Lev Nikolaevich Tolstoy's early years. Lev Nikolaevich Tolstoy. Curriculum Vitae

Lev Tolstoy is one of the most famous writers and philosophers in the world. His views and beliefs formed the basis of an entire religious and philosophical movement called Tolstoyism. Literary heritage The writer's collection included 90 volumes of artistic and journalistic works, diary notes and letters, and he himself was more than once nominated for Nobel Prize in Literature and the Nobel Peace Prize.

“Do everything that you have determined to be done.”

Family tree of Leo Tolstoy. Image: regnum.ru

Silhouette of Maria Tolstoy (nee Volkonskaya), mother of Leo Tolstoy. 1810s. Image: wikipedia.org

Leo Tolstoy was born on September 9, 1828 in the Yasnaya Polyana estate in the Tula province. He was the fourth child in a large noble family. Tolstoy was orphaned early. His mother died when he was not yet two years old, and at the age of nine he lost his father. Aunt Alexandra Osten-Saken became the guardian of Tolstoy's five children. The two older children moved to their aunt in Moscow, while the younger ones remained in Yasnaya Polyana. It is with the family estate that the most important and dear memories of Leo Tolstoy’s early childhood are associated.

In 1841, Alexandra Osten-Sacken died, and the Tolstoys moved to their aunt Pelageya Yushkova in Kazan. Three years after moving, Leo Tolstoy decided to enter the prestigious Imperial Kazan University. However, he did not like studying, he considered exams a formality, and university professors as incompetent. Tolstoy did not even try to get a scientific degree; in Kazan he was more attracted to secular entertainment.

In April 1847, Leo Tolstoy's student life ended. He inherited his part of the estate, including his beloved Yasnaya Polyana, and immediately went home without receiving higher education. On the family estate, Tolstoy tried to improve his life and start writing. He drew up his education plan: study languages, history, medicine, mathematics, geography, law, agriculture, natural sciences. However, he soon came to the conclusion that it is easier to make plans than to implement them.

Tolstoy's asceticism was often replaced by carousing and card games. Wanting to start what he thought was the right life, he created a daily routine. But he didn’t follow it either, and in his diary he again noted his dissatisfaction with himself. All these failures prompted Leo Tolstoy to change his lifestyle. An opportunity presented itself in April 1851: the elder brother Nikolai arrived in Yasnaya Polyana. At that time he served in the Caucasus, where there was a war. Leo Tolstoy decided to join his brother and went with him to a village on the banks of the Terek River.

Leo Tolstoy served on the outskirts of the empire for almost two and a half years. He whiled away his time by hunting, playing cards, and occasionally participating in raids into enemy territory. Tolstoy liked such a solitary and monotonous life. It was in the Caucasus that the story “Childhood” was born. While working on it, the writer found a source of inspiration that remained important to him until the end of his life: he used his own memories and experiences.

In July 1852, Tolstoy sent the manuscript of the story to Sovremennik magazine and attached a letter: “...I look forward to your verdict. He will either encourage me to continue my favorite activities, or force me to burn everything I started.”. Editor Nikolai Nekrasov liked the work of the new author, and soon “Childhood” was published in the magazine. Inspired by the first success, the writer soon began the continuation of “Childhood”. In 1854, he published a second story, “Adolescence”, in the Sovremennik magazine.

“The main thing is literary works”

Leo Tolstoy in his youth. 1851. Image: school-science.ru

Leo Tolstoy. 1848. Image: regnum.ru

Leo Tolstoy. Image: old.orlovka.org.ru

At the end of 1854, Leo Tolstoy arrived in Sevastopol - the epicenter of military operations. Being in the thick of things, he created the story “Sevastopol in December.” Although Tolstoy was unusually frank in describing battle scenes, the first Sevastopol story was deeply patriotic and glorified the bravery of Russian soldiers. Soon Tolstoy began working on his second story, “Sevastopol in May.” By that time, there was nothing left of his pride in the Russian army. The horror and shock that Tolstoy experienced on the front line and during the siege of the city greatly influenced his work. Now he wrote about the meaninglessness of death and the inhumanity of war.

In 1855, from the ruins of Sevastopol, Tolstoy traveled to sophisticated St. Petersburg. The success of the first Sevastopol story gave him a sense of purpose: “My career is literature - writing and writing! Starting tomorrow, I work all my life or give up everything, rules, religion, decency - everything.”. In the capital, Leo Tolstoy finished “Sevastopol in May” and wrote “Sevastopol in August 1855” - these essays completed the trilogy. And in November 1856, the writer finally left military service.

Thanks to his true stories about the Crimean War, Tolstoy entered the St. Petersburg literary circle of the Sovremennik magazine. During this period, he wrote the story “Blizzard”, the story “Two Hussars”, and finished the trilogy with the story “Youth”. However, after some time, relations with the writers from the circle deteriorated: “These people disgusted me, and I disgusted myself.”. To unwind, at the beginning of 1857 Leo Tolstoy went abroad. He visited Paris, Rome, Berlin, Dresden: he got acquainted with famous works of art, met artists, observed how people live in European cities. The journey did not inspire Tolstoy: he created the story “Lucerne”, in which he described his disappointment.

Leo Tolstoy at work. Image: kartinkinaden.ru

Leo Tolstoy in Yasnaya Polyana. Image: kartinkinaden.ru

Leo Tolstoy tells a fairy tale to his grandchildren Ilyusha and Sonya. 1909. Krekshino. Photo: Vladimir Chertkov / wikipedia.org

In the summer of 1857, Tolstoy returned to Yasnaya Polyana. At his native estate, he continued to work on the story “Cossacks”, and also wrote the story “Three Deaths” and the novel “Family Happiness”. In his diary, Tolstoy defined his purpose for himself at that time: “The main thing is literary works, then family responsibilities, then farming... And so to live for oneself - according to good deed a day and that's enough".

In 1899, Tolstoy wrote the novel Resurrection. In this work the writer criticized judicial system, army, government. The contempt with which Tolstoy described the institution of the church in his novel “Resurrection” provoked a response. In February 1901, in the journal “Church Gazette,” the Holy Synod published a resolution excommunicating Count Leo Tolstoy from the church. This decision only increased Tolstoy's popularity and attracted the public's attention to the writer's ideals and beliefs.

Literary and social activities Tolstoy became known abroad. The writer was nominated for the Nobel Peace Prize in 1901, 1902 and 1909 and for the Nobel Prize in Literature in 1902–1906. Tolstoy himself did not want to receive the award and even told the Finnish writer Arvid Järnefelt to try to prevent the award from being awarded because, “if this happened... it would be very unpleasant to refuse” “He [Chertkov] took the unfortunate old man into his hands in every possible way, he separated us, he killed the artistic spark in Lev Nikolaevich and kindled condemnation, hatred, denial, which can be felt in Lev Nikolaevich’s recent articles years, which his stupid evil genius egged him on".

Tolstoy himself was burdened by the life of a landowner and family man. He sought to bring his life into line with his beliefs and in early November 1910 secretly left the Yasnaya Polyana estate. The road turned out to be too much for the elderly man: on the way he became seriously ill and was forced to stay in the caretaker’s house railway station Astapovo. Here the writer spent the last days of his life. Leo Tolstoy died on November 20, 1910. The writer was buried in Yasnaya Polyana.

Leo Tolstoy was born on September 9, 1828 in the Tula province (Russia) into a family belonging to the noble class. In the 1860s, he wrote his first great novel, War and Peace. In 1873, Tolstoy began work on the second of his most famous books, Anna Karenina.

He continued to write fiction throughout the 1880s and 1890s. One of his most successful later works is “The Death of Ivan Ilyich.” Tolstoy died on November 20, 1910 in Astapovo, Russia.

First years of life

On September 9, 1828, the future writer Lev Nikolaevich Tolstoy was born in Yasnaya Polyana (Tula province, Russia). He was the fourth child in a large noble family. In 1830, when Tolstoy's mother, née Princess Volkonskaya, died, his father's cousin took over the care of the children. Their father, Count Nikolai Tolstoy, died seven years later, and their aunt was appointed guardian. After the death of his aunt, Leo Tolstoy, his brothers and sisters moved to their second aunt in Kazan. Although Tolstoy experienced many losses at an early age, he later idealized his childhood memories in his work.

It is important to note that primary education in Tolstoy's biography, he received lessons at home from French and German teachers. In 1843, he entered the Faculty of Oriental Languages ​​at the Imperial Kazan University. Tolstoy failed to succeed in his studies - low grades forced him to transfer to an easier law faculty. Further difficulties in his studies led Tolstoy to eventually leave the Imperial Kazan University in 1847 without a degree. He returned to his parents' estate, where he planned to start farming. However, this endeavor also ended in failure - he was absent too often, leaving for Tula and Moscow. What he really excelled at was keeping his own diary - it was this lifelong habit that inspired much of Leo Tolstoy's writing.

Tolstoy was fond of music, his favorite composers were Schumann, Bach, Chopin, Mozart, Mendelssohn. Lev Nikolaevich could play their works for several hours a day.

One day, Tolstoy’s elder brother, Nikolai, during his army leave, came to visit Lev, and convinced his brother to join the army as a cadet in the south, in the Caucasus mountains, where he served. After serving as a cadet, Leo Tolstoy was transferred to Sevastopol in November 1854, where he fought in the Crimean War until August 1855.

Early publications

During his years as a cadet in the army, Tolstoy had a lot of free time. During quiet periods, he worked on an autobiographical story called Childhood. In it, he wrote about his favorite childhood memories. In 1852, Tolstoy sent a story to Sovremennik, the most popular magazine of the time. The story was happily accepted, and it became Tolstoy's first publication. From that time on, critics put him on a par with already famous writers, among whom were Ivan Turgenev (with whom Tolstoy became friends), Ivan Goncharov, Alexander Ostrovsky and others.

After completing his story “Childhood,” Tolstoy began writing about his daily life at an army outpost in the Caucasus. The work “Cossacks”, which he began during his army years, was completed only in 1862, after he had already left the army.

Surprisingly, Tolstoy managed to continue writing while actively fighting in the Crimean War. At this time he wrote “Boyhood” (1854), a continuation of “Childhood”, the second book in autobiographical trilogy Tolstoy. At the height of the Crimean War, Tolstoy expressed his views on the startling contradictions of the war through a trilogy of works, Sevastopol Tales. In the second book of Sevastopol Stories, Tolstoy experimented with a relatively new technique: part of the story is presented as a narration from the point of view of a soldier.

After the end of the Crimean War, Tolstoy left the army and returned to Russia. Arriving home, the author enjoyed great popularity on the literary scene of St. Petersburg.

Stubborn and arrogant, Tolstoy refused to belong to any particular school of philosophy. Declaring himself an anarchist, he left for Paris in 1857. Once there, he lost all his money and was forced to return home to Russia. He also managed to publish Youth, the third part of an autobiographical trilogy, in 1857.

Returning to Russia in 1862, Tolstoy published the first of 12 issues of the thematic magazine Yasnaya Polyana. That same year he married the daughter of a doctor named Sofya Andreevna Bers.

Major Novels

Living in Yasnaya Polyana with his wife and children, Tolstoy spent much of the 1860s working on his first famous novel, War and Peace. Part of the novel was first published in “Russian Bulletin” in 1865 under the title “1805”. By 1868 he had published three more chapters. A year later, the novel was completely finished. Both critics and the public debated the historical justice of the Napoleonic Wars in the novel, coupled with the development of stories of its thoughtful and realistic, but still fictional characters. The novel is also unique in that it includes three long satirical essays on the laws of history. Among the ideas that Tolstoy also tries to convey in this novel is the belief that a person’s position in society and the meaning of human life are mainly derived from his daily activities.

After the success of War and Peace in 1873, Tolstoy began work on the second of his most famous books, Anna Karenina. It was partly based on real events during the war between Russia and Turkey. Like War and Peace, this book describes some biographical events from the life of Tolstoy himself, this is especially noticeable in romantic relationships between the characters Kitty and Levin, which is said to be reminiscent of Tolstoy's courtship of his own wife.

The first lines of the book “Anna Karenina” are among the most famous: “All happy families are alike, each unhappy family is unhappy in its own way.” Anna Karenina was published in installments from 1873 to 1877, and was highly acclaimed by the public. The royalties received for the novel quickly enriched the writer.

Conversion

Despite the success of Anna Karenina, after the completion of the novel Tolstoy experienced spiritual crisis and was depressed. The next stage of Leo Tolstoy's biography is characterized by the search for the meaning of life. The writer first turned to the Russian Orthodox Church, but did not find answers to his questions there. He concluded that Christian churches were corrupt and, instead of organized religion, promoted their own beliefs. He decided to express these beliefs by founding a new publication in 1883 called The Mediator.
As a result, for his unconventional and controversial spiritual beliefs, Tolstoy was excommunicated from the Russian Orthodox Church. He was even watched by the secret police. When Tolstoy, driven by his new conviction, wanted to give away all his money and give up everything unnecessary, his wife was categorically against this. Not wanting to escalate the situation, Tolstoy reluctantly agreed to a compromise: he transferred the copyright and, apparently, all royalties on his work until 1881 to his wife.

Late fiction

In addition to his religious treatises, Tolstoy continued to write fiction throughout the 1880s and 1890s. Among the genres of his later works were moral stories and realistic fiction. One of the most successful of his later works was the story “The Death of Ivan Ilyich,” written in 1886. Main character struggling to fight the death looming over him. In short, Ivan Ilyich is horrified by the realization that he wasted his life on trifles, but the realization of this comes to him too late.

In 1898, Tolstoy wrote the story “Father Sergius,” a work of fiction in which he criticizes the beliefs he developed after his spiritual transformation. The following year he wrote his third voluminous novel, Resurrection. Got the job good reviews, but it is unlikely that this success corresponded to the level of recognition of his previous novels. Tolstoy's other late works are essays on art, a satirical play called The Living Corpse, written in 1890, and a story called Hadji Murad (1904), which was discovered and published after his death. In 1903 Tolstoy wrote short story“After the Ball,” which was first published after his death, in 1911.

Old age

During his later years, Tolstoy reaped the benefits of international recognition. However, he still struggled to reconcile his spiritual beliefs with the tension he had created in his family life. His wife not only did not agree with his teachings, she did not approve of his students, who regularly visited Tolstoy on the family estate. In an effort to avoid his wife's growing discontent, Tolstoy and his youngest daughter Alexandra went on pilgrimage in October 1910. Alexandra was the doctor for her elderly father during the trip. Trying not to expose their private lives, they traveled incognito, hoping to evade unnecessary questions, but sometimes this was to no avail.

Death and legacy

Unfortunately, the pilgrimage proved too onerous for the aging writer. In November 1910, the head of the small Astapovo railway station opened the doors of his house to Tolstoy so that the ailing writer could rest. Shortly after this, on November 20, 1910, Tolstoy died. He was buried in the family estate, Yasnaya Polyana, where Tolstoy lost so many people close to him.

To this day, Tolstoy's novels are considered one of the best achievements of literary art. War and Peace is often cited as the greatest novel ever written. In the modern scientific community, Tolstoy is widely recognized as having a gift for describing the unconscious motives of character, the subtlety of which he championed by emphasizing the role of everyday actions in determining the character and goals of people.

Chronological table

Biography test

How well do you know short biography Tolstoy - test your knowledge:

Biography score

New feature! The average rating this biography received. Show rating

Lev Nikolaevich Tolstoy
Date of birth:
Place of birth:	Yasnaya Polyana, Tula Governorate, Russian Empire
Date of death:
Place of death:	Astapovo station, Tambov province, Russian Empire
Type of activity:	Prose writer, publicist, philosopher
Nicknames:	L.N., L.N.T.
Citizenship:	Russian Empire
Years of creativity:
Direction:
Autograph:

Biography

Origin

Education

Military career

Traveling around Europe

Pedagogical activity

Family and offspring

Creativity flourishes

"War and Peace"

"Anna Karenina"

Other works

Religious quest

Excommunication

Philosophy

Bibliography

Translators of Tolstoy

World recognition. Memory

Film adaptations of his works

Documentary

Movies about Leo Tolstoy

Portrait gallery

Translators of Tolstoy

Graph Lev Nikolaevich Tolstoy(August 28 (September 9) 1828 - November 7 (20), 1910) - one of the most widely known Russian writers and thinkers. Participant in the defense of Sevastopol. Educator, publicist, religious thinker, whose authoritative opinion provoked the emergence of a new religious and moral movement - Tolstoyism.

The ideas of nonviolent resistance, which L. N. Tolstoy expressed in his work “The Kingdom of God is Within You,” influenced Mahatma Gandhi and Martin Luther King.

Biography

Origin

Came from noble family, known, according to legendary sources, since 1353. His paternal ancestor, Count Pyotr Andreevich Tolstoy, is known for his role in the investigation of Tsarevich Alexei Petrovich, for which he was put in charge of the Secret Chancellery. The traits of Pyotr Andreevich’s great-grandson, Ilya Andreevich, are given in “War and Peace” to the good-natured, impractical old Count Rostov. The son of Ilya Andreevich, Nikolai Ilyich Tolstoy (1794-1837), was the father of Lev Nikolaevich. In some character traits and biographical facts, he was similar to Nikolenka’s father in “Childhood” and “Adolescence” and partly to Nikolai Rostov in “War and Peace.” However, in real life, Nikolai Ilyich differed from Nikolai Rostov not only in his good education, but also in his convictions, which did not allow him to serve under Nikolai. A participant in the foreign campaign of the Russian army, including participating in the “Battle of the Nations” near Leipzig and being captured by the French, after the conclusion of peace he retired with the rank of lieutenant colonel of the Pavlograd Hussar Regiment. Soon after his resignation, he was forced to join the bureaucratic service in order not to end up in debtor's prison because of the debts of his father, the Kazan governor, who died under investigation for official abuses. For several years, Nikolai Ilyich had to save. His father’s negative example helped Nikolai Ilyich develop his own life ideal- private independent life with family joys. To put his upset affairs in order, Nikolai Ilyich, like Nikolai Rostov, married an ugly and no longer very young princess from the Volkonsky family; the marriage was happy. They had four sons: Nikolai, Sergei, Dmitry and Lev and a daughter Maria.

Tolstoy's maternal grandfather, Catherine's general, Nikolai Sergeevich Volkonsky, had some resemblance to the stern rigorist - the old Prince Bolkonsky in War and Peace, however, the version that he served as the prototype of the hero of War and Peace is rejected by many researchers of Tolstoy's work. Lev Nikolaevich's mother, similar in some respects to Princess Marya depicted in War and Peace, had a remarkable gift for storytelling, for which, with her shyness passed on to her son, she had to lock herself with the large number of listeners who gathered around her in a dark room.

In addition to the Volkonskys, L.N. Tolstoy was closely related to several other aristocratic families: the princes Gorchakovs, Trubetskoys and others.

Childhood

Born on August 28, 1828 in the Krapivensky district of the Tula province, on his mother’s hereditary estate - Yasnaya Polyana. Was the 4th child; his three older brothers: Nikolai (1823-1860), Sergei (1826-1904) and Dmitry (1827-1856). In 1830, Sister Maria (1830-1912) was born. His mother died when he was not yet 2 years old.

A distant relative, T. A. Ergolskaya, took up the task of raising orphaned children. In 1837, the family moved to Moscow, settling on Plyushchikha, because the eldest son had to prepare to enter university, but soon his father suddenly died, leaving affairs (including some litigation related to the family’s property) in an unfinished state, and the three younger ones The children again settled in Yasnaya Polyana under the supervision of Ergolskaya and their paternal aunt, Countess A. M. Osten-Sacken, who was appointed guardian of the children. Here Lev Nikolaevich remained until 1840, when Countess Osten-Sacken died and the children moved to Kazan, to a new guardian - their father's sister P. I. Yushkova.

The Yushkov house, somewhat provincial in style, but typically secular, was one of the most cheerful in Kazan; All family members highly valued external shine. "My good aunt, - says Tolstoy, - the purest being, always said that she would like nothing more for me than for me to have a relationship with a married woman: rien ne forme un jeune homme comme une liaison avec une femme comme il faut" (« Confession»).

He wanted to shine in society, to earn a reputation young man; but he did not have the external qualities for this: he was ugly, it seemed to him awkward, and, in addition, he was hampered by natural shyness. Everything that is told in " adolescence" And " Youth"about the aspirations of Irtenyev and Nekhlyudov for self-improvement, Tolstoy took from the history of his own ascetic attempts. The most varied, as Tolstoy himself defines them, “philosophies” about the most important questions of our existence - happiness, death, God, love, eternity - painfully tormented him in that era of life when his peers and brothers were completely devoted to the cheerful, easy and carefree pastime of the rich and noble people. All this led to the fact that Tolstoy developed a “habit of constant moral analysis,” which, as it seemed to him, “destroyed the freshness of feeling and clarity of reason” (“ Youth»).

Education

Was his education first under the guidance of the French tutor Saint-Thomas? (Mr. Jerome "Boyhood"), who replaced the good-natured German Reselman, whom he portrayed in "Childhood" under the name Karl Ivanovich.

At the age of 15, in 1843, following his brother Dmitry, he became a student at Kazan University, where Lobachevsky and Kovalevsky were professors at the Faculty of Mathematics. Until 1847, he was preparing here to enter the only Oriental Faculty in Russia at that time in the category of Arabic-Turkish literature. In the entrance exams, in particular, he showed excellent results in the compulsory “Turkish-Tatar language” for admission.

Because of a conflict between his family and his teacher Russian history and German, a certain Ivanov, based on the results of the year, had poor performance in the relevant subjects and had to re-take the first-year program. To avoid repeating the course completely, he transferred to the Faculty of Law, where his problems with grades in Russian history and German continued. The latter was attended by the outstanding civil scientist Meyer; Tolstoy at one time became very interested in his lectures and even took on a special topic for development - a comparison of Montesquieu’s “Esprit des lois” and Catherine’s “Order”. However, nothing came of this. Leo Tolstoy spent less than two years at the Faculty of Law: “It was always difficult for him to have any education imposed by others, and everything that he learned in life, he learned himself, suddenly, quickly, with intense work,” writes Tolstaya in her “Materials for biography of L. N. Tolstoy."

It was at this time, while in a Kazan hospital, that he began to keep a diary, where, imitating Franklin, he sets goals and rules for self-improvement and notes successes and failures in completing these tasks, analyzes his shortcomings and train of thoughts and motives for his actions. In 1904 he recalled: “... for the first year... I did nothing. In the second year I started studying. .. there was Professor Meyer, who ... gave me a work - a comparison of Catherine’s “Order” with Montesquieu’s “Esprit des lois”. ... this work fascinated me, I went to the village, began to read Montesquieu, this reading opened up endless horizons for me; I started reading Rousseau and dropped out of university precisely because I wanted to study.”

Beginning of literary activity

Having dropped out of the university, Tolstoy settled in Yasnaya Polyana in the spring of 1847; his activities there are partly described in “The Morning of the Landowner”: Tolstoy tried to establish a new relationship with the peasants.

I followed journalism very little; although his attempt to somehow attenuate the guilt of the nobility before the people dates back to the same year when Grigorovich’s “Anton the Miserable” and the beginning of Turgenev’s “Notes of a Hunter” appeared, this is a simple accident. If you were here literary influences, then of much older origin: Tolstoy was very fond of Rousseau, a hater of civilization and a preacher of a return to primitive simplicity.

In his diary, Tolstoy sets himself a huge number of goals and rules; Only a small number of them were able to follow. Among those who succeeded were serious studies in English, music, and law. In addition, neither the diary nor the letters reflected the beginning of Tolstoy's studies in pedagogy and charity - in 1849 he first opened a school for peasant children. The main teacher was Foka Demidych, a serf, but L.N. himself often conducted classes.

Having left for St. Petersburg, in the spring of 1848 he began to take the exam for a candidate of rights; He passed two exams, from criminal law and criminal proceedings, successfully, but he did not take the third exam and went to the village.

Later he came to Moscow, where he often succumbed to his passion for gambling, greatly upsetting his financial affairs. During this period of his life, Tolstoy was especially passionately interested in music (he played the piano quite well and was very fond of classical composers). The author of the “Kreutzer Sonata” drew an exaggerated description in relation to most people of the effect that “passionate” music produces from the sensations excited by the world of sounds in his own soul.

Tolstoy's favorite composers were Bach, Handel and Chopin. In the late 1840s, Tolstoy, in collaboration with his acquaintance, composed a waltz, which in the early 1900s he performed with the composer Taneev, who made a musical notation of this piece of music(the only one composed by Tolstoy).

The development of Tolstoy’s love for music was also facilitated by the fact that during a trip to St. Petersburg in 1848, he met in a very unsuitable dance class setting with a gifted but lost German musician, whom he later described in Alberta. Tolstoy came up with the idea of ​​saving him: he took him to Yasnaya Polyana and played a lot with him. A lot of time was also spent on carousing, gaming and hunting.

In the winter of 1850-1851. started writing "Childhood". In March 1851 he wrote “The History of Yesterday.”

This is how 4 years passed after leaving the university, when Tolstoy’s brother Nikolai, who served in the Caucasus, came to Yasnaya Polyana and began inviting him there. Tolstoy did not give in to his brother’s call for a long time, until a major loss in Moscow helped the decision. In order to pay off, it was necessary to reduce his expenses to a minimum - and in the spring of 1851, Tolstoy hastily left Moscow for the Caucasus, at first without any specific purpose. Soon he decided to enter military service, but obstacles arose in the form of a lack of necessary papers, which were difficult to obtain, and Tolstoy lived for about 5 months in complete solitude in Pyatigorsk, in a simple hut. He spent a significant part of his time hunting, in the company of the Cossack Epishka, the prototype of one of the heroes of the story “Cossacks”, who appears there under the name Eroshka.

In the fall of 1851, Tolstoy, having passed the exam in Tiflis, entered the 4th battery of the 20th artillery brigade, stationed in the Cossack village of Starogladov, on the banks of the Terek, near Kizlyar, as a cadet. With a slight change in details, she is depicted in all her semi-wild originality in “Cossacks”. The same “Cossacks” will also give us a picture of the inner life of Tolstoy, who fled from the capital’s whirlpool. The moods that Tolstoy-Olenin experienced were of a dual nature: here is a deep need to shake off the dust and soot of civilization and live in the refreshing, clear bosom of nature, outside the empty conventions of urban and, especially, high society life, here and the desire to heal the wounds of pride, brought out of the pursuit of success in this “empty” life, there is also a grave consciousness of transgressions against the strict requirements of true morality.

In a remote village, Tolstoy began to write and in 1852 he sent the first part of the future trilogy: “Childhood” to the editors of Sovremennik.

The relatively late start of his career is very characteristic of Tolstoy: he was never a professional writer, understanding professionalism not in the sense of a profession that provides a means of living, but in the less narrow sense of the predominance of literary interests. Purely literary interests always stood in the background for Tolstoy: he wrote when he wanted to write and the need to speak out was ripe, and in ordinary times he is a secular man, an officer, a landowner, a teacher, a world mediator, a preacher, a teacher of life, etc. He never took the interests of literary parties to heart, was far from willing to talk about literature, preferring to talk about issues of faith, morals, public relations. Not a single work of his, in the words of Turgenev, “stinks of literature,” that is, did not come out of a bookish mood, out of literary isolation.

Military career

Having received the manuscript of “Childhood,” the editor of Sovremennik, Nekrasov, immediately recognized its literary value and wrote a kind letter to the author, which had a very encouraging effect on him. He sets about continuing the trilogy, and plans for “The Morning of the Landowner,” “The Raid,” and “The Cossacks” are swarming in his head. “Childhood,” published in Sovremennik in 1852, signed with the modest initials L.N.T., was extremely successful; the author immediately began to be ranked among the luminaries of the young literary school, along with Turgenev, Goncharov, Grigorovich, Ostrovsky, who already enjoyed great literary fame. Criticism - Apollo Grigoriev, Annenkov, Druzhinin, Chernyshevsky - appreciated the depth of psychological analysis, the seriousness of the author's intentions, and the bright prominence of realism with all the truthfulness of the vividly captured details of real life, alien to any vulgarity.

Tolstoy remained in the Caucasus for two years, participating in many skirmishes with the mountaineers and being exposed to all the dangers of combat life in the Caucasus. He had rights and claims to the St. George Cross, but did not receive it, which apparently upset him. When it broke out at the end of 1853 Crimean War, Tolstoy transferred to the Danube Army, participated in the battle of Oltenitsa and the siege of Silistria, and from November 1854 to the end of August 1855 he was in Sevastopol.

Tolstoy lived for a long time on the terrible 4th bastion, commanded a battery in the battle of Chernaya, and was during the hellish bombardment during the assault on Malakhov Kurgan. Despite all the horrors of the siege, Tolstoy at this time wrote a battle story from Caucasian life, “Cutting Wood,” and the first of three “Sevastopol stories,” “Sevastopol in December 1854.” He sent this last story to Sovremennik. Immediately printed, the story was eagerly read throughout Russia and made a stunning impression with its picture of the horrors that befell the defenders of Sevastopol. The story was noticed by Emperor Nicholas; he ordered to take care of the gifted officer, which, however, was impossible for Tolstoy, who did not want to become the hated “staff officer.”

For the defense of Sevastopol, Tolstoy was awarded the Order of St. Anne with the inscription “For bravery” and the medals “For the defense of Sevastopol 1854-1855” and “In memory of the war of 1853-1856.” Surrounded by the brilliance of fame and enjoying the reputation of a very brave officer, Tolstoy had every chance of a career, but he “ruined” it for himself. Almost the only time in my life (except for the “Connection” made for children different options epics in one" in his pedagogical works), he dabbled in poetry: he wrote a satirical song, in the manner of soldiers, about the unfortunate case 4 (August 16, 1855, when General Read, misunderstanding the order of the commander-in-chief, unwisely attacked the Fedyukhinsky heights. Song (As the fourth numbers, we had a hard time carrying mountains to take away), touching whole line important generals, was a huge success and, of course, harmed the author. Immediately after the assault on August 27 (September 8), Tolstoy was sent by courier to St. Petersburg, where he completed “Sevastopol in May 1855.” and wrote “Sevastopol in August 1855.”

“Sevastopol Stories” finally strengthened his reputation as a representative of a new literary generation.

Traveling around Europe

In St. Petersburg he was warmly welcomed both in high society salons and in literary circles; He became especially close friends with Turgenev, with whom he lived in the same apartment for a while. The latter introduced him to the circle of Sovremennik and other literary luminaries: he became on friendly terms with Nekrasov, Goncharov, Panaev, Grigorovich, Druzhinin, Sologub.

“After the hardships of Sevastopol, life in the capital had a double charm for a rich, cheerful, impressionable and sociable young man. Tolstoy spent whole days and even nights on drinking and gambling, carousing with gypsies” (Levenfeld).

At this time, “Blizzard”, “Two Hussars” were written, “Sevastopol in August” and “Youth” were completed, and the writing of the future “Cossacks” continued.

Happy life was not slow to leave a bitter aftertaste in Tolstoy’s soul, especially since he began to have a strong discord with the circle of writers close to him. As a result, “people became disgusted with him and he became disgusted with himself” - and at the beginning of 1857, Tolstoy left St. Petersburg without any regret and went abroad.

On his first trip abroad, he visited Paris, where he was horrified by the cult of Napoleon I (“The idolization of a villain, terrible”), at the same time he attends balls, museums, and is fascinated by the “sense of social freedom.” However, his presence at the guillotine made such a grave impression that Tolstoy left Paris and went to places associated with Rousseau - to Lake Geneva. At this time, Albert was writing a story and a story by Lucerne.

In the interval between the first and second trips, he continued to work on “Cossacks”, wrote Three Deaths and Family Happiness. It was at this time that Tolstoy almost died while on a bear hunt (December 22, 1858). He has an affair with the peasant woman Aksinya, and at the same time the need for marriage matures.

On his next trip, he was mainly interested in public education and institutions aimed at raising the educational level of the working population. He closely studied issues of public education in Germany and France, both theoretically and practically, and through conversations with specialists. Of the outstanding people in Germany, he was most interested in Auerbach, as the author of the “Black Forest Stories” dedicated to folk life and the publisher of folk calendars. Tolstoy paid him a visit and tried to get closer to him. During his stay in Brussels, Tolstoy met Proudhon and Lelewell. In London he visited Herzen and attended a lecture by Dickens.

Tolstoy’s serious mood during his second trip to the south of France was also facilitated by the fact that his beloved brother Nikolai died of tuberculosis in his arms. The death of his brother made a huge impression on Tolstoy.

Pedagogical activity

He returned to Russia soon after the liberation of the peasants and became a peace mediator. At that time they looked at the people as a younger brother who needed to be lifted up; Tolstoy thought, on the contrary, that the people are infinitely higher than the cultural classes and that the gentlemen need to borrow the heights of spirit from the peasants. He actively began setting up schools in his Yasnaya Polyana and throughout the Krapivensky district.

The Yasnaya Polyana school is one of the original pedagogical attempts: in the era of boundless admiration for the latest German pedagogy, Tolstoy resolutely rebelled against any regulation and discipline in school; the only method of teaching and education that he recognized was that no method was needed. Everything in teaching should be individual - both the teacher and the student, and their mutual relationships. At the Yasnaya Polyana school, the children sat where they wanted, as much as they wanted, and as they wanted. There was no specific teaching program. The teacher's only job was to get the class interested. The classes were going great. They were led by Tolstoy himself with the help of several regular teachers and several random ones, from his closest acquaintances and visitors.

Since 1862, he began publishing the pedagogical magazine “Yasnaya Polyana”, where he, again, was the main employee. In addition to theoretical articles, Tolstoy also wrote a number of stories, fables and adaptations. Combined together, Tolstoy's pedagogical articles made up an entire volume of his collected works. Hidden away in a very rarely circulated special magazine, they remained little noticed at the time. No one paid attention to the sociological basis of Tolstoy’s ideas about education, to the fact that Tolstoy saw only simplified and improved ways of exploiting the people by the upper classes in education, science, art and technological successes. Moreover, from Tolstoy’s attacks on European education and on the concept of “progress” that was favorite at that time, many seriously concluded that Tolstoy was a “conservative.”

This curious misunderstanding lasted for about 15 years, bringing closer to Tolstoy such a writer as organically opposed to him as N. N. Strakhov. Only in 1875, N. K. Mikhailovsky, in the article “The Hand and Shuytsa of Count Tolstoy,” which is striking in the brilliance of his analysis and prediction of Tolstoy’s future activities, outlined the spiritual appearance of the most original of Russian writers in the present light. The little attention that was paid to Tolstoy's pedagogical articles is partly due to the fact that little attention was paid to it at that time.

Apollo Grigoriev had the right to title his article about Tolstoy (Time, 1862) “Phenomena of modern literature missed by our criticism.” Having extremely cordially greeted Tolstoy’s debits and credits and “Sevastopol Tales”, recognizing in him the great hope of Russian literature (Druzhinin even used the epithet “genius” in relation to him), critics then 10-12 years before the appearance of “War and Peace” not only ceases to recognize him as a very important writer, but somehow grows cold towards him.

The stories and essays he wrote in the late 1850s include “Lucerne” and “Three Deaths.”

Family and offspring

At the end of the 1850s, he met Sofia Andreevna Bers (1844-1919), the daughter of a Moscow doctor from the Baltic Germans. He was already in his fourth decade, Sofya Andreevna was only 17 years old. On September 23, 1862, he married her, and the fullness of family happiness fell to his lot. In his wife, he found not only his most faithful and devoted friend, but also an irreplaceable assistant in all matters, practical and literary. For Tolstoy, the brightest period of his life begins - the rapture of personal happiness, very significant thanks to the practicality of Sofia Andreevna, material well-being, outstanding, easily given tension literary creativity and in connection with him unprecedented all-Russian and then worldwide glory.

However, Tolstoy's relationship with his wife was not cloudless. Quarrels often arose between them, including in connection with the lifestyle that Tolstoy chose for himself.

• Sergei (July 10, 1863 - December 23, 1947)
• Tatiana (October 4, 1864 - September 21, 1950). Since 1899 she has been married to Mikhail Sergeevich Sukhotin. In 1917-1923 she was the curator of the Yasnaya Polyana museum-estate. In 1925 she emigrated with her daughter. Daughter Tatyana Mikhailovna Sukhotina-Albertini 1905-1996
• Ilya (May 22, 1866 - December 11, 1933)
• Leo (1869-1945)
• Maria (1871-1906) Buried in the village. Kochety Krapivensky district. Since 1897 married to Nikolai Leonidovich Obolensky (1872-1934)
• Peter (1872-1873)
• Nicholas (1874-1875)
• Varvara (1875-1875)
• Andrey (1877-1916)
• Mikhail (1879-1944)
• Alexey (1881-1886)
• Alexandra (1884-1979)
• Ivan (1888-1895)

Creativity flourishes

During the first 10-12 years after his marriage, he created War and Peace and Anna Karenina. At the turn of this second era literary life Tolstoy are conceived back in 1852 and completed in 1861-1862. "Cossacks", the first of the works in which Tolstoy's great talent reached the proportions of a genius. For the first time in world literature, the difference was shown with such clarity and certainty between the brokenness of a cultured person, the absence of strong, clear moods in him - and the spontaneity of people close to nature.

Tolstoy showed that the peculiarity of people close to nature is not that they are good or bad. The heroes of Tolstoy’s works, the dashing horse thief Lukashka, a kind of dissolute girl Maryanka, and the drunkard Eroshka, cannot be called good. But they cannot be called bad either, because they do not have the consciousness of evil; Eroshka is directly convinced that “there is no sin in anything”. Tolstoy's Cossacks are simply living people, in whom not a single mental movement is clouded by reflection. "Cossacks" were not assessed in a timely manner. At that time, everyone was too proud of “progress” and the success of civilization to be interested in how a representative of culture gave in to the force of the immediate spiritual movements of some semi-savages.

"War and Peace"

Unprecedented success befell War and Peace. Excerpt from a novel entitled "1805" appeared in the Russian Messenger of 1865; in 1868 three of its parts were published, which were soon followed by the remaining two.

Recognized by critics all over the world as the greatest epic work of new European literature, War and Peace amazes from a purely technical point of view with the size of its fictional canvas. Only in painting can one find some parallel in the huge paintings of Paolo Veronese in the Venetian Doge's Palace, where hundreds of faces are also painted with amazing clarity and individual expression. In Tolstoy's novel all classes of society are represented, from emperors and kings to the last soldier, all ages, all temperaments and throughout the entire reign of Alexander I.

"Anna Karenina"

The endlessly joyful rapture of the bliss of existence is no longer present in Anna Karenina, dating back to 1873-1876. There are still many gratifying experiences in almost autobiographical novel Levin and Kitty, but there is already so much bitterness in the depiction of Dolly’s family life, in the unhappy ending of the love of Anna Karenina and Vronsky, so much anxiety in Levin’s mental life that in general this novel is already a transition to the third period of Tolstoy’s literary activity.

In January 1871, Tolstoy sent a letter to A. A. Fet: “How happy I am... that I will never write verbose rubbish like “War” again”.

On December 6, 1908, Tolstoy wrote in his diary: “People love me for those trifles - “War and Peace”, etc., which seem very important to them.”

In the summer of 1909, one of the visitors to Yasnaya Polyana expressed his delight and gratitude for the creation of War and Peace and Anna Karenina. Tolstoy replied: “It’s the same as if someone came to Edison and said: “I really respect you because you dance the mazurka well.” I attribute meaning to completely different books of mine (religious ones!).”.

In the sphere of material interests, he began to say to himself: “Well, okay, you will have 6,000 acres in the Samara province - 300 heads of horses, and then?”; in the literary field: “Well, okay, you will be more famous than Gogol, Pushkin, Shakespeare, Moliere, all the writers in the world - so what!”. As he began to think about raising children, he asked himself: "For what?"; reasoning “about how the people can achieve prosperity,” he “suddenly said to himself: what does it matter to me?” In general, he “I felt that what he stood on had given way, that what he had lived on was no longer there”. The natural result was thoughts of suicide.

“I, a happy man, hid the cord from myself so as not to hang myself on the crossbar between the cabinets in my room, where I was alone every day, undressing, and stopped going hunting with a gun so as not to be tempted by too easy a way to rid myself of life. I myself didn’t know what I wanted: I was afraid of life, I wanted to get away from it and, meanwhile, I hoped for something else from it.”

Other works

In March 1879, in the city of Moscow, Leo Tolstoy met Vasily Petrovich Shchegolenok and in the same year, at his invitation, he came to Yasnaya Polyana, where he stayed for about a month and a half. The Goldfinch told Tolstoy many folk tales and epics, of which more than twenty were written down by Tolstoy, and Tolstoy, if he didn’t write them down on paper, remembered the plots of some (these notes are published in Volume XLVIII of the Anniversary Edition of Tolstoy’s Works). Six works written by Tolstoy are based on legends and stories of Shchegolenok (1881 - “ How people live", 1885 - " Two old men" And " Three elders", 1905 - " Korney Vasiliev" And " Prayer", 1907 - " Old man in church"). In addition, Count Tolstoy diligently wrote down many sayings, proverbs, individual expressions and words told by the Goldfinch.

Literary criticism of Shakespeare's works

In his critical essay “On Shakespeare and Drama,” based on a detailed analysis of some of Shakespeare’s most popular works, in particular: “King Lear,” “Othello,” “Falstaff,” “Hamlet,” etc., Tolstoy sharply criticized Shakespeare’s abilities as a playwright.

Religious quest

To find an answer to the questions and doubts that tormented him, Tolstoy first of all took up the study of theology and wrote and published in 1891 in Geneva his “Study of Dogmatic Theology,” in which he criticized the “Orthodox Dogmatic Theology” of Metropolitan Macarius (Bulgakov). He had conversations with priests and monks, went to the elders in Optina Pustyn, and read theological treatises. To know the original sources in the original Christian teaching studied ancient Greek and ancient Hebrew (the Moscow rabbi Shlomo Minor helped him in studying the latter). At the same time, he looked closely at the schismatics, became close to the thoughtful peasant Syutaev, and talked with the Molokans and Stundists. Tolstoy also sought the meaning of life in the study of philosophy and in becoming familiar with the results of the exact sciences. He made a number of attempts at greater and greater simplification, striving to live a life close to nature and agricultural life.

Gradually, he abandons the whims and comforts of a rich life, does a lot of manual labor, dresses in simple clothes, becomes a vegetarian, gives his entire large fortune to his family, and renounces literary property rights. On this basis of unalloyed pure impulse and desire for moral improvement, the third period of Tolstoy’s literary activity is created, the distinctive feature of which is the denial of all established forms of state, social and religious life. A significant part of Tolstoy’s views could not receive open expression in Russia and were presented in full only in foreign editions of his religious and social treatises.

No unanimous attitude was established even in relation to Tolstoy’s fictional works written during this period. Yes, in a long line short stories and legends intended primarily for popular reading (“How people live”, etc.), Tolstoy, in the opinion of his unconditional admirers, reached the pinnacle of artistic power - that elemental mastery that is given only to folk tales, because they embody the creativity of an entire people . On the contrary, according to people who are indignant at Tolstoy for turning from an artist into a preacher, these artistic teachings, written for a specific purpose, are grossly tendentious. High and terrible truth“The Death of Ivan Ilyich,” according to fans, placing this work along with the main works of the genius of Tolstoy, according to others, is deliberately harsh, deliberately sharply emphasizes the soullessness of the upper strata of society in order to show the moral superiority of the simple “kitchen man” Gerasim. Explosion of the most opposite feelings caused by analysis marital relations and the indirect demand for abstinence from married life, in the “Kreutzer Sonata”, made me forget about the amazing brightness and passion with which this story was written. Folk drama“The Power of Darkness,” according to Tolstoy’s admirers, is a great manifestation of his artistic power: within the tight framework of the ethnographic reproduction of Russian peasant life Tolstoy managed to contain so many universal human traits that the drama went around all the stages of the world with tremendous success.

In his last major work, the novel “Resurrection,” he condemned judicial practice and high society life, caricatured the clergy and worship.

Critics of the last phase of Tolstoy’s literary and preaching activity find that artistic power he certainly suffered from the predominance of theoretical interests and that creativity is now only needed by Tolstoy in order to propagate his socio-religious views in a publicly accessible form. In his aesthetic treatise (“On Art”) one can find enough material to declare Tolstoy an enemy of art: in addition to the fact that Tolstoy here in part completely denies, in part significantly belittles artistic value Dante, Raphael, Goethe, Shakespeare (at the performance of Hamlet he experienced “special suffering” for this “false likeness of works of art”), Beethoven and others, he directly comes to the conclusion that “the more we surrender to beauty, the more The more we move away from good.”

Excommunication

Belonging by birth and baptism to the Orthodox Church, Tolstoy, like most representatives of the educated society of his time, was indifferent to religious issues in his youth and youth. In the mid-1870s, he showed increased interest in the teachings and worship of the Orthodox Church. The turning point for him from the teachings of the Orthodox Church was the second half of 1879. In the 1880s, he took a position of unambiguously critical attitude towards church doctrine, the clergy, and official church life. The publication of some of Tolstoy's works was prohibited by spiritual and secular censorship. In 1899, Tolstoy’s novel “Resurrection” was published, in which the author showed the life of various social strata in contemporary Russia; the clergy were depicted mechanically and hastily performing rituals, and some took the cold and cynical Toporov for a caricature of K. P. Pobedonostsev, Chief Prosecutor of the Holy Synod.

In February 1901, the Synod finally decided to publicly condemn Tolstoy and declare him outside the church. Metropolitan Anthony (Vadkovsky) played an active role in this. As it appears in the Chamber-Fourier journals, on February 22, Pobedonostsev visited Nicholas II in the Winter Palace and talked with him for about an hour. Some historians believe that Pobedonostsev came to the Tsar directly from the Synod with a ready-made definition.

On February 24 (Old Art.), 1901, in the official organ of the Synod, “Church Gazette published under the Holy Governing Senod” was published “Decree of the Holy Synod of February 20-22, 1901 No. 557, with a message to the faithful children of the Greek Orthodox Church about Count Leo Tolstoy”:

A world-famous writer, Russian by birth, Orthodox by baptism and upbringing, Count Tolstoy, in the seduction of his proud mind, boldly rebelled against the Lord and against His Christ and against His holy property, clearly before everyone renounced the Mother who fed and raised him, the Church. Orthodox, and devoted his literary activity and the talent given to him from God to the dissemination among the people of teachings contrary to Christ and the Church, and to the destruction in the minds and hearts of people of the fatherly faith, the Orthodox faith, which established the universe, by which our ancestors lived and were saved, and by which Until now, Holy Rus' had held out and was strong. In his writings and letters, scattered in large numbers by him and his disciples all over the world, especially within our dear Fatherland, he preaches, with the zeal of a fanatic, the overthrow of all the dogmas of the Orthodox Church and the very essence of the Christian faith; denies the personal living God, glorified in the Holy Trinity, the Creator and Provider of the universe, denies the Lord Jesus Christ - the God-man, Redeemer and Savior of the world, who suffered for us for the sake of men and ours for the sake of salvation and rose from the dead, denies the seedless conception of Christ the Lord for humanity and virginity until Nativity and after the Nativity of the Most Pure Theotokos, Ever-Virgin Mary, does not recognize the afterlife and retribution, rejects all the sacraments of the Church and the grace-filled action of the Holy Spirit in them and, scolding the most sacred objects of faith of the Orthodox people, did not shudder to mock the greatest of the sacraments, the Holy Eucharist. Count Tolstoy preaches all this continuously, in word and in writing, to the temptation and horror of the entire Orthodox world, and thus undisguisedly, but clearly before everyone, he consciously and intentionally rejected himself from all communication with the Orthodox Church. The previous attempts, to his understanding, were not crowned with success. Therefore, the Church does not consider him a member and cannot consider him until he repents and restores his communion with her. Therefore, testifying to his falling away from the Church, we pray together that the Lord will grant him repentance into the mind of truth (2 Tim. 2:25). We pray, merciful Lord, do not want the death of sinners, hear and have mercy and turn him to Your holy Church. Amen.

In his “Response to the Synod,” Leo Tolstoy confirmed his break with the Church: “The fact that I renounced the church, which calls itself Orthodox, is absolutely fair. But I renounced it not because I rebelled against the Lord, but on the contrary, only because I wanted to serve him with all the strength of my soul.” However, Tolstoy objected to the charges brought against him in the resolution of the synod: “The resolution of the synod in general has many shortcomings. It is illegal or deliberately ambiguous; it is arbitrary, unfounded, untruthful and, in addition, contains slander and incitement to bad feelings and actions.” In the text of his “Response to the Synod,” Tolstoy reveals these theses in detail, recognizing a number of significant discrepancies between the dogmas of the Orthodox Church and his own understanding of the teachings of Christ.

The Synodal definition caused outrage among a certain part of society; Numerous letters and telegrams were sent to Tolstoy expressing sympathy and support. At the same time, this definition provoked a flow of letters from another part of society - with threats and abuse.

At the end of February 2001, the count's great-grandson Vladimir Tolstoy, manager of the writer's museum-estate in Yasnaya Polyana, sent a letter to Patriarch Alexy II of Moscow and All Rus' with a request to revise the synodal definition; in an unofficial interview on television, the Patriarch said: “We cannot reconsider now, because after all, it is possible to reconsider if a person changes his position.” In March 2009, Vl. Tolstoy expressed his opinion about the significance of the synodal act: “I studied documents, read newspapers of that time, and became acquainted with the materials of public discussions around excommunication. And I had the feeling that this act gave a signal for a total split in Russian society. The reigning family, the highest aristocracy, and landed nobility, and the intelligentsia, and the common strata, and ordinary people. A crack has passed through the body of the entire Russian, Russian people.”

Moscow census of 1882. L. N. Tolstoy - census participant

The 1882 census in Moscow is famous for the fact that he took part in it great writer Count L.N. Tolstoy. Lev Nikolaevich wrote: “I proposed to use the census in order to find out poverty in Moscow and help it with deeds and money, and make sure that there are no poor people in Moscow.”

Tolstoy believed that the interest and significance of the census for society is that it gives it a mirror into which, like it or not, the whole society and each of us can look. He chose one of the most difficult and difficult sites, Protochny Lane, where the shelter was located; among the Moscow chaos, this gloomy two-story building was called “Rzhanova Fortress.” Having received the order from the Duma, Tolstoy, a few days before the census, began to walk around the site according to the plan that was given to him. Indeed, the dirty shelter, filled with beggars and desperate people who had sunk to the very bottom, served as a mirror for Tolstoy, reflecting the terrible poverty of the people. Under the fresh impression of what he saw, L. N. Tolstoy wrote his famous article “On the Census in Moscow.” In this article he writes:

The purpose of the census is scientific. The census is a sociological survey. The goal of the science of sociology is the happiness of people." This science and its methods differ sharply from other sciences. The peculiarity is that sociological research is not carried out through the work of scientists in their offices, observatories and laboratories, but is carried out by two thousand people from society. Another feature , that the research of other sciences is carried out not on living people, but here on living people. The third feature is that the goal of other sciences is only knowledge, but here the good of people can be explored alone, but to study Moscow you need 2000 people. of the foggy spots is only to find out everything about the foggy spots, the purpose of the study of the inhabitants is to derive the laws of sociology and, on the basis of these laws, to establish a better life for the people. The foggy spots do not care whether they are studied or not, they have waited and are ready to wait for a long time, but for the residents. Moscow cares, especially to those unfortunate people who make up the most interesting subject of the science of sociology. The accountant comes to the shelter, to the basement, finds a man dying from lack of food and politely asks: title, name, patronymic, occupation; and after a slight hesitation about whether to add him to the list as alive, he writes it down and moves on.

Despite the good goals of the census declared by Tolstoy, the population was suspicious of this event. On this occasion, Tolstoy writes: “When they explained to us that people had already learned about the bypass of the apartments and were leaving, we asked the owner to lock the gate, and we ourselves went into the yard to persuade the people who were leaving.” Lev Nikolaevich hoped to arouse sympathy for urban poverty among the rich, collect money, recruit people who wanted to contribute to this cause and, together with the census, go through all the dens of poverty. In addition to fulfilling the duties of a copyist, the writer wanted to enter into communication with the unfortunate, find out the details of their needs and help them with money and work, expulsion from Moscow, placing children in schools, old men and women in shelters and almshouses.

According to the census results, the population of Moscow in 1882 was 753.5 thousand people and only 26% were born in Moscow, and the rest were “newcomers”. Of the Moscow residential apartments, 57% faced the street, 43% faced the courtyard. From the 1882 census we can find out that in 63% the head of the household is a married couple, in 23% it is the wife, and only in 14% it is the husband. The census noted 529 families with 8 or more children. 39% have servants and most often they are women.

Last years of life. Death and funeral

In October 1910, fulfilling his decision to live last years in accordance with his views, he secretly left Yasnaya Polyana. He began his last journey at Kozlova Zaseka station; On the way, he fell ill with pneumonia and was forced to make a stop at the small station of Astapovo (now Lev Tolstoy, Lipetsk region), where he died on November 7 (20).

On November 10 (23), 1910, he was buried in Yasnaya Polyana, on the edge of a ravine in the forest, where as a child he and his brother were looking for a “green stick” that held the “secret” of how to make all people happy.

In January 1913, a letter from Countess Sophia Tolstoy dated December 22, 1912 was published, in which she confirms the news in the press that his funeral service was performed at the grave of her husband by a certain priest (she refutes rumors that he was not real) in her presence. In particular, the countess wrote: “I also declare that Lev Nikolaevich never once before his death expressed a desire not to be buried, and earlier he wrote in his diary in 1895, as if a will: “If possible, then (bury) without priests and funeral services. But if this will be unpleasant for those who will bury, then let them bury as usual, but as cheaply and simply as possible."

There is also an unofficial version of the death of Leo Tolstoy, stated in emigration by I.K. Sursky from the words of a Russian police official. According to it, the writer, before his death, wanted to reconcile with the church and came to Optina Pustyn for this. Here he awaited the order of the Synod, but, feeling unwell, was taken away by his arriving daughter and died at the Astapovo post station.

Philosophy

Tolstoy's religious and moral imperatives were the source of the Tolstoyanism movement, one of the fundamental theses of which is the thesis of “non-resistance to evil by force.” The latter, according to Tolstoy, is recorded in a number of places in the Gospel and is the core of the teachings of Christ, as well as Buddhism. The essence of Christianity, according to Tolstoy, can be expressed in a simple rule: “ Be kind and do not resist evil with force».

The position of non-resistance, which gave rise to controversy in the philosophical community, was opposed, in particular, by I. A. Ilyin in his work “On Resistance to Evil by Force” (1925)

Criticism of Tolstoy and Tolstoyism

• Chief Prosecutor of the Holy Synod Pobedonostsev in his private letter dated February 18, 1887 to the emperor Alexander III wrote about Tolstoy’s drama “The Power of Darkness”: “I just read L. Tolstoy’s new drama and I can’t come to my senses from horror. And they assure me that they are preparing to perform it at the Imperial Theaters and are already learning the roles. I don’t know anything like this in any literature. It is unlikely that Zola himself reached the level of crude realism that Tolstoy reaches here. The day on which Tolstoy's drama will be presented at the Imperial Theaters will be the day decisive fall our scene, which has already fallen very low.”

• The leader of the extreme left wing of the Russian Social Democratic Labor Party V. I. Ulyanov (Lenin), after the revolutionary unrest of 1905-1907, wrote, while in forced emigration, in the work “Leo Tolstoy as a Mirror of the Russian Revolution” (1908): “Tolstoy ridiculous, like a prophet who discovered new recipes for the salvation of mankind - and therefore the foreign and Russian “Tolstoyites” who wanted to turn into dogma precisely the weakest side of his teaching are completely miserable. Tolstoy is great as an exponent of those ideas and those moods that had developed among millions of the Russian peasantry at the time of the offensive bourgeois revolution in Russia. Tolstoy is original, because the totality of his views, taken as a whole, expresses precisely the features of our revolution, as a peasant bourgeois revolution. The contradictions in Tolstoy's views, from this point of view, are a real mirror of the contradictory conditions in which the historical activity of the peasantry was placed in our revolution. "
• Russian religious philosopher Nikolai Berdyaev wrote at the beginning of 1918: “L. Tolstoy must be recognized as the greatest Russian nihilist, the destroyer of all values ​​and shrines, the destroyer of culture. Tolstoy triumphed, his anarchism triumphed, his non-resistance, his denial of the state and culture, his moralistic demand for equality in poverty and non-existence and subordination to the peasant kingdom and physical labor. But this triumph of Tolstoyism turned out to be less meek and beautiful-hearted than Tolstoy imagined. It is unlikely that he himself would have rejoiced at such a triumph. The godless nihilism of Tolstoyism, its terrible poison that destroys the Russian soul, is exposed. To save Russia and Russian culture, Tolstoy’s morality, low and destructive, must be burned out of the Russian soul with a hot iron.”

His article “Spirits of the Russian Revolution” (1918): “There is nothing prophetic in Tolstoy, he did not foresee or predict anything. As an artist, he is drawn to the crystallized past. He did not have that sensitivity to the dynamism of human nature, which in highest degree was at Dostoevsky's. But in the Russian revolution, it is not Tolstoy’s artistic insights that triumph, but his moral assessments. There are few Tolstoyans in the narrow sense of the word who share Tolstoy’s doctrine, and they represent an insignificant phenomenon. But Tolstoyism in the broad, non-doctrinal sense of the word is very characteristic of Russian people; it determines Russian moral assessments. Tolstoy was not a direct teacher of the Russian left-wing intelligentsia; Tolstoy’s religious teaching was alien to them. But Tolstoy grasped and expressed the peculiarities of the moral make-up of the majority of the Russian intelligentsia, perhaps even the Russian intellectual, perhaps even the Russian person in general. And the Russian revolution represents a kind of triumph of Tolstoyism. It is imprinted both by Russian Tolstoy's moralism and Russian immorality. This Russian moralism and this Russian immorality are interconnected and are two sides of the same disease moral consciousness. Tolstoy managed to instill in the Russian intelligentsia a hatred of everything historically individual and historically divergent. He was an exponent of that side of Russian nature that had an aversion to historical power and historical glory. It was he who taught us to moralize over history in an elementary and simplified way and to transfer the moral categories of individual life to historical life. By doing this, he morally undermined the opportunity for the Russian people to live a historical life, to fulfill their historical destiny and historical mission. He morally prepared the historical suicide of the Russian people. He clipped the wings of the Russian people as a historical people, morally poisoned the sources of every impulse towards historical creativity. The world war was lost by Russia because Tolstoy's moral assessment of the war prevailed. The Russian people, in a terrible hour of world struggle, were weakened by Tolstoy’s moral assessments, in addition to betrayals and animal egoism. Tolstoy’s morality disarmed Russia and gave it into the hands of the enemy.”

• V. Mayakovsky, D. Burliuk, V. Khlebnikov, A. Kruchenykh, called for “throwing L.N. Tolstoy and others from the ship of modernity” in the 1912 Futurist manifesto “A Slap in the Face of Public Taste”
• George Orwell defended W. Shakespeare against criticism of Tolstoy

• Researcher of the history of Russian theological thought and culture Georgy Florovsky (1937): “There is one decisive contradiction in Tolstoy’s experience. He undoubtedly had the temperament of a preacher or a moralist, but he had no religious experience at all. Tolstoy was not religious at all, he was religiously mediocre. Tolstoy did not derive his “Christian” worldview from the Gospel. He already checks the Gospel with his own view, and that is why he cuts it down and adapts it so easily. For him, the Gospel is a book compiled many centuries ago by “poorly educated and superstitious people,” and it cannot be accepted in its entirety. But Tolstoy does not mean scientific criticism, but simply personal choice or selection. In some strange way, Tolstoy seemed to be mentally late in the 18th century, and therefore found himself outside of history and modernity. And he deliberately leaves modernity for some far-fetched past. All his work is in this regard some kind of continuous moralistic Robinsonade. Annenkov also called Tolstoy's mind sectarian. There is a striking discrepancy between the aggressive maximalism of Tolstoy's socio-ethical denunciations and denials and the extreme poverty of his positive moral teaching. For him, all morality comes down to common sense and everyday prudence. “Christ teaches us exactly how we can get rid of our misfortunes and live happily.” And this is what the whole Gospel boils down to! Here Tolstoy’s insensibility becomes terrible, and “common sense” turns into madness... The main contradiction of Tolstoy is precisely that for him the untruths of life can be overcome, strictly speaking, only abandonment of history, only by leaving the culture and simplifying, that is, by removing questions and abandoning tasks. Tolstoy's moralism turns around historical nihilism.»

• The holy righteous John of Kronstadt sharply criticized Tolstoy (see “Response of Father John of Kronstadt to Count L.N. Tolstoy’s appeal to the clergy”), and in his dying diary (August 15 - October 2, 1908) he wrote:

"24 August. How long, O Lord, do you tolerate the worst atheist who has confused the whole world, Leo Tolstoy? How long do you not call him to Thy Judgment? Behold, I am coming quickly, and My reward will be with Me, and will He reward everyone according to his deeds? (Rev. 22:12) Where, the earth is tired of tolerating his blasphemy. -»
"6 September. Where, do not allow Leo Tolstoy, the heretic who surpassed all heretics, to reach the feast of the Nativity of the Most Holy Theotokos, whom he terribly blasphemed and blasphemes. Take him from the ground - this stinking corpse, which stinks the whole earth with its pride. Amen. 9pm."

• In 2009, as part of a court case regarding the liquidation of a local religious organization Jehovah's Witnesses "Taganrog" conducted a forensic examination, the conclusion of which included a statement by Leo Tolstoy: “I was convinced that the teaching of the [Russian Orthodox] Church is theoretically an insidious and harmful lie, practically a collection of the grossest superstitions and witchcraft, hiding the entire meaning Christian teaching,” which was characterized as forming a negative attitude towards the Russian Orthodox Church, and L.N. Tolstoy himself was described as “an opponent of Russian Orthodoxy.”

Expert assessment of individual statements of Tolstoy

• In 2009, as part of a court case on the liquidation of the local religious organization Jehovah's Witnesses "Taganrog", a forensic examination of the organization's literature was carried out to determine whether it contained signs of inciting religious hatred, undermining respect and hostility towards other religions. The expert report noted that the Awake! contains (without specifying the source) a statement by Leo Tolstoy: “I am convinced that the teaching of the [Russian Orthodox] Church is theoretically an insidious and harmful lie, practically a collection of the grossest superstitions and witchcraft, hiding the entire meaning of Christian teaching,” which was characterized as formative a negative attitude and undermining respect for the Russian Orthodox Church, and L.N. Tolstoy himself - as an “opponent of Russian Orthodoxy.”

• In March 2010, in the Kirov Court of Yekaterinburg, Leo Tolstoy was accused of “inciting religious hatred against the Orthodox Church.” An expert on extremism, Pavel Suslonov, testified: “Leo Tolstoy’s leaflets “Preface to the “Soldier’s Memo” and “Officer’s Memo”,” directed to soldiers, sergeant majors and officers, contain direct calls to incite interreligious hatred directed against the Orthodox Church.”

Bibliography

Translators of Tolstoy

• In Azerbaijani language - Dadash-zade, Mammad Arif Maharram oglu
• On English language— Constance Garnett, Leo Wiener, Aylmer and Louise Maude
• Into Bulgarian - Sava Nichev, Georgi Shopov, Hristo Dosev
• In Spanish - Selma Ancira
• On Kazakh language— Ibray Altynsarin
• Into Malay - Viktor Pogadaev
• In Norwegian - Martin Gran, Olaf Broch, Marta Grundt
• In French - Michel Aucouturier, Vladimir Lvovich Binshtok
• In Esperanto - Valentin Melnikov, Viktor Sapozhnikov
• Into Japanese - Konishi Masutaro

World recognition. Memory

Museums

In the former Yasnaya Polyana estate there is a museum dedicated to his life and work.

The main literary exhibition about his life and work is in the State Museum of L. N. Tolstoy, in former house Lopukhinykh-Stanitskaya (Moscow, Prechistenka 11); its branches also: at Lev Tolstoy station (former Astapovo station), memorial museum-estate of L. N. Tolstoy “Khamovniki” (Lva Tolstoy Street, 21), showroom on Pyatnitskaya.

Scientists, cultural figures, politicians about L. N. Tolstoy

Film adaptations of his works

• "Resurrection"(English) Resurrection, 1909, UK). 12 minute silent film novel of the same name(filmed during the writer’s lifetime).
• "Power of Darkness"(1909, Russia). Silent film.
• "Anna Karenina"(1910, Germany). Silent film.
• "Anna Karenina"(1911, Russia). Silent film. Dir. - Maurice Maitre
• "Living Dead"(1911, Russia). Silent film.
• "War and Peace"(1913, Russia). Silent film.
• "Anna Karenina"(1914, Russia). Silent film. Dir. - V. Gardin
• "Anna Karenina"(1915, USA). Silent film.
• "Power of Darkness"(1915, Russia). Silent film.
• "War and Peace"(1915, Russia). Silent film. Dir. - Y. Protazanov, V. Gardin
• "Natasha Rostova"(1915, Russia). Silent film. Producer - A. Khanzhonkov. Starring: V. Polonsky, I. Mozzhukhin
• "Living Dead"(1916). Silent film.
• "Anna Karenina"(1918, Hungary). Silent film.
• "Power of Darkness"(1918, Russia). Silent film.
• "Living Dead"(1918). Silent film.
• "Father Sergius"(1918, RSFSR). Silent film film by Yakov Protazanov, starring Ivan Mozzhukhin
• "Anna Karenina"(1919, Germany). Silent film.
• "Polikushka"(1919, USSR). Silent film.
• "Love"(1927, USA. Based on the novel “Anna Karenina”). Silent film. As Anna - Greta Garbo
• "Living Dead"(1929, USSR). Starring: V. Pudovkin
• "Anna Karenina"(Anna Karenina, 1935, USA). Sound film. As Anna - Greta Garbo
• « Anna Karenina"(Anna Karenina, 1948, UK). As Anna - Vivien Leigh
• "War and Peace"(War & Peace, 1956, USA, Italy). As Natasha Rostova - Audrey Hepburn
• "Agi Murad il diavolo bianco"(1959, Italy, Yugoslavia). As Hadji Murat - Steve Reeves
• "People too"(1959, USSR, based on a fragment of “War and Peace”). Dir. G. Danelia, starring V. Sanaev, L. Durov
• "Resurrection"(1960, USSR). Dir. - M. Schweitzer
• "Anna Karenina"(Anna Karenina, 1961, USA). As Vronsky - Sean Connery
• "Cossacks"(1961, USSR). Dir. - V. Pronin
• "Anna Karenina"(1967, USSR). In the role of Anna - Tatiana Samoilova
• "War and Peace"(1968, USSR). Dir. - S. Bondarchuk
• "Living Dead"(1968, USSR). In ch. roles - A. Batalov
• "War and Peace"(War & Peace, 1972, UK). Series. As Pierre - Anthony Hopkins
• "Father Sergius"(1978, USSR). Feature film by Igor Talankin, starring Sergei Bondarchuk
• « Caucasian story» (1978, USSR, based on the story “Cossacks”). In ch. roles - V. Konkin
• "Money"(1983, France-Switzerland, based on the story “False Coupon”). Dir. - Robert Bresson
• "Two Hussars"(1984, USSR). Dir. - Vyacheslav Krishtofovich
• "Anna Karenina"(Anna Karenina, 1985, USA). As Anna - Jacqueline Bisset
• "A Simple Death"(1985, USSR, based on the story “The Death of Ivan Ilyich”). Dir. - A. Kaidanovsky
• "Kreutzer Sonata"(1987, USSR). Starring: Oleg Yankovsky
• "For what?" (Za co?, 1996, Poland / Russia). Dir. - Jerzy Kawalerowicz
• "Anna Karenina"(Anna Karenina, 1997, USA). In the role of Anna - Sophie Marceau, Vronsky - Sean Bean
• "Anna Karenina"(2007, Russia). In the role of Anna - Tatiana Drubich

For more details, see also: List of film adaptations of “Anna Karenina” 1910-2007.

• "War and Peace"(2007, Germany, Russia, Poland, France, Italy). Series. In the role of Andrei Bolkonsky - Alessio Boni.

Documentary

• "Lev Tolstoy". Documentary. TsSDF (RTSSDF). 1953. 47 minutes.

Movies about Leo Tolstoy

• "The Passing of the Great Elder"(1912, Russia). Director - Yakov Protazanov
• "Lev Tolstoy"(1984, USSR, Czechoslovakia). Director - S. Gerasimov
• "The Last Station"(2008). In the role of L. Tolstoy - Christopher Plummer, in the role of Sofia Tolstoy - Helen Mirren. A film about the last days of the writer's life.

Portrait gallery

Translators of Tolstoy

• Into Japanese - Konishi Masutaro
• In French - Michel Aucouturier, Vladimir Lvovich Binshtok
• In Spanish - Selma Ancira
• Into English - Constance Garnett, Leo Wiener, Aylmer and Louise Maude
• In Norwegian - Martin Gran, Olaf Broch, Marta Grundt
• Into Bulgarian - Sava Nichev, Georgi Shopov, Hristo Dosev
• Into Kazakh - Ibray Altynsarin
• Into Malay - Viktor Pogadaev
• In Esperanto - Valentin Melnikov, Viktor Sapozhnikov
• Into Azerbaijani - Dadash-zade, Mammad Arif Maharram oglu

Leo Tolstoy is a unique writer in Russian literature. It is very difficult to describe Tolstoy's work briefly. The writer’s large-scale thought was embodied in 90 volumes of works. The works of L. Tolstoy are novels about the life of the Russian nobility, war stories, short stories, diary entries, letters, and articles. Each of them reflects the personality of the creator. Reading them, we discover Tolstoy - a writer and a person. Throughout his 82-year-old life, he pondered what the purpose of human life was and strived for spiritual improvement.

We briefly became acquainted with the work of L. Tolstoy at school, reading his autobiographical stories: “Childhood”, “Adolescence”, “Youth” (1852 - 1857). In them, the writer outlined the process of forming his character, his attitude towards the world around him and himself. The main character, Nikolenka Irtenyev, is a sincere, observant, truth-loving person. Growing up, he learns to understand not only people, but also himself. The literary debut was successful and brought recognition to the writer.

Leaving his studies at the university, Tolstoy began to transform the estate. This period is described in the story Morning of the Landowner (1857).

In his youth, Tolstoy was characterized by making mistakes (his social entertainment while studying at the university), and repentance, and the desire to eradicate vices (self-education program). There was even an escape to the Caucasus from debts, social life. Caucasian nature, the simplicity of Cossack life contrasted with the conventions of the nobility and the enslavement of an educated person. The richest impressions of this period were reflected in the story “Cossacks” (1852-1963), the stories “Raid” (1853), “Cutting Wood” (1855). Tolstoy's hero of this period is a seeking man who is trying to find himself in unity with nature. The story "Cossacks" is based on an autobiographical love story. Disillusioned with civilized life, the hero is drawn to a simple, passionate Cossack woman. Dmitry Olenin resembles a romantic hero; he seeks happiness in the Cossack environment, but remains alien to it.

1854 - service in Sevastopol, participation in hostilities, new impressions, new plans. At this time, Tolstoy was passionate about the idea of ​​publishing a literary magazine for soldiers, and worked on the series of Sevastopol Stories. These essays became sketches of several days lived among his defenders. Tolstoy used the technique of contrast in describing the beautiful nature and everyday life of the city’s defenders. War is terrifying in its unnatural essence, this is its true truth.

In 1855-1856, Tolstoy had great fame as a writer, but did not become close to anyone from the literary community. Life in Yasnaya Polyana and classes with peasant children fascinated him more. He even wrote “The ABC” (1872) for classes at his school. It consisted of best fairy tales, epics, proverbs, sayings, fables. Later, 4 volumes of “Russian books for reading” were published.

From 1856 to 1863, Tolstoy worked on a novel about the Decembrists, but when analyzing this movement, he saw its origins in the events of 1812. So the writer moved on to describe the spiritual unity of the nobility and the people in the fight against the invaders. This is how the idea of ​​the novel - the epic "War and Peace" - arose. It is based on the spiritual evolution of the heroes. Each of them follows their own path to understanding the essence of life. Scenes of family life are intertwined with the military. The author analyzes the meaning and laws of history through the prism of consciousness common man. It is not commanders, but the people who can change history, and the essence of human life is family.

Family is the basis of another Tolstoy novel, Anna Karenina.

(1873 - 1977) Tolstoy described the story of three families, whose members treated their loved ones differently. Anna, for the sake of passion, destroys both her family and herself, Dolly tries to save her family, Konstantin Levin and Kitty Shcherbatskaya strive for a pure and spiritual relationship.

By the 80s, the worldview of the writer himself had changed. He cares about questions social inequality, poverty of the poor, idleness of the rich. This is reflected in the stories “The Death of Ivan Ilyich” (1884-1886), “Father Sergius” (1890-1898), the drama “The Living Corpse” (1900), and the story “After the Ball” (1903).

The writer's last novel is Resurrection (1899). In the late repentance of Nekhlyudov, who seduced his aunt’s pupil, is Tolstoy’s thought about the need to change the entire Russian society. But the future is possible not in a revolutionary, but in a moral, spiritual renewal of life.

Throughout his life, the writer kept a diary, the first entry in which was made at the age of 18, and the last 4 days before his death in Astapov. The writer himself considered the diary entries to be the most important of his works. Today they reveal to us the writer’s views on the world, life, and faith. Tolstoy revealed his perception of existence in the articles “On the Census in Moscow” (1882), “So what should we do?” (1906) and in “Confession” (1906).

The last novel and the writer’s atheistic writings led to a final break with the church.

Writer, philosopher, preacher Tolstoy was firm in his position. Some admired him, others criticized his teaching. But no one remained calm: he raised questions that worried all of humanity.

Download this material:

(No ratings yet)

Lev Tolstoy- the most famous Russian writer, famous throughout the world for his works.

short biography

Born in 1828 in the Tula province into a noble family. He spent his childhood on the Yasnaya Polyana estate, where he received his primary education at home. He had three brothers and a sister. He was raised by his guardians, so in early childhood At the birth of her sister, her mother died, and later, in 1840, her father, which is why the whole family moved to relatives in Kazan. There he studied at Kazan University in two faculties, but decided to quit his studies and return to his native place.

Tolstoy spent two years in the army in the Caucasus. Bravely participated in several battles and was even awarded an order for the defense of Sevastopol. He could have had a good military career, but he wrote several songs ridiculing the military command, as a result of which he had to leave the army.

At the end of the 50s, Lev Nikolaevich went to travel around Europe and returned to Russia after the abolition of serfdom. Even during his travels he was disappointed in a European way life, because I saw a very big contrast between the rich and the poor. That is why, when he returned to Russia, he was glad that the peasants had now risen.

He got married and had 13 children, 5 of whom died in childhood. His wife, Sophia, helped her husband by copying out all her husband’s creations in neat handwriting.

He opened several schools, in which he furnished everything according to his wishes. I compiled it myself school curriculum- or rather, the lack thereof. Discipline did not play a key role for him; he wanted children to strive for knowledge themselves, so the main task of the teacher was to interest students so that they wanted to learn.

He was excommunicated from the church because Tolstoy put forward his theories about what the church should be like. Just a month before his death, he decided to secretly leave his native estate. As a result of the trip, he became very ill and died on November 7, 1910. The writer was buried in Yasnaya Polyana near the ravine where he loved to play as a child with his brothers.

Literary contribution

Lev Nikolaevich began writing while still studying at the University - mainly it was homework comparing different literary works. It is believed that it was because of literature that he abandoned his studies - he wanted to devote all his free time to reading.

In the army he worked on his “Sevastopol Stories”, and also, as already mentioned, composed songs for his colleagues. Upon returning from the army, he took part in literary circle in St. Petersburg, from where he went to Europe. He noticed the characteristics of people well and tried to reflect this in his works.

Tolstoy wrote many different works, but worldwide fame received thanks to two novels - “War and Peace” and “Anna Karenina”, in which he accurately reflected the life of people of those times.

The contribution of this great writer to world culture is enormous - it was thanks to him that many people learned about Russia. His works are still published to this day, plays are staged and films are made based on them.

If this message was useful to you, I would be glad to see you