In this article we will turn to the most famous novel M. A. Bulgakova - “The Master and Margarita”. The image of Margarita will interest us first of all. It is to this heroine that we will try to give detailed description and consider all the changes that occur to her throughout the work.
Margarita: general features
The heroine embodies the image of a loving and beloved woman who is ready to do anything for the sake of her chosen man, even make a deal with the devil. Margarita's age at the time of her meeting with the Master was 30 years old. Despite this, she has not lost her attractiveness and stature. Her character is a little impulsive, but this energy is like a sip fresh air for the Master. Margarita supports and helps her beloved in everything; if not for her help, his novel would not have been created.
The heroine is associated with love line novel. Her appearance in the narrative enlivens the work, endowing it with lyricism and humanism.
Characteristics of Margarita
We learn about how the heroine lived before meeting the Master only from her words. Her life was empty. That day she went outside with yellow flowers so that her loved one would finally find her, otherwise she would have been poisoned. This speaks of the meaninglessness of her existence, the absence of any desires and aspirations.
Margarita got married at the age of 19. Her chosen one was a respected and rich man. The couple lived in abundance, which any woman would be happy with: beautiful house, no worries about everyday life, loving husband. However, she was not happy for a single day. She saw no meaning or purpose in her life.
The characterization of Margarita gives an idea of her as an extraordinary woman who has little material wealth. Her soul needs emotions and real feelings. The mansion she lives in reminds her of a cage. She has a rich inner world, a breadth of soul, so the philistine dullness that reigns around is gradually killing her.
Bulgakov describes the heroine as an amazingly beautiful woman with lively, “slightly squinting” eyes that shone with “extraordinary loneliness.” Before meeting the Master, she was unhappy. A lot of warmth and energy accumulated in her heart, which she could not spend on anyone.
Love
The Master's beloved and the woman he accidentally runs into on the street are completely different people. Margarita is transformed, meaning finally appears in her life - love for the Master, and the goal is to help him write a novel. All accumulated in it spiritual energy from now on it is aimed at the beloved and his work. Having never cared about everyday life and not knowing what a primus stove is, the heroine, upon entering the Master’s house, immediately begins to prepare dinner and wash the dishes. Surprisingly, even everyday worries brought her only joy if she was next to her loved one. Margarita appears to the reader as economical and caring. At the same time, the heroine manages to balance between the images of a writer’s muse and a caring wife.
Margarita perfectly understands and feels the Master, hence her empathy and love for his romance, which was suffered by both of them. That is why the heroine reacts with such anger and hatred to the refusal to publish the novel and to critical reviews about it. From this moment on, rage towards the gray and petty world begins to accumulate in her, which will find a way out later.
Witch
A deal with the devil is one of the key motives of the novel “The Master and Margarita”. The image of Margarita is very closely connected with him. Being in despair, the heroine meets with Azazello. At first the woman did not pay any attention to him, but when Woland’s envoy began quoting lines from the Master’s novel, she believed him. It is Azazello who gives her the cream and instructions. Understanding who came to her, Margarita is ready to do everything, if only she has the opportunity to return the Master.
At night, the heroine decides to use a magic cream and turns into a witch. Margarita's character changes again. Dark force transforms her no worse than love. She becomes free and brave, and her impulsiveness only increases. In the guise of a witch, Margarita does not lose her sense of humor: she jokes about her neighbor who saw her in the window, and makes fun of the arguing housewives.
A new Margarita is born. And she no longer holds her anger to herself. Ready to deal with the Master’s offenders, she does not miss the chance to destroy the apartment of the critic Latunsky. At this moment she looks like an angry fury.
Margarita the Witch is a very bright and strong image; Bulgakov does not spare emotions and colors when painting it. The heroine throws off everything that constrained her and prevented her from living and breathing. It becomes easy in the literal sense of the word.
At Woland's ball
So, how does Margarita appear at Woland’s ball? Let's start with the fact that the ball is climax in the novel. Several key questions (for the novel and the character of the heroine) are raised here. For example, the problem of mercy. This theme is inextricably linked with the image of Margarita. And we see that, even having turned into a witch, she does not lose this trait, saving Frida from torment. Margarita manages to preserve her bright human qualities even when surrounded by evil spirits.
All the events of the chapter describing the ball are concentrated around the heroine. We see how she suffers from the decorations, but endures. Margarita really appears as the queen and hostess at the ball. She bravely endures everything that falls to her lot. Woland also notes this, mentioning the power of the royal blood that flows in Margarita.
The heroine no longer has the witch's prowess and recklessness; she behaves with dignity and follows all the rules of etiquette. At the ball, the witch is transformed into a queen.
Margarita's Award
It was the actions of the heroine that determined the denouement of the book “The Master and Margarita”. The image of Margarita is a driving force, which helps the plot develop. Only thanks to her consent to Woland’s proposal, the Master gains freedom and receives his novel. Margarita achieves the goal she strives for - finding love and peace. Despite the fact that the image of the heroine is often transformed, we do not see any drastic changes in her character. Margarita remains true to herself, despite all the trials.
And as a reward for all her suffering, she is given peace. Spiritual world, to which Woland sends her and the Master is not paradise. The heroine still did not deserve it, since she made a deal with the devil. However, here she found the long-awaited peace. The lovers walk next to each other, and Margarita knows that she has done everything possible to never be separated from the Master.
Prototypes
Almost every hero has his own prototype in the novel “The Master and Margarita”. The image of Margarita is associated with the third wife of Bulgakov himself, Elena Sergeevna. The writer often called her “my Margarita.” It was this woman who was with Bulgakov last years his life and did a lot to ensure that this very novel was completed. The work was already being edited at a time when Bulgakov was seriously ill and dying. Elena Sergeevna made edits under his dictation, sitting by the bed. And after the death of her husband, she struggled with criticism for another two decades to get the novel published.
Also, Bulgakov’s Margarita has features of Gretchen, main character"Faust" by Goethe.
Quotes from The Master and Margarita
Here are some of the most famous quotes our heroine:
- “And in enjoyment you need to be at least a little prudent.”
- “Sadness before a long journey. Isn’t it true that it is quite natural, even when you know that happiness awaits you at the end of this road?”
Quotes from “The Master and Margarita” have long become catch phrases that have been heard even by those who have not read this amazing work.
Introduction
The image of Margarita in the novel “The Master and Margarita” is the image of a beloved and loving woman who is ready to do anything in the name of love. She is energetic and impulsive, sincere and loyal. Margarita is the one whom the master lacked so much, and who is destined to save him.
The love story of the novel and the appearance of Margarita in the life of the master gives the novel lyricism and humanism, making the work more alive.
See you with the master
Before meeting the master, Margarita's life was completely empty and aimless.
“She said...” says the master about their first meeting, “that she came out with yellow flowers that day so that I would finally find her.” Otherwise, Margarita “would have been poisoned, because her life is empty.”
The heroine married a rich and respected man at the age of 19. The couple lived in a beautiful mansion, a life that any woman would be happy with: a cozy home, loving husband, lack of everyday worries, Margarita “didn’t know what a Primus was.” But the heroine “wasn’t happy for a day.” Very beautiful. The young woman sees no purpose or meaning in her philistine life. It’s hard, boring and lonely for her in her mansion, which is increasingly looking like a cage. Her soul is very wide inner world rich, and she has no place in the gray, boring world of ordinary people, to which, apparently, her husband belonged.
Amazing beauty, lively, “slightly squinting eyes” in which “extraordinary loneliness” shone - this is the description of Margarita in the novel “The Master and Margarita”.
Her life without a master is the life of an insanely lonely, unhappy woman. Having unspent warmth in her heart and irrepressible energy in her soul, Margarita did not have the opportunity to direct it in the right direction.
Margarita and the Master
After meeting the master, Margarita changes completely. A meaning appears in her life - her love for the master, and a goal - the master's romance. Margarita is imbued with it, helps her beloved write and proofread, and says that “her whole life is in this novel.” All the energy of her bright soul is directed to the master and his work. Having never previously experienced household chores, Margarita, as soon as she enters the master’s apartment, rushes to wash the dishes and prepare dinner. Even small household chores bring her joy next to her loved one. Also with the master, we see Margarita as caring and economical. At the same time, she very easily balances between the image of a caring wife and the writer’s muse. She understands and sympathizes with the master, loves him, and his life’s work is such a hard-won, equally dear to them novel. That is why the master’s beloved reacts so painfully to his refusal to publish the novel. She is no less wounded than the master, but skillfully hides it, although she threatens to “poison the critic.” All her rage will fall on their petty little world later, in the form of a witch.
Margaret the Witch
To return her beloved, the heroine of the novel agrees to give her soul to the devil.
Being in terrible despair, Margarita meets Azazello on an evening walk. She would have ignored his attempts to talk to her, but he would read her lines from the master’s novel. From the mysterious messenger Woland, the heroine will receive a magic cream, which gives her body amazing lightness, and turns Margarita herself into a free, impulsive, brave witch. In her amazing transformation, she does not lose her sense of humor, jokes at her neighbor, who is speechless, “both are good” - throws out the window to two women quarreling over the light not being turned off in the kitchen.
And then it begins new page in the life of Margarita. Before getting to Satan's ball, he, flying around the city, trashes Latunsky's apartment. Margarita, like an angry fury, beats, breaks, floods with water, destroys the critic’s things, enjoying this damage. Here we see another trait of her character - the desire for justice and balance. It does to the critic's home what he tried to do to the novel and did to the life of its author.
The image of Margarita the witch is very strong, bright, the author does not spare colors and emotions in depicting her. Margarita seems to be throwing off all the shackles that prevented her from not only living, but also breathing, and becoming light, light, soaring in the literal sense. The destruction of the vile critic's apartment inspires her even more before meeting the master.
Heroine prototype
It is believed that Margarita had real prototype. This is the third wife of Mikhail Bulgakov - Elena Sergeevna. In many biographies of the writer you can see how touchingly Bulgakov called his wife “My Margarita.” She was with the writer in his last days, and, thanks to her, we hold the novel in our hands. In her husband’s last hours, she, barely hearing him, took dictation from the novel, edited it, and fought for almost two decades to have the work published.
Also, Mikhail Bulgakov never denied that he drew inspiration from Goethe’s Faust. Therefore, Bulgakov’s Margarita owes her name and some features to Gretchen Goethe (Gretchen is the Romano-Germanic version of the name “Margarita” and its original source).
Finally
The Master and Margarita meet for the first time only in chapter 19 of the novel. And in the first versions of the work they were not there at all. But Margarita makes this novel come alive; another line appears with her - love. In addition to love, the heroine also embodies compassion and empathy. She is both the master’s muse, his “secret” caring wife, and his savior. Without her, the work would lose its humanism and emotionality.
Work test
Mikhail Afanasyevich Bulgakov's novel "The Master and Margarita" is one of the most mysterious works in the whole world.
The Master is an amazing character who is difficult to understand. His age is about thirty-eight years old. It is surprising that his name and surname remain a mystery throughout the entire story. Naturally, “Master” is a kind of pseudonym for the hero. That’s what Margarita called him for his writing talent and creative abilities.
The author describes him as a dark-haired man with a sharp nose and an anxious look. A gray thread at his temples and a lonely strand of hair falling on his forehead indicated that he was constantly busy and was far from adolescent.
The master was very simple and poor. He is alone in Moscow, without family and friends. By training, he was a historian who worked in a museum several years ago, knew five languages perfectly and was involved in translations. Like any writer, he did not like noise and turmoil. He kept many books at home.
The reader learns that the Master was married earlier, but does not even remember her name. This means he probably didn’t love her at all. Or maybe his creative nature is affecting him.
The master quits his job and begins to write a novel about Pontius Pilate; he suffers a lot because of his novel. There is an opinion that Bulgakov's novel is autobiographical. The master is unhappy, and his fate is as tragic as the fate of the writer.
Only Margarita admired the Master and his novel to the last. The destruction of the dream associated with the novel had a catastrophic effect on the Master’s condition.
Only real love became a gift for a lonely writer. But even the love bonds that connected him with Margot could not give him the strength to fight further. He gives up. Finding himself in a psychiatric hospital, he lives with melancholy and despondency. For his obedience and humility, the Universe gives him another priceless gift - eternal peace, shared with his beloved. I would like to believe that the example of the Master shows that someday every work will be rewarded. After all, if you remember, the novel “The Master and Margarita” itself also did not immediately appear in the public eye.
This is how it ends famous story about the true love of the Master and Margarita. As you know, true love is rewarded with eternal peace.
Essay about the Master
Bulgakov’s novel “The Master and Margarita” is distinguished by the originality of the characteristics of its heroes, but one of the most important and bright characters is the Master.
The author does not give the author's first or last name, but Margarita always calls him Master, justifying this by the fact that he has extraordinary writing abilities. Its description is given in the 13th chapter. It is known about him that he is about 38 years old, he has dark hair, a sharp nose and always anxious eyes. When the Master and the Homeless One met, he was wearing a black cap with the letter “M” embroidered; he was pale, looking sick, and wearing a hospital gown.
Unlike Margarita, the Master was a poor man. Living in Moscow, he had almost no acquaintances, no relatives at all, and was completely alone in this city. It was difficult for him to communicate and find an approach to people. Despite his poverty, the Master is a fairly educated person; he is a historian by training and knows five foreign languages: English, French, German, Latin and Greek, and previously also worked as a translator. Because of his illness, he turned into a nervous and restless, suspicious person. The master is a writer, he keeps many books and writes his own, the novel “About Pontius Pilate”.
He begins work on his work after he wins a large amount, 100 thousand rubles, in the lottery. He moves to another apartment and begins to write, leaving his job at the museum. At the end of his work, he tries to print the novel, but it doesn’t work out for him, and the Master thinks to give up, but Margarita insisted on printing it. After the release of the work, the Master was subjected to a huge barrage of criticism, which broke him. He gradually began to go crazy, he began to hallucinate, and began to fear many simple everyday things. For all that the affair caused him, the Master decides to burn him. As a result, he ends up in Professor Stravinsky's psychiatric clinic, where he remains for 4 months before meeting Woland and Margarita. As a result, Satan restores the burned manuscript of the novel “About Pontius Pilate” and transfers the souls of lovers to another world, where they will find peace and be alone with each other.
The Master appears before the readers as a powerless, unfocused and weak character, but at the same time kind, honest, loving and beloved. For all this, he is destined for a reward: eternal peace and eternal love.
Option 3
In M. Bulgakov's novel there are two main actors, judging by the title, - The Master and Margarita. Nevertheless, in the first chapters of the novel there is not a word about either the Master or his beloved. The Master first appears before the reader only at the very end of chapter 11, and in chapter 13, almost in monologue form, he presents his entire story to Ivan Bezdomny at once.
From this story of a neighbor in a madhouse, the poet learns about the circumstances that led him to a hospital bed. The master refuses to give his name and immediately says that he no longer expects anything from life: after this, his confession takes on a special tragic sound.
The master refers to people whose interests are far from material life. He came to writing a novel after going through quite a significant life path– at the time of the story, he looks about 38 years old, according to Ivan Bezdomny. And before that, he also did work of an intellectual nature - he worked in a museum. The Master speaks reluctantly about his past life. Having won one hundred thousand on the bond, the Master began new life. A historian by training, as well as a translator, thanks to what seemed to him to be a happy accident, he got the opportunity to leave the service and devote all his energy and time to writing a novel about Pontius Pilate. Main value for the Master there was creativity: the days spent writing a novel became happiest days his life.
Despite the fact that the Master looks like a man not of this world, from his story it becomes clear that nothing human is still alien to him: he mentions the “beautiful gray suit” in which he went for a walk, and the restaurant where he dined, and the cozy atmosphere that he created in his basement. The master was not withdrawn into himself, although before meeting Margarita he lived alone, having no relatives anywhere and almost no acquaintances in Moscow. Communication was replaced by books and the world around him, which he perceived in all its sounds, smells and colors: he loved roses, the extraordinary smell of lilacs and the greenness of its bushes, the linden and maple trees near the house.
The sense of beauty that was characteristic of him gave him the opportunity to receive a lot of joy and pleasant moments from life. And this feeling did not allow him to pass by Margarita, although, as he admits, he was struck not so much by her beauty as by the extraordinary, unprecedented loneliness in her eyes. The meeting with Margarita became a gift of fate for the Master: she changed his life and, one might say, his death. It was thanks to Margarita that the Master received the peace in eternity that his soul, tormented by the earthly sufferings of the last months of his life, so longed for. The Master’s secret wife took revenge on him and on the critics who began to persecute him for “pilatchina” after the publication of the chapters of the novel: having turned into a witch, she destroyed the apartment of the critic Latunsky.
The Master himself is not very good at understanding people. In the world of literature, he does not expect a catch and, having written a novel, goes out into life without expecting anything bad. He doesn’t even realize that Aloysius Mogarych, with whom he became friends shortly before his arrest, became the reason for his removal from the basement. He also does not believe in the strength of Margarita’s love for him: he confesses to Ivan that he hopes that she has forgotten him. As a man of genius, the Master is simple-minded and trusting; he is easily frightened and thrown out of balance. He is unable to fight for his rights.
The Master's story is largely autobiographical: Bulgakov was also persecuted by Soviet critics, forcing him to write on the table and destroy his works. Became catchphrase“Manuscripts don’t burn,” said by Woland when returning the novel to the Master, which he burned in the stove in a fit of despair, can also be attributed to the fate of “The Master and Margarita.” The novel, unpublished during Bulgakov’s lifetime, came to the reader after his death and became one of the most books read modernity.
Mikhail Bulgakov's cult novel "The Master and Margarita" is an intricacy of many storylines, at first seemingly unrelated. As the story progresses, everything falls into place and is revealed to the attentive reader. full picture the idea that the author had in mind. One of the most important storylines is the relationship between the Master and his main inspirer, muse and even, in some ways, mother Margarita.
Interesting fact: The master is largely copied by the writer from himself, and the magnificent Margarita has many of the traits of Bulgakov’s third wife, Elena Shilovskaya. In addition, the novel contains a mention that Margarita is of royal blood and is connected with Queen Margot herself, who strongly supported poets and writers. Margarita's love for her Master enlivens the novel and shows the power of true feelings, which are not afraid of either separation or death itself.
Characteristics of the heroine
Margarita Nikolaevna is an extraordinary person. Anyone else in her place would be happy, living with a wealthy husband, without knowing any hassle. However, having all this, the heroine did not turn into a capricious sissy. Her heart was yearning true love, and the soul was full of unspent feelings that were reflected in the eyes. This is exactly how Margarita is encountered by the Master. It was their meeting that turned her life upside down, and the fire of love lit up in the woman’s soul. Without doing anything at home, in the Master’s home she immediately begins to prepare dinner and put things in order, as if she had been doing this all her life.
Margarita sees the talent of her lover, supports him in everything, rereads everything he has written and lives every line. That’s why she was so furious in her revenge on the critic Latunsky, who crushed the Master’s novel about Pontius Pilate.
In general, Margarita is a determined and fearless woman. Not everyone will agree to lead the ball with Satan himself. Or leave a trusted, financially prosperous husband for the sake of an as yet unrealized talent. In addition, she has a sense of humor, generosity and compassion are not alien to her.
Margarita went against everyone (even against the laws of gravity, becoming a witch and gaining the ability to fly) for the sake of love for the only man. Woland endows her with superhuman abilities, and the author thereby takes Margarita beyond the boundaries of a simple woman: she becomes a kind of symbol of creative freedom, which is not afraid of any criticism and is capable of fighting the sycophancy of the Latunskys and others like them.
Image in the work
(Portrait of the image of Margarita. Illustration by Victor Georgievich Efimenko)
Such an amazing woman like Margarita should stand out from the crowd. And Bulgakov describes her appearance, her manner of dressing, not forgetting to add a twist. The reader is presented with a 30-year-old beautiful woman bright appearance: dark-haired, white-toothed, with short curled hair, which was looked after by a hairdresser, graceful manicured hands, eyebrows plucked into a fashionable thread at that time. One eye is squinting, but this only adds charm and slight devilry to the image of Margarita. She has been married for more than 10 years to a wealthy man, young, handsome, kind and adoring his wife. However, Margarita Nikolaevna’s life was empty and unhappy; she and her husband had no children.
Margarita has a low voice, apparently due to her addiction to cigarettes. In addition to her beauty and ability to dress well, she is charming and charismatic, insightful and intelligent. It would seem that the white-handed woman, who left all the worries in her husband’s house to the housekeeper, turns into a real housewife next to her beloved Master, sewing him the famous black cap with the letter “M” embroidered in yellow silk.
(Margarita in front of the mirror. Illustration by Victor Georgievich Efimenko)
Margarita without hesitation agrees to a deal with Woland, striking this character by the fact that she does not want anything from him in return. Far from being an angel by nature, she is no stranger to the feeling of revenge, adultery, rebellious spirit - this woman is nevertheless amazingly harmonious. Her image is complex and ambiguous, and her actions cannot be measured only in white or black terms.
The image of Margarita in the novel "The Master and Margarita" is the embodiment of true and all-consuming love. Bulgakov shows how strong a woman is, ready to do anything for the sake of her beloved man, for the sake of truth and justice. Having endured difficult trials, you can achieve your happiness, the main thing is to believe in love and put it above any prejudices.
An example of the consequence of the moral commandment of love is in the novel Margarita. The image of Margarita is very dear to the author, perhaps because in it one can read the features of one of the people closest to Bulgakov - Elena Sergeevna Bulgakova.
Margarita turned out to be strikingly similar to Elena Sergeevna. Both of them lived a satisfying, prosperous life, calmly and without shocks: “Margarita Nikolaevna did not need money. Margarita Nikolaevna could buy whatever she liked. Among her husband's acquaintances there were interesting people. Margarita Nikolaevna never touched a primus stove. In a word... was she happy? Not one minute! What did this woman need?! She needed him, the master, and not a Gothic mansion, and not a separate garden, and not money. She loved him..." External portrait The author does not give margaritas. We hear the sound of her voice, her laughter, we see her movements. Bulgakov repeatedly describes the expression of her eyes. With all this, he wants to emphasize that it is not her appearance that is important to him, but the life of her soul. Bulgakov managed to express the real, true, eternal love, which naturally clarifies main idea novel. The love of Margarita and the Master is unusual, defiant, reckless - and this is precisely why it is attractive. You believe in it immediately and forever. “Follow me, reader, and only me, and I will show you such love!” .
Bulgakov's Margarita is a symbol of femininity, fidelity, beauty, self-sacrifice in the name of love. It is in the love of a woman, and not in himself, that the Master, once again returned to his apartment in Arbat Lane, draws strength. “That’s enough,” he says to Margarita, “You shamed me. I will never allow cowardice again and will not return to this issue, rest assured. I know that we are both victims of our mental illness, which, perhaps, I passed on to you... Well, well, together we will bear it.” Margarita's spiritual closeness with the Master is so strong that the Master is not able to forget his beloved for a minute, and Margarita sees him in a dream.
The image of Margarita clearly reflects Bulgakov’s creative courage and daring challenge to stable aesthetic laws. On the one hand, the most poetic words about the Creator, about his immortality, about the beautiful “eternal home” that will be his reward. On the other hand, it is the Master’s beloved who flies on a broom over the boulevards and rooftops of Moscow, breaks window panes, puts “sharp claws” into the Behemoth’s ear and calls him swear word, asks Woland to turn housekeeper Natasha into a witch, takes revenge on the insignificant literary critic Latunsky, pouring buckets of water into the drawers of his desk. Margarita, with her fierce, offensive love, is contrasted with the Master: “Because of you, I was shaking naked all night yesterday, I lost my nature and replaced it with a new one, for several months I sat in a dark closet and thought only about one thing - about the thunderstorm over Yershalaim, I I cried my eyes out, and now, when happiness has fallen, are you driving me away?” Margarita herself compares her fierce love with the fierce devotion of Levi Matthew. But Levi is fanatical and therefore narrow, while Margarita’s love is as comprehensive as life. On the other hand, with her immortality, Margarita is opposed to the warrior and commander Pilate. And with his defenseless and at the same time powerful humanity - to the omnipotent Woland. Margarita fights for her happiness: in the name of saving the Master, she enters into an agreement with the devil, thereby destroying her soul. The hope that she would be able to achieve the return of her happiness made her fearless. “Oh, really, I would pledge my soul to the devil just to find out whether he is alive or not!” Margarita became generalized poetically a loving woman, a woman who so inspiredly turns into a witch, furiously dealing with the enemy of Master Latunsky: “Taking careful aim, Margarita hit the piano keys, and the first plaintive howl echoed throughout the apartment. The innocent instrument screamed frantically. Margarita tore and tossed the strings with a hammer. The destruction she caused gave her a burning pleasure...”
Margarita is by no means an ideal in everything. Moral choice Margarita was determined in favor of evil. She sold her soul to the devil for love. And this fact deserves condemnation. Due to religious beliefs, she deprived herself of the chance to go to heaven. Another of her sins was participating in Satan’s ball along with the greatest sinners, who after the ball turned to dust and returned to oblivion. “But this sin is committed in the irrational, other world, Margarita’s actions here do not harm anyone and therefore do not require atonement.” Margarita takes on an active role and tries to wage that fight against life circumstances that the Master refuses. And suffering gives birth to cruelty in her soul, which, however, has not taken root in her.
The motif of mercy is associated with the image of Margarita in the novel. After the Great Ball, she asks Satan for the unfortunate Frida, while she is clearly hinted at asking for the release of the Master. She says: “I asked you for Frida only because I had the imprudence to give her firm hope. She is waiting, sir, she believes in my power. And if she remains deceived, I will be in a terrible position. I won't have peace all my life. It's nothing you can do! It just happened that way.” But Margarita’s mercy does not end there. Even being a witch, she does not lose the brightest human qualities. Human nature Margarita, with her spiritual impulses, overcoming temptations and weaknesses, is revealed as strong and proud, conscientious and honest. This is exactly how Margarita appears at the ball. “She intuitively immediately grasps the truth, as only a moral and man of sense with a light soul, not burdened with sins. If, according to Christian dogma, she is a sinner, then she is one whom the tongue does not dare to condemn, for her love is extremely selfless, only a truly earthly woman can love like that.” Associated with love and creativity are the concepts of goodness, forgiveness, understanding, responsibility, truth and harmony. In the name of love, Margarita accomplishes a feat, overcoming fear and weakness, defeating circumstances, without demanding anything for herself. It is with the image of Margarita that true values, affirmed by the author of the novel: personal freedom, mercy, honesty, truth, faith, love.