Speaking surname Pechorina
Pechorin's surname is telling; it clearly indicates his similarity with Alexander Sergeevich Pushkin's hero Evgeny Onegin. Their surnames are formed in the same way: the names of rivers (Onega and Pechora) are used as the root, and the surname Pechorin in in this case hints that these characters are similar in character, Pechorin, like Onegin, can be called an “extra person.”
Pechorin's appearance
Grigory Aleksandrovich Pechorin - a young officer of 25 years old, main character novel by Mikhail Yuryevich "Hero of Our Time".
Pechorin's appearance suggests that he is a favorite of women: attractive, slender, but with broad shoulders, blond hair and a black mustache.
Origin, character, image of Pechorin
Pechorin's character is very contradictory: immoral, daring, but smart, brave and persistent, he understands that he often behaves incorrectly, although he does not want to change. Pechorin comes from a wealthy noble family, he serves in St. Petersburg, but after one incident with a duel he is transferred to the Caucasus. He has lived most of his life in secular society, but he sincerely hates it, including women from this society, whom he can literally see right through. Pechorin is well educated, knows French, but practically does not read books.
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Pechorin
PECHORIN - main character the novel by M.Yu. Lermontov “A Hero of Our Time” (1838-1840). Contemporaries, including Belinsky, largely identified P. with Lermontov. Meanwhile, it was important for the author to distance himself from his hero. According to Lermontov, P. is a portrait made up of the vices of an entire generation - “in their full development.” It is quite understandable why “P. Magazine” for Lermontov it is “someone else’s work.” If not the best, then the central part of it are P.’s diary entries, entitled “Princess Mary.” Nowhere does P. so correspond to the image revealed by the author in the preface. “Princess Mary” appeared later than all the other stories. The preface that Lermontov wrote for the second edition of the novel is primarily associated with this story with its critical acuity. The hero whom he introduces to the reader is exactly the same P. as he is shown on the pages of “Princess Mary”. Critical pathos last period Lermontov's life in this story manifested itself especially clearly. The character of the main character was obviously influenced by the different times in which the stories were written. Lermontov's consciousness changed very quickly. His hero also changed. P. in “Princess Mary” is no longer quite the same as what appears first in “Bel”, then in “Fatalist”. At the end of work on the novel P.
acquired the expressiveness that was supposed to complete the promised portrait. Indeed, in “Princess Mary” he appears in the most unsightly light. Of course, this is a strong-willed, deep, demonic nature. But this way it can only be perceived through the eyes of the young Princess Mary and Grushnitsky, blinded by him. He imitates P. unnoticed by himself, which is why he is so vulnerable and funny for P. Meanwhile, even this Grushnitsky, a nonentity, in P.’s opinion, arouses in him a feeling of envy. And at the same time, how much courage P. showed in climax duel, knowing that his own pistol was not loaded. P. really shows miracles of endurance. And the reader is already lost: who is he, this hero of our time? The intrigue came from him, and when the victim got confused, it was as if he was not to blame.
P. is called strange man all the characters in the novel. Lermontov paid a lot of attention to human oddities. In P. he summarizes all his observations. P.’s strangeness seems to elude definition, which is why the opinions of those around him are polar. He is envious, angry, cruel. At the same time, he is generous, sometimes kind, that is, capable of succumbing to good feelings, nobly protects the princess from the encroachments of the crowd. He is impeccably honest with himself, smart. P. is a talented writer. Lermontov attributes the wonderful “Taman” to his careless pen, generously sharing with the hero the best part of your soul. As a result, readers seem to get used to excusing a lot of things”, and not noticing some things at all. Belinsky defends P. and actually justifies him, since “in his very vices something great glimmers.” But all the critic’s arguments skim on the surface of Pechorin’s character. Illustrating the words of Maxim Maximych: “A nice fellow, I dare to assure you, he’s only a little strange...”, Lermontov looks at his hero as an exceptional phenomenon, so the original title of the novel - “One of the heroes of our century” - was discarded. In other words, P. cannot be confused with anyone, especially with the poet himself, as I. Annensky categorically formulated: “Pechorin - Lermontov.” A.I. Herzen, speaking on behalf of the “Lermontov” generation, argued that P. expressed “the real sorrow and fragmentation of the then Russian life, the sad fate of an extra, lost person.” Herzen put P.'s name here with the same ease with which he would have written the name of Lermontov.
The hero goes through the entire book and remains unrecognized. A man without a heart - but his tears are hot, the beauty of nature intoxicates him. He does bad things, but only because they are expected of him. He kills the person he slandered, and before that the first one offers him peace. Expressing multiple traits, P. is in fact exceptional. Anyone can do bad things. To recognize oneself as an executioner and a traitor is not given to everyone. The role of the ax that P. recognizes among people is not a euphemism at all, not a veiled world sorrow. It is impossible to make allowances for the fact that this was stated in the diary. Confessing, P. is horrified by his “pathetic” role of being an indispensable participant last act comedy or tragedy, but in these words there is not even a shadow of repentance. All his complaints are reminiscent of the “pathetic” style of Ivan the Terrible, lamenting over his next victim. The comparison does not seem exaggerated. P.'s goal is undivided power over others. All the more insistently he emphasizes that he suffers from boredom and is “very worthy of regret.” The poet of Lermontov's school, Ap. Grigoriev, tried to poeticize and develop Pechorin's boredom, and the result was Moscow melancholy with gypsy guitars. P. says directly that he is bored - his life is “emptier day by day,” he says, as if in tune with the tyrant who calls himself a “stinking dog.” Of course, P.’s victims are not so bloody; they are primarily destroyed morally. The decoding of the idea of the hero of our time must be sought in individual demonism: “The collection of evils is his element.” Lermontov placed the thirst for power, which destroys personality, at the forefront of Pechorin’s worldview. Of course, this is only outlined by Lermontov, and that is why his hero does not have sharp outlines. There is nothing predatory about him, on the contrary, there is a lot of feminine. Nevertheless, Lermontov had every reason to call P. a hero of the future. It’s not that scary that P. sometimes “understands the vampire.” For P., a field of activity has already been found: the philistine environment, in fact, is this field - the environment of dragoon captains, princesses, romantic phrase-mongers - the most favorable soil for cultivating all kinds of “gardener-executioners”. This will be exactly what Lermontov called the complete development of vices. To crave power and find the highest pleasure in it is not at all the same as involuntarily destroying the life of “honest” smugglers. This is the evolution of P.’s image from “Bela” and “Taman” to “Princess Mary”. When Belinsky admires the sparks of greatness of P.’s vices, he thereby, as it were, strives to cleanse his image from petty interpretations. After all, P. so picturesquely likens himself to a sailor born and raised on the deck of a robber brig. In this reading, P. is bad because the others are even worse. Belinsky softens Pechorin's features, not noticing the question asked by the hero to himself: “Is evil really so attractive?” The attractiveness of evil - this is how Lermontov accurately described the disease of his century.
P.’s image is not painted with just black paint. In the end, P lost his worse half. He is like a man from a fairy tale who has lost his shadow. Therefore, Lermontov did not turn P. into a vampire, but left him as a man capable of even composing “Taman”. It was this man, so similar to Lermontov, who obscured P.’s shadow. And it is no longer possible to make out whose steps are heard on the flinty path. Lermontov sketched a portrait consisting not of vices, but of contradictions. And most importantly, he made it clear that the thirst that this man suffers cannot be quenched from a well with mineral water. Destructive for everyone except himself, P. is like Pushkin’s anchar. It is difficult to imagine him among the yellowing fields, in the Russian landscape. It is increasingly somewhere in the east - the Caucasus, Persia.
Pechorin
Grigory Aleksandrovich Pechorin is the main character of the novel “A Hero of Our Time”, who is an extremely controversial person. Lermontov describes him as a fearless and tireless hero, sitting all day in his room, flinching at the slightest noise. Either a silent person from whom you cannot get a word, or an excellent speaker and interlocutor. We get to know him little by little, at different periods of his life.
We meet Pechorin when he is 25 years old and arrives with the rank of ensign to serve in one of the fortresses in the Caucasus. He serves under the command of Maxim Maksimych. One day, a local prince invited them to a wedding, where Pechorin met his sixteen-year-old daughter, Bela, and fell madly in love with her. He learned that Bela’s brother Azamat was ready to give his life for Kazbich’s horse and offered him Karagez (that was the name of the horse) in exchange for his sister. He agreed and Pechorin, having stolen Karagez, became the owner of Bela. But Kazbich could not forgive the theft of his horse and friend. He bided his time, kidnapped Bela and killed her. Pechorin suffered for a long time, and three months later he was assigned to another regiment, and he left for Georgia.
In the next chapter we learn how Pechorin, while passing through Taman, accidentally tracked down smugglers. The girl lured him onto the boat and wanted to drown him, and when he fought her off with difficulty and returned to the house, he found out that his box, saber and dagger had been stolen by a blind boy who lived in the house and given to the head of the smugglers, Yanko.
In the next chapter we see Pechorin in Pyatigorsk, on the waters. There he meets Princess Mary, whom his friend Grushnitsky claims. Out of envy, he also begins to court her, although he does not love her at all. There on the waters, he meets his ex-love Vera, who loves him madly. When he turned Mary's head, she gave up to Grushnitsky, and he in response began to spread dirty rumors about him and Mary. Pechorin had to challenge him to a duel and kill him. Immediately after the duel, he told Mary that he did not love her. Having learned that Vera has left, he rushes after her, but having driven the horse, he returns to Pyatigorsk.
In another chapter, we see Pechorin in Cossack village, where it first predicts tragic fate Vulich, and then tests his own when one rushes at the armed killer Vulich and twists him.
In the end, Pechorin becomes indifferent to everything in the world, he is deeply dissatisfied with his life. And soon, after losing the joy of life, He, returning from Persia, dies.
Grigory Pechorin is the main character of the novel. A unique personality that no one has been able to fully understand. Such heroes are found in every time. Any reader will be able to recognize himself in him with all the vices characteristic of people and the desire to change the world.
The image and characterization of Pechorin in the novel “A Hero of Our Time” will help you understand what kind of person he really is. How the long-term influence of the surrounding world was able to leave its mark on the depth of character, turning the complex inner world main character.
Pechorin's appearance
Looking at a young, handsome man, it is difficult to determine how old he really is. According to the author, no more than 25, but sometimes it seemed that Gregory was already over 30. Women liked him.“...he was generally very handsome and had one of those original physiognomies that are especially popular with secular women...”
Slim. Superbly built. Athletic build.
“...of medium height, his slender, thin figure and broad shoulders proved his strong build...”
Blond. The hair was slightly curled. Dark mustache and eyebrows. When meeting him, everyone paid attention to his eyes. When Pechorin smiled, the gaze of his brown eyes remained cold.
"...they didn't laugh when he laughed..."
It was rare that anyone could bear his gaze; he was too heavy and unpleasant for his interlocutor.
The nose is slightly turned up. Snow-white teeth.
“...a slightly upturned nose, dazzling white teeth...”
The first wrinkles have already appeared on the forehead. Pechorin's gait is imposing, slightly lazy, careless. The hands, despite the strong figure, seemed small. The fingers are long, thin, characteristic of aristocrats.
Gregory dressed immaculately. The clothes are expensive, clean, well ironed. Pleasant aroma of perfume. The boots are cleaned to a shine.
Gregory's character
Gregory's appearance completely reflects the inner state of his soul. Everything he does is imbued with a precise sequence of steps, cold prudence, through which emotions and feelings sometimes try to break through. Fearless and reckless, somewhere weak and defenseless, like a child. It is entirely created from continuous contradictions.Grigory promised himself that he would never show his real face, forbidding him to show any feelings for anyone. He was disappointed in people. When he was real, without guile and pretense, they could not understand the depth of his soul, accusing him of non-existent vices and making claims.
“...everyone read on my face signs of bad feelings that were not there; but they were anticipated - and they were born. I was modest - I was accused of guile: I became secretive. I felt good and evil deeply; no one caressed me, everyone insulted me: I became vindictive; I was gloomy, - other children were cheerful and talkative; I felt superior to them - they put me lower. I became envious. I was ready to love the whole world, but no one understood me: and I learned to hate...”
Pechorin is constantly searching for himself. He rushes about, looking for the meaning of life, and does not find it. Rich and educated. A nobleman by birth, he was used to hanging out in high society, but he doesn’t like that kind of life. Gregory considered her empty and worthless. A good expert on female psychology. I could figure out each one and understand from the first minutes of the conversation what it was. Exhausted and devastated by social life, he tried to delve into science, but soon realized that power does not lie in knowledge, but in dexterity and luck.
Boredom was eating away at the man. Pechorin hoped that the melancholy would go away during the war, but he was wrong. The Caucasian War brought another disappointment. Lack of demand in life led Pechorin to actions that defied explanation and logic.
Pechorin and love
The only woman he loved was Vera. He was ready for anything for her, but they were not destined to be together. Vera is a married woman.Those rare meetings that they could afford compromised them too much in the eyes of others. The woman was forced to leave the city. It was not possible to catch up with my beloved. He only drove the horse to death in an attempt to stop and bring her back.
Pechorin did not take other women seriously. They are a cure for boredom, nothing more. Pawns in a game where he set the rules. Boring and uninteresting creatures made him even more despondent.
Attitude towards death
Pechorin is firmly convinced that everything in life is predetermined. But this does not mean that you need to sit and wait for death. We must move forward, and she herself will find the one she needs.Article menu:
A person is always driven by the desire to know his purpose. Should you go with the flow or resist it? What position in society would be correct, should all actions comply with moral standards? These and similar questions often become the main ones for young people who are actively comprehending the world and human essence. Youthful maximalism requires clear answers to these problematic questions, but it is not always possible to give an answer.
It is precisely this seeker of answers that M.Yu. tells us about. Lermontov in his novel “Hero of Our Time”. It should be noted that Mikhail Yuryevich was always on good terms when writing prose, and his same position remained until the end of his life - all the prose novels he started were never finished. Lermontov had the courage to bring the matter with “Hero” to its logical conclusion. This is probably why the composition, the manner of presentation of the material and the style of narration look, compared to other novels, quite unusual.
“Hero of Our Time” is a work imbued with the spirit of the era. The characterization of Pechorin - the central figure of Mikhail Lermontov's novel - allows us to better understand the atmosphere of the 1830s - the time the work was written. It is not for nothing that “A Hero of Our Time” is recognized by critics as the most mature and ambitious in philosophical sense novels by Mikhail Lermontov.
Great value there is a historical context for understanding the novel. In the 1830s Russian history was reactive. In 1825, the Decembrist uprising occurred, and subsequent years contributed to the development of a mood of loss. The Nikolaev reaction unsettled many young people: young people did not know which vector of behavior and life to choose, how to make life meaningful.
This caused the emergence of restless individuals, unnecessary people.
Origin of Pechorin
Basically, the novel singles out one hero, who is centrally in the story. It seems that this principle was rejected by Lermontov - based on the events told to the reader, the main character is Grigory Aleksandrovich Pechorin - a young man, an officer. However, the style of the narration gives the right to doubt - the position in the text of Maxim Maksimovich is also quite weighty.
In fact, this is a misconception - Mikhail Yuryevich has repeatedly emphasized that in his novel the main character is Pechorin, this corresponds to the main purpose of the story - to talk about typical people of the generation, to point out their vices and mistakes.
Lermontov provides rather scant information about childhood, conditions of upbringing and the influence of parents on the process of formation of Pechorin’s positions and preferences. Several fragments of his past life lift this veil - we learn that Grigory Alexandrovich was born in St. Petersburg. His parents, according to existing orders, tried to give their son a proper education, but young Pechorin did not feel the burden of science, he “quickly got bored” with them and he decided to devote himself to military service. Perhaps such an act is connected not with the emerging interest in military affairs, but with the special disposition of society towards military people. The uniform made it possible to brighten up even the most unattractive actions and character traits, because the military was loved for what they were. It was difficult to find representatives in society who did not have a military rank - military service was considered honorable and everyone wanted to “try on” honor and glory along with the uniform.
As it turned out, military affairs did not bring proper satisfaction and Pechorin quickly became disillusioned with it. Grigory Alexandrovich was sent to the Caucasus because he was involved in a duel. The events that happened to the young man in this area form the basis of Lermontov's novel.
Characteristics of Pechorin's actions and deeds
The reader gets his first impressions of the main character of Lermontov’s novel after meeting Maxim Maksimych. The man served with Pechorin in the Caucasus, in a fortress. It was the story of a girl named Bela. Pechorin treated Bela badly: out of boredom, while having fun, the young man kidnapped a Circassian girl. Bela is a beauty, at first cold with Pechorin. Gradually, the young man kindles the flame of love for him in Bela’s heart, but as soon as the Circassian woman fell in love with Pechorin, he immediately lost interest in her.
Pechorin destroys the destinies of other people, makes those around him suffer, but remains indifferent to the consequences of his actions. Bela and the girl's father die. Pechorin remembers the girl, feels sorry for Bela, the past resonates with bitterness in the hero’s soul, but does not cause Pechorin to repent. While Bela was alive, Grigory told his comrade that he still loved the girl, felt gratitude to her, but boredom remained the same, and it was boredom that decided everything.
An attempt to find satisfaction and happiness pushes the young man to experiments that the hero performs on living people. Psychological games, meanwhile, turn out to be useless: the same emptiness remains in the hero’s soul. The same motives accompany Pechorin’s exposure of the “honest smugglers”: the hero’s act does not bring good results, only leaving the blind boy and the old woman on the brink of survival.
The love of a wild Caucasian beauty or a noblewoman - it does not matter for Pechorin. Next time, the hero chooses an aristocrat, Princess Mary, for the experiment. Handsome Gregory plays with the girl, arousing love for him in Mary’s soul, but then leaves the princess, breaking her heart.
The reader learns about the situation with Princess Mary and the smugglers from the diary that the main character kept, wanting to understand himself. In the end, even Pechorin gets tired of his diary: any activity ends in boredom. Grigory Alexandrovich does not complete anything, unable to bear the suffering of losing interest in the subject of his former passion. Pechorin's notes accumulate in a suitcase, which falls into the hands of Maxim Maksimych. The man experiences a strange attachment to Pechorin, perceiving the young man as a friend. Maxim Maksimych keeps Grigory’s notebooks and diaries, hoping to give the suitcase to a friend. But the young man does not care about fame, fame, Pechorin does not want to publish the entries, so the diaries turn out to be unnecessary waste paper. This secular disinterest of Pechorin is the peculiarity and value of Lermontov’s hero.
Pechorin has one important feature - sincerity towards himself. The hero’s actions evoke antipathy and even condemnation in the reader, but one thing needs to be recognized: Pechorin is open and honest, and the touch of vice comes from weakness of will and the inability to resist the influence of society.
Pechorin and Onegin
After the first publications of Lermontov’s novel, both readers and literary critics began to compare Pechorin from Lermontov's novel and Onegin from Pushkin's work with each other. Both heroes share similar character traits and certain actions. As researchers note, both Pechorin and Onegin were named according to the same principle. The surname of the characters is based on the name of the river - Onega and Pechora, respectively. But the symbolism doesn't end there.
Pechora is a river in the northern part of Russia (modern Komi Republic and Nanets Autonomous Okrug), by its nature it is a typical mountain river. Onega is located in the modern Arkhangelsk region and is calmer. The nature of the flow has a relationship with the characters of the heroes named after them. Pechorin's life is full of doubts and active searches for his place in society; he, like a seething stream, sweeps away everything without a trace in his path. Onegin is deprived of such a scale of destructive power; complexity and inability to realize himself cause him to feel a state of dull melancholy.
Byronism and the “superfluous man”
In order to holistically perceive the image of Pechorin, understand his character, motives and actions, it is necessary to have knowledge about the Byronic and superfluous hero.
The first concept came to Russian literature from England. J. Bynov in his poem “Childe Harold’s Pilgrimage” created a unique image endowed with a desire for active search their purpose, the characteristics of egocentrism, dissatisfaction and desire for change.
The second is a phenomenon that arose in Russian literature itself and denotes a person who was ahead of his time and therefore alien and incomprehensible to those around him. Or someone who, based on his knowledge and understanding of everyday truths, is higher in development than the rest and, as a result, he is not accepted by society. Such characters become the cause of suffering for female representatives who love them.
Grigory Aleksandrovich Pechorin is a classic representative of romanticism, who combined the concepts of Byronism and the superfluous man. Dejection, boredom and spleen are the product of this combination.
Mikhail Lermontov considered the life story of an individual more interesting than the history of a people. " An extra person“Pechorin is made by circumstances. The hero is talented and smart, but the tragedy of Grigory Alexandrovich lies in the lack of a goal, in the inability to adapt himself, his talents to this world, in the general restlessness of the individual. In this, Pechorin’s personality is an example of a typical decadent.
Powers young man They go not to find a goal, not to realize themselves, but to adventure. Sometimes, literary critics compare the images of Pushkin’s Eugene Onegin and Lermontov’s Grigory Pechorin: Onegin is characterized by boredom, and Pechorin is characterized by suffering.
After the Decembrists were exiled, progressive trends and tendencies also succumbed to persecution. For Pechorin, a progressive-minded person, this meant the onset of a period of stagnation. Onegin has every opportunity to take the side of the people's cause, but refrains from doing so. Pechorin, having a desire to reform society, finds himself deprived of such an opportunity. Grigory Alexandrovich wastes his wealth of spiritual strength on trifles: he hurts girls, Vera and Princess Mary suffer because of the hero, Bela dies...
Pechorin was ruined by society and circumstances. The hero keeps a diary, where he notes that, as a child, he spoke only the truth, but adults did not believe in the boy’s words.
Then Gregory became disillusioned with life and his previous ideals: the place of truth was replaced by lies. As a young man, Pechorin sincerely loved the world. Society laughed at him and this love - Gregory’s kindness turned into anger.
The hero quickly became bored with his secular surroundings and literature. Hobbies were replaced by other passions. Only travel can save you from boredom and disappointment. Mikhail Lermontov unfolds on the pages of the novel the entire evolution of the protagonist’s personality: Pechorin’s characterization is revealed to the reader by all the central episodes in the formation of the hero’s personality.
The character of Grigory Alexandrovich is accompanied by actions, behavior, and decisions that more fully reveal the characteristics of the character’s personality. Pechorin is also appreciated by other heroes of Lermontov’s novel, for example, Maxim Maksimych, who notices the inconsistency of Grigory. Pechorin is a strong young man with a strong body, but sometimes the hero is overcome by strange physical weakness. Grigory Alexandrovich turned 30 years old, but the hero’s face is full of childish features, and the hero looks no more than 23 years old. The hero laughs, but at the same time one can see sadness in Pechorin’s eyes. Opinions about Pechorin, expressed by different characters in the novel, allow readers to look at the hero, respectively, with different positions.
Pechorin's death expresses the idea of Mikhail Lermontov: a person who has not found a goal remains superfluous, unnecessary for those around him. Such a person cannot serve for the benefit of humanity and is of no value to society and the fatherland.
In “Hero of Our Time,” the writer described the entire generation of contemporaries - young people who have lost the purpose and meaning of life. Just as Hemingway’s generation is considered lost, so Lermontov’s generation is considered lost, superfluous, restless. These young people are susceptible to boredom, which turns into a vice in the context of the development of their society.
Pechorin's appearance and age
At the beginning of the story, Grigory Aleksandrovich Pechorin is 25 years old. He looks very good, well-groomed, so in some moments it seems that he is much younger than he actually is. There was nothing unusual in his height and build: average height, strong athletic build. He was a man with pleasant features. As the author notes, he had a “unique face,” one that women are madly attracted to. Blonde, naturally curly hair, a “slightly upturned” nose, snow-white teeth and a sweet, childish smile - all this complements his appearance favorably.
His eyes, brown in color, seemed to live a separate life - they never laughed when their owner laughed. Lermontov names two reasons for this phenomenon - either we have a person with an evil disposition, or someone who is in a state of deep depression. Lermontov does not give a direct answer which explanation (or both at once) is applicable to the hero - the reader will have to analyze these facts themselves.
His facial expression is also incapable of expressing any emotion. Pechorin does not restrain himself - he simply lacks the ability to empathize.
This appearance is finally blurred by a heavy, unpleasant look.
As you can see, Grigory Alexandrovich looks like a porcelain doll - his cute face with childish features seems like a frozen mask, not a face real person.
Pechorin's clothes are always neat and clean - this is one of those principles that Grigory Alexandrovich follows impeccably - an aristocrat cannot be an unkempt slob.
While in the Caucasus, Pechorin easily leaves his usual outfit in the closet and dresses in the national men's attire of the Circassians. Many note that these clothes make him look like a true Kabardian - sometimes people who belonged to this nationality do not look so impressive. Pechorin looks more like a Kabardian than the Kabardians themselves. But even in these clothes he is a dandy - the length of the fur, the trim, the color and size of the clothes - everything is chosen with extraordinary care.
Characteristics of character qualities
Pechorin is a classic representative of the aristocracy. He himself comes from a noble family, who received a decent upbringing and education (he knows French and dances well). All his life he lived in abundance, this fact allowed him to begin his journey of searching for his destiny and an activity that would not let him get bored.
At first, the attention shown to him by women pleasantly flattered Grigory Alexandrovich, but soon he was able to study the types of behavior of all women and therefore communication with ladies became boring and predictable for him. The impulse to create his own family is alien to him, and as soon as it comes to hints about a wedding, his ardor for the girl instantly disappears.
Pechorin is not assiduous - science and reading push him even more than secular society, blues. A rare exception in this regard is provided by the works of Walter Scott.
When social life became too burdensome for him, and travel, literary activity and science didn’t bring desired result, Pechorin decides to start a military career. He, as is customary among the aristocracy, serves in the St. Petersburg Guard. But he doesn’t stay here for long either - participation in a duel dramatically changes his life - for this offense he is exiled to serve in the Caucasus.
If Pechorin were a hero folk epic, then it permanent epithet the word would be "strange". All the heroes find something unusual in him, different from other people. This fact is not related to habits, mental or psychological development - the point here is precisely the ability to express one’s emotions, adhere to the same position - sometimes Grigory Alexandrovich is very contradictory.
He likes to cause pain and suffering to others, he is aware of this and understands that such behavior does not look good not only on him specifically, but on any person. And yet he doesn’t try to restrain himself. Pechorin compares himself to a vampire - the realization that someone will spend the night in mental anguish is incredibly flattering to him.
Pechorin is persistent and stubborn, this creates many problems for him, because of this he often finds himself in not the most pleasant situations, but here courage and determination come to his rescue.
Grigory Alexandrovich becomes the cause of destruction life paths many people. By his mercy, the blind boy and the old woman are left to the mercy of fate (the episode with the smugglers), Vulich, Bella and her father die, Pechorin’s friend dies in a duel at the hands of Pechorin himself, Azamat becomes a criminal. This list can still be replenished with many names of people to whom the main character insulted and became a reason for resentment and depression. Does Pechorin know and understand the full gravity of the consequences of his actions? Quite, but this fact does not bother him - he does not value his life, much less the destinies of other people.
Thus, the image of Pechorin is contradictory and ambiguous. On the one hand, it is easy to find positive traits character, but on the other hand, callousness and selfishness confidently reduce all his positive achievements to “no” - Grigory Aleksandrovich destroys with his recklessness both his fate and the fates of the people around him. He - destructive force which is difficult to resist.
Psychological portrait of Grigory Pechorin
Lermontov helps to imagine the character's character traits by referring to the hero's appearance and habits. For example, Pechorin is distinguished by a lazy and careless gait, but at the same time the hero’s gestures do not indicate that Pechorin is a secretive person. The young man’s forehead was marred by wrinkles, and when Grigory Alexandrovich sat, it seemed that the hero was tired. When Pechorin's lips laughed, his eyes remained motionless, sad.
Pechorin's fatigue was manifested in the fact that the hero's passion did not linger for long on any object or person. Grigory Alexandrovich said that in life he is guided not by the dictates of his heart, but by the orders of his head. This is coldness, rationality, periodically interrupted by a short-term riot of feelings. Pechorin is characterized by a trait called fatality. The young man is not afraid to go wild and seeks adventure and risk, as if testing fate.
The contradictions in Pechorin’s characterization are manifested in the fact that with the courage described above, the hero is frightened by the slightest cracking of window shutters or the sound of rain. Pechorin is a fatalist, but at the same time convinced of the importance of human willpower. There is a certain predestination in life, expressed at least in the fact that a person will not escape death, so why then are they afraid to die? In the end, Pechorin wants to help society, to be useful by saving people from the Cossack killer.
Grigory Pechorin from the novel by M. Yu. Lermontov “Hero of Our Time”: characteristics, image, description, portrait
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