Presentation of romanticism in Russian art. Presentation on the topic "Romanticism in Literature and Art." What becomes the ideal for the romantic heroes of these poems

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• The era of the formation of romanticism.
• Model of the world in romanticism.
• Romantic hero (human concept).
• Romantic creativity concept.

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The era of the formation of romanticism

• Romanticism is a literary movement that emerges on the eve of and after decisive shifts in history.
• What do you think historical events in Europe and Russia in the late 18th and early 19th centuries could have become the basis for the emergence of romanticism?

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The emergence of romanticism in Europe

Eugene Delacroix "Freedom on the Barricades"

• The Great French Revolution shook up all of Europe: the execution of the king, the overthrow of the monarchy, the proclamation of the republic - a flash of hope, confidence in the imminent arrival of “freedom, equality and fraternity”.
• But the revolution soon turned into a Jacobin dictatorship, terror and ended with a coup committed by the big bourgeoisie, the establishment of Napoleon's empire.
• Hope - and disappointment!

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Something similar happened in Russia. It shook the country Patriotic War 1812, the promises of reforms of Emperor Alexander I, the conviction of the best minds and hearts of Russia that “the desired time” of freedom will come.

But the transformations promised by the tsar were still not carried out, the peasants - recent victors in the war - again found themselves in the yoke of serfdom. The Decembrist movement is growing stronger in Russia as a response to the passionate desire for freedom. But in 1825 these dreams were destroyed on Senate Square.

Hope - and disappointment.

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romantic model of the world

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Remember the poem by Mikhail Yuryevich Lermontov “Mtsyri”

• What was the main cause of death of the main character of this poem - the young monk Mtsyri?
• Why did the walls of the monastery never become his home, because in them he found salvation from death?

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Why do the three days of Mtsyri’s escape become the main content of the poem? What days are these?

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romantic dual world

The world in the perception of romantics is contradictory and disharmonious:

• on the one hand - reality, oppressive, gray, dooming to boredom and a dull existence, devoid of freedom, spirituality and joy,
• on the other hand, a dream, beautiful, attractive, but most often unattainable.

The discrepancy between the ideal and reality is called romantic duality: the real world seems to be “tested” by the ideal, harmonious world created in the imagination. There is an impassable gap between these two worlds.

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Fantastic

A mixture of dreams and reality, the theme of the night, aspiration to the infinite, longing for distant exotic lands - characteristics romanticism.

How can it be felt in the picture? English artist Johann Heinrich Fussli's Nightmare?

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romantic landscape: observe the paintings of Ivan Aivazovsky and identify the main features romantic landscape.

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Why do romantics depict nature in its extreme states (Ivan Aivazovsky’s painting “The Ninth Wave”)?

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Man and nature: how does Karl Bryullov’s painting “The Last Day of Pompeii” reflect the relationship between man and nature?

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How does the natural world appear in the works of the romantics and what place does man occupy in this world?

Alexander Sergeevich Pushkin

Leap up, winds, roar up the waters,
Destroy the disastrous stronghold.
Where are you, thunderstorm - a symbol of freedom?
Rush across the unwitting waters.

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William Turner "Shipwreck"

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Caspar David Friedrich "Death in the Ice"

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From M.Yu. Lermontov’s poem “Mtsyri”:

I ran. Oh I'm like a brother
I would be glad to embrace the storm!
I watched with the eyes of a cloud,
I caught lightning with my hand...
Tell me what's between these walls
Could you give me in return
That friendship is short, but alive
Between a stormy heart and a thunderstorm?

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Theodore Gericault "Scene of the Crash"

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Vasily Andreevich Zhukovsky

Silent sea, azure sea,
I stand enchanted over your abyss.
You are alive; you breathe; confused love,
You are filled with anxious thoughts.

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Ivan Aivazovsky "Calm Sea"

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Alexander Sergeevich Pushkin

The daylight has gone out;
The evening fog fell on the blue sea.
Make noise, make noise, obedient sail,
Worry beneath me, sullen ocean.

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Caspar David Friedrich "Two Contemplating the Moon"

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Fyodor Ivanovich Tyutchev

How sweetly the dark green garden slumbers,
Embraced by the blue bliss of the night,
Through the apple trees, whitened with flowers,
How sweetly the golden month shines!
Mysterious as on the first day of creation,
In the bottomless sky the host of stars is burning,
Exclamations can be heard from distant music,
The neighboring key speaks louder...

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Caspar David Friedrich "The Dreamer"

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romantic man concept

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Referring to the lines of M.Yu. Lermontov and V.A. Zhukovsky, try to guess what constitutes the essence of the personality of the romantic hero

Mikhail Yurjevich Lermontov:

I don't want the world to know
My mysterious story;
How I loved, what I suffered for,
The only judge of this is God and conscience!
Vasily Andreevich Zhukovsky:
What suddenly happened to you, my heart?
What are you whining about? What now
Did it boil, did it burn?
How can I explain you?

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Compare paintings D. Levitsky, V. Borovikovsky and K. Bryullov - what do classicists, sentimentalists and romantics primarily emphasize in a person?

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A graduate of the St. Petersburg Academy of Arts, who lived in Italy since 1822, Karl Bryullov is one of the most prominent Russian romantics. The artist was attracted to people who were extraordinary, passionate, and exotically beautiful.

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Karl Bryullov. "Rider"

• What was most interesting to the artist about his heroine?
• Like paints color scheme Do paintings help you feel the thoughts and feelings of the artist, his attitude towards what is depicted?
• How is the internal energy of what is depicted reflected in the composition of Bryullov’s canvas?

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“The holiest of titles is man” (V.A. Zhukovsky)

Romanticism turns from the external world to the life of the soul, seeing in it the highest value. The desire to reflect all the subtleties state of mind, wealth inner world in all its complexity and inconsistency - the essence of the concept of man in romanticism.

How is this reflected in the self-portrait of Karl Bryullov?

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Portraits created by the romantic artist Orest Adamovich Kiprensky are full of psychological depth, revealing the main, essential in a person’s personality (portraits of E.S. Avdulina, E. Davydov, A.S. Pushkin). Choose the most accurate definition, in your opinion, that reveals the main character of each of the characters in the paintings.

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The paintings of Alexey Venetsianov glow with soft lyricism. The artist lived almost constantly in the Tver province, observed the peasant world with his own eyes and reflected it in his paintings - quiet, serene, devoted to caring for the land, subject to a measured rhythm.

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Alexey Venetsianov “On the arable land. Spring"

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The fate of a romantic hero

The fate of a romantic hero is most often tragic: challenging society, the crowd, fate, the whole world, the romantic finds himself alone, exiled, misunderstood, and often dies in this confrontation with fate.

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Romantic hero and society

What is similar in K. Bryullov’s painting “Portrait of Countess Yulia Pavlovna Samoilova, leaving the ball with adopted daughter Amazilia Pacini" and lines from poems:

Mikhail Lermontov:

I look at the future with fear,
I look at the past with longing
And, like a criminal before execution,
I'm looking all around for my dear soul...
George Byron:
I haven't lived much, but it's clear to my heart
That the world is as alien to me as I am to the world.

Why do you think the romantic hero is at odds with society?

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wandering

One of the central romantic images- a traveler, a wanderer - a person who leaves the security and comfort of home, going towards an unknown, possibly hostile world without the firm conviction that he will ever return back.

Caspar David Friedrich "The Monk on the Seashore"

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romantic ideal

“The sphere of romanticism,” said V. Belinsky, “is the entire inner, soulful life of a person, that mysterious soil of the soul and heart, from where all vague aspirations for the best and sublime rise, trying to find satisfaction in the ideals created by fantasy.”

One of the main categories in romanticism is the category of ideal - desire, directed towards limits that cannot be achieved by it.

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What becomes the ideal for the romantic heroes of these poems?

Vasily Andreevich Zhukovsky:

I sit thinking; in the soul of my dreams;
I fly with memories of times gone by...
O spring of my days, how quickly you disappeared,
With your bliss and suffering!
Kondraty Fedorovich Ryleev:
May my younger years
I killed him in my lazy sleep!
So that I don't rush
Under the banner of freedom!
No no! So forever
It won't happen to me:
That pathetic man
Who is not captivated by glory!

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Why do you think many romantics looked for their ideal in the historical past?

Romantics often looked for their ideal of a free, spiritualized personality in the historical past, and therefore turned to the genres of historical stories, short stories, ballads, and historical thoughts. The heroes of Kondraty Fedorovich Ryleev’s “Dumas” are Dmitry Donskoy, Ivan Susanin, Ermak, Bogdan Khmelnitsky (O. Kiprensky’s painting “Dmitry Donskoy on the Kulikovo Field”).

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• In music, the most prominent romantics were Wagner, Schubert, Schumann, Liszt, Brahms, and Chopin.
• Listen to an excerpt from a work by Wilhelm Richard Wagner.
• What did you imagine when this music sounded, why did your imagination create such pictures?
• The romantics gave the most honorable place in the hierarchy of arts to music. Why do you think?
• What title would you suggest for this melody?

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“Romantic hero.” Try to summarize everything you have learned.

Test yourself:

• The romantic hero is an exceptional person. He is great in his spirit, powerful passions, high aspirations, rebellion and unwillingness to put up with everyday life and the prosaic essence of existence.
• The inner world of the romantic hero is contradictory and complex. Man is a small Universe with its own elements and passions.
• The romantic hero strives for his ideal, which is most often unattainable, and therefore the fate of the romantic is loneliness, misunderstanding, “abandonment” in the world. The fate of a romantic hero is most often tragic.
• The ideal for a romantic is freedom and bright characters. national history, gone, fantastic.

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romantic creativity concept

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The Creator is...Continue the phrase by referring to the poem by M.Yu. Lermontov:

I want to live! I want sadness
Love and happiness in spite;
They spoiled my mind
And they smoothed out the forehead too much.
It's time, it's time for the ridicule of the world
Drive away the fog of calm;
What is the life of a poet without suffering?
And what is the ocean without a storm?
He wants to live at the cost of torment,
At the cost of tedious worries.
He buys the sounds of the sky,
He does not take glory for free.

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The Creator, according to romantics, is the chosen one. However, the price for being chosen is high - loneliness and misunderstanding.

The romantics affirmed the creative activity of the artist, creating his own special world, more true than reality.

The Creator creates according to “the laws that he has recognized over himself.” Genius does not obey rules and regulations in art. The Romantics defended the creative freedom of the artist, his responsibility, first of all, before God and his conscience.

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Identify the characteristics of romanticism: the model of the world; the concept of man; the concept of creativity.

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The word "romanticism" goes back to the Latin "Roman", i.e., arising on the basis of Roman culture. Over time, the word became the name of a new literary school, which replaced sentimentalism and classicism. Romanticism “True religion is the feeling and taste of infinity” Schleiermacher

Rejection real life, the desire to know the unknown. The romantics, who experienced disappointment in the French Revolution, turned their attention to the world of human feelings and experiences. The exclusivity of the romantic hero (internal duality, loneliness, search for an ideal and dreams). Aesthetic principles of romanticism Eugene Delacroix. Portrait of Frederic Chopin, Louvre, Paris.

Nature as an expression of the spontaneous beginning of life. In the life of Nature, the romantic hero sees a reflection of his own soul, he wants to merge with nature. Cult of the past: Antiquity and the Middle Ages, interest in folklore. Exotic distant countries. The East is not only geographical concept, but a refuge for a disappointed soul, a place where you can hide from reality. K. D. Friedrich. Monk on the seashore State Museum, Berlin

Romanticism painting was characterized by a “terrible thirst to create with everyone.” possible ways" Favorite expressive means become color, lighting, attention to detail. Artists often resort to the language of allusions and symbols. Fine art Eugene Delacroix. Freedom on the barricades for a year. Louvre. Paris.

Kiprensky O. A. A. S. Pushkin. 1827, Tretyakov Gallery. Moscow. Portrait of V. A. Zhukovsky Portrait of V. A. Zhukovsky Tretyakov Gallery. Moscow. G.

Romanticism

Romanticism. Plan: Romanticism in painting. Romanticism in music. Romanticism in German literature. Romanticism in English literature. Romanticism in Russian literature. Types of romanticism. Famous personalities. Conclusion. The development of romanticism in painting proceeded in sharp polemics with adherents of classicism. The Romantics reproached their predecessors for “cold prudence” and lack of “movement of life.” Romanticism first arose in Germany, among writers and philosophers. IN further development German romanticism distinguished by an interest in fairy-tale and mythological motifs. In England, Romanticism was largely due to German influence. - Romanticism.ppt

Traits of Romanticism

Romanticism. Ideological and artistic direction. Main feature. Romanticism in art. Representatives of romanticism in literature. Representatives of romanticism in music. Representatives of romanticism in painting. Eugene Delacroix. "The Chios Massacre". "Freedom leading the people." Theodore Gericault. "Officer of the Guards Chasseurs at Angrif." John Constable. "View of Highgate from the Hamstead Hills." Arable land. Maria Bicknell. William Turner. "The Grand Canal in Venice." Music room in Petworth. Kiprensky Orest Adamovich. A. S. Pushkin. "Portrait of E.G. Gagarin as a child." "Portrait of A. A. Chelishchev." - Features of Romanticism.pptx

Romantic era

Romanticism. Didactic materials for literature and world lessons artistic culture. Main aesthetic principles. Fine art of romanticism. Origin of the term. Portrait of a hero of the era. The exclusivity of the romantic hero. Internal duality Loneliness in real world Search for ideal and dreams Life in the sphere of emotions and feelings. Charles Baudelaire poet. Eugene Delacroix artist. Zhukovsky poet. Bonaparte is a commander. Chopin composer. Kiprensky artist. Assignments on the topic “Portrait of the Romantic era.” Portrait is a state of mind. Romantic dual world externally internally pose landscape coloring. - The Age of Romanticism.ppt

19th century romanticism

Romanticism in art. Romanticism is an ideological and artistic movement that arose in European and American culture at the end of the 18th century - the first half of the 19th century. It is believed that romanticism was a response to French Revolution. The Romantics rejected the rationalism and practicalism of the Enlightenment as impersonal and artificial. Restraint and humility have been replaced by powerful emotions, often going to extremes. The Romantics openly proclaimed the triumph of individual taste and complete freedom of creativity. Affirmation of the intrinsic value of the spiritual and creative life of the individual, image strong passions, spiritual and healing nature. - Romanticism of the 19th century.ppt

Romanticism in art

Portraits of the Enlightenment. Did you see the difference between artistic images? Subject. Romanticism. general characteristics period. GOAL: To reveal the concept of a new direction in art “ROMANTISM”. V.G. Belinsky. Fundamental questions: What were the main results of the French bourgeois revolution 18th century? There was deep disappointment among cultural figures. Where to look for a hero... ... in history, in the Middle Ages. Common features romanticism. A historical novel arises... The concept “ World culture" A new one has arrived creative method– ROMANTICISM. - Romanticism in art.ppt

Romanticism movement

Romanticism as a movement in art. Introduction to the era of romanticism. Literary directions. Antiquity. A direction that was prepared by the very course of history. Romanticism. Direction in art. A man of the Romantic era. Massacre at Chios. Freedom on the barricades. The last day of Pompeii. Portrait of Doña Isabel Cobos de Porcel. Nightmare. Wanderer above the clouds. Regatta in Argenteuil. Music. Franz Schubert. Robert Schumann. Fryderyk Chopin. Franz Liszt. Niccolo Paganini. Values. Liberty creative personality. Characteristics of a romantic hero. Romantic dual world. Fill the table. - The direction of romanticism.ppt

General characteristics of romanticism

General characteristics of romanticism. Romance. Origin of the term "Romanticism". Eugene Delacroix. Chopin. Romantic hero. The main features of a romantic hero. Direction in art. The origins of romanticism. The reasons for the emergence of romanticism. Gaze. Ivan Aivazovsky. Caspar Friedrich. Rainbow. The last day of Pompeii. Karl Bryullov. Signs of romanticism. The Romantics opened up literature. Dialectics psychological states. Characters. The theme is “humiliated and insulted.” Historical novel. Philosophical tale. Science fiction novel. Psychological detective. - General characteristics of romanticism.ppt

Artistic culture of romanticism

Romanticism. Definition of Romanticism. Make a table. Basic principles of romanticism. Reaffirmation of basic principles. Theodore Gericault "The Raft of Medusa". Eugene Delacroix "Freedom leading the people." "The Death of Sardanapalus." F. Goya "Maja dressed". Features of a romantic landscape. Pictures with characteristic features. - Artistic culture of romanticism.ppt

Romanticism in painting

Romanticism. The past rises to the sound and seems clear to those close to you. The emergence of romanticism. Development of romanticism in painting. Romantics often idealized patriarchal society. Let's consider the difference between romanticism and classicism. Characteristic features of the romanticism style. The main aesthetic principles of romanticism. Gericault Theodore. Shipwreck scene. Taming the bulls. A horse being tormented by a lion. Crash victim. Aivazovsky Ivan. Coast in Amalfi. Ninth. Towers on a cliff near the Bosphorus. Azure Grotto. Rainbow. Blake William. Compassion. Illustrations for the poem by John Milton. The ghost of nothingness. -

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Albitova Tatyana and Mukhametyanova Ilmira

Presentation on romantic artists of the 19th century.

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Artistic culture XIX century Romanticism in painting The presentation was prepared by: students of grade 11a of MBOU secondary school No. 8 in Noyabrsk Tatyana Albitova and Ilmira Mukhametyanova Head Kalashnikova Victoria Aleksandrovna

Goal: To get acquainted with the Art of Romanticism in painting

Romanticism Romanticism (French romantisme) is a phenomenon European culture V XVIII-XIX centuries, which is a reaction to the Enlightenment and the scientific and technological progress stimulated by it; ideological and artistic direction in European and American culture of the late 18th century - the first half of the 19th century. It is characterized by an affirmation of the intrinsic value of the spiritual and creative life of the individual, the depiction of strong (often rebellious) passions and characters, spiritualized and healing nature. In the 18th century, the favorite motifs of artists were mountain landscapes and picturesque ruins. Its main features are dynamic composition, volumetric spatiality, rich color, and chiaroscuro.

Romanticism in painting In the fine arts, Romanticism was most clearly manifested in painting and graphics, less so in architecture. In their canvases, the artists obeyed only the call of their own souls, devoted great attention expressive display of a person’s feelings and experiences. Romanticism painting was characterized by “ horrible power create in every possible way." Favorite means of expression romantic painting become color, lighting, attention to detail, emotionality of manner, brushstroke, texture.

Caspar David Friedrich German artist. Born on September 5, 1774 in Greifswald in the family of a soap maker. In 1790 he received his first drawing lessons. From 1794-1798 Friedrich studied fine arts at the Academy of Arts in Copenhagen. In 1794-1798 he studied at the Copenhagen Academy of Arts. Until 1807 he worked exclusively in drawing techniques, then he turned to oil painting. The main exponent of David's emotional load is light. It does not create the illusion of light, but makes objects and figures cast bizarre and mysterious shadows. In 1835, the artist suffered from paralysis, and since then he has not worked again oil paints, limited to small sepia drawings. The artist died in poverty on May 7, 1840 in Dresden. “A painting should be perceived as a painting, as a creation of human hands, and not deceive us with a perfect likeness from nature” (K.D. Friedrich)

Works by David Friedrich: “Wanderer over the Sea of ​​Fog” (1817-1818) “Landscape with a Rainbow”, 1809, State art collection, Weimar

Karl Eduard Ferdinand Blechen (29 July 1798, Cottbus - 23 July 1840, Berlin) Regular art education it began only in 1822 at the Berlin Academy, with the landscape painter P. L. Lütke. However, due to an unsettled relationship with the teacher, K. Blechen broke with the academic school and left for Saxon Switzerland. From 1824 to 1827 he worked as a theater designer in Berlin. Blechen is a landscape artist in his field. After his trip to the south, his compositions become freer and more stylistically real. He is known as one of the first German "industrial" artists who glorified the emerging industrial power of the new time. Karl Blechen died at the age of 42 as a mentally ill man.

Blechen's works: In the Berlin Tiergarten, 1825 In the park of Villa d'Este, 1830

Bombed tower of Heidelberg Castle, c. 1830 Construction of the Devil's Bridge, 1830-32

Ferdinan Victor Eugene Delacroix “My heart,” he wrote, “always begins to beat faster when I remain face to face with a huge wall awaiting the touch of my brush.” French painter and graphic artist, leader of the romantic movement in European painting. His parents died when he was very young. In 1815, the young man was left to his own devices. And he made a choice by entering the workshop of the famous classicist Pierre, Narcisse Guerin (1774-1833). In 1816 Delacroix became a student at the School fine arts, where Guerin taught. In the 1850s, his recognition became undeniable. In 1851, the artist was elected to the Paris city council. In 1855 he was awarded the Order of the Legion of Honor. In the same year, Delacroix’s personal exhibition was organized as part of the Paris World Exhibition. Delacroix died quietly and unnoticed from a relapse of a throat disease in his Paris home on August 13, 1863 at the age of 65.

Delacroix's works: "Algerian women in their rooms." 1834 Oil on canvas. 180x229 cm. Louvre, Paris. "A mortally wounded robber quenching his thirst." 1825

“...If I did not fight for my homeland, then at least let me write for its sake” (Eugene Delacroix) Freedom leading the people, 1830, Louvre

Francisco José de Goya y Lucientes Spanish painter, engraver. Goya's freedom-loving art is distinguished by bold innovation, passionate emotionality, fantasy, sharp characterization, socially oriented grotesque: - cardboards for the royal tapestry workshop ("The Game of Blind Man's Buff", 1791), - portraits ("The Family of King Charles IV", 1800), - murals (in the chapel of the Church of San Antonio de la Florida, 1798, Madrid, in the “House of the Deaf,” 1820-23), graphics (the “Caprichos” series, 1797-98, “Disasters of War,” 1810-20), - paintings (“ Uprising of May 2, 1808 in Madrid" and "Execution of the rebels on the night of May 3, 1808" - both ca. 1814).

"Maja dressed" About 1803, Prado, Madrid "Maja naked" 1800, Prado, Madrid

"The Water Carrier" 1810 "Antonia Zarate" 1811, Hermitage, St. Petersburg

Conclusion: Romantics open up the world human soul, an individual, unlike anyone else, but sincere and therefore close to everyone sensual vision of the world. The immediacy of the image in painting, as Delacroix said, and not its consistency in literary execution, determined the artists’ focus on the most complex transmission of movement, for which new formal and coloristic solutions were found. Romanticism left a legacy to the second half of the 19th century. all these problems and artistic individuality liberated from the rules of academicism. The symbol, which among the romantics was supposed to express the essential connection of ideas and life, in the art of the second half of the 19th century V. dissolves in polyphony artistic image, capturing the diversity of ideas and the world around us.

List of used literature: materials used from the site http://francegothic.boom.ru http:// wikipedia. ru. http://www. labellefrance. ru http://www. geo-world. ru http://www.fos.ru

The presentation was prepared by: 11th grade students Tatyana Albitova and Ilmira Mukhametyanova