loneliness. Larra's pride turned out to be destructive for himself. Danko is no less proud, but he treats people with love. Therefore, he obtains the freedom necessary for his fellow tribesmen who trusted him. Despite the threats of those who doubt that he is able to lead the tribe out of the dense forest, the young leader continues on his way, taking people along with him. And when everyone’s strength was running out, and the forest still did not end, Danko tore open his chest, took out his burning heart and with its flame illuminated the path that led them to the clearing. The ungrateful tribesmen, having broken free, did not even look in Danko’s direction when he fell and died. People ran away, trampled on the flaming heart as they ran, and it scattered into blue sparks. Gorky's romantic works leave an indelible mark on the soul. Readers empathize with the characters, the unpredictability of the plot keeps them in suspense, and the ending is often unexpected. In addition, Gorky’s romantic works are distinguished by deep morality, which is unobtrusive, but makes you think. The theme of personal freedom dominates the writer’s early work. The heroes of Gorky's works are freedom-loving and are ready to even give their lives for the right to choose their own destiny. The poem "The Girl and Death" is a vivid example of self-sacrifice in the name of love. A young girl, full of life, makes a deal with death for one night of love. She is ready to die in the morning without regret, just to meet her beloved again. The king, who considers himself omnipotent, dooms the girl to death only because, returning from the war, he was in a bad mood and did not like her happy laughter. Death spared Love, the girl remained alive and the “bony one with a scythe” no longer had power over her. Romance is also present in “Song of the Storm Petrel”. The proud bird is free, it is like black lightning, rushing between the gray plain of the sea and the clouds hanging over the waves. Let the storm blow stronger, the brave bird is ready to fight. But it is important for the penguin to hide his fat body in the rocks; he has a different attitude towards the storm - no matter how he soaks his feathers. Man in Gorky's works The special, refined psychologism of Maxim Gorky is present in all his stories, while the personality is always assigned the main role. Even the homeless tramps, the characters of the shelter, are presented by the writer as respected citizens, despite their plight. In Gorky's works, man is placed at the forefront, everything else is secondary - the events described, the political situation, even the actions of government bodies are in the background. Gorky's story "Childhood" The writer tells the life story of the boy Alyosha Peshkov, as if on his own behalf. The story is sad, it begins with the death of the father and ends with the death of the mother. Left an orphan, the boy heard from his grandfather, the day after his mother’s funeral: “You are not a medal, you shouldn’t hang around my neck... Go join the people...”. And he kicked me out. This is how Gorky's work "Childhood" ends. And in the middle there were several years of living in the house of my grandfather, a lean little old man who used to flog everyone who was weaker than him on Saturdays. And the only people inferior to his grandfather in strength were his grandchildren living in the house, and he beat them backhand, placing them on the bench. Alexey grew up, supported by his mother, and a thick fog of enmity between everyone and everyone hung in the house. The uncles fought among themselves, threatened the grandfather that they would kill him too, the cousins got drunk, and their wives did not have time to give birth. Alyosha tried to make friends with the neighboring boys, but their parents and other relatives were in such complicated relationships with his grandfather, grandmother and mother that the children could only communicate through a hole in the fence. "At the Bottom" In 1902, Gorky turned to a philosophical topic. He created a play about people who, by the will of fate, sank to the very bottom of Russian society. The writer depicted several characters, the inhabitants of the shelter, with frightening authenticity. At the center of the story are homeless people on the verge of despair. Some are thinking about suicide, others are hoping for the best. M. Gorky's work "At the Lower Depths" is a vivid picture of social and everyday disorder in society, which often turns into tragedy. The owner of the shelter, Mikhail Ivanovich Kostylev, lives and does not know that his life is constantly under threat. His wife Vasilisa persuades one of the guests, Vaska Pepel, to kill her husband. This is how it ends: the thief Vaska kills Kostylev and goes to prison. The remaining inhabitants of the shelter continue to live in an atmosphere of drunken revelry and bloody fights. After some time, a certain Luka appears, a projector and a blabbermouth. He “fills up” for no reason, conducts lengthy conversations, promises everyone indiscriminately a happy future and complete prosperity. Then Luke disappears, and the unfortunate people whom he encouraged are at a loss. There was severe disappointment. A forty-year-old homeless man, nicknamed Actor, commits suicide. The rest are not far from this either. Nochlezhka, as a symbol of the dead end of Russian society at the end of the 19th century, is an undisguised ulcer of the social structure. The work of Maxim Gorky "Makar Chudra" - 1892. A story of love and tragedy. "Grandfather Arkhip and Lenka" - 1893. A poor, sick old man and with him his grandson Lenka, a teenager. First, the grandfather cannot withstand adversity and dies, then the grandson dies. Good people buried the unfortunate people near the road. "Old Woman Izergil" - 1895. Some stories from an old woman about selfishness and selflessness. "Chelkash" - 1895. A story about "an inveterate drunkard and a clever, brave thief." "The Orlov Spouses" - 1897. A story about a childless couple who decided to help sick people. "Konovalov" - 1898. The story of how Alexander Ivanovich Konovalov, arrested for vagrancy, hanged himself in a prison cell. "Foma Gordeev" - 1899. A story about the events of the late 19th century that took place in the Volga city. About a boy named Thomas, who considered his father a fabulous robber. "Bourgeois" - 1901. A story about bourgeois roots and the new spirit of the times. "At the Bottom" - 1902. A poignant, topical play about homeless people who have lost all hope. "Mother" - 1906. A novel on the theme of revolutionary sentiments in society, about events taking place within a manufacturing factory, with the participation of members of the same family. "Vassa Zheleznova" - 1910. The play is about a youthful 42-year-old woman, the owner of a shipping company, strong and powerful. "Childhood" - 1913. A story about a simple boy and his far from simple life. "Tales of Italy" - 1913. A series of short stories on the theme of life in Italian cities. "Passion-face" - 1913. A short story about a deeply unhappy family. "In People" - 1914. A story about an errand boy in a fashionable shoe store. "My Universities" - 1923. The story of Kazan University and students. "Blue Life" - 1924. A story about dreams and fantasies. "The Artamonov Case" - 1925. A story about the events taking place at a woven fabric factory. "The Life of Klim Samgin" - 1936. Events of the beginning of the 20th century - St. Petersburg, Moscow, barricades. Every story, novel or novel you read leaves an impression of high literary skill. The characters carry a number of unique characteristics and characteristics. Analysis of Gorky's works involves comprehensive characteristics of the characters followed by a summary. The depth of the narrative is organically combined with complex but understandable literary techniques. All works of the great Russian writer Maxim Gorky were included in the Golden Fund of Russian Culture.