What is the song about? The meaning of the song: In your song Lana Del Rey sings that there are people who just feel good together. They somehow miraculously find each other. When this happens, everything becomes unimportant - all that is needed is to always be there for each other, close, enjoying each other until the last breath.
The song Born To Die performed by Lana Del Rey became a popular song in 2011-2012. It was released to support an album called Born to Die. The singer gained popularity with the release of this album.
About Lana Del Rey's song - Born To Die
The song speaks from female face. The girl is sad on Friday evenings and feels lonely. She walks through unfamiliar streets and tries to find her young man. He can hardly be called such, he is just her friend who can always cheer up a girl. They are not friends or a couple, there is their presence in the air chemical bond, but there is no relationship between them. They just relax together: smoke weed, walk around the city at night, ride in a car. The girl asks the young man not to upset her, not to make her cry. Lana sings about how they were born to die. Enjoy every moment of their life without thinking about the consequences. And then die. The singer considers such people to be real. Such people live for today, kiss in the pouring rain and do not pay attention to passers-by. The composition describes difficult relationships that will never turn into formal ones. They will remain beyond the realm of possibility, because the guy will never belong to the girl, and the girl will not insist on this, because for her the main thing is that he is nearby.
About Lana Del Rey's video - Born To Die
The video of the same name was released in December 2011. A lyric video that doesn't make much sense. Beautiful picture that the audience will like. It all starts with Lana Del Rey standing in an embrace with an unknown man against the backdrop of the American flag. Soon an antique palace appears with a massive chair in which the singer is located. There are two tigers near her. In her hair huge roses. The video clip contains separate scenes where the performer is driving a car with her boyfriend. They kiss and just enjoy the long ride. A wonderful clip with the soulful atmosphere of old palaces. Lana coped well with the role of the time lady. She expresses the feelings of the heroine of the song, who needs a hero who will make her alive and allow her to do pranks that she will never remember. She dreams that her life will become carefree. Such a man stays and tries not to upset beautiful girl. The backgrounds included in the video and the ceilings are especially beautiful. cathedrals, night road and old castle.
2015-10-29
by: showbizby
Published in:
Lana Del Rey is not sick at all incurable diseases. She is simply extremely susceptible to anxiety and death phobia. In an interview, this magazine“Billboard” in connection with the release of the album “Honeymoon” (“ Honeymoon"") in September, Lana admitted that in recent years She is having panic attacks more and more often.
“Sometimes it’s hard for me to continue working because I know I’m going to die. Something happened over the past three years and panic attacks began to happen more often. I feel worse and worse."
“I have always been susceptible to such attacks. – the singer continues. – I remember when I was 4 years old, I saw a show on TV in which a person was killed. I turned to my parents and asked: “Are we all going to die?” They said: “Yes.” I was inconsolable! I started crying and said, 'We have to do something.'"
“I went to a psychotherapist three times. But I feel best in the recording studio, when I'm writing or singing."
When asked if having children would calm her down, Del Rey replied: “I don’t think so. But sometimes the sight of children calms me down. I think I took after my mother - in the sense that I make lists - to calm and reward myself. You know how it is: I finished this, and now I’ll do this - I’ll go for a walk on the beach or swim in the ocean. And I swim, although I myself am terrified that I am doing this. Because I'm deathly afraid of sharks."
Unexpectedly, Lana Del Rey found psychological support in the person of Yannis Philippakis, the leader of a British dream-pop group from Oxford. He described their first meeting: “Lana was in Paris and came to dinner with our mutual friend. I was excited because I deify her. I couldn't say a word at dinner. I felt like a sweaty teenager and wanted to hide under the table. The world is a better place because Lana Del Rey lives in it."
The singer, in turn, said a lot of compliments to the group and admitted that she really likes the track “Give It All.” Perhaps these conversations will end with a collaboration between the band and Lana Del Rey. The musicians found this idea great, but expressed doubt whether such a project would interest the singer. One of the group members, Edwin Congreave, honestly admitted: “If I had the choice of hanging out on my yacht with Lana or working with the guys from Oxford, I would prefer the yacht.”
About
Biography
Lana Del Rey - American singer, real name Elizabeth Woolridge Grant, was born on June 21, 1986 in New York. She began her singing career in 2008 as a simple neighbor girl with a guitar at the ready. In 2011, she began performing under a pseudonym, which was made up of the names of the singer Lana Turner and the name of the Ford Del Rey car, which was successful in...
Biography
Lana Del Rey is an American singer, real name Elizabeth Woolridge Grant, born June 21, 1986 in New York. She began her singing career in 2008 as a simple neighbor girl with a guitar at the ready. In 2011, she began performing under a pseudonym, which was made up of the names of the singer Lana Turner and the name of the Ford Del Rey car, which was successful in Latin America in the eighties. Under the influence of the producer, she also dramatically changed her image, becoming an exquisite retro beauty: plump lips, super-long eyelashes, vampire nails, patent leather shoes. Fame came to Lana in the summer of 2011 after the release of the video clip “Video Games,” which was viewed 600 thousand times on the Internet within three weeks. Her voice is very reminiscent of Nancy Sinatra’s velvety contralto – so much so that the singer herself calls her style “Gangsta Nancy Sinatra”.
In 2009, still under the name Lizzie Grant, she released the mini-album “Kill Kill”. She also recorded a full-length album with producer David Kahne, which was sold online for two months in 2010, after which it was withdrawn from sale.
Lana Del Rey's first concert took place at The Box (New York) on September 21, 2011. That same year, the debut single "Video Games"/"Blue Jeans" was released by Stranger Records on vinyl on October 10 and digitally the following day. It reached number nine in the UK and number three in the Netherlands.
In October 2011, Lana Del Rey received an award from Q magazine in the special category " Future star", in 2012 - British music award in the category "International Breakthrough".
Critics believe that one of the reasons for Lana’s paradoxical success is her magnificent, meticulously thought-out image and original mischievous lyrics, as if taken from classic American westerns. And, of course, a soft, recognizable voice.
At the beginning of 2018, Lana Del Rey, by invitation, accepted the album “Unmasked: The Platinum Collection”, which the legendary composer
Story
In an interview with the London Evening Standard in 1966, at the height of The Beatles' popularity, John Lennon talked to the reporter about religion, which - in particular Christianity - he did not particularly like and considered a dying ideology. To support his point, Lennon pointed to the fact that even The Beatles were more popular than Jesus at that point in time. Taken out of context, the phrase no longer sounded like an argument, but rather simple boasting - and even blasphemous.
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“Christianity will go away. It will melt and evaporate. I don't even need to try to argue on this topic; I'm right, and history will show that it will be so. Yes, even we are now more popular than Jesus - I don’t know, however, which will sink into oblivion first - rock and roll or Christianity. In general, Jesus was fine, it was his disciples who turned out to be so thick-headed - and the way they distort all his teachings ruins them for me.”
Consequences
A couple of months later, the interview was published in the USA - Datebook magazine came out with the phrase “I don’t know what will sink into oblivion first - rock and roll or Christianity” on the cover, and the quote “We are more popular than Jesus” was included in the title of the article. Immediately after this, the songs of The Beatles were banned on radio stations in two states, then bans on concerts began, the Vatican called the group “satanic,” religious fanatics and Ku Klux Klansmen began to demonstrate against the musicians. To resolve the conflict, the group even had to give a separate press conference, but it didn’t really improve the situation, because instead of an apology, Lennon once again tried to explain his position to people who did not want to listen to him at all. 10 years later, Lennon recalled the incident in a completely different way: they say, thank Jesus for putting a spoke in our wheels then and our life did not turn into an endless tour - and indeed, if not for this scandal, The Beatles could have to remain just a good rock 'n' roll band that, say, would never have recorded the Revolver album.
Pete Townshend: “A little thing like the death of fans is not a problem for us”
Photo: Getty Images/Fotobank
Story
In December 1979, The Who performed at music festival in Cincinnati turned into a tragedy: listeners mistook the sound check for the beginning of the concert and rushed to the stage in a crowd, 11 people died in a stampede. The group was not told anything about this at that moment in order to avoid the cancellation of the concert and even greater casualties due to possible unrest on this occasion. A couple of months later, when a reporter The Rolling Stone asked band leader Pete Townshend about how this event would affect the future of the band, Pete suddenly responded very harshly.
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“It seems the world doesn't quite understand how bloodthirsty and brutal The Who are. He doesn’t understand our determination and strength. It seems to everyone that we are constantly engaged in soul-searching, that we are weak, that we have a lot of phobias; and like everyone who really loves rock music, we spend a lot of time worrying about its fate. But what was truly amazing for us, I mean, was the fact that when they first told us that 11 guys had died, we slacked for a second. But only for a second. Then we said, like, screw it, we're not going to let something like that stop us. We had to think about it that way [to continue].”
Consequences
Townsend was lucky that it was 1980 and not 2010 - and his words were not replicated and condemned by the entire Internet. But many of the fans did not understand how to react to them. Townsend clarified his words a little later: they say, the group actually did everything possible, and helped the families of the victims, and sent flowers to the funeral, and generally supported them in all respects, but this did not mean that they now had to go on forever and portray sad faces about this. Even later, in his biography, Townsend tried to justify himself even more stupidly - they say that in this interview he tried to use PR technologies, “deal with such press issues” and “be ironic,” but it didn’t work, that’s bad luck.
Mariah Carey: “I want to be thin, like the starving children in Africa”
Photo: All Over Press
Story
In an interview with the Cupcake website in 1996, the singer talked about how she would like to help all the children of the world and, in particular, said that African children at least do not have problems with excess weight.
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“God, I still want to do so many things. Sometimes it seems to me that all this money and success only prevents me from doing something really important - children. When I watch TV and see all these poor starving children, I can't stop crying. I mean, of course, I would like to be as thin, but only without flies, death and all this.”
Consequences
After such a statement, interviews from an unknown site began to be reprinted by everyone - in particular, The Independent newspaper. Everyone was indignant at Mariah’s hypocrisy and stupidity, although it was not she who was stupid here, but people who believed that one of the most popular singers in the world at that time could even give an interview to an unknown site, and even in 1996, when no one took the Internet seriously. Of course, all these answers were a playful invention of the authors, but they coincided so closely with the image of Carey that formed in the minds of the listeners that no one thought that they could be untrue. In principle, Mariah never had any particular reason to fight this image (well, it developed and developed), so she never bothered herself by refuting the quote.
East 17's Brian Harvey: "Ecstasy is normal!"
Photo: Getty Images/Fotobank
Story
In 1997, the news radio station Radio News broadcast a regular, boring broadcast about the dangers of drugs and all that jazz, calling celebrities during the broadcast and extracting from them the same regular and boring statements about how drugs kill. One of the intended speakers on the question was Brian Harvey, a member of the popular boy band East 17, whose answer was a bit unexpected.
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“I once took 12 tablets and nothing, then I drove home myself. I obeyed the speed limit and everything was fine with the car. This is generally a harmless pill; it will not harm you in any way. I don't see a problem here. Why 12? Well, the thing is that when you get one, you go somewhere to hang out, have a great time - well, that’s what people want to do. And if it makes you feel better, you can use it to occupy your weekend with something, you can go and have a lot of fun - well, why not then? Life is too short, after all."
Consequences
Rash words actually cost the group their career - Brian’s statement was loudly criticized by Prime Minister John Mayor the very next day, and approximately every second newspaper came out with the headline “East 17 member is a moral monster” - and all this despite the image of sweet and kind boys. Harvey himself spent the next couple of weeks tirelessly giving interviews about how wrong he was and what stupidity he had said, but this did not save the group’s reputation, and it soon broke up, after some time falling into an endless cycle of reunions and breakups, which few people cared about anymore. Harvey, after this incident, realized that he could not say anything worse, so he became one of the funniest speakers in British pop music and constantly gave out quotes like “Mel C is an idiot, and Richard Ashcroft’s whining makes me want to cut my wrists.”
Korn's James "Munky" Shaffer: 'Hitler Went to Heaven'
Photo: Getty Images/Fotobank
Story
In 2002, in response to a seemingly rhetorical question from a Metal Hammer magazine correspondent, “You don’t think Hitler went to heaven, do you?” The Korn guitarist suddenly replied that yes, he thinks so. What he was really thinking about then is unclear.
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“I think, yes, it’s true, Hitler went to heaven (if such a thing as heaven even exists). He believed that what he was doing was good and correct, and I think that if deep down in your soul you are confident that you are right, then you cannot be wrong!”
Consequences
Schaffer was actually lucky - the majority of the metal public in general, and Korn fans in particular, do not care about the beliefs of their idols, and the characteristic “went to heaven” is not necessarily considered positive in the subculture. Moreover, in the same interview, Shaffer apologized to the world for helping the group become famous in their time Limp Bizkit, so after these words they were ready to forgive him and much more. But, of course, within a few weeks the guitarist was attacked by almost all media in all countries. A little later, the musician made a statement: “The fate of Hitler and his afterlife can only be decided higher powers, not by me or anyone else. I apologize to anyone who was offended by my comments." In general, of course, it was a so-so apology, but it suited everyone – and that’s okay.
Philip Kirkorov: “Your pink blouse, tits and microphone irritate me”
Photo: RIA Novosti
Story
In May 2004, during a press conference in Rostov-on-Don Russian singer and so he was clearly not in the mood, and the question of journalist Irina Aroyan “Why are there so many remakes in your work” completely drove him crazy.
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“That’s it, I don’t want to talk to you anymore, next question. I just don't like talking to non-professionals<…>I don't want you to take pictures of me! You are bothering me. Your pink blouse, your tits and your microphone annoy me.<…>Yes, I... [don’t care] how you write, just like you! I don’t like non-professionals; non-professionals have nothing to do here. Do you want me to leave here now? I will leave... But I won’t leave because I respect your other colleagues. And you will leave here! That's it, I got up and left here... [far]!
Consequences
When the journalist expelled by Kirkorov left the hall, the singer’s security confiscated all her recording equipment - but, of course, other recordings of the conflict were preserved. Kirkorov, not yet accustomed to the digital era, apparently had no idea how quickly information could spread on the Internet - very soon the video from the conference hit the network, and from there it spread across the airwaves of TV channels and radio stations. Many journalists and publications declared a boycott of Kirkorov, and all concerts until the end of the year were completely disrupted. Aroyan sued the singer, and eventually won - she deliberately did not ask for compensation for moral damage, so the court decided only to collect a fine of 60,000 rubles from Kirkorov in favor of the state. At first the artist refused to apologize, but to establish a concert and social life he succeeded only after a public apology to the journalist at the Golden Gramophone Awards in early 2005. Although even after this, Philip Bedrosovich had many more adventures associated with his incontinence.
Kanye West: 'George Bush doesn't care about blacks'
Photo: Getty Images/Fotobank
Story
About a million people are connected to Kanye West similar stories, and for one of his antics (when he burst onto the stage during the Grammy Awards, interrupted Taylor Swift's speech and began to be indignant at the unfair distribution of awards), Barack Obama himself called him an asshole. But it was still not an interview. Kanye tried to repeat John Lennon's trick by starring as Jesus for the cover Rolling Stone, but he did not achieve a reaction similar to that caused by The Beatles - religious fanatics and Ku Klux Klansmen were already tired of fighting pop culture. A truly awkward situation arose in early September 2005, when, a few days after Hurricane Katrina had virtually destroyed New Orleans(and, coincidentally, a week after the release of Late Registration), NBC held a telethon to help the victims. Kanye was supposed to come out with comedian Mike Myers and give his usual inspirational speech from a teleprompter, but instead he decided to accuse the entire country of racism.
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“I am disgusted by the way we are portrayed in the media. You see a black family, they immediately say: “They are looting.” You see the white one: “They are looking for food.” And, you know, that's why we had to wait five days [for the government to send federal aid] because most of the victims were black.<…>George Bush doesn't even care about blacks!”
Consequences
Puzzled Myers live tried to pretend that nothing was happening, at some point West’s microphone was simply cut off, and in the replays of the program his attack was simply cut out. But the bomb had already exploded anyway: all media from the BBC to The New York Times wrote about the incident, group The Legendary K-O recorded a song, “George Bush Doesn’t Care About Black People,” that samples Kanye’s speech, and NPR spent an entire lengthy broadcast discussing whether Bush really doesn’t care about black people. In order not to escalate the conflict, NBC invited West a week later to appear on the Saturday Night Live show, where the same speech was also good-naturedly ridiculed. The trick also greatly contributed to the growth of sales of the album “Late Registrarion”. Kanye, of course, did not retract his words; two years later, he explained his action by saying that, like many other Americans, at that moment he was not sure whether George Bush cared about anything at all. But Bush was offended: in a 2010 interview, he admitted that West’s attack was “one of the most disgusting moments of my presidency.”
Bob Dylan: "Croats are like Nazis"
Photo: Getty Images/Fotobank
Story
At the end of 2012, an interviewer for the French Rolling Stone asked one of the main musical-political artists in the world about current situation white and black populations in the USA. Dylan, speaking about the fact that conflicts between them still exist, made several analogies, as a result of which it turned out that all Croats are equated with Nazis and Ku Klux Klansmen. Oops.
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“Blacks know that many whites would not want to give up slavery. If these people had their way, black people would still be wearing the yoke - they can't pretend no one knows it.<…>If you have the blood of a slave owner or clansman in your veins, blacks feel it. This is noticeable to this day. In the same way, Jews can feel Nazi blood, and Serbs - Croatian blood.”
Consequences
Members of the Croatian community in France reacted negatively to the interview, and a little later filed a lawsuit - at the end of 2013 it became known that their application was accepted, and Dylan seriously faces up to a year in prison for inciting hatred. However, in April 2014, the judge dropped all charges against Dylan, although the case did not end there - now, instead of the musician, the publisher of the French Rolling Stone is the defendant.
Jack White: "The Black Keys, stop copying me"
Photo: Getty Images/Fotobank
Photo: Getty Images/Fotobank
Story
The Guardian journalist Tim Jonze was preparing a profile of singer Lana Del Rey for the release of her new album “Ultraviolence”. One of the main themes of his research was the singer's dark image and the way she romanticized death; Not surprisingly, during the conversation, Jonze asked Del Rey if she wanted to die herself.
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“I wish I were already dead,” Lana Del Rey said, completely unexpectedly for me. She talked about her heroes - including Amy Winehouse and Kurt Cobain - and I noticed that they had one thing in common: dying young. Then I asked if she thought there was something luxurious about it. "Don't know. Mmm. Yes,” she answered. “Don’t do that,” I answer instinctively. “But I really want this,” she said. ( from an article in The Guardian)
Consequences
Del Rey's performance incredibly angered Frances Bean Cobain, Kurt's daughter, who in a series of tweets told Lana something along the lines of "I'll never know my father because of this, and you're a complete fool." Del Rey first tried to shift all the blame for the interview onto the journalist - they say, at first he pretended to be a fan, and then began asking provocative questions. Jonze, in response, reasonably noted that when you are asked whether you find death attractive and whether you want to die, you can always answer “no.” Del Rey later responded personally to Frances Bean Cobain, saying that she only loved her father’s music, and did not consider his death in his youth to be “cool” at all. One way or another, something clearly went wrong with the Ultraviolence promotional campaign.
Lana Del Rey on '27 Club': 'I don't like the romanticization' early death"
As part of her tour in support of her latest album Honeymoon, world-famous singer Lana Del Rey will visit Moscow and perform at the Park Live festival. On the eve of the concert HELLO! I personally found out from the drama queen what is hidden behind her image and why she is so sad.
You say “Lana Del Rey” and a picture appears before your eyes as if from an old movie: a diva from America in the 60s driving along a highway to nowhere. Only then does a voice with a bewitching timbre appear, with which Lana sings about love, eternity and the end of the world.
Her career once began with a “picture”: in 2011, videos for Lana’s songs Video Games and Blue Jeans hit the Internet and immediately became popular. Neither previously recorded tracks, nor concerts in arthouse clubs in New York, nor the support of her father, entrepreneur Robert Grant, helped her achieve success. But the style that she has stuck to since then helped.
Her name is actually Elizabeth Woolridge Grant. Her personal record includes attending a Catholic school, problems with alcohol as a teenager, studying philosophy in New York, wealthy parents and great prospects, whom she betrayed with music. Lana always tells this biography in interviews in different ways - exaggerating some things, keeping silent about others. She transforms memories into songs, and the images created in her head into stage reality, which is dearer to her than the real one. In reality, there is too little poetry for Lana.
We are talking with Lana on the eve of a concert in Moscow. We talk not so much about the upcoming performance, but about the search for oneself, the pangs of creativity. “Music is not the only thing that interests me,” she says. “Since childhood, I dreamed of the world of cinema, I dreamed of the Cannes festival.” But for now, the singer’s participation in cinema is limited to writing title tracks for famous films - “Big Eyes”, “The Great Gatsby”, “Maleficent” and “The Age of Adaline”. We also talk about “good old” sadness. As the singer herself notes: “She never left me, my everyday life is still poisoned by this feeling.”
Lana, over the past four years you have released three albums. It seems like you never get stuck creatively.
If. I am increasingly having periods when I cannot write a single line. In addition, I am constantly on the move, on tour. And if at the beginning of my career I naively believed that I could write on the road - you know, romance, travel - then later it turned out that I could only concentrate and stop being lazy at home, in America. I lock myself in the studio with the musicians, don’t come out for several weeks, and in the end the album is ready.
All your records are different, and at the same time you have a very recognizable style: the atmosphere of the 60s, minor moods, slow tempo. You yourself barely move on stage - in contrast to active modern performers...
Few people know, but in fact I just love to dance. (Smiles.) I remember when we made my third album Ultraviolence in Nashville, at the end of each day we played the recorded tracks and had a blast as best we could. My music producer Dan Auerbach invited his friends to the studio, sometimes we just brought people we met right at the corner store, and once the actress Juliette Lewis danced with us. Then, for the first time in my life, I immersed myself in such a creative atmosphere and rediscovered myself. And she herself became more open.
Were you closed before this?
Before that, I just felt lonely, superfluous. But when there are so many people around you who love the same things as you, when everyone believes in you, you involuntarily begin to believe in yourself. And now, when the recording begins, it’s like I’m in another universe, where I feel good, and I don’t care whether anyone is looking at me or not. Maybe I'm not doing so well in real life: unlucky in love, quarrels in the family... But my life in the studio is pure happiness. I'm always in a good mood there.
You grew up in a small American village called Lake Placid. Perhaps you already started to feel out of place there?
On the contrary, I had a bunch of girlfriends then, we were very similar and completely inseparable. We went to parties, met older guys... And then my parents found out about all this, and at the age of 14 I was sent to a boarding school. There I mainly communicated with only one teacher. He was 22 years old and it was he who introduced me to the songs of Jeff Buckley and the poetry of Allen Ginsberg. When I came to New York at the age of 19 after graduation, I began to look for like-minded people, people who thought and felt like me. But then I realized that I was late. Nobody talked about romance and songs anymore: my peers were obsessed with careers, money, success.
So what did you do?
I gave up this race. I gave up studying at the University of New York, which my parents dreamed of, and six many years I just wrote songs, worked as a waitress and started performing in friends' clubs. Of course, I was afraid that those around me would think: “Who does she think she is?! What a star she is!” But, no matter how immodest it may sound, I just liked my music.
How did your parents react to your decision?
I will never forget how my father came to the studio after my first success. I was recording my second album, Born To Die, and he was shocked by how confidently I gave instructions to the producer and how I sang. My parents always knew that I wanted to become a singer, and they even helped me in some ways, even though I did not live up to their expectations for a career. But I think it was after that moment in the studio that they realized that I was really capable of achieving a lot.
Did music help you find what you wanted - like-minded people?
Yes, now I constantly spend time with musical groups in general and with men in particular. They mostly play music groups. (Smiles.) I love men, it’s easy with them. I think I myself will soon become a real wreck in such a company.
Many of your icons and role models - Jeff Buckley, Amy Winehouse, Marilyn Monroe, Kurt Cobain - died young, some of them at 27 years old (representatives of the so-called “27 club” - Ed.)
(Interrupts.) I never liked them just because they left early. It just seems to be the fate of those I admire. I don't like this romanticization of early death. Any artist is much more useful when he is alive.
Lana, do you believe in real talent, in inspiration?
All my life I was firmly convinced of only one thing - that I had talent. Before my debut, I wrote songs for ten years, and this was the most important, most stable part of my life. And the only thing that really upsets me now is those very “failures” of inspiration, stagnation, which have begun to happen more and more often. But I don't despair, I found new way awaken the muse. Recently I was driving to the ocean for a swim and started humming a tune as I drove. That's how I drive now - with a dictaphone and singing songs. Just like in the movies.