1. The theme of the power of money in the world and in the human soul.
2. Hoarding and waste.
3. Moral degradation of the individual.
Death awaits you - so spend your wealth without sparing;
But life is not over: take care of what is good.
Only that person is wise who, having comprehended both,
He saves good in moderation and spends it in moderation.
L. Samossky
One of the leading motives in O. de Balzac’s story “Gobsek” is the power of money over people. In Balzac's story this power is visibly embodied in the image of a moneylender with a telling surname: Gobsek means “live-lot” in Dutch. The theme that Balzac touched on in his work is one of the eternal themes. Many writers have turned to the image of the miser, who is both comical and tragic at the same time. It should be noted that Balzac’s Gobsek is far from clear-cut. The author shows this character through the eyes of the young lawyer Derville, who at first met the main character could not understand what kind of person he was: “Did he have family, friends? Was he poor or rich? No one could answer these questions." Derville talks about “a tragicomic incident from the life of Gobsek: an old moneylender accidentally dropped a gold coin, and when it was handed to him, he decisively declared that this money was not his: “But would I live like that if I were rich!”
The remark is very sensible - indeed, it is difficult to believe that a rich man would live the way Gobsek, the “automatic man”, “bill man”, lives. However, as it becomes clear from the subsequent narration, Gobsek’s exclamation is most likely a maneuver intended to divert attention. Like a typical miser, he fears that no one will find out about his wealth.
Gobsek's only interest is the acquisition of wealth - it should be noted that in this area the talents of this person are truly large-scale. Gobsek also has his own philosophy, in which money takes pride of place. Material wealth acts as the main value in life, the concentration of all opportunities and aspirations: “When you live with me, you will learn that of all earthly blessings there is only one, reliable enough for a person to pursue it. Is this gold. All the forces of humanity are concentrated in gold.”
So, here is the answer to Derville’s unspoken question: does Gobsek know about God, does he believe in Him? What religion is this person committed to? Gold is the only power that the old moneylender recognizes: “To fulfill our whims, it takes time, we need material opportunities or efforts. Well! In gold everything is contained in the germ, and it gives everything in reality.” Gobsek enjoys the consciousness of his power, which he has thanks to money. He sincerely believes that nothing in the world has power over himself. However, Gobsek's power in to a greater extent manifests itself in the realm of the speculative than in reality. Of course, the moneylender shakes out substantial money from his clients, but this is where the manifestations of his power end. Gobsek lives as if he does not have a huge fortune. To the old moneylender, like Pushkin's stingy knight, it’s enough to think that he could have everything he wants. But the worst thing is that the hero no longer wants anything except the money itself. Talking about their power, Gobsek almost becomes a poet for a few moments - this single topic inspires him so much.
“This wizened old man suddenly grew in my eyes, became a fantastic figure, the personification of the power of gold. Life and people filled me with horror at that moment.
“Does it really all come down to money?” - this is Derville’s reaction to Gobsek’s revelations. And yet, despite his millions, his power, Gobsek is at the same time pitiful. At least the young lawyer at one point looked at the moneylender as if he was “gravely ill.” And he is really sick - spiritually sick. He has no family, no children, he is old and weak. For whom is he amassing untold wealth? Why does he live like a poor man with millions? Nothing in the world has power over him except money, his idol. Gobsek enjoys the ghost of power that money has. Actually, he needs money not as a means of acquiring various things, but as a way to exercise power over others. Balzac, showing the power of money over people, did not limit himself to the traditional image of a miser-usurer. Money doesn't play a role in Countess Resto's life either. last role. It should be noted right away: the Countess, unlike Gobsek, views money precisely as a means by which she maintains the external gloss of a society lady and retains her lover, a vicious man with an angelic appearance. The need for money, which her lover constantly demands, forces the Countess to turn to a moneylender. The fear that her husband will deprive her younger children of their inheritance pushes her to unworthy intrigues - the woman is ready to take advantage of her eldest son’s affection for her and his father, just to get her hands on the will of the dying count.
So, Balzac contrasts two ways of relating to money - the accumulation of wealth for its own sake and unbridled extravagance, clearly showing the inferiority of both positions. It is no coincidence that the author described and last days Gobsek's life. The old man is sick, lying in bed, he understands that his days are numbered - and yet the mechanism of enrichment continues to operate. Gobsek's stinginess reaches terrifying proportions and loses all logic. Clients brought him various gifts - products, silver dishes, which he sold to stores. But due to the reluctance of the stingy old man to sell the goods a little cheaper, the products spoil. Money and goods matter when they are used - that is the meaning of the picture of rotting food in the apartment of the late Gobsek. And who will his fortune go to? A prostitute, his distant relative. It can be assumed that this woman will most likely quickly spend her easy money and again slide into the usual abyss. “Yes, I have everything, and I have to part with everything. Well, well, daddy Gobsek, don’t be a coward, be true to yourself...” - these are last words old moneylender. No regrets about a joylessly spent life devoted to acquiring money that he himself hardly used, no thoughts about his soul - nothing... And what is the soul for a person who recognizes gold as the only power in the world?
So, Balzac showed the power that money has over a person. But it is necessary to note the following: it is not money that makes a person a miser or a spendthrift. Only the person himself determines what is for him main value. While a person is alive, it is not too late to reconsider his position if following it negatively affects the inner world and external life of the individual. After all, it was not money that destroyed the countess’s family and caused the death of her husband, but this woman’s lifestyle. Cause moral ruin Gobsek, which occurred long before his physical death, also lies not in money as such, but in the attitude of this man towards it, who, like the Jews brought out of slavery, bowed before the golden calf, forgetting about the eternal greatness and power of God.
Topic: Honore de Balzac. The story "Gobsek". Image destructive power money in O. de Balzac's story “Gobsek”
Goal: to help students deeply and consciously learn ideological content story, formulate the problems posed in it; improve the ability to characterize images of heroes, analyze artistic text, compare images; develop logical and abstract thinking, coherent speech; cultivate high moral qualities.
Equipment: portrait of Balzac, illustrations for the story, tables, epigraph on the board.
Lesson form: lesson – press conference
Two creatures live in it:
miser and philosopher, vile
being and sublime
O. Balzac
During the classes
I. Org. moment.
II. Greeting from the teacher.
Hello students, hello teachers and guests. I'm glad to see everyone in our lesson. And today’s lesson will not be easy, its topic is ________________________________________________________________. Our lesson will be held in the form of a press conference, so now I invite you to take your seats characters our conference is ahead of the class, and the rest today are not just students, they are correspondents of various well-known Ukrainian and foreign publishing houses. They will express their opinions, ask our heroes various tricky problematic questions, and also show their knowledge and skills.
ІІІ. introduction teachers.
Great writers, like Columbus, perfecting their immortal feat, open new worlds to us. Balzac amazed his contemporaries with his discovery in society. An abyss appeared before the artist’s astonished gaze. He looked into it and realized that no work, even a perfect one, is capable of containing drama. modern life. He dedicated all his work to her.
Let's imagine that the writer Balzac is present in our lesson, some of his literary heroes, literary critic. They will tell us about themselves, about the era in which they lived.
Question for Balzac.
What can you tell us about yourself?
Balzac: Born in Tours, France, in 1799. I am the son of a rich peasant named Balse, which upset me extremely, so I changed the name to “Balzac” and added a “de” in front - a sign of noble origin.
Question for Balzac.
Tell us about your years of study and creative activity.
Balzac: Studied at college, then at law school. He worked as a scribe in a notary's office, but without interest. I asked my father for a two-year term to become a writer. Received meager allowance.
Literary critic: (adds and reads quickly)
“The attic walls let in the winter cold. It blows from all the cracks. The young man tangles himself in an old shawl that his sister sent him, tucks his cold feet under him, warms his reddened fingers with his breath and writes, writes. While working, he even forgets that he is hungry, and he is always hungry this winter. His parents send him very little money. He was free to take up the dubious craft of literature, abandoning the honorable career of a lawyer! But neither the father nor the strict and wayward mother managed to break the rebellious one. The young man is firm in his decision. He didn’t yet know what and how he would write about, but he was convinced that he was creating something great and significant.”
Question for Balzac.
What was characteristic, in your opinion, of the era in which you lived?
Balzac: The 20-30s were a time of rapid development of natural sciences and philosophical thought in Europe. In France, this is the period of the Restoration and the June Monarchy. I'm the first in Western European literature tried to start artistic research structures of modern society, their daily life, their struggle for power and gold, their intrigues and secrets. It seemed that I was able to penetrate into the most hidden corners of the human heart, depicting the prose of life.
Question for Balzac.
When did fame come to you?
Balzac: The first novel from which one can consider me an accomplished writer is “The Chouans” (1979), then in 1830 I wrote the stories “The House of the Cat Playing Ball”, “Matrimonial Consent”, “Gobsek”, “Silhouette” women" and many others, which are combined into the cycle " Human comedies».
Question for Balzac.
Have you conceived a work about modern society, but did you find this task too difficult?
Balzac: Yes, if I undertook to write only one novel and in it to say everything about my time, it would be impossible. But I decided to write 144 novels, combining them common name"Human Comedies". I managed to write 95.
Question for Balzac.
Where did you find strength and source of inspiration?
(tell us a little about Balzac’s acquaintance with Evelina Ganskaya).
Question for Balzac.
How do you connect your life with Ukraine?
IV. Teacher's message about the history of the story.
The story “Gobsek” became one of the pinnacles of Balzac’s work and all world literature. It has three editions. The first version was created in 1830 (I wrote an essay for Fashion magazine, which was called “The Moneylender”). In 1835, a new edition of “Papa Gobsek” appeared, the third - “Gobsek”.
In terms of genre and composition, this is a complex work. Genre of the work: short story epic work with a plot, often an unexpected ending). Almost all elements of this genre are present in the work.
V. Questions from the teacher to all correspondents.
What can you say about the composition of the story? What makes it special?
Gobsek's story is a story within a story. The extraordinary figure of the moneylender Gobsek is told not by the author-narrator, but by the narrator, the lawyer Derville. (The composition is circular, retrospective, it was intended for a more complete and profound disclosure of the image of the main character of the work).
Question to Derville:
What is your social status, profession? How does the author treat you?
Derville: I come from a democratic environment, a lawyer, a lawyer, a man of high integrity, knowledgeable, modest, with good manners, I became a friend of the Granlier family. With his behavior towards Madame de Granlier, he achieved honor and clientele in best houses Saint-Germain suburb"
(10 years of dating)
Derville: Firstly, I am his friend, and secondly, we are people of the same profession. This may be immodest, but I am an experienced lawyer with excellent knowledge of the “kitchen” of entrepreneurship and the sphere of hoarding. Thirdly, Balzac himself sympathizes with me.
Question to Derville:
Who was the first to hear your story about Gobsek?
Derville: Members of the de Granlier family.
Question to Gobsek:
What is your background? What does your last name mean?
Gobsek: Translated from English as “guzzler”.
Tell us about your youth and youth.
Gobsek: Mother is Jewish, father is Dutch, full name Jean Esther van Gobseck. At the age of 10, my mother gave me a job as a cabin boy on a ship (sailed from the East Indies, where I wandered for 12 years. I tried everything to get rich: I was looking for treasure, had a relationship with the ups and downs of the American War of Independence, was a corsair, etc.)
Question to Gobsek:
Which moral lessons, did you carry away ideals from your turbulent youth and maturity?
Gobsek: Often, saving my life, I was forced to sacrifice moral principles. “Of all earthly goods, there is only one that is reliable enough for a person to pursue it. Is this gold. All the forces of humanity are concentrated in gold... Man is the same everywhere: everywhere there is a struggle between the poor and the rich, everywhere. And it is inevitable. It’s better to push yourself than to let others push you.”
Question to Gobsek:
Why did you choose to become a moneylender? Who are your clients?
Gobsek: I got rich from criminal operations and now I don’t need to risk my life for the sake of wealth. My position is strong and stable in society. Under my control are the golden youth, actors and artists, secular people, players are the most entertaining part of Parisian society.
Question to Gobsek:
What is your life credo? What do you believe?
Gobsek: Money is a commodity that can be sold and bought at a profit. I believe in the limitless power and authority of gold. “Gold is the spiritual value of today’s society.” Only gold can give a person absolute, real power over the world.
Question to Fanny Malvo:
How is your destiny connected with dad Gobsek? How are yours and Derville getting along?
Why does Balzac mercilessly criticize in his story not Gobsek, but the representatives high society: Countess de Resto and Maxime de Tray?
In the character of Maxime de Tray we will not find any positive trait. The narrator calls him an "elegant scoundrel." “Fear him like the devil,” Derville whispered in the old man’s ear. “This is a real killer.”
Question to Derville:
What is the power of Maxime de Tray’s influence on people?
He knows how to cleverly manipulate people. He is able to find the innermost strings in every person and play the right melody on them.
Question for a literary critic:
Who is Maxime de Tray? What relationship does he have with Countess de Resto?
How has Countess de Resto stained herself?
What episode did Derville see that horrified him?
Do you think that Maxim de Tray is a kind of double of Gobsek in the story?
Yes, because the hero himself says about it: “You and I are necessary for each other, like soul and body.”
Gobsek is a shrewd man, he knows very well the low and insidious nature of people like Maxime de Tray, so he refuses to accept his challenge to a duel, ending his speech with very precise words: “To shed your blood, you must have it, my dear, but you have instead of blood there is dirt." The author says: “In this major situation, Gobsek was an insatiable boa constrictor.” What kind are we talking about?
He received a fidelkomissi, i.e. legal right use someone else's property to transfer it later to a third party.
How does Gobsek behave in this situation?
(He behaves with dignity, he did not take advantage of the advantageous situation and did not “warm his hands” on the count’s inheritance, but, on the contrary, increased it).
Until he came of age, Gobsek provided the son of Count de Resto, Ernest, with an extremely meager allowance. How does he explain this decision?
Gobsek (you can ask the class a question):
“Adversity is the best teacher. In misfortune, he will learn a lot, learn the value of money, the value of people - both men and women. Let him swim on the waves of the Parisian sea. And when he becomes a skilled pilot, we will promote him to captain.”
Question to Derville:
Have you solved Gobsek's riddle? What did you see in Gobsek’s office when the disabled person came for you? (p. 67-68, read out)
“Although I set myself the goal of studying him, I must, to my shame, admit that until the last minute his soul remained a secret behind seven locks for me.”
“Does it really all come down to money?” - this question tormented Derville.
VII. Checking homework.
The author concludes his story about the life and death of a moneylender with a description of his wealth. The outcome of the hero’s life is deplorable, all the goods he acquired fell into disrepair and remained unclaimed. Profit, the power that Gobsek possessed, swallowed up best values peace: friendship, love of loved ones.
Let's listen to how the “sharks of the pen” answered this question.
(Students read out their miniature essays)
VIII. Final word teachers.
The image of the stingy appears in the poem “ Dead Souls"(Plyushkin). “The miser” is found in Molière’s comedy, Alena Ivanovna (the old money-lender) in Dostoevsky’s novel “Crime and Punishment,” and the money lender from Gogol’s story “Portrait.” All these characters are negative; their authors denounce them for spiritual impoverishment and the desire to get rich at the expense of the weaknesses and misfortunes of other people.
The work of Honore de Balzac became the pinnacle of the development of Western European realism XIX century. Creative manner the writer has absorbed all the best from such masters artistic word, like Rabelais, Shakespeare, Scott and many others. At the same time, Balzac introduced a lot of new things into literature. One of the most significant monuments of this outstanding writer became the story "Gobsek". The story reflected in a concentrated form Balzac's understanding of the laws of the bourgeois world, which came to him during his work in a notary's office. The writer saw from the inside and therefore could so vividly depict the entire “oil-oiled mechanism of any wealth.” And in his story he reveals the whole essence of bourgeois society, where robbery, betrayal, and dirty machinations are the law. With all the force of drama, the author demonstrates countless tragedies generated by the dominance of buying and selling relations in society, typical conflicts based on “omnipotence, omniscience, all the goodness of money.” The struggle for fortune no longer becomes an addition or detail, but the basis of the plot, the central idea of the entire narrative. The main character of the story is a millionaire usurer - one of the rulers of the new France. His image is very complex and contradictory. “Two creatures live in him: a miser and a philosopher, a vile creature and a sublime one,” says lawyer Derville about him. The hero's past is rather uncertain: perhaps he was a corsair and sailed all the seas and oceans, trading in people and state secrets. Full of mysteries as well real life. The origins of his untold wealth are unknown. But one thing is beyond doubt - this is an exceptional, strong personality, endowed with a deep philosophical mindset. Gobsek is able to notice small details and judge the world, life and people with unique insight. In a sense, these qualities of the hero are even attractive to the author. However, unfortunately, Gobsek directs his mind and insight in the wrong direction. Exploring the laws of the world, he comes to the conclusion that “all the forces of humanity are concentrated in gold... what is life if not a machine driven by money? Gold is the spiritual essence of the entire society.” It is around money that all social life revolves; all people’s thoughts are directed towards gold. And having come to such an understanding of the laws of life, Gobsek makes such an ideology a guide to his own actions. Money completely enslaved his mind and thoughts. “This old man,” says Derville, “suddenly grew in my eyes, became a fantastic figure, the personification of gold.” Yes, Gobsek’s cult of gold is sanctified by the philosophically meaningful power of money and evokes some social activity of the hero. However, gold had already become for him the very goal and content of his entire life, gradually displacing from his soul all the positive principles that, perhaps, could have manifested themselves under other circumstances. By lending money at incredibly high interest rates, the moneylender openly robbed people, unscrupulously taking advantage of their distress, extreme poverty and complete dependence on him. Callous, soulless, he no longer became even just a cruel person, but an “automatic man,” a “bill man.” The destructive principle contained in the accumulative passion, the passion for money, caused Balzac’s irreconcilable critical attitude towards the bourgeoisie, which sought to assert its dominance in society with the help of gold. The image of Gobsek became for its creator the living embodiment of that powerful predatory force that uncontrollably made its way to power, stopping at nothing, using any, even the most base and vile means to achieve its goal, and not doubting itself for a second. The author tried to understand the essence of this force, its origins, in order to reveal all its foundations as clearly and truthfully as possible, to expose it, show it to the world in all its meanness and baseness, to awaken human consciousness, morality, morality in people. The writer strongly criticizes the material interests on which the policy was based, government, laws. And he does this so convincingly and truthfully that from his books, according to F. Engels, we learn more “than from the books of all specialists - historians, economists, statisticians of this period, combined.”
The accuracy and breadth of the depiction of French reality is combined by Honore de Balzac with the depth of penetration into internal patterns public life. It reveals the class conflicts of the era and reveals the bourgeois nature of the social development of France after the revolution of 1789. In the images of merchants, moneylenders, bankers and entrepreneurs, Balzac captured the appearance of the new master of life - the bourgeoisie. He showed people who were greedy and cruel, without honor or conscience, making their fortunes through open and secret crimes.
The pernicious power of capital penetrates into all spheres human life. The bourgeoisie subjugates the state (“Dark Affair”, “Deputy from Arsi”), rules the countryside (“Peasants”), and extends its pernicious influence on the spiritual activity of people - on science and art (“Lost Illusions”). Destructive action financial principle” also affects people’s private lives. Under the poisonous effect of calculation, the human personality degrades, family ties and family disintegrate, love and friendship collapse. Selfishness, developing on the basis of monetary relations, becomes the cause of human suffering.
The harmful effects of money on human personality and human relations with great artistic expression shown in the story “Gobsek”.
At the center of the story is the wealthy moneylender Gobsek. Despite his million-dollar fortune, he lives very modestly and secluded. Gobsek rents a room reminiscent of a monastic cell in a gloomy, damp house that was formerly a monastery hotel. On interior decoration his home, his entire way of life bears the stamp of strict economy and moderation.
Gobsek is lonely. He has no family, no friends, he broke all ties with relatives, because he hated his heirs and “didn’t even think that anyone would take possession of his fortune, even after his death.” One single passion - the passion for accumulation - has absorbed all other feelings in his soul: he knows neither love, nor pity, nor compassion.
Balzac uses the details of the portrait to reveal the inner essence of his hero. In Gobsek’s appearance there is immobility, deadness, detachment from all earthly things, human passions combined with something predatory and sinister. Ash-yellow tones and comparisons with precious metals make it clear to the reader that it was the passion for gold that destroyed the human element in him, making him dead during his lifetime.
The story depicts the social environment in which Gobsek operates; the two opposite poles of his contemporary society are precisely outlined. On the one hand, the poor, honest workers, doomed to a dull existence (the seamstress Fanny Malvo, the lawyer Derville), on the other, a handful of rich people who spend their days in pursuit of luxury and pleasure (the young Comte de Tray, Countess de Resto), whose moral character presented in a sharply repulsive manner.
Possessing extensive practical experience and a penetrating mind, Gobsek deeply comprehended the inner essence of his contemporary society. He saw life in its nakedness, in its dramatic contrasts, and realized that in a society where there is a struggle between rich and poor, genuine driving force social life is money. Gobsek says: “What is life if not a machine that is set in motion by money,” “of all earthly goods there is only one, reliable enough for a person to chase after it. Is this gold". Gobsek's passion for hoarding is a natural product of the bourgeois system, a concentrated expression of its inner essence.
Using the example of Gobsek, Balzac shows that money not only kills the human personality, but also brings destruction to the life of the entire society. Gobsek, isolated in his cell, is not at all as harmless as it might seem at first glance. His moral: “It’s better to push yourself than to let others push you.”
The destructive nature of Gobsek's hoarding is revealed with stunning force at the end of the story. Towards the end of his life, his greed turns into an insane mania. He becomes an insatiable “boa constrictor”, without a trace absorbing various gifts brought by clients. When, after Gobsek’s death, his storerooms were opened, it turned out that huge masses of goods lay rotting in them without any use.
The writer masterfully shows those destructive processes that take place both in the spiritual and in material spheres bourgeois society.
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I read Balzac's story "Gobsek". In this story, the author talks about the life story of Gobsek. This man was engaged in usury in Paris. He saw nothing wrong with his profession and devoted himself entirely to it. During his life, Gobsek met many people. He saw worthy people on the verge of poverty, rich people who deserved contempt. Gobsek sincerely admires honest people. He tries to make money on everything and everyone. He even agrees to lend money to his friend Derville at interest.
Over the course of his life, there remains less and less in Gobsek’s character. positive qualities. The people around him cause him less and less sympathy. He does not want to give the inheritance to the young Count de Resto. But in this work, not only Gobsek suffered from a thirst for money, but also Countess de Resto. In the heat of anger at her dead husband, out of fear for the future of her children, she burns her husband’s papers. Because of this, the entire inheritance passes into the power of Gobsek. The narrator tries to get Gobsek to return de Resto's inheritance, but Gobsek refuses to do so.
At the end of his life, Gobsek turns out to be a lonely rich man. He is insanely rich, but lives a miserable lifestyle. After his death, the narrator discovered untold wealth. It was gold gems, pates, sausages, coffee beans, sugar, spices and much more. The worst thing was that most of the food was spoiled. Gobsek, due to his irrepressible greed, could not agree on a price with the merchants in order to sell them these goods. As a result, they deteriorated and disappeared without bringing any benefit.
This was precisely the destructive power of money over Gobsek and over Countess de Resto.