The technique of personification in fairy tales. Personification. Use in fiction, scientific style and journalism

Personification

Personification

PERSONIFICATION (or personification) is an expression that gives an idea of ​​a concept or phenomenon by depicting it in the form of a living person endowed with properties this concept(for example, the Greeks and Romans depicted happiness in the form of a capricious goddess of fortune, etc.). Very often O. is used when depicting nature, where it is endowed with certain human traits, “animated”, for example: “the sea laughed” (Gorky) or the description of the flood in “ Bronze Horseman"Pushkin: "...The Neva all night long/rushed towards the sea against the storm,/not having overcome their violent foolishness.../and it became unable to argue.../The weather became even more ferocious,/the Neva swelled and roared... /and suddenly, like a frenzied beast,/the city was rushed.../Siege! Attack! evil waves / like thieves, climb into the windows,” etc.
O. was especially in use in precision and false-classical poetry, where it was carried out consistently and extensively; in Russian literature, examples of such O. were given by Tredyakovsky: “Ride to the Island of Love”, (St. Petersburg), 1730.
O. is essentially, therefore, a transference of signs of animation onto a concept or phenomenon and represents it as such. arr. type of metaphor (see). Trails.

Literary encyclopedia. - At 11 t.; M.: Publishing House of the Communist Academy, Soviet Encyclopedia, Fiction. Edited by V. M. Fritsche, A. V. Lunacharsky. 1929-1939 .

Personification

Literature and language. Modern illustrated encyclopedia. - M.: Rosman. Edited by prof. Gorkina A.P. 2006 .

Personification

PERSONALIZATION Also personification(lat. persona and facio), prosopopoeia(Greek Προσωποποια), is a stylistic term denoting the depiction of an inanimate or abstract object as animate. The question of how much personification corresponds to the poet’s actual view of things goes beyond stylistics and relates to the field of worldview in general. Where the poet himself believes in the animation of the object he depicts, one should not even talk about personification as a phenomenon of style, for it is then connected not with the techniques of depiction, but with a certain, animistic worldview and attitude. The object is already perceived as animate and is depicted as such. It is in this sense that many personifications in folk poetry, when they relate not to techniques, not to the form of expression, but to the animated object itself, i.e. to the content of the work. This is especially evident in any mythological work. On the contrary, personification, as a phenomenon of style, appears in those cases when it is used as allegory, i.e., as an image of an object that stylistically transforms his. Of course, it is not always possible to establish with accuracy what order of personification we are dealing with, just as in a metaphor it is difficult to find objective signs of the degree of its real imagery. Therefore, stylistic research often cannot do without attracting data from the field of individual poetic worldview. Thus, many personifications of natural phenomena in Goethe, Tyutchev, and the German romantics should not be considered as a stylistic device, but as essential features of their general view of the world. These, for example, are Tyutchev’s personifications of the wind - “What are you howling about, night wind, Why are you complaining so madly?”; a thunderstorm that “will suddenly and recklessly run into the oak grove”; lightning, which “like deaf-mute demons, conduct a conversation among themselves”; trees that “joyfully tremble, bathing in the blue sky” - for all this is consistent with the poet’s attitude towards nature, which he himself expressed in a special poem: “Not what you think, nature is not a cast, not a soulless face. It has a soul, it has freedom, it has love, it has language,” etc. On the contrary, in such works as fables, parables, and different types allegories (see), we should talk about personification as artistic technique. Compare, for example, Krylov’s fables about inanimate objects (“Cauldron and Pot”, “Guns and Sails”, etc.)

Especially in cases of the so-called. incomplete personification, it is common stylistic device, which is used not only by poetry, but also by everyday speech. Here we are dealing, strictly speaking, only with individual elements of personification, which have often become so commonplace in everyday speech that their direct meaning is no longer felt. Wed, for example, such expressions as: “The sun rises, sets”, “the train is coming”, “streams are running”, “the moan of the wind”, “the howling of the motel”, etc. Most of these expressions are one of the types of metaphor , and the same should be said about their meaning in poetic style as about metaphor (see). Examples of stylistic personifications: “The air does not want to overcome its drowsiness... The stars of the night, Like accusatory eyes, look at him mockingly. And the poplars, crowded in a row, shaking their heads low, like judges whispering among themselves” (Pushkin); “Nozdryov had long ago stopped whistling, but there was one pipe in the barrel organ, a very lively one, that did not want to calm down, and for a long time afterwards it whistled alone” (Gogol); “A bird will fly out - my longing, sit on a branch and begin to sing” (Akhmatova). The depiction of plants and animals in the image of people, as found in fairy tales, fables, and animal epics, can also be considered a type of personification.

A. Petrovsky. Literary Encyclopedia: Dictionary literary terms: In 2 volumes / Edited by N. Brodsky, A. Lavretsky, E. Lunin, V. Lvov-Rogachevsky, M. Rozanov, V. Cheshikhin-Vetrinsky. - M.; L.: Publishing house L. D. Frenkel, 1925


Synonyms:

See what “Impersonation” is in other dictionaries:

    Churches. Statue of Strasbourg Cathedral Personification (personification, prosopopoeia) of the trope ... Wikipedia

    Prosopopoeia, embodiment, personification, anthropomorphism, animation, humanization, metaphor, representation, epitome, expression Dictionary of Russian synonyms. personification 1. humanization, animation, personification 2. see embodiment ... Dictionary of synonyms

    PERSONIFICATION, personification, cf. (book). 1. units only Action under Ch. personify personify. The personification of the forces of nature among primitive peoples. 2. what. The embodiment of some elemental force, a natural phenomenon in the form of a living creature. God… … Dictionary Ushakova

    Personification- PERSONIFICATION is also personification (Latin: Persona and facio), prosopopoeia (Greek: Προσωποποια), a stylistic term denoting the depiction of an inanimate or abstract object as animate. The question is how much personification... ... Dictionary of literary terms

    Personification, the property inherent in mythopoetic consciousness of transferring to inanimate things and phenomena the traits of living beings: human (anthropomorphism, anthropopathism) or animals (zoomorphism), as well as endowing animals with human qualities. IN … Encyclopedia of Mythology

    - (prosopopoeia) a type of metaphor, transferring the properties of animate objects to inanimate ones (Her nurse is silence..., A. A. Blok) ... Big Encyclopedic Dictionary

    PERSONIFICATION, I, cf. 1. see personify. 2. what. About a living being: the embodiment of what n. features, properties. Plyushkin O. stinginess. O. kindness. Ozhegov's explanatory dictionary. S.I. Ozhegov, N.Yu. Shvedova. 1949 1992 … Ozhegov's Explanatory Dictionary

    personification- PERSONIFY1, embodiment PERSONIFIED, embodied PERSONIFY / PERSONIFY, embody / embody PERSONIFY2, spiritualization, animation, humanization, personification, book. anthropomorphism ANIMATION,... ... Dictionary-thesaurus of synonyms of Russian speech

    personification- impersonation Occurs when an object pretends to be someone or something. [Cryptographic Dictionary by Karen Isaguliev www.racal.ru ] Topics information Technology in general Synonyms impersonation EN impersonation ... Technical Translator's Guide

    I; Wed 1. to Personify (1 digit). and Personify. O. forces of nature. 2. Image of which letter. elemental force, a natural phenomenon in the form of a living being. Dove o. peace. 3. what. The embodiment of an idea, concept, etc. properties, qualities in human... ... Encyclopedic Dictionary

Books

  • The personification of history. Issue 2. Rich people, Daria Prikhodko. In the collection “Personification of History. Rich Men" included twelve biographical essays, the heroes of which were: one of the richest residents of the United States...

Since school, we have all heard about such a concept as personification. What is this? Many have probably already forgotten. What is this, what is it used for and what is characteristic of it. Now we will try to remember and understand this issue in more detail.

Personification: definition of the concept, detailed description

Often this literary method used in fairy tales. Personification is the giving of thoughts, feelings, experiences, speech or actions to phenomena, inanimate objects and animals. Thus, objects can move independently, nature is a living world, and animals speak with human voices and are able to think in a way that only people can do in reality. The origin of personification dates back to ancient world when everything was based on myths. It is in myths that talking animals are first encountered, as well as giving things uncharacteristic properties. At the same time, one of the main tasks of personalization is to bring the abilities of the inanimate world closer to those that are characteristic of the living.

Impersonation Examples

You can understand the essence of personification more clearly by giving several examples:


What is the personification

What does it mean?

The personification (a word that gives life to objects) is often a verb, which can be found both before and after the noun that it describes, or rather, it brings it into action, animates it and creates the impression that an inanimate object can also fully exist , like a person. But this is not just a verb, but a part of speech that takes on much more more features, transforming speech from ordinary into bright and mysterious, into unusual and at the same time capable of telling about a lot of things that characterize the techniques of personification.

Personalization as a literary trope

It is literature that is the source of the most colorful and expressive phrases that animate phenomena and objects. In literature, this trope is also called personalization, embodiment or anthropomorphism, metaphor or humanization. It is often used in poetry to create a more complete and melodic form. To make them more heroic and a reason to admire them, personification is often also used. What is this literary device that any other, such as an epithet or an allegory, all serve to embellish phenomena, to create a more impressive reality. It is enough to consider only a simple literary phrase: “The night bloomed with golden lights.” There is so much poetry and harmony in it, flight of thought and dreaminess, colorful words and brightness of expression of thought.

One could simply say that the stars are shining in the night sky, but such a phrase would be full of banality. And just one single personification can radically change the sound of a seemingly familiar and understandable phrase to everyone. In addition, it should be noted that personification as a part of literature appeared due to the desire of the authors to bring the description of folklore characters closer to the heroism and greatness of those spoken of in ancient Greek myths.

Using personification in everyday life

We hear and use examples of personification in everyday life almost every day, but we don’t think about the fact that it’s them. Should they be used in speech or is it better to avoid them? At their core, incarnations are mythopoetic in nature, but over the long period of their existence they have become an integral part of ordinary everyday speech. It all started with the fact that when talking they began to use quotes from poems and others, which gradually turned into phrases that were already familiar to everyone. It seems that the common expression “the clock is rushing” is also a personification. It is used both in everyday life and in literature, and is in fact a typical personification. Fairy tale and myth are the main sources, in other words, the foundation of those metaphors that are used in conversation today.

Reincarnated personification

What is it?

This statement can be explained from the point of view of the evolution of personification. In ancient times, personification was used as a religious and mythological device. Now it is used to transfer the abilities of living beings to inanimate objects or phenomena and is used in poetry. That is, personalization gradually acquired a poetic character. Nowadays, there are many disputes and conflicts about this, since specialists from different scientific fields interpret the nature of personification in their own way. A reincarnated or ordinary personification still has not lost its meaning, although it is described with different points vision. Without it, it is difficult to imagine our speech and, in fact, modern life.

Personification is one of the types of metaphor, but still it is an independent trope that should not be called a metaphor.

The progenitor of personification is animism. In ancient times, people endowed the surrounding objects and phenomena with human characteristics. For example, the earth was called mother, and rain was compared to tears. Over time, the desire to humanize inanimate objects has disappeared, but in literature and in conversation we still encounter these figures of speech. This figurative means of language is called personification.

PERSONIFICATION is a literary device in which inanimate objects are endowed with properties that are inherent in living beings. Sometimes this turn of phrase is called personification.

Personification is used by many prose writers and poets. For example, in Yesenin you can find the following lines: “Winter sings, echoes, the shaggy forest lulls.” It is clear that winter as a season cannot make sounds, and the forest makes noise only because of the wind.

Impersonation allows you to create bright image for the reader, to convey the mood of the hero, to emphasize some action.

This turn of phrase, in contrast to a more complex and refined metaphor more suitable for poetry, we use even in colloquial speech. The familiar phrases “the milk has run away” and “the heart is acting up” are also personifications. It makes our everyday speech more expressive. We are so accustomed to many personifications that they do not surprise us. For example, " it's raining" (although the rain clearly has no legs) or "the clouds are frowning" (it is clear that the clouds cannot experience any emotions).

In general, we can say that personification is a language trope in which the inanimate is endowed with the signs and qualities of the living. Personification is often confused with metaphor. But a metaphor is just a figurative meaning of a word, a figurative comparison. For example, “And you laugh with a wondrous laugh, SNAKE IN A golden BOWL.” There is no animation of nature here. Therefore, it is not difficult to distinguish personification from metaphors.

Examples of avatars:

And woe, woe, woe!
And the bast of grief was girdled,
FEET ARE TURNED UP WITH WASTERS.
(Folk song)

THE gray-haired sorceress is coming,
Shaggy WAVES HIS SLEEVE;
And snow, and scum, and frost is FLOWING,
And turns water into ice.
From her cold BREATH
Nature's gaze is numb...
(G. Derzhavin)

After all, autumn is already in the yard
LOOKS through the spindle.
Winter follows her
WALKS IN A WARM FUR COAT,
The path is covered with snow,
It crunches under the sleigh...
(M. Koltsov)

Description of the flood in Pushkin’s “The Bronze Horseman”:

“...The Neva all night / was rushing to the sea against the storm, / unable to overcome their violent foolishness... / and it became unable to argue... / The weather became even more ferocious, / the Neva swelled and roared... / and suddenly , like a frantic beast, / rushed towards the city... / Siege! Attack! evil waves / like thieves, climb into the windows,” etc.

“The golden cloud spent the night...” (M. Lermontov)

"Through the azure twilight of the night
The snowy Alps LOOK
Their EYES are dead
SMASHED with icy horror"
(F. Tyutchev)
"The warm wind blows quietly,
The steppe BREATHES with fresh life"
(A. Fet)

"White Birch"
Below my window
COVERED IN SNOW,
Exactly silver.
On fluffy branches
Snow border
The brushes have blossomed
White fringe.
And the birch tree stands
In sleepy silence,
And the snowflakes are burning
In golden fire.
And the dawn is LAZY
WALKING AROUND
SPRAYS branches
New silver."
(S. Yesenin “Birch”):

Among the personifications of true poetry there are no simple, philistine, primitive personifications that we are accustomed to using in everyday life.

Each personification is an image. This is the meaning of using personification. The poet does not use it as a “thing in itself”; in his poetry, personification rises above the “worldly level” and moves to the level of imagery. With the help of personifications, Yesenin creates a special picture. Nature in the poem is alive - but not just alive, but endowed with character and emotions. Nature is the main character of his poem.

How depressing the attempts of many poets to create a beautiful poem about nature, where “the wind blows”, “the moon shines”, “the stars shine”, etc., look so sad against this background. All these personifications are hackneyed and worn out, they do not generate any imagery and, therefore, are boring. But this does not mean that they cannot be used. And the erased personification can be raised to the level of an image.

For example, in the poem “It’s Snowing” by Boris Pasternak:

It's snowing, it's snowing.
To the white stars in a snowstorm
Geranium flowers stretch
For the window frame.
It's snowing and everything is IN CONFUSION,
Everything starts to fly -
Black staircase steps,
Crossroads turn.
It's snowing, it's snowing,
As if it weren't flakes falling,
And in a patched coat
The firmament is falling to the ground.
As if looking like an eccentric,
From the top landing,
STEALING, PLAYING HIDE AND HIDE,
The sky is coming down from the attic.
Because life DOES NOT WAIT.
Before you look back, it’s Christmas time.
Only a short period,
Look, there's a new year there.
The snow is falling, thick and thick.
In step with him, with those feet,
At the same pace, WITH LAZINESS
Or at the same speed
MAYBE TIME PASSES?
Maybe year after year
Follow as the snow falls
Or like the words in a poem?
It's snowing, it's snowing,
It's snowing and everything is in turmoil:
White pedestrian
SURPRISED plants,
Crossroads turn."

Notice how many personifications there are here. “The sky is coming down from the attic,” steps and an intersection that take flight! The “surprised plants” alone are worth it! And the refrain (constant repetition) “it’s snowing” takes simple personification to the level of semantic repetition - and this is already a symbol. The personification “It’s snowing” is a symbol of the passing of time.

Therefore, in your poems, you should try to USE PERSONIFICATION NOT JUST BY ITSELF, BUT SO THAT IT PLAYS A CERTAIN ROLE.

Personifications are also used in artistic prose. For example, there is an excellent example of personification in Andrei Bitov’s novel “ Pushkin House" The prologue describes the wind circling over St. Petersburg, and the entire city is shown from the point of view of this wind. Wind - main character prologue. No less remarkable is the image of the title character of Nikolai Gogol’s story “The Nose”. The nose is not only personified and personified (i.e. endowed with features human personality), but also becomes a symbol of the duality of the protagonist.

A few more examples of personification in prose speech that come to mind:

The first rays of the morning sun STEALED across the meadow.
Snow BLACKED the ground like a mother's baby.
The moon WINKED through the heights of the clouds.
At exactly 6:30 am my alarm clock came alive.
The ocean DANCED in the moonlight.
I heard the island CALLING me.
Thunder grumbled like an old man.

There are enough examples. I'm sure you're ready for the next round of the "Trails" competition series.

Warmly, your Alcora

Reviews

Allah, these are the two points of the article:

1. "PERSONIFICATION is a literary device in which inanimate objects are endowed with properties that are inherent in living beings. Sometimes this turn of phrase is called personification."
2...In general, we can say that personification is a trope of language in which the inanimate is endowed with the signs and qualities of the living...-

Made me misunderstand the essence of personification. Here we are talking about endowing inanimate objects with the properties of living things, i.e. It turns out both animals and plants, and not just humans.
I think I'm not the only one. It is necessary to eliminate the duality of understanding.
With gratitude for the article, Vladimir.

In Part 2 of the article on Personifications, I already answered this question (I’ll quote myself):

“Can we consider “purrs” to be a personification? Or “wanders across the rooftops”? After all, we liken the darkness not to a person, but to an animal? Maybe it would be more correct to consider this general view- a metaphor? - I have met different opinions on this issue. Who's right? Don't know. I wouldn’t make a problem out of this - no matter what the trope is called, the main thing is to feel and use each of them adequately, to be able to use them to be accurate and convincing in conveying your thoughts and feelings.”

So, once again: Philologists have many (contradictory) opinions, I am not a philologist, I am a practitioner. If I participated in a competition, I would choose for the round those poems of mine that have TYPICAL personifications (or I would write new poems for the competition) and highlight the given paths - as tools for my victory in the competition. The same goes for judges - they need to first of all consider the work using the example of typical (not subject to doubt or discrepancy) given tropes, and everything else is an addition to the side dish.... This is an educational competition where you need to show both poetry and mastery of theory , and not just offer for a competition what the author has on his farm and what was once successful somewhere.

If we evaluate poetry at all, then it doesn’t matter what this trope is called, it is important that it works on the topic, creates an image that is understandable and accurate.

Writers with the aim of aesthetically influencing readers through artistic images and expressing their thoughts through symbols, feelings and emotions use a variety of means in their literary works artistic expression– tropes used figuratively to enhance the imagery of language and expressiveness of speech.

To such literary techniques refers to personification, also called personification or prosopopoeia. Often this trope helps to depict nature in lyrics, giving it human qualities and properties.

IN ancient times Animating natural forces among ancient people was a way of understanding and perceiving the world, an attempt to interpret the structure of the world. Most readers perceive poetic works without thinking about why the device of personification is used.

Personification is a literary and linguistic device based on the transfer of human characteristics and attributes to inanimate things and phenomena of the surrounding world.

This literary device is a special case of metaphor; it helps to create unique semantic models that give the work color and figurative expressiveness.

Using this technique, objects in literary works are given:

  • gift of speech;
  • talent to think;
  • the ability to feel;
  • ability to worry;
  • ability to act.

Even the most common colloquial phrases can represent elements of ancient tropes, when in conversation people say that “the sun rises and sets,” “the stream runs,” “the snowstorm howls,” “the frost draws patterns,” and “the leaves whisper.”

Here are the most obvious examples of personification in real life: oral speech. The ancient Greeks figuratively depicted happiness in the form of the capricious goddess Fortuna.

The term “personification” has a Latin synonym – “personification” (person + do); among the ancient Greeks it sounds like “prosopopoeia”.

Wikipedia defines personification as a term used in psychology when the qualities of one person are mistakenly attributed to another.

IN ancient greek mythology the relationship of the gods Uranus and Gaia was interpreted as a marriage bond connecting heaven and earth, as a result of which mountains, vegetation, and fauna appeared.

Our ancient ancestors associated Perun with thundering and sparkling natural phenomena; other gods were responsible in mythology for the wind, water, and sun.

It is in mythology that speaking representatives of the animal world initially appear, and things perform actions completely uncharacteristic for them.

Important! In myths on specific example it was much easier to explain and illustrate the essence of things, the motives for the emergence of phenomena and the emergence of humanity.

Many gods, embodied in objects deprived of souls, were endowed with living characters. Moreover, the myths were perceived quite realistically, and the listeners believed that this was really happening.

Often the literary device of personalization is heard in fairy tales, where objects can move independently, animals are able to speak with human voices and think like people. Fairy tales are not intended to explain incomprehensible phenomena; all the characters in them are fictitious.

Appointment in art

The artistic device is often used in literary works of prose and lyrical genres for solving diverse problems. Personifications add emotional nuances to the text, drawing the reader’s attention to the content of the work and serving to better perceive it.

In the poem by A.A. Blok there are examples of personification: “nurse silence” in one, in another – “ white dress sang in the beam”, “winter storms cried”, “starry dreams soared”, “strings cried”.

The literary device is also presented in the works of B.L. Pasternak: “the forest... drops sweat in drops,” “July, carrying the fluff of dandelions.”

Pay attention! Literary devices are often used not only in works of art, but also in popular science literature, and also as one of the marketing principles.

A literary device can stimulate the reader’s imagination, giving him the opportunity to experience the content of a work more picturesquely and expressively.

Quite often used in game methods of teaching children.

For example, when studying fables saturated with these tropes, animals are endowed with various human properties, as in the fable by I.A. Krylov "Quartet".

As a result, children perceive the plot of the work more vividly and understand the moral. It is not always possible to determine why personification is used.

Experts note the increasing stages of trope distinction based on their action in a literary work and in conversation:


The conceptual content of tropes can have many nuances.

In “The Tale of Igor’s Campaign” imagery and expressiveness are achieved thanks to literary techniques that personify natural phenomena. Plants and animals are endowed with emotions, the ability to empathize with the author and characters, and they, in turn, turn to the forces of nature for help and receive it.

In Pushkin's "The Tale of dead princess“The prince directly questions the animate forces of nature. In the fables of I.A. Krylov's trope means something different; it is used as an allegory: the wolf personifies cruelty, the monkey - stupidity.

Plyushkin is a symbol of extreme stinginess, Manilov is a symbol of unreasonable daydreaming.

And A.S. Pushkin's means of expression receives social and political meaning.

The subtext of ancient personifications is moralizing and interesting to our contemporaries.

The word "zodiac" is translated from Greek as "animals in a circle", and the twelve zodiac signs symbolize key features of human nature.

Such words usually correctly establish the qualities of people, and their use in ordinary conversation makes the speech brighter and more attractive.

The everyday speech of people whom everyone is interested in listening to or reading is also usually full of tropes, but people are so accustomed to hearing them that they do not even perceive these phrases as a literary device.

This began with the use in conversation of quotations from works of literature, which became an inseparable part of speech, turning into everyday expressions. A typical trope is the phrase “the clock is rushing,” but it is no longer perceived as a figurative device.

Impersonation Examples

It is from literary works that new personifications appear, which serve for greater expressiveness, and they are not at all difficult to find.

Personifications in the works of S.A. Yesenin: “the forest rings with gilded coniferous trees,” “the fir trees dream of the hubbub of the mowers,” “the willows hear the whistling of the wind,” “the golden grove dissuaded,” “the bird cherry tree is pouring snow,” “in the evening the feather grass whispered to the traveler,” “the hemp tree is dreaming.”

In the poem by N.A. Zabolotsky: “the stream, panting, sings,” “the heart does not hear the correct harmonies,” “sad nature lies around, sighing heavily.” These examples show what personification is in literature.

Useful video

Let's sum it up

Personification is considered a wonderful tool that allows, through successful use, to enhance expressiveness and emotionality. literary work or ordinary speech.

The technique can be used in many cases - from myths and folklore to popular science texts. Many of them have entered our speech so firmly that they are not even felt as means of expression, have become everyday and familiar.

Writers and poets regularly create new, memorable, bright and imaginative personifications, captivating readers picturesque paintings and conveying the mood to them.

The meaning of the word PERSONIFICATION in the Dictionary of Literary Terms

PERSONALIZATION

Type of trope: depiction of inanimate objects, in which they are endowed with the properties of living beings (the gift of speech, the ability to think, feel, experience, act), and are likened to a living being. For example: “What are you howling about, night wind? // Why are you complaining so madly?” (F.I. Tyutchev); "Through wavy fogs// The moon is making its way" (A.S. Pushkin). A type of metaphor (see metaphor).

Dictionary of literary terms. 2012

See also interpretations, synonyms, meanings of the word and what PERSONIFICATION is in Russian in dictionaries, encyclopedias and reference books:

  • PERSONALIZATION in the Literary Encyclopedia:
    [or personification] - an expression that gives an idea of ​​​​a concept or phenomenon by depicting it in the form of a living person endowed with properties ...
  • PERSONALIZATION in the Big Encyclopedic Dictionary:
    (prosopopoeia) a type of metaphor, transferring the properties of animate objects to inanimate ones (“Her nurse is silence...”, A. A. ...
  • PERSONALIZATION in Bolshoi Soviet encyclopedia, TSB:
    prosopopoeia (from the Greek prosopon - face and poieo - I do), personification (from the Latin persona - face, personality and facio - ...
  • PERSONALIZATION V Encyclopedic Dictionary:
    , -I, Wed. 1. see personify. 2. what. About a living being: the embodiment of some. features, properties. Plyushkin - o. stinginess. ABOUT. …
  • PERSONALIZATION in the Big Russian Encyclopedic Dictionary:
    PERSONIFICATION (prosopopoeia), a type of metaphor, transferring the properties of animate objects to inanimate ones (“Her nurse is silence...”, A.A. ...
  • PERSONALIZATION in the Complete Accented Paradigm according to Zaliznyak:
    personification, personification, personification, personification, personification, personification, personification, personification, personification, personification, personification, ...
  • PERSONALIZATION in the Dictionary of Linguistic Terms:
    (Greek prosopopoieia, from prosopon - face + poieo - doing). A trope consisting of attributing signs and properties to inanimate objects...
  • PERSONALIZATION in the Thesaurus of Russian Business Vocabulary:
  • PERSONALIZATION in the Russian Language Thesaurus:
    ‘expression in a specific object of any abstract qualities’ Syn: ...
  • PERSONALIZATION in the Russian Synonyms dictionary:
    expression in a specific object of any abstract qualities Syn: ...
  • PERSONALIZATION in the New Explanatory Dictionary of the Russian Language by Efremova:
    Wed 1) The process of action according to meaning. verb: to personify, personify. 2) a) The embodiment of smb. elemental force, natural phenomena in the form of living things...
  • PERSONALIZATION in Lopatin’s Dictionary of the Russian Language:
    personification...
  • PERSONALIZATION in the Complete Spelling Dictionary of the Russian Language:
    personification...
  • PERSONALIZATION in the Spelling Dictionary:
    personification...
  • PERSONALIZATION in Ozhegov’s Dictionary of the Russian Language:
    <= олицетворить олицетворение (о живом существе) воплощение каких-нибудь черт свойств Плюшкин - о. скупости. О. …
  • PERSONALIZATION in the Modern Explanatory Dictionary, TSB:
    (prosopopoeia), a type of metaphor, transferring the properties of animate objects to inanimate ones (“Her nurse is silence ...”, A. A. ...
  • PERSONALIZATION in Ushakov’s Explanatory Dictionary of the Russian Language:
    personifications, cf. (book). 1. units only Action according to verb. personify-personify. The personification of the forces of nature among primitive peoples. 2. what. An incarnation of some kind. ...
  • PERSONALIZATION in Ephraim's Explanatory Dictionary:
    personification cf. 1) The process of action according to meaning. verb: to personify, personify. 2) a) The embodiment of smb. elemental force, natural phenomena in the form...
  • PERSONALIZATION in the New Dictionary of the Russian Language by Efremova:
    Wed 1. process of action according to ch. personify, personify 2. The embodiment of some elemental force, natural phenomenon in the image of a living being. Ott. ...
  • PERSONALIZATION in the Large Modern Explanatory Dictionary of the Russian Language:
    Wed 1. process of action according to ch. personify, personify 2. The result of such an action; embodiment, concrete, real expression of something. Ott. Incarnation...
  • FEMINISM in the Newest Philosophical Dictionary.
  • TRIMURTI in the Dictionary Index of Theosophical Concepts to the Secret Doctrine, Theosophical Dictionary:
    (Sanskrit.) Lit., “three faces”, or “triple form” - Trinity. In the modern Pantheon these three are Brahma, the creator; Vishnu, the preserver; And …
  • BURYAT MYTHOLOGY in the Directory of Characters and Cult Objects of Greek Mythology:
    a complex of mythological ideas of the Buryats of the Baikal region and Transbaikalia - Bulagats, Ekhirits, Khorints, Khongodors, etc. The mythology of the first...