Mixing colors is one of the most difficult procedures that a person who decides to make repairs on their own may face the need to perform. The point is that it is very important to know what colors to mix to create certain tone. It should be immediately noted that it is better to purchase white paint and tint it in a store using a special machine, so the tone will be uniform. If you decide to do everything yourself, then you can read more about how to mix colors correctly.

These materials are universal, they are used for many purposes: with their help you can simply paint walls, paint stained glass windows, apply designs on the wall and ceiling. In general, the scope of their use is limited by imagination. The compositions are easy to use and adhere well to the surface. But if you decide to paint a multi-component image on the wall, then buying paint of all the necessary colors will be too expensive, and after completion of the work there will be large number unnecessary material. In this case, it is better to buy a base series and mix to create certain shades acrylic paints.

Mixing base paint colors makes it possible to get many different shades, while you can save a lot on your purchase

Main color range

Everyone knows from school: when you combine yellow and red, you get orange, but if you add blue to the same yellow, you get green. It is on this principle that the table for mixing acrylic paints is built. According to it, it is enough to purchase only the primary colors:

• white;
• black;
• red;
• brown;
• blue;
• yellow;
• pink.

You can simply mix acrylic paints of these tones to get most of the existing shades.

Basics of mixing according to the table

To properly mix materials, you cannot do without a table. At first glance, it is easy to work with: to get the desired result, you just need to find the color and see what components are required. But the color mixing table does not indicate the proportions, so it is necessary to gradually add tinting material to the base paint and apply the mixture to some unnecessary product: a sheet of plywood, drywall, and so on. Then you need to wait until the material dries. If the color matches what is required, you can begin work on the main surface.

Coloring technique

Now about how to get colors. By mixing acrylic materials, you can achieve the formation of two main tones: light and dark. Basic tones: earthy, green, orange, purple. To create color, it is recommended to follow certain rules:

1. Light. In this case, the main material is titanium white, to which one or two tinting compounds are added. The less additional paintwork materials are used, the lighter the tone will be. This is how you can make most shades of a light palette.
2. Dark. To create shades of this type, do the opposite. Before mixing colors, you need to prepare the base tone; black dye is gradually introduced into the base. When working with black paint, you need to be careful because it can make the color look muddy rather than dark.
3. Green. This shade is not in the main palette, so you will need to mix yellow and blue. The exact ratio can only be determined experimentally.
4. Violet. This is a cool color that is obtained by mixing blue with pink or red. In some cases, you will also need to add black to darken the material.
5. Orange. To create this color you need to mix red and yellow. For a richer orange, it is recommended to add more red and vice versa. If you want to create a soft color, for example, coral, then you need to lighten the material with white. Can I add dark dyes? Yes, you can, but mixing colors may result in a muddy tone.
6. Earthy. Here the main color is brown. By adding various shades to it, they get a color from beige to dark wood.

Rules for working with the palette

To get started you will need basic set paints, brushes, a container of water and a palette (you can take any surface, including school items for drawing).

It is recommended to place white in the center, since it is used in creating most shades. Dyes of the main color range are placed in the recesses around (if any). You need to mix carefully, gradually adding tinting material and constantly checking the result. After mixing the colors, the brush should be rinsed in a container of water.

Note! Working with materials based on acrylic resins using a table and palette is quite simple. The main thing is to practice more, the result will get better each time.

Oil paints

If we compare this material with watercolor or acrylic, then oil is more fluid. Because of this, you need to mix the compositions very carefully. different colors. On the one hand, this is a drawback, but on the other hand, this feature allows you to obtain the following effects:

• If thoroughly mixed, a uniform tone will be obtained. This material is perfect for both complete painting of surfaces and partial decoration.
• If you mix partially, then different colored veins will appear on the coating.

Mixing

Now about how to mix oil paints. A chart is also used to mix oil-based paint colors. It indicates the colors obtained by combining various tinting components. In addition, here you can find such an indicator as a combination of shine. If you add a little gloss to a matte base, there will be practically no result, but if you do the opposite, the shine will be slightly muted.

Mixing methods:

1. Mechanical. In this case, we are talking about mixing two or more materials of different colors in one container. Color saturation is controlled by the number of compositions of bright shades. The desired color is created even before the wall or ceiling is processed.
2. Color overlay. Gradual application of several strokes on top of each other.
3. Optic. This is the most complex method, which is available only to specialists. It involves mixing glossy and matte bases while applying paint to the surface. You can mix paint colors only on the surface being treated, otherwise you will get a more even tone.

Peculiarities

The first method fully corresponds to the data in the table. When it comes to color application, the result is unpredictable. One of the most simple options optical illusions is glazing: a dark tone is applied to the surface, after it dries, paint is applied a little lighter, and then completely light. As a result, each color will be visible through the top layers.

So there is no specific pattern. To find out which colors need to be mixed, it is not enough just to take and look at the table; it is important to constantly practice and not be afraid of experiments. This is how you can create new effect, which will make the interior unique. It is also important to remember that a mixed shade is very difficult to replicate, so you should remember the proportions.

Now the question of how to mix paints correctly does not seem so difficult.

Two color mixing tables

The color mixing table allows you to learn how to get the right one when mixing two or more colors and shades.

This table is used in various fields art - fine art, modeling, and others. Can also be used in construction when mixing paints and plasters.

Color Mixing Chart 1

Required Color	Base Color + Mixing Instructions
Pink	White + add a little red
Chestnut	Red + add black or brown
Royal red	Red + add blue
Red	Red + White to brighten, yellow to get orange-red
Orange	Yellow + add red
Gold	Yellow + a drop of red or brown
Yellow	Yellow + white for lightening, red or brown for a dark shade
Pale green	Yellow + add blue/black for depth
Grass green	Yellow + add blue and green
Olive	Green + add yellow
Light green	Green + add white/yellow
Turquoise green	Green + add blue
Bottle green	Yellow + add blue
Coniferous	Green + add yellow and black
Turquoise blue	Blue + add a little green
White-blue	White + add blue
Wedgwood blue	White + add blue and a drop of black
Royal Blue
Dark blue	Blue + add black and a drop of green
Grey	White + Add a little black
Pearl gray	White + Add black, a little blue
Medium brown	Yellow + Add red and blue, white for lightening, black for dark.
Red-brown	Red & yellow + Add blue and white to brighten
Golden brown	Yellow + Add red, blue, white. More yellow for contrast
Mustard	Yellow + Add red, black and a little green
Beige	Take brown and gradually add white until beige color. Add yellow for brightness.
Off white	White + Add brown or black
Pink gray	White + Drop of red or black
Gray-blue	White + Add light gray plus a drop of blue
Green-gray	White + Add light gray plus a drop of green
Gray coal	White + add black
Lemon yellow	Yellow + add white, a little green
Light brown	Yellow + add white, black, brown
Fern green color	White + add green, black and white
Forest green color	Green + add black
Emerald green	Yellow + add green and white
Light green	Yellow + add white and green
Celadon	White + add green and black
Avocado	Yellow + add brown and black
Royal purple	Red + add blue and yellow
Dark purple	Red + add blue and black
Tomato red	Red + add yellow and brown
Mandarin, orange	Yellow + add red and brown
Reddish chestnut	Red + add brown and black
Orange	White + add orange and brown
Burgundy red color	Red + add brown, black and yellow
Crimson	Blue + add white, red and brown
Plum	Red + add white, blue and black
Chestnut
Honey color	White, yellow and dark brown
Dark brown	Yellow + red, black and white
Copper gray	Black + add white and red
Eggshell color	White + yellow, a little brown
Black	Black Use pitch black

Color mixing chart 2

Mixing paints
black= brown+blue+red in equal proportions
black= brown+blue.
gray and black= blue, green, red and yellow are mixed in equal proportions, and then one or the other is added by eye. it turns out we need more blue and red
black= it turns out if you mix red, blue and brown
black=red, green and blue. You can additionally add brown.
bodily= red and yellow paint... just a little bit. After kneading, if it turns yellow, add a little red, if a little yellow paint turns pink. If the color turns out to be very saturated, add a piece of white mastic and mix again
dark cherry= red + brown + a little blue (cyan)
strawberry= 3 parts pink + 1 part red
Turkiz= 6 parts sky blue + 1 part yellow
silver gray= 1 hour black + 1 hour blue
dark red= 1 part red + a little black
rust color= 8 hours orange + 2 hours red + 1 hour brown
greenish= 9 hours sky blue + a little yellow
dark green= green+a little black
lavender=5 parts pink + 1 part purple
bodily= a little copper color
nautical=5h. blue+1 hour green
peach=2h. orange + 1 tsp. dark yellow
dark pink=2h. red+1 hour brown
dark blue=1h. blue+1h. Serenevy
avocado= 4h. yellow + 1 part green + a little black
coral= 3 hours pink + 2 hours yellow
gold= 10 hours yellow + 3 hours orange + 1 hour red
plum = 1 part purple + a little red
light green= 2 hours purple + 3 hours yellow

red + yellow = orange
red + ocher + white = apricot
red + green = brown
red + blue = violet
red + blue + green = black
yellow + white + green = citric
yellow + cyan or blue = green
yellow + brown = ocher
yellow + green + white + red = tobacco
blue + green = sea ​​wave
orange + brown = terracotta
red + white = coffee with milk
brown + white + yellow = beige
light green=green+yellow, more yellow,+white= light green

lilac=blue+red+white, more red and white, +white= light lilac
lilac= red and blue, with red predominating
Pistachio paint obtained by mixing yellow paint with a small amount of blue

As children, we loved to experiment, creating original images in the process of drawing, coloring them in unusual colors, which we did not have in the palette. At the same time, many did not think about the combination of which colors produced this or that shade. In fact, there are a lot of options, the main thing is to know what tones you need to mix to achieve desired result. Let's find out how to get purple color by mixing paints.

Even if we assume that to obtain purple we need red and blue tones, then by mixing them we will not achieve the desired result. The end result is a bit dirty gray, which in some cases resembles purple and in others red.

All this is due to the fact that red color predominates over blue, which is why it appears to a greater extent when mixed. If in blue paint add red or green, then blue will dominate. As a result, you will not get the desired purple tint.

What to do in such a situation, with which mix to achieve the desired color?

Tip: before the mixing process, make sure that the paint does not have additional color additives - it must be clean, without foreign impurities. If the result is a purple tone with a gray tint, as previously indicated, then the reason lies in low-quality paints, even if they look clean.

To determine whether you are using high-quality paint or not, we recommend using white. On a sheet of white paper, apply drops of red and blue paint separately. Add a drop of white on top. If red turns red and blue turns turquoise, then the paint is of poor quality, since pink and blue should be derivatives of red and blue.

Don't be afraid to experiment

Don’t be afraid to experiment, because sometimes even from a combination of standard and primitive colors you can achieve an incredible shade. For example, you can get a beautiful purple tone thanks to yellow, brown, red and blue colors. You can replace brown with black. The main thing is to maintain the correct proportion.

Combining various options shades of the original tones, we can obtain purple color of varying saturation. It should be noted that red should have a cooler shade, since a warm color is more reminiscent of orange, so the result may be brown.

A large amount of blue paint will allow you to get a darker purple shade, closer to lilac.

This is far from the only option with which you can get a really beautiful purple color. Alternatively, to achieve the result, you can mix blue, raspberry and turquoise a, etc.

In this article we will look at what needs to be mixed to get brown in colors.

Such a noble and calm color as brown has always dominated the clothing of rich and noble representatives. By the way, its main characteristic is stability and stability. But often the palette does not have this color or its required shade. Yes, and young or even experienced artists must be able to select the right colors in order to independently create a color scheme of the brown spectrum. And our recommendations will help in this aspect.

How to get brown color when mixing: 3 ways

Before rushing to the color scheme and brushes, you need to remember what colors there are. They are divided into two groups – basic and additional. There are also two more subgroups - composite and complex. All of them make up the design of four groups of basic colors.

Remember - primary colors cannot be obtained by combining any palettes. By the way, they are the ones that become the basis for creating other colors. Moreover, having black and white on hand, you can extract absolutely any color.

IMPORTANT: Brown belongs to the group of complex colors.

We offer three basic methods for obtaining brown color.

Green (blue+yellow) with red

• Even schoolchildren know that brown comes out when you mix two colors together - green and red. This is the case if we talk about the primary and composite colors.
• But the challenge is still to create a green tint. It couldn't be easier! Take two primary colors - yellow and blue.
• You need to take an equal amount various shades. But take into account your wishes.
  • If you want to end up with a darker color, then add a little more blue, but to the finished color. green.
  • If, on the contrary, you want to make a more transparent shade, then initially take a little more yellow.
• After receiving the secondary color, we begin making the tertiary color. In the green color that you got, you need to add a little red tone.
• It is important to introduce red paint, and not vice versa! After all, it is the basic tone that regulates the degree of darkness and saturation of the brown shade. If you add too much red coloring, then you will get more of a brick tone.
  • But also keep in mind that the red color makes brown so warm (in large quantities it can even create a rust effect), but green, on the contrary, will make it even a little grayish and cold.

Orange (yellow+red) with blue

• The first thing you need to do is take red. And add yellow to it. By the way, it needs to be introduced gradually and in small quantities.
• On average, yellow should be only 10% of the volume of red. It's important to get a dark orange. But keep in mind that too much red coloring will create a reddish brown color.
• Blue paint will need even less - 5-7% of the total volume. You also need to add gradually, in small portions and stirring the ingredients well.
• Of course, adjust the tone and saturation of the brown color using the blue tint.

Violet (red+blue) with yellow

• Red and blue colors should be taken in equal quantities. Then you can get a noble, and even royal shade of purple, which will have the desired saturation and warmth.
• Then you need to introduce little by little yellow. It will lighten the resulting purple, so keep an eye on the amount. If the color is predominantly yellow, then the brown color will be lighter and warmer. The violet tone does the opposite.

IMPORTANT: Too much yellow paint will create an ocher tint.

How to make a light brown color from paints, gouache when mixed?

To get a light brown color, you need to give the yellow color a predominance. But! Let us repeat that too much of it will make the color look like ocher. And, of course, it all depends on the desired lordship.

• To whiten brown color, you need add white. Yes, it's that simple. The more you add, the lighter the final color will be.
• But don’t overdo it, brown is a warm color and white will neutralize this characteristic. Therefore, introduce very carefully, gradually and in small portions (literally, 1% of the total mass of paints).
• Although adding the previous color will help correct the situation.

How to get a dark brown color when mixing paints and gouache?

If we talk about previous mixing options, more blue or green will make a darker brown. But they will also add their own nuance. There is another, simpler and quick way obtaining a dark brown color.

• Just add black paint. But you need to work with it extremely carefully, since a small dose of excess paint will simply turn it into black.
• Therefore, add paint in tiny portions and take note of one rule - conduct experiments with a small amount of paint.

• By the way, in order not to make a mistake with the desired color, mix a little black with white. But leave the dominance of the first shade. Just make it a little softer as it can quickly eat up the brown color.

How to get chocolate when mixing paints or gouache?

To create a chocolate color, you need to tinker a little. The most unencumbered scheme is to choose the right tones of orange and blue. But there is another possible option.

• Combine yellow and blue paint to get dark green color. In another bowl, combine red and a drop of yellow to create orange.
• Now combine the two resulting colors. And in the end you get the color of green grass or grass green.
• Now you need to create a bloody red color. To do this, combine the same orange and red palette.

• In conclusion, it remains to combine the two complex colors obtained.
• And as a result we get the color of real chocolate.
  • If you want milk chocolate then add a drop of white paint
  • A mixture of white and yellow will give an additional golden tint to the color
  • Dark chocolate is again obtained by adding black paint.
  • But yellow with chocolate will help you get a beautiful and even brown color

How to get coffee color when mixing paints or gouache?

• Coffee color can be obtained by adding the same black gouache. Also, you need to mix according to technology - orange paint plus blue. In this case, you can achieve the desired tone.

Getting coffee color

• Alternatively, you can achieve the desired color using a composition of purple and orange paint. If necessary, you need to add a drop of black tint.

Color mixing: table

For clarity, we would like to provide you with a table that will show all possible versions of the development of brown color and its range. To get a brown color, you need to mix the component colors, adding the main shade to them. True, there are other options where the composition includes not just secondary colors, but even complex palettes.

Knowledge of color mixing options can be useful not only in professional activity artists. Individual design of a living space often poses the question to the designer of how to achieve this or that interesting undertone. The proposed combination options and color mixing table will help you achieve the desired effect.

Everyday life is filled with a wide range of different colors. To get the right one, you need to know the intricacies of combination.

Blue, red and yellow paint are the three pillars on which a wide palette of halftones rests. It is impossible to form these colors by mixing other colors. At the same time, combining them with each other gives an unusually large number of combinations.

Important! You can create a variety of shades by mixing only two colors by changing their proportions.

Depending on the volume of one part of paint added to another, the resulting result approaches one or another original color. One of the most famous examples is the mixing of blue and yellow, resulting in the formation of green. The resulting result, when adding new portions of yellow paint, will gradually change, getting as close as possible from green to yellow. You can return to blue by adding more of the original element to the green mixture.

Mixing chromatic colors that are close together in color wheel, give a paint that does not have a pure tone, but has an expressive chromatic shade. Combining colors that are on opposite sides of the chromatic circle will result in an achromatic tone. An example is combining orange or purple with green. That is, a mixture of colors located closely in the color wheel gives a rich chromatic shade; the maximum distance of colors from each other when mixed leads to a grayish tone.

Individual paints, when interacting, produce undesirable chemical reaction, which may result in cracking of the decorative layer. In some cases, the resulting background may darken or turn grey. A good example is the mixture of white lead and red cinnabar. The attractive pink color darkens over time.

It is optimal when the impression of multicolor is achieved by mixing a minimum number of colors. At the same time, it is important to consider which paints, when mixed with each other, give a lasting result, and which ones are unacceptable to combine. The knowledge gained allows us to eliminate paints that fade or darken in the future from work.

The table of unwanted mixtures below will help reduce the risk of erroneous combinations:

Having tried the examples given in practice, future painters and designers will gain valuable professional experience.

Methods for obtaining red and its shades

Red is one of the three primary colors and is necessarily present even in minimum sets. But for mass printing, magenta tone is used. The answer to the question of how to get red is quite simple: mix the proposed magenta with yellow in a 1:1 ratio. There are other options for getting red when mixing paints:

The main red is located in the center. Next are the options for mixing. The next circle is the result of combining the first two colors. In conclusion, color options are presented when added to last result red, black or white paint.

Blue and its shades

Blue is considered a primary color, so to form all its shades you will need blue paint.

Attention! No combination of other colors produces a shade of blue, so the presence of this paint in the kit is mandatory.

Even with a set of 12 colors available, the question periodically arises of how to get blue. The classic tone is called “royal”, and in a set of acrylic paints the main color is often ultramarine, which has a bright dark shade with a purple undertone. A lighter effect can be achieved by mixing blue and white in a 3:1 ratio. Increasing the white leads to a lighter tone, up to a sky blue. If you want to achieve a moderately rich result, dark blue paint is mixed with turquoise.

Let's look at what colors need to be mixed to get shades of blue:

• The effect of a dark blue-green tone is achieved by mixing blue and yellow paint in equal proportions. Adding white paint will result in a lighter shade while reducing the brightness due to the combination of the 3 elements.
• The creation of “Prussian blue” is carried out by mixing 1 part of the main blue and adding 1 part of a composition of bright green and light green. A rich and deep shade can be diluted with white, and its purity will not change.
• Combining blue and red in a 2:1 ratio produces blue with a hint of purple. Adding white allows you to lighten a dark and rich tone.
• Royal blue is distinguished by its brightness; a similar effect is achieved by mixing the main blue with mangento pink in equal parts. An admixture of white traditionally brightens the result.
• The combination with orange gives a gray mass. Replacing orange with brown in a 1:2 ratio to the base creates dark color with a complex gray-blue tint.
• The formation of dark blue occurs with the help of an admixture of black in a ratio of 3:1.
• You can create a blue tone yourself by mixing the main color with white.

A small table of combination options is presented below:

Green color palette

Solving the problem of how to get green if it is not in the set is quite simple: combine yellow and blue. A rich palette of green halftones is created by changing the proportions of the original components and adding additional elements that perform the function of darkening or lightening. This role is played by black and white paint. The olive and khaki effect is achieved by mixing two main elements (yellow and blue) and a slight admixture of brown.

Comment! The saturation of green depends entirely on the quality of the constituent elements: intense tones of the source materials guarantee a bright result.

If green is obtained by mixing, then all subsequent undertones will be duller. Therefore, it is better to experiment with the range of green if you initially have a ready-made primary color. There are many combination options:

• A combination of blue and yellow in equal proportions produces a grassy green.
• Increasing yellow to 2 parts and adding 1 part blue results in a yellow-green effect.
• An experiment on the contrary in the form of a blue-yellow proportion of 2:1 will allow you to obtain a blue-green tone.
• If you add ½ part of black to the previous composition, you will achieve a dark green effect.
• Light green warm tone formed from yellow, blue and white paint in a ratio of 1:1:2.
• For a similar light green shade, but a cool tone, you need to take yellow, blue and white bases in a 1: 2: 2 ratio.
• Dark olive color is formed by mixing equal parts of yellow, blue and brown paint.
• The gray-brown tone is obtained from similar elements in a ratio of 1:2:0.5.

The expressiveness of the green color is directly dependent on the original elements; accordingly, the brightness of the halftones is based on the saturation of the green. The graphic palette gives a clear idea of ​​the mixing options:

As in the case of the red circle, the main paint is located in the center, followed by mixing options, then the result of the experiments. The final circle is the shades of the previous level when adding base, white or black paint.

Other combination options

There are many other techniques to create the desired effect by adding some kind of dye to the base color. The answer to the question of how to get ivory color is multifaceted and depends on the surface where you plan to apply the paint. The simplest option is to mix a snow-white base with a yellowish one. For example, yellowish ocher or minimum quantity strontium To tint paper, a small amount of potassium permanganate is diluted in water. A light pink tint indicates a correctly diluted solution. A cotton swab, brush or sponge is moistened with the resulting composition, after which the surface of the paper is treated.

Advice! For double-sided tinting, the sheet can be dipped in a container with a solution of potassium permanganate for a couple of minutes. After drying, it will acquire the desired ivory effect.

There are also several ways to get black:

• by mixing the three basic colors of red, blue and yellow;
• when combining cyan, magenta and yellow;
• a combination of green and red, but the result will not be 100% clear, but only close to the desired effect.

We will try to answer the most popular questions about mixing options:

• How to get raspberry color: the base is blue with the addition of red, white and brown tones.
• You can get turquoise color, whose second name is aquamarine, by mixing blue and green. Depending on the proportions, the tones of the new shade range from soft pastels to intense and bright ones.
• How to get yellow? It is a basic color and cannot be obtained by combining other colors. Something similar to yellow can be created watercolor paints when combining green and orange or red. But it is impossible to achieve purity of tone in this way.
• How to get a brown tint? To do this you will need basic paints: red, yellow and blue. First, a small amount of yellow is added to the red (in an approximate ratio of 10:1), then the volume is gradually increased until an orange tone is obtained. After which they proceed to the introduction of the blue element, 5-10% of the total volume will be enough. Minor adjustments to proportions will produce a wide variety of brown effects.
• Combining black and white elements in different proportions gives a diverse range of gray tones.

As you can see, there are options to achieve the desired effect in creative process an innumerable variety of designs. The information presented will be supplemented by a table with options for mixing colors and video: