March is a genre of music whose works are designed for synchronized movement large quantity Human. The march has a clear rhythm and measured tempo that does not change throughout the composition.

This genre gained great popularity in the army, and is the main direction military music. However, marches went far beyond military works and became widespread in the genres of stage and concert music, such as opera and ballet.

On at the moment there are a great many marches. Written in different periods time, they convey certain emotions and feelings inherent in their era. There are also works in this musical genre that have not lost their originality from the moment of their creation to the present day. Next we will consider the most famous marches throughout the history of this genre.

Mendelssohn March

One of the most famous wedding marches in the world, written by German composer and musician Felix Mendelssohn in 1842. The work was originally created for the play A Midsummer Night's Dream. And in 1858, the march was performed at the wedding of Princess Victoria, after which it gained popularity and was recognized as a wedding march.

Funeral March

Another famous march, known throughout the world, was written in 1837 by Frederic Chopin and is the third movement of four Piano Sonata No. 2 in B-flat minor. This simultaneously mixed in the music such feelings as grief, melancholy, sadness and hopelessness, which could not leave the listener indifferent. It was the author himself who became the first person to be buried to the sounds of this work. Subsequently, this music was heard more and more often at funerals. various peoples world, which brought fame to this march.

March "Farewell of the Slav"

Russian march created by trumpeter Vasily Agapkin in 1912-1913. From its inception to this day it has been considered a national march. People are escorted to its sounds long journey, on military service, the march also symbolizes farewell to the war. IN foreign countries is the most recognizable piece of music symbolizing Russian Federation.

Parade march "Victory Day"

The famous Soviet song, written by the composer D. Tukhmanov to the words of the poet V. Kharitonov, initially became a popular drill song in the Soviet Union and subsequently Russian army. And then a parade march, without which not a single celebration of May 9, Victory Day, is complete.

Military march of the Army of the Rhine (Marseillaise)

The most famous march French Revolution(1789-1794) written in 1792 by Rouget de Lisle was originally called “Military March of the Army of the Rhine”. After a battalion of volunteers from Marseille entered Paris in June 1792, singing this march, he got his famous name"Marseillaise". A year later it was chosen as the official anthem of France.

The most famous marches given in this article are only a small part brilliant creations different eras, since the march is very multifaceted and expressive musical genre. Marches can be completely different in style:

1. Military drill.
2. Solemn.
3. Mourning.
4. Sports.
5. Fairy.

Such diversity naturally cannot go unnoticed by great composers. Marches can be found in major works by M. Glinka, L. Beethoven, P. Tchaikovsky, M. Mussorgsky and many others brilliant composers.

Perhaps the most popular march in the world is Mendelssohn's Wedding March. Listen to lift your spirits full version march:

Traditionally sounded on football matches in the USSR, and also sounds at matches of the Russian Championship, Ukrainian Championship and other football tournaments in the territory of the former USSR.

Written by Blanter at the request of the famous sports radio commentator Vadim Sinyavsky. The first to hear the melody were composer Dmitry Shostakovich and his son Maxim, future pianist and conductor.

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Leagues Cups Prefabricated Story Footballer of the Year Abolished

An excerpt characterizing the Football March

People of this former army They fled with their leaders without knowing where, wanting (Napoleon and each soldier) only one thing: to personally extricate themselves as soon as possible from that hopeless situation, which, although unclear, they were all aware of.
That is why, at the council in Maloyaroslavets, when, pretending that they, the generals, were conferring, presenting different opinions, the last opinion of the simple-minded soldier Mouton, who said what everyone thought, that it was only necessary to leave as soon as possible, closed all their mouths, and no one , even Napoleon, could not say anything against this universally recognized truth.
But although everyone knew that they had to leave, there was still the shame of knowing that they had to run. And an external push was needed that would overcome this shame. And this impulse came to right time. This was what the French called le Hourra de l'Empereur [imperial cheer].
The next day after the council, Napoleon, early in the morning, pretending that he wanted to inspect the troops and the field of the past and future battle, with a retinue of marshals and a convoy, rode along the middle of the line of troops. The Cossacks, snooping around the prey, came across the emperor himself and almost caught him. If the Cossacks did not catch Napoleon this time, then what saved him was the same thing that was destroying the French: the prey that the Cossacks rushed to, both in Tarutino and here, abandoning people. They, not paying attention to Napoleon, rushed to the prey, and Napoleon managed to escape.
When les enfants du Don [the sons of the Don] could catch the emperor himself in the middle of his army, it was clear that there was nothing more to do but run as quickly as possible along the nearest familiar road. Napoleon, with his forty-year-old belly, no longer feeling the same agility and courage in himself, understood this hint. And under the influence of the fear that he gained from the Cossacks, he immediately agreed with Mouton and gave, as historians say, the order to retreat back to the Smolensk road.
The fact that Napoleon agreed with Mouton and that the troops went back does not prove that he ordered this, but that the forces that acted on the entire army, in the sense of directing it along the Mozhaisk road, simultaneously acted on Napoleon.

The march is primarily associated with the organized movement of troops. Most often, such processions take place to the accompaniment of music. This helps synchronize the movement of the soldiers. Therefore, the corresponding musical genre is also called a march.

Origin of the genre

The answer to the question of what a march is should be sought in the history of those times when this genre was just taking shape. The first beginnings of such music can be found in antiquity. IN Ancient Greece and the Roman Empire, the movement of troops was necessarily accompanied by music. This helped maintain the morale of the soldiers. That is why marches are most often cheerful and energetic in their sound, because they are meant to energize the rank and file and the officers. This formula has not changed since ancient times.

"March of the Slav" has a recognizable simple melody, thanks to which it has become almost one of national symbols Russia. He is also known abroad. The work is often used in Western films as an attribute of the Soviet or Russian army.

“March of the Slavic Woman” received its name as a sign of the difficult fate that was in store for all wives and mothers who accompanied their men to the front. Interestingly, the original version piece of music did not include text. All the poems appeared later, when the melody became extremely popular in the Russian army.

In 1915, the first records of the march were released. It was at this time that the First world war. The troops, like air, needed “spirit-lifting” music, to which they would not be afraid to go to the front. This is exactly what this march became.

The melody was not forgotten even in Soviet era, although it was not unreasonably perceived by many as a symbol of the tsarist era. There is still lively debate about whether “Farewell of the Slav” was performed at the fateful parade on November 7, 1941, when troops were sent to defend the approaches to the capital from Nazi troops.

IN modern Russia under this march they hit the road branded trains, as well as recruits who leave their homes to serve in the army.

Mendelssohn March

In 1842, Felix Mendelssohn wrote his most famous march, which over time became an international symbol of wedding celebrations and marriage. Initially, according to the author's plan, the work was part of the concert overture “A Midsummer Night's Dream”, the basis for which was the comedy of the English playwright William Shakespeare. The Prussian king Friedrich Wilhelm became the direct inspiration for this considerable work, ordering a full-fledged suite from the composer.

But over time, Mendelssohn's march became self-sufficient and took on a life of its own. This shining example of how the genre has become divorced from its military roots. From its predecessors, Mendelssohn's work received a recognizable structure and rhythm, but there was nothing militaristic in this music.

"Radetzky's March"

Classic military marches are also known throughout the world. For example, such a fate awaited the work of Johann Strauss the Elder, written in 1848. His "Radzeki March" was a dedication to the field marshal who saved the Austrian monarchy from the Hungarian national revolution. It was not only but also a clear expression of loyalty to the imperial power. At this time, he was experiencing an ideological conflict with his son (also a composer), who supported the rebels and performed “La Marseillaise” on the barricades.

“Radetzky's March” was an unprecedented success. It soon became a mandatory attribute of the Austrian army. It was often performed on the fronts of the First World War to raise the morale of the troops. This is energetic and strict music. The march can still be heard today in Vienna, which is still considered the world capital of classical academic genres.

Compositional features

In addition to their application features, any march is distinguished by recognizable compositional features. It is a measured pace and a clear structure. Composers who write marches try to avoid liberties and excessive improvisation, because in this case it is difficult for the troops to follow the rhythm. Often the structure of the entire work is based on drum roll, and it is the percussion instruments that become the reference point for listeners.

To accurately describe what a march is, it is also necessary to mention several of its types. These are works written specifically for parades, marching, and column formation. They all have their own sizes and are written according to certain patterns. Another common type of march is mourning. It is performed at funerals and ceremonial burials. It is distinguished by a mournful melody.

The word march comes from the French marche - “walking”. In music, this is the name given to pieces written in a clear, energetic rhythm. The march is written in an even size (2/4 or 4/4).

The march became widespread in the army, being one of the main genres of military music. In addition to organizing the movement of troops, the march is designed to instill cheerfulness in the soldiers and raise their morale.

History of the origin of the march

The march emerged as a genre of military music in the late Middle Ages based on folk marching songs, military signals, and some forms of dance music.

Since the 18th century European countries Military instrumental chapels and orchestras, consisting of wood and brass instruments and drums, began to be specially created to perform marching music. By the beginning of the 19th century, metal drums were added to them - timpani, cymbals, etc.

The history of Russian military music dates back to the times Kievan Rus. The playing of wind instruments during the campaign of the princely squad is mentioned in “The Tale of Igor’s Campaign.” The organizing and inspiring properties of military brass music were noted by many military leaders. A.V. Suvorov wrote that “music doubles and triples the army.”

Classification of marches

• Military march- when a military unit or other organized column of people is marching. For example, “Farewell of the Slav”. There are several types of military march:
  • drill march
  • field march
  • counter march
• Sports march- at physical education parades and competitions (“Olympic March”).
• Funeral March (Funeral March of F. Chopin).
• Fairytale March (March of Chernomor from the opera by Ruslan and Lyudmila, “Six Miracles of the Sea” from the opera “Sadko”).
• Humorous March (“Love for Three Oranges” by S.S. Prokofiev).
• Toy march (“March” from the ballet “The Nutcracker” by P.I. Tchaikovsky).
• Children's March(from “Children’s Music” by S.S. Prokofiev).
• March song (“It’s fun to walk together”).
• Carnival march.

March is an applied genre.

Signs of the genre "March"

• strict regularity of rhythm
• bipartite size
• size 2/4 or 4/4
• always square construction structure
• chord accompaniment
• most often based on two or three themes
• marches have bright, easy-to-remember melodies
• a significant role is given to brass and percussion instruments, and especially the pipe

Definition of a march as a musical composition with a clear rhythm, strictly measured tempo, cheerful and heroic character, intended to accompany and organize the movement of people. Types of marches, their tempo and rhythm. Characteristics of musical instruments.

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MUSIC PROJECT

TOPIC: MARCH

PERFORMED BY: AFANASYEVA ANASTASIA

1. What is a march? Definition

2. Types of marches

3. Tempo and rhythm of the march

4. Musical instruments

5. Examples of marches. With description

1. What is a march?

MARCH (French marche, from marcher - to go) is a musical composition with a clear rhythm, strictly measured tempo, cheerful, courageous, heroic character, designed to accompany and organize the movement of people. Ensures synchronization of actions large number people. Due to its simplicity and energy, the march is easily recognized in any rhythm. march musical rhythm composition

The origins of the march date back to the distant past. Already in Ancient Greece, various processions, according to the surviving images on vessels, were accompanied by music, to the beat of which their participants moved. In ancient Greek tragedy, the chorus entered the stage (parod) and left it (exodus) in marching order. IN Western Europe in the 14th-15th centuries, when “walking in step” became mandatory in the armies of some countries (Sweden, Prussia), a need arose for a musical organization of the march of troops. The march emerged as a genre of military music.

2. Types of marches

The main types of modern military marches: drill, or ceremonial, ceremonial (performed at parades and in other cases of ceremonial passage of troops), marching, or fast (on drill walks and festive processions), counter (when meeting and accompanying the banner, direct superiors, during most military rituals) and funeral, or mourning (at funerals and when laying wreaths). Varieties of the march are column marches (usually in 6/8 time with a single rhythmic figure in all voices, which gives its rhythm special clarity) and fanfare marches - the most festive, including signal-fanfare themes and cues.

March is an applied genre. Happens:

* solemn - during holidays and parades

* military drill, marching - when a military unit or other organized column of people is marching - “Farewell of a Slav”

* sports - at physical education parades and competitions

* mourning - "Funeral Procession" by Liszt

* fabulous - Chernomor's march from Glinka's "Ruslan and Lyudmila"

* humorous - “The Love for Three Oranges” by Prokofiev

* toy - "March of the Wooden Soldiers" by Tchaikovsky

* children's - from Prokofiev's "Children's Music"

* march song - “It’s fun to walk together”

Marches can be found in music theatrical works- in operas, ballets, dramatic performances. Here they are always associated with the action on stage and usually accompany some kind of procession.

The march is widespread in the army. It is one of the main genres of military music. In addition to organizing the movement, it is designed to instill cheerfulness in soldiers and raise their morale.

3. Tempo and rhythm of the march

The march is usually in 2/4, 4/4, and 6/8 time signatures (three beats are also found in ballet). It is distinguished by characteristic rhythmic patterns, originating from drumming and fanfare signals. A prominent place in the march is occupied by sharp dotted rhythms, syncopation, contrasts of abrupt and smooth movement (staccato and legato). In march melodics, movement along the sounds of triads ("fanfare" intonations), bright leaps, especially fourths from the V to I degrees of the mode, and repetitions of sounds are widely used; There are often emphasized returns of melodic stops. Short and energetic initial intonations constitute the impulses for the subsequent melodic movement. Square constructions predominate; In general, the structure is distinguished by clarity of division.

Slow marches are sometimes written in 3/4 time. The tempo varies depending on the duration and speed of the movement - from 60 steps per minute in the marches of the Prussian army of the 18th century. up to 120 steps per minute in modern American and up to 140 in French marches.

The modern military march is usually written in three-part form with a short introduction, a first section, a second section and a contrasting trio, after which the first two sections are repeated. Concert marches of the older type may be somewhat freer in form. An example is two of Mozart's marches - the slow and solemn "March of the Priests" from The Magic Flute and the fast and cheerful aria-march "The Frisky Boy" from The Marriage of Figaro. Special types The marches are represented by solemn funeral marches (for example, the funeral march from Chopin's piano sonata, Op. 35) and processional marches (for example, the pilgrim chorus from Wagner's Tannhäuser).

4. Musical instruments

A typical feature of a march is the presence of a rhythmic (percussion) instrument.

Modern military marches with their characteristic rhythmic patterns appeared in European music no earlier than the 18th century. Typical for modern marches the rhythm, together with the use of cymbals and a large drum, was brought to Europe by the Janissaries of the Turkish army. Over time, it was this type of march, with a more emphasized rhythm than in the old European march, that began to predominate in the military, and by the 20th century. - and in all marching music.

Military marches are created for a military (brass) band.

Usually marches have bright, easy-to-remember melodies and simple, usually chordal accompaniment.

5. Examples of marches

An example of a heroic march is the march from G. Verdi's opera "Aida". It is performed symphony orchestra, as well as a brass band placed directly on the stage. The entire march is built essentially on the development of one theme. The character of the music is militant, jubilant, decisive, energetic, becoming lighter and more festive towards the end.

The march song in most cases is cheerful and confident, the accompaniment is always clear and cheerful, the melodic phrases are small, since it is meant to be performed while walking, it is always square and bipartite. The form can be verse. A lot of such songs were written in Soviet times.

1. “Farewell of a Slav”. V.I. Agapkin.

“Farewell Slavs” is a Russian march written in 1912-1913 by the staff trumpeter of the 7th reserve cavalry regiment stationed in Tambov, Vasily Ivanovich Agapkin, under the impression of the events of the First Balkan War (1912-1913). Having not lost any of its popularity over the years, it is essentially a national march, symbolizing farewell to war, military service or a long journey. Abroad it is one of the most recognizable musical emblems Russian Empire, Soviet Union and the Russian Federation.

2. “Salute of Moscow”. S. Chernetsky.

3. "Varyag". N.P. Ivanov-Radkevich.

4. “Fighters for peace.” V. Vishnevetsky

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