Famous contemporary artists of Belarus. "Publishers all over the world are looking for him." Which contemporary Belarusian artists should everyone know?

Singer Alexander Rybak became the most popular “foreign” Belarusian of the past year. But he is far from the first to glorify his homeland beyond its borders.

IN recent years Many Belarusian media cannot resist the temptation to find out the distant Belarusian ancestors of all sorts of foreign celebrities. Either a grandmother will be found, or a grandfather, of whom the stars themselves do not even suspect. But let's dwell on those of our famous compatriots and more or less contemporaries who at least knew where their homeland was located.

Flight painter

The jealous French with sullen stubbornness keep silent about the fact that the famous artist Marc Chagall is a Belarusian Jew; they really want to become his undivided property. During a tour of the Grand Opera in Paris, lampshades theater hall which was described by our internationally recognized compatriot, the guide so persistently did not remember Chagall’s Belarusianness that the portal’s observer had to ask a leading question. The guide changed his face and exclaimed expressively: “He left you!” But, no matter how much the French want to appropriate our artist, they cannot escape the fact that the master’s Vitebsk childhood became the main theme of his work throughout his life, not only painting, but also literary - the autobiographical book “My Life”. It’s sad, but albums with reproductions of Marc Chagall’s paintings are not published in Belarus, because the French copyright holders are not interested in this. But everyone can visit the Chagall art center in Vitebsk and see the house where he was born and grew up.

Leger's steel muse

Another Belarusian Nadezhda Khodasevich-Léger, a native of the Belarusian village of Zembin, became a famous French artist and muse of the famous painter and sculptor Fernand Léger. This woman had huge amount will and perseverance. Since childhood, she wanted to draw and live in Paris. In the village where she was born, such an idea was perceived solely as a form of madness. Nadya, without her parents' permission, ran away to study painting in Smolensk, from there to Warsaw, where she got married, and together with her husband went to Paris, to the academy of her idol Fernand Léger, who himself invited them. After a quarrel with her husband, who returned to Warsaw, left without money, with a small daughter in her arms, Nadya Khodasevich began working as a servant. But at the same time, with her tiny funds, she published a magazine about painting, where works by Picasso, Le Corbusier, Léger were published...

During World War II, Khodasevich, an active participant in the French Resistance, worked as a teacher at the academy during the day and posted leaflets around the city at night. After the war, she helped Russian emigrants by organizing an auction at which paintings by the same Picasso and Léger were exhibited. After the death of the teacher’s wife, Nadezhda Khodasevich marries him and adds Leger to his surname, and the most famous people Russia and France. After the death of the master, Nadezhda returned to her first husband, and together they opened a museum in memory of the master, which they donated to France. Khodasevich-Léger herself became famous in monumental art; her mosaic portraits of her contemporaries are exhibited in many galleries around the world. Was an active supporter development of Franco-Soviet relations, for which she was awarded the Order of the Red Banner of Labor and the Order of the Legion of Honor of France.

The Greatest Science Fiction

Writer Isaac Asimov, who, together with Arthur C. Clarke and Robert Heinlein, makes up the top three science fiction writers in the world, was born in the village of Petrovichi, Mogilev region, and at birth received the name Isaac Ozimov. His parents, who worked as millers in Belarus, three years after Isaac’s birth, took the future luminary of science fiction to the USA, where, maintaining their love for flour, they opened a confectionery store.

Isaac grew up, acquired the profession of a biochemist and became a unique, multifaceted author of science fiction, whose works synthesized all styles and directions of science and literature: detective fiction, humor, astronomy, genetics, chemistry, history. Not to mention the fact that it was Asimov who invented concepts that only many years later appeared in real life and were named with words that he invented: robots, robotics, positronic, psychohistory.

King of the Air

The super popular American TV presenter Larry King is also a native of Belarus. His mother Jenny was from Minsk, and his father Eddie Zeiger was from Pinsk (one can assume that before emigration their names were Zhenya and Edik). They left for America, where the future screen star was born. Larry King is the recognized king of news journalism and talk shows, which he conducts in a rather tough manner. It was King who asked Vladimir Putin an uncomfortable question: “So what happened to the Kursk submarine?”, to which the then Russian president replied: “It drowned.”

Larry King is the author of a practical guide, How to Talk to Anyone, Anytime, Anywhere, designed to help not only journalists, but also ordinary people who often cannot overcome their indecisiveness.

Radio amateur and television professional

An extremely extraordinary, insightful businessman ahead of his time, David Sarnoff, before leaving for New York, was called David Sarnov and lived in the Belarusian village of Uzlyany.

Already at the age of 15, the enterprising David owned a newsstand, and then his fate developed progressively. At first, Sarnov worked in the company of the famous Italian Marconi, and it was he who, back in 1915, proposed using radio for entertainment and starting the production of household radios. But then this idea, which later brought in billions, seemed so crazy that its implementation was postponed for decades. While working as president of Radiocorporation of America, Sarnov gave the green light and provided conditions for the development of another emigrant, Vladimir Zvorykin, who invented the kinescope and determined the direction of development of the media business for many years.

The Roaring Lion of the Film Industry

The film company's most memorable screensaver - the roaring head of a lion - belongs to the Metro Goldwyn Mayer corporation, which was founded by Lazar Meir, who was born in Minsk. After emigrating, turning into Louis Barth Mayer, he gradually began to realize his American dream by selling scrap metal. But he loved cinema so much that for the sake of it he betrayed non-ferrous metals and bought a crumbling cinema in a provincial town. And a few years later he moved his small company to Los Angeles, where, to consolidate success, he lured the first beauty of those times, actress Anita Stewart, from another studio. And then for many years worked on the lion's share of what would later be called Hollywood. In addition, it was Mayer who founded the American Film Academy and invented what millions of movie lovers wait for every year - the Oscar.

Presidents of Israel

The first President of Israel, Chaim Weizmann, was born near Pinsk, in the village of Motol, where he graduated from cheder. Afterwards he entered the Pinsk real school, after which he continued his education in Germany and began his path to the formation of the state of Israel.

Shimon Peres, the current president of Israel, who took office in 2007, is also a native of our country: he was born in the village of Vishnevo, Volozhin district, Minsk region. His father was a lumber trader, his mother was a Russian language teacher and librarian. The love for the culture of the Jewish people was instilled in the future president by his grandfather, a rabbi. Since childhood, Shimon Peres wrote poetry, and did not abandon his passion for literature when he became a politician. His books were published in Israel and were successful, and one of them was written under a female pseudonym and on behalf of a woman.

Closer to the sky

The famous fighter aircraft designer and inventor Pavel Sukhoi was born in the city of Glubokoye, Vitebsk region. His parents were teachers. Pavel Sukhoi graduated from the Gomel gymnasium, went to study in Moscow and went down in history as the general designer of the bureau named after himself. Under the leadership of Sukhoi, the Su line of combat aircraft was created.

Cosmonaut Pyotr Klimuk was born in the village of Komarovka, Brest region. He made three flights into space as the head of the crew, spending a total of more than 2.5 months in Earth orbit. In the cosmonaut’s homeland, which during space exploration turned from Komarovka into Tomashovka, a museum was opened that contains unique exhibits, many of which were in space with Klimuk.

In addition, you can read about space travel in two books written by Peter Klimuk: “Near the Stars” and “Attack on Zero Gravity.”

Russian businessmen

The main reformer of the Russian energy system, Anatoly Chubais, was born in the city of Borisov in the family of a retired colonel who worked as a philosophy teacher. After many high positions, he became chairman of RAO UES. Chubais's main project - privatization - turned out to be very controversial and was considered a failure. It is not surprising that nothing worked out, but the people were hungry after the communist past and firmly believed in the promises of Chubais, which stated that each voucher would eventually cost as much as two cars.

Entrepreneur Andrei Melnichenko was born and raised in Gomel, where his grandmother still lives, whom he visits on a private plane. Having started his career with currency trading in the 90s, Melnichenko subsequently became a co-founder of MDM Bank, and then its sole shareholder. Now Andrey Melnichenko is the chairman of the board of directors of Eurochem. His personal fortune before the crisis was estimated at $10.3 billion. Andrei Melnichenko is married to model Alexandra Nikolic, who is called the most beautiful Serbian woman on the planet.

Vice-president of the Lukoil concern Sergei Kukura was born in Brest. Very little is known about this businessman, but in 2002 his name made headlines in connection with a high-profile kidnapping: Sergei Kukuru was attacked at a railway crossing by unknown men dressed as police officers and held for two weeks in an abandoned Belarusian village, demanding $3,000,000 and EUR3 for his release. 000 000. Kukura hardly liked this return to his homeland, but then the kidnappers took the businessman to Bryansk, provided him with money and released him, according to Sergei Kukura, for reasons unknown to him.

Nobel laureates

Academician Zhores Alferov, born in Vitebsk and graduated from school in Minsk, received the Nobel Prize in Physics for the development of semiconductor heterostructures and the creation of fast opto- and microelectronic components. We use Alferov’s inventions every day. Wouldn't exist without them possible work mobile phones and disk drives, Alferov’s laser is even used in store “readers” of product barcodes.

Alferov is not the first Belarusian to receive the Nobel Prize. In 1971, its owner was the economist Simon Kuznets, a native of Pinsk, who coined the terms “gross national product”, “human capital”, and also invented and proved the “Kuznets law” for the economies of developing countries: in the first 10 years of development, inequality in income distribution will increase sharply, then there will be trends towards leveling off. He has done a lot for the modern world economy.

Tatiana Prudinnik

It’s amazing that we can reflect on the work of Van Gogh, discuss the impressionism of Claude Monet and Edgar Degas, argue about the popularity of Da Vinci’s “La Gioconda” and Raphael’s “Sistine Madonna” and at the same time know almost nothing about Belarusian artists. By the way, many people from Belarus are on the list of the most famous masters of the world. Their works are as surprising, inspiring, and sometimes shocking as anyone else’s.

"Portrait of a Wife with Flowers and Fruit", 1838

Khrutsky is considered the founder of Russian still life. As a seventeen-year-old boy, he, the son of a Uniate priest, a student at a religious lyceum, went alone to St. Petersburg to take up drawing. And, apparently, not in vain. Khrutsky managed to develop his talent so much that in the twentieth century his still lifes were in almost every home. Not originals, of course, copies - most people could not afford real paintings. You and I observe Khrutsky’s work every day - the Russian thousandth banknote is decorated with a fragment of Khrutsky’s painting “Portrait of a Wife with Flowers and Fruits.” The artist's most famous painting depicts a young woman at a table filled with baskets of fruit, a decanter of water and a bouquet in a ceramic vase.

Art project “Fragments of the Tower of Babel”

The winner of the State Prize of Belarus and the head of the Center for Contemporary Arts, Viktor Olshevsky, today exhibits abroad more often than in Belarus. Victor's works, which are distinguished by deep symbolism and figurativeness, are in galleries and private collections in Belarus, Italy, Germany, Israel, Poland, Sweden, Switzerland, USA, France, Turkey and other countries. And his famous project “Fragments of the Tower of Babel” generally managed to travel halfway around the world: New York, Berlin, Budapest, Gdansk... The project consists of 13 canvases - 13 fragments of the Tower of Babel, which display elements of the cultures of the peoples of the world: Ancient Egypt and China, Iran and Cambodia, Mayan pyramids and Kremlin chimes, Polish Warsaw and the Belarusian World.

Marc Chagall (1887-1985) “Above the City”, 1914

Chagall is often called a Frenchman because they simply cannot believe that such an artist - avant-garde, innovative, emotional and fantastically talented - could be born in a small and far from well-known Belarus. A native of Vitebsk literally conquered the world with his unusual landscapes, portraits and genre compositions. It’s interesting that almost every stroke on Chagall’s canvas or paper is about love. About love for his tender and dear wife and muse Bella. The artist’s main feature is the figures of him and Bella, and sometimes other people, who fly in the paintings, ignoring all the laws of gravity and physics. Of the most famous works artist - “Above the City”. Small houses, tilted boards, everyday scenes... And lovers, whose flight is not hindered by any prosaic nature of life.

Andrey Smolyak (born in 1954). Project “Living Pictures”, 2010

The artist is a well-known master not only of brushwork, but also of shocking style. The idea of ​​his popular project “Living Paintings,” which began three years ago, is the desire to unite famous, talented and honored people of Belarus through the art of painting. The essence of the project is that politicians and artists, poets and businessmen, directors and athletes “try on” the images of the heroes of the artist’s works. Smolyak’s paintings have already included singer Larisa Gribaleva and actress Vera Polyakova, tennis player Maxim Mirny and biathlete Daria Domracheva, People's Artist Anatoly Yarmolenko and many others. The artist’s works are today in public and private collections in Belarus, as well as in France, Italy, the USA, Belgium, Russia and Holland.

Kazimir Malevich (1879-1935) “Black Square”, 1915

A great artist, an avant-garde artist who changed the world and predicted the future of architectural buildings, the father of Suprematism, the creator of the Futurist theater, an “artist-philosopher” - something like this can be read about Malevich in any paper or electronic encyclopedia. And one more obligatory addition to all the artist’s regalia is the author of the famous “Black Square”. According to the artist himself, he painted the picture for several months. Someone jokes that the artist simply did not have time to finish the painting on time and covered it with black paint. However, art experts see deep philosophical meaning in the painting. Subsequently, Malevich made several copies of “Black Square” (according to some sources, seven). Malevich also painted “Red Square” in two copies and one “White Square”.

Chaim Soutine (1893-1943) "Meat Carcass", circa 1923

The tenth child in a poor Jewish family from the small Belarusian village of Smilovichi, Chaim had an irresistible desire to draw since childhood, even though it was forbidden to the Jews. Despite the obstacles, he gradually achieved his goal: first he studied at the private school of Jacob Kruger, then he studied in Vilnius for three years. And finally Paris! Years of suffering, fermentation, hunger, disease... It was worth it for the whole world to talk about Soutine, for his expressive, crazy, hurricane-like paintings to be measured at auction in millions of dollars. For example, at the recent May auction of Christie's, his painting “The Little Confectioner” went under the hammer for $18 million! And among the happy owners of his works were Isabella Rossellini, the Chaplin family, the publisher Gallimard, the descendants of Chagall, Francis Ford Coppola... Lee The expressive “Meat Carcass”, depicted in the twenties of the last century, can be considered not the artist’s most famous painting.

There are more than a thousand people in the Belarusian Union of Artists. Whose creativity should you pay special attention to? We asked art critic Nadezhda Usova and exhibition curator Anna Karpenko to choose five modern domestic artists that every Belarusian should know.

“Every art critic has not 5, but 25 favorite artists,” says Nadezhda Usova. In choosing the five, she excluded her artist friends (“I’m partial to them”), as well as the younger generation experimenting with the form.

— I don’t undertake to evaluate it, because, as it seems to me, this takes time. The generation of 30-year-olds is capable of creating masterpieces (Theodore Gericault wrote “The Raft of the Medusa” at the age of 28!), and perhaps their contemporaries should know them. But they count chickens in the fall... This top five, in my opinion, should include mature artists who have something to say, whose works, it seems to me, should end up in museums in Belarus. Therefore, the approach is exclusively subjective: an artistic phenomenon.

Who? Alexander Solovyov, painter, theater artist

“The patriarch of the Belarusian avant-garde,” at the height of Soviet stagnation, turned to abstractionism and created unique color meditations.

Why? A unique personality, the patriarch of the Belarusian avant-garde, a real phenomenon, has not yet been fully appreciated, although he received honorary titles and the Francis Skaryna medal. He is 91 years old. Former partisan, front-line soldier, graduated from the Mukhinsky School, theater art institute in Minsk.

Alexander Solovyov, “White Harmony”. Source: news.vitebsk.cc Alexander Solovyov, “Still Life”. Source: news.vitebsk.cc

In 1965, Solovyov came to Vitebsk, where for many years he worked as a production designer, later as the chief artist of the Yakub Kolas Theater. Once this group went on tour to Moscow and its decorations, like the works of Lev Bakst, were given a standing ovation immediately after the curtain rose. In the 1970s, at the height of Soviet stagnation, he turned to abstract art and began to create things that were striking in their philosophical imagery and color saturation—original color meditations—and exhibit them. In the late 1970s, of course, I heard nothing but insults and swearing addressed to me. The exhibitions were closed, and he was surprised: what kind of subversion of ideology is found in his canvas-spaces?

Despite everything, he found an audience. And not 50 years after death, as the artist himself believed, but during his lifetime. In 2016, he donated dozens of his works to the National Art Museum in Minsk, which were shown there in a personal exhibition. I think that soon his works will be the decoration and dream of any museum.

Lyudmila Kalmaeva, painter and graphic artist

Why? For originality of thinking and amazing skill, creative diversity. She has an inexhaustible force of vitality, originality, an amazing flair for modernity, and a natural Europeanness. And not because she has lived in Holland for many years (her late husband is Dutch). Lyudmila Kalmaeva, in my opinion, is also a phenomenon of a Belarusian artist, freely cast in one form or another. More and more often she appears and holds exhibitions in Minsk.

Fantasy painting by Lyudmila Kalmaeva. Source: kalmaeva.weebly.com

Graphics by Lyudmila Kalmaeva. Source: kalmaeva.weebly.com
From the series “Plenty to go on”. Source: kalmaeva.weebly.com From the series “Plenty to go on”. Source: kalmaeva.weebly.com

Her theater posters of the 1980s became classics that influenced Belarusian posters in the second half of the 20th century. Many of them entered the apartments of the intelligentsia and students and were fashionable and meaningful interior decorations. She then grasped some codes of Belarusianness and was able to symbolize them figuratively. Kalmaeva is a generator of crazy ideas. She is always interesting, unpredictable, both as an observant blogger, and as an analyst, and as a teacher, and a realistic portrait painter, and as a graphic artist. From the scandalous "toilet series" - artistic banter, which they did not dare to exhibit in Belarus (but the Chinese willingly bought), to the amazing "nudes" - nude series. Usually we get used to the fact that an artist has been working in one direction for many years; he can be recognized by his handwriting. She breaks the usual ideas and always surprises. Lyudmila Kalmaeva has a clear position and a special view. This makes you fall in love, surprises, delights, and inspires respect.

Who? Andrey Vorobyov, sculptor

Why? Andrey Vorobyov has attracted attention for a long time. One might think that this is the reincarnation of his own teacher - Vladimir Zhbanov - in the Mogilev urban environment (the sculptor lives in Mogilev. - Note TUT.BY). But this is absolutely not true.

I like that he is an inventor, a dreamer, a patriot of his city, and cares for his native Mogilev. And he is different. On the one hand, he can take a creative approach to an official order - he is the author famous monument- “Shklov cucumber” - and the monumental “Mogilev Lions” on the bridge over the Dnieper. On the other hand, he has chamber philosophical sculptures with original fluid plasticity that make you think about the meanings of life.


"Shklov cucumber" Photo: Anzhelika Vasilevskaya, TUT.BY

This is an ironic, grotesque, intriguing sculptor. He tries to avoid pathos, although there are such works. It's always interesting to watch him. Andrey Vorobyov is the author of incredible phantasmagoric ideas and projects. For example, I wanted to build a tunnel near the Maslenikov Art Museum. An adult can enter the tunnel on one side, but will not be able to go through it, because on the other side the entrance to the tunnel is in the form of a child’s body. Vorobyov’s conceptual objects claim to become the highlight of the city, an example artistic formation urban environment, including tourism.

Who? Vyacheslav Pavlovets, watercolorist

He works in watercolor technique, which “in its laconicism and emotional spontaneity can be compared with Japanese ones.” Creates unique Belarusian watercolor haiku.

Why? A tuning fork of absolute taste and skill in modern Belarusian watercolors. He managed to formulate the Belarusian landscape, turning it into a pure aesthetic phenomenon. Vyacheslav Pavlovets is a very modest person; he works as an art editor at the magazine “Mastatstva”. Under him, the magazine acquired a stylish European look.

With this workload, he manages to create landscapes using watercolor techniques that are surprisingly Belarusian in mood and character, which can be compared with Japanese ones in their laconicism and emotional spontaneity. This is a kind of Belarusian haiku. In these watercolors we can hear the melody of our country from a side from which it has not yet been considered. They are absolutely harmonious and absolutely Belarusian. Pavlovets, one might say, glorified and elevated the Belarusian sunless “gray day” to a poetic metaphor. His works touch the soul. This, I'm not afraid to say, pure poetry in watercolor.


"Tree". From the archives of the National Art Museum

Now, unlike Europe, watercolor is unpopular here: few people understand and appreciate the sophistication of this technique. Many born graphic artists betray themselves and go into painting, which is better in demand on the art market. Vyacheslav Pavlovets is one of the keepers of tradition, several masters who keep high level Belarusian watercolor school.

Pavel Tatarnikov, illustrator

"A unique talent in the field of European book illustration”, which is sought and found by publishers from all over the world.

Why? One appearance books with his romantic illustrations make you want to study Belarusian history. I would really like to see his illustrations in textbooks on the history of Belarus for junior classes. He is a romantic, a technical virtuoso, and, of course, a meticulous researcher.

These qualities brought him fame and prestigious awards at book competitions both in Belarus and widely around the world: Japanese publishers wanted to completely buy out the rights to the illustrations for the book “The Princess in the Underworld”; a Taiwanese publisher invited him (a Belarusian!) to design a book of the Chinese epic “ The Heavenly Emperor and the Ten Suns", based on his illustrations, a puppet show was staged " Snow Queen"in Copenhagen, the priests of a small Italian village in the Alps entrusted him with an unusual commission - the creation of a book dedicated to the 1700th anniversary of the village. And the artist lived in that village for several days, listened to memories, searched in the archives for what the local landscape and architecture looked like several centuries ago.

"Paranoia." Source: tatarnikov.com
"Clean streets." Source: tatarnikov.com
“Garodnya. 1601". Source: tatarnikov.com

In fact, there are not many illustrators in the world, and Tatarnikov is one of the best. He is found and sought out by publishers all over the world. Now he can choose what interests him. It’s great that he teaches in Minsk, associate professor at the Academy of Arts. There is someone to learn skills from and, most importantly, attitude to work.

Exhibition curator Anna Karpenko warns: her opinion most likely will not coincide with the mainstream, “but in the context of our time it is very important to know the names of these artists.”

Who? Zhanna Gladko

Managed to show how personal trauma shows the distribution of power both within the family and at the societal level.

Why? Zhanna does big, serious projects. Works with sensitive social and gender topics. Unfortunately, she still has not had a personal exhibition in Belarus.

I love her absolutely amazing project, very personal, connected to her own history of relationships with her father. It reveals an interesting strategy. On the one hand, the artist exposes painful, intimate themes associated, for example, with the episode when her father dismantled her favorite piano, which was very important to Jeanne. Understandably, this was traumatic for her.

Zhanna Gladko, series “Not Alain Delon”, the series includes self-portraits of the artist in the form of Alain Delon, group exhibition QAI/by, gallery contemporary art“Ў”, Minsk, 2016
Zhanna Gladko, series of self-portraits, group exhibition XXY, Gallery of Contemporary Art “Ў”, Minsk, 2014

On the other hand, through personal stories, the history of her family, the artist shows important gender connections at the social level: how classic patriarchal relationships are distributed in society, when the father - such a Freudian figure - not only manages material processes, controls the flow of money in the family, but also has important symbolic status. Without interfering in Zhanna's life, through his actions he indirectly influences her worldview. This is a story about how personal trauma reveals the distribution of power both within the family and at the societal level.

Who? Masha Svyatogor

Why? Masha works using an interesting photo collage technique. Works with both personal history and family archives.

Not so long ago, Masha had a personal exhibition at the Central Exhibition Center, which was called “Kurasoushchyna - my love.” This is an excellent example of how one of the districts of Minsk, and not the most prestigious one, can become an object of aesthetic attraction. She also has a series of stunning collages, from which she makes a tongue-in-cheek art history project. She takes pictures of the model and substitutes for her faces from famous classical paintings.





Modern Belarusian painting is an extraordinary, interesting phenomenon and, of course, has its fans. The latter will definitely want to visit the “12+” exhibition, which opened in the building of the National Library.

The exhibition arrived in Minsk from the hot expanses of Abu Dhabi, where residents of the UAE were able to experience modern realities Belarusian culture. The exhibition got its name from the number of artists whose works can be seen by viewers. A total of thirty-five works are presented, made in various techniques and differing in genre orientation. Among them there are beautiful landscapes and paintings based on folk tales; expression and riot of color are replaced by decorativeness and expressiveness.

However, for art connoisseurs the exhibition can become a landmark: walking between the hanging paintings, you can clearly see all the innovations that have appeared in Belarusian painting in recent years, appreciate how traditions smoothly intertwine with newfangled trends and try to trace the development of this type of art.

  1. Contemporary Belarusian artists

People's Artist Republic of Belarus Alexander Mikhailovich Kishchenko was born in 1933 in Russia, studied in Ukraine, creative path he was inextricably linked with Belarus, lived in Minsk.

Zhilin Evgeniy Ilyich

Born on March 20, 1939 in Gomel (Belarusian SSR). Father - Ilya Zhilin. Mother - Alevtina Zhilina.

In 1961-1966 he studied at the Minsk Art School.

In 1966-1971 he studied at the Belarusian State Theater and Art Institute. Zhilin's teachers were people's artist Mikhail Savitsky, Anatoly Baranovsky, and people's artist Vitaly Tsvirko.

At the beginning of 1972, the artist took part in the Republican exhibition in Minsk for the first time, however real success and fame came only after his third exhibition, also held in Minsk in 1977. At this exhibition, his watercolor works “Dawn”, “Morning in the Village”, “Portrait of an Unknown Woman” were shown for the first time, at the same time the artist began his cycle of landscapes "Belarusian Polesie".

At the same time, his active work in book illustration continued. Of particular interest are his illustrations for children's books.

Since 1974, member of the Belarusian Union of Artists.

Since 1978, Zhilin's works have been presented at the Belarusian State Art Museum.

In 1996-1999, he worked for quite a long time and held exhibitions in Germany at personal exhibitions, including those dedicated to the Chernobyl tragedy.

In Minsk, personal exhibitions were held in the largest Belarusian museums and showrooms in 1983, 1989, 1994, 1999 and 2004.

In 1993, he participated in the creation of the creative association “Verasen” and was its chairman for a long time.

He took part in organizing charity exhibitions in favor of children victims of the Chernobyl disaster in a number of European countries.

Zhilin's early works can generally be classified as realism. These include such works done in watercolors as the cycle of landscapes “Belarusian Polesie”, a series of lithographs “Landscapes of Minsk”, other landscapes and still lifes.

Since 1989, the artist’s work has gradually turned to a style that is close to expressionism, and the content side can be described as “romantic fantasies.” This includes such things as “The Queen’s Dream” (oil on canvas 1994), “When men gave flowers” ​​(oil on canvas 1994), “Fortune Teller” (oil on canvas 1994).

Nevertheless, his work cannot be attributed to any specific style. If realistic vision is typical for still lifes and landscapes painted in watercolor, then in oil painting the artist uses a broader way of conveying his feelings and sensations. Oil painting is characterized by creative experiments carried out by the artist.

Shchemelev Leonid Dmitrievich

Born on February 5, 1923 in Vitebsk. In 1941-1947 during the Great Patriotic War he served in the ranks of the Soviet army. After the end of the war he entered Minsk art school, then to the Belarusian State Theater and Art Institute, after which he received a diploma in the specialty “artist-painter”. In 1959-1966. taught drawing, painting and composition at the Minsk Art School, then until May 1974 he worked as a teacher-artist at the Republican boarding school for music and fine arts. From July 1977 to August 1979 he was deputy chairman of the board of the Union of Artists of the BSSR, then until November 1984 he was secretary of the board of the Union of Artists of the BSSR. In 1997 he received the honorary title “Honored Artist of the BSSR”, in 1983 - “People’s Artist of the BSSR”. In 1976 he was awarded the Order of the Patriotic War, II degree, and in 1985, the Order of the Patriotic War, I degree. In 1993 and 2001 he was awarded the medal and the Order of Francis Skaryna.

Over 50 years of creative activity, the artist was interested and inspired by a variety of themes, subjects and images: past and present, history and modernity, native land and man on this earth, the heroism and unabated pain of the Great Patriotic War, the drama of the fratricidal civil war, the bright faces of the great Russians and Belarusians, captured in the images of A. Pushkin and S. Rachmaninov, V. Mulyavin and V. Korotkevich, I. Repin and M .Bogdanovich, Y. Kupala and Y. Kolas, G. Sviridov and E. Aladova, V. Tsvirko and M. Gusovsky.

The canvases of L.D. Shchemelev, starting with his famous painting “My Birth,” which was highly praised at the 1967 All-Union Exhibition in Moscow, are recognizable in any exhibition, since the artist’s works are not just a reflection of some facts or phenomena, but reasoning about what was seen and experienced, designed to reveal the inner essence of objects and phenomena. The works of L.D. Shmelev are in largest museums Belarus, Russia and other countries.

In 2003, a named City Hall was opened art gallery works by L.D. Shchemelev, to which the artist donated 60 paintings.

Vladimir Gusakovsky

He has been painting since 1983.

He studied at the restoration department of the Minsk Art School, but a special emphasis in the learning process was private lessons from famous teachers, followers of the school of V. Favorsky.

1992 - personal exhibition in Paris - France

1994 - personal exhibition in Germany, Bonn, Berlin

1995 - 1998 - personal exhibition in Belarus, Minsk

1999 - personal exhibition in the Russian Federation, Moscow, exhibition hall "On Kashirka".

His works are in private collections in many countries around the world.

Kostsova Irina Konstantinovna

1996-2002 student of the department of monumental and decorative painting of the Belarusian Art Academy. Student of V. Zinkevich, V. Olshevsky, A. Baranovsky.

2002 received a diploma.

Thesis – “Love Story”. Gesso, tempera. Size 200 x 300 cm.

Since 2004, member of the Youth Union of Artists.

2003-2005 worked in the Creative Workshops of M. A. Savitsky.

During her studies, she took part in student collective exhibitions.

Painting in the Gabrovo cafe

Painting in secondary school No. 11.

A cycle of icons for the Exarchate of Belarus.

The works are in the Museum of Contemporary Art in Minsk. “House of Culture and Technology” in Warsaw, in the embassies of India, Israel, China, Lithuania, as well as in private collections in Belarus, Russia, Germany, Poland, Lithuania, Norway, USA, Czech Republic, Israel, India, China, Canada.

Petr Lukyanenko

One of the contemporary artists of Belarus, working in the field easel painting. The artist’s work is distinguished by its diversity of themes and genres, as well as a variety of techniques and manner of execution.

In his journalistic paintings, the artist reflects important socio-economic and political aspects of a particular historical period. Journalistic works of the 80s illustrate the deep contrast between official ideology and real life. They talk about dramatic moments Soviet history and encourage you to remember these lessons forever.

In his later journalistic works, the artist comprehends the dramatic changes taking place in post-Soviet countries since the early 90s. The habitual way of life of millions of people, which existed for decades and seemed unshakable, collapsed in an instant. Ideals and values ​​were rethought. Something has changed, but something remains the same under new signs.

Conceptual paintings address more universal issues that have been relevant throughout various historical eras. In laconic symbols of philosophical works, the artist expresses his vision of the fundamental concepts of our world.

In other conceptual works he creates his own imaginary worlds. They encourage viewers to think about the relationship between men and women, beauty, art and many other components of human life.

Petr Lukyanenko also works in the genres of portrait, landscape and still life. The artist sensitively captures the beauty of the surrounding world and shows it to the viewer. At the same time, it is not necessary to create a copy of what you saw on canvas. The main thing is to convey the feelings that arose during perception.

The artist himself considers any classification of fine art to be a convention. In his work, he does not strive to meet the requirements of any style or direction of painting, but expresses his thoughts using the most suitable visual means.

In the old days, when the artist set up his easel somewhere in the corner to paint a picture market square, they looked at him as if he were a stranger with curiosity, fear and, perhaps, surprise. After all, an outsider could only contemplate the object, but not manipulate it. Except for those situations when the artist literally, that is, physically, stood in someone's way, he did not mix in any way with the life around him. People did not have the feeling that they were being spied on or watched, unless, of course, they happened to be on the bench in front of the artist at that moment; after all, it was obvious to everyone that the artist was not interested in current events, but in something completely different. Only the momentary is personal, and the artist directly observed what at the moment it wasn't because it was always there. Painting has never exposed anyone." (The article can be read on the "old" "Photoscope")

This idea must always be remembered, especially all “photo-based artists” need to realize this. A photograph that has been manipulated in one way or another no longer works as a photograph, as a mirror of the real...

Transcript

1 The most famous artists of Belarus

2 2016 has been declared the Year of Culture in Belarus, and this is a great opportunity to get to know artistic culture our country. This presentation is dedicated to artists born on Belarusian soil, whose fate and creativity are connected with Belarus. They received their professional education mainly in St. Petersburg and Moscow, which determined the development of their creativity in line with Russian art of the 19th century XX centuries. However, their artistic heritage this is a cultural heritage not only of Russia and Belarus, but of the whole world.

3 Ivan Khrutsky is the most famous and at the same time the most unknown Belarusian artist. Everyone knows his paintings. Of course, we hold a fragment of one of Khrutsky’s still lifes in our hands many times every day. After all, it is located on the thousandth bill. At the same time, rarely anyone can remember the name of the painter. “Beloved Stranger” is what art critics call the artist, although for them there are still many mysteries and blank spots in Khrutsky’s biography and work. From Khrutsky’s late self-portrait (1884), a man looks at us who least of all resembles the artist; rather, this picture evokes the image of a 19th century merchant. But through the good looks and “decency” of the appearance, another calm confidence, far from complacency, rigor, and life wisdom shines through.

4 You can be incredibly talented, persistent and even recognized, crowned with many awards and be forgotten during your lifetime. Moreover, forgotten for almost a century. This is exactly the story of Ivan Fomich Khrutsky, the most famous artist of Belarus who worked in the nineteenth century. ()

5 Even years ago, even experts discovered Ivan Khrutsky. The most curious thing is that the works of this artist never fell into oblivion, because it is no coincidence that Khrutsky is considered the founder of Russian still life. This genre was loved both in the nineteenth century and in the twentieth. It was in the twentieth century that I. Khrutsky’s still lifes were in almost every home. Of course, Soviet people could not afford to have original paintings, but reproductions with such luxurious flowers and delicious fruits decorated the apartments of many Soviet people.

6 INSTEAD OF SAN - ACADEMY OF ARTS There are still many mysteries in Khrutsky’s biography itself. But even what we know allows us to imagine a brave person, ready to overcome any obstacles for the sake of his goal. This is exactly what the 17-year-old son of a Uniate priest, a student of a religious lyceum, was like, who went alone to St. Petersburg to take up drawing.

7 INSTEAD OF SAN - ACADEMY OF ARTS Already three years later, I. Khrutsky begins to receive the first serious awards for still lifes - a genre that was in decline at that time. Small silver medal, small gold Khrutsky was moving towards his goal of receiving a large gold medal in order to qualify for a six-year internship in Italy at public expense.

8 In 1836, I. Khrutsky was awarded a large silver medal for the painting “Flowers and Fruits”. In 1838, for the paintings “Flowers and Fruits” and “Old Woman Knitting a Stocking” the artist was awarded a small gold medal, and in 1839, “for excellent work in portraiture, landscape painting, and especially in the painting of fruits and vegetables,” Ivan Khrutsky was awarded the title of academician.

9 What kind of world fame the artist could have achieved, one can only guess, because no Italy, despite receiving a big gold medal, never happened in his life.

10 FOR THE SAKE OF THE FAMILY, HE GAVE UP HIS DREAM In 1839, Khrutsky’s father dies. What remains is the mother and five younger brothers and sisters, who simply have nothing and nowhere to live. The artist, in addition to still lifes and landscapes, which are in great demand in St. Petersburg, paints 23 portraits of the “powers of this world” in two years. This made it possible in 1844 to buy the Zakharnich estate near Polotsk for his relatives and himself. We are no longer talking about any Italy. Since 1845, Ivan Fomich has lived permanently on his own estate.

11 From 1845 to 1855, the artist completed a large number of works commissioned by his patron, the Lithuanian Metropolitan Joseph Semashko. Khrutsky painted icons, portraits of clergy, many paintings based on works of religious themes by great masters of painting, as well as city views.

12 Ivan Khrutsky spent the last 20 years of his life in complete oblivion, with almost no exhibitions and no orders - after the advent of cheap daguerreotypes, fewer portraits were ordered. He painted his own children in interiors. Latest works that we know are two self-portraits that the artist painted for his son and daughter a year before his death. Ivan Fomich Khrutsky died in 1885 and was buried in the family crypt on the Zakharnich estate. Family portrait

13 I.F. Khrutsky may not have even learned that his still life was purchased by Pavel Mikhailovich Tretyako for his famous gallery - at that time a serious recognition of the artist’s talent. Today, Khrutsky’s works are available in various museums, and in 2009, an expanded exhibition of works by Ivan Khrutsky opened at the National Art Museum of the Republic of Belarus.

14 Who was one of the eight children born at the end of the nineteenth century in a small town near Vitebsk into the family of a poor Jewish herring peddler to become? Probably a world celebrity. This is what happened with Marc Chagall. We can say that Marc Chagall is one of the most phantasmagoric lyrical painters of the 20th century.

15 Childhood and youth The future artist was born on July 6, 1887 (June 24, old style) in the village of Liozno. Chagall studied at a Jewish primary school, and then went to a state school, where lessons were taught in Russian. At the age of 19, despite the categorical protests of his father, but with the support of his mother, Chagall entered the private “School of Painting and Drawing of the Artist Peng”. Peng was so impressed by the newcomer's daring work with color that he allowed him to attend his school free of charge. "Portrait of Marc Chagall" by his teacher Yudel Peng

16 Households, neighbors, traders and ordinary men became Chagall's models. Wooden houses, onion churches, a grocery store, Jewish customs and holidays - this simple and difficult, but such a “solid” life forever entered the heart of the young man. Images of his beloved native Vitebsk will constantly be repeated in the artist’s work.

17 St. Petersburg “Self-Portrait” In 1907, with 27 rubles in his pocket, Chagall went to the Russian capital, where he sometimes lived on the brink of poverty. But all these hardships had little meaning for the young artist, who found himself in the whirlpool of the artistic life of the capital at the junction of two revolutions. Learning and absorbing everything new, Chagall stays away from various associations and groups; he begins to form his own unique style, in which the fabulousness and metaphorical nature of the images are manifested.

18 Marriage In the summer of 1909 in Vitebsk, the artist met Bella Rosenfeld, the daughter of a Vitebsk jeweler, who would forever remain his lover, wife and muse. Marriage introduced the theme of love and motherhood into the artist’s work. "The Wedding" "Bella in White Collar"

19 “Bathing a child” “Pink lovers” “Blue lovers” “Lovers. Walk" "Above the City"

20 Paris In 1910, Chagall went to Paris, where he became acquainted with world culture and the work of avant-garde masters - G. Apollinaire, M. Jacob, A. Modigliani and others. Chagall's paintings of those years are imbued with a rebellious spirit, painted in eccentric and burlesque tones, and at the same time invariably convey a sense of the mystery of existence. “Me and the Village” “Birthday” “Cattle Seller”

21 France After October Revolution During his years, Chagall served as commissar of the provincial department of public education in Vitebsk, decorating the city for revolutionary holidays. Having moved to Moscow, Chagall painted a number of large wall panels for the Jewish Chamber Theater. In 1922, Marc Chagall left for Europe. Since 1923, he has lived constantly in France, discovering the beauty of the south of this country. Colorful bouquets and flowering trees, which most directly convey the artist’s admiration for the beauty of the world, now become an integral part of his painting.

22 New York On the eve of the Second World War and in the forties, Chagall’s work constantly sounds social motives, the theme of war and destruction, embodied in the tragic images of suffering people and animals, in the depiction of burning villages and symbolic scenes of the crucifixion. The management of the Museum of Modern Art in New York invites Chagall to the USA, and in the summer of 1941 the Chagall family comes to New York. After the liberation of Paris, Chagall strives to go to France, but on September 2, 1944, Bella dies of sepsis. Chagall is devastated by the grief that has overtaken him and only 9 months later he picks up brushes to paint two paintings in memory of his beloved. "Wedding Lights" "Next to Her."

23 In the 20th century, Chagall's field of activity expanded. He received numerous commissions for monumental painting, book illustrations, sculptures, ceramics, stained glass, tapestries and mosaics and gained worldwide fame. Illustrations for the Bible and stained glass

24 Until his last days, Chagall continued his creative activity. On March 28, 1985, at the age of 98, Marc Chagall died in an elevator, rising after a whole day of work in the workshop. He died “in flight,” as a gypsy woman once predicted for him and as he depicted himself flying in his paintings.

25 Few people know that the logo of the international festival is based on " Slavic Bazaar in Vitebsk" the famous Chagall cornflower was laid, which became a recognizable brand and symbol not only of the artist’s hometown, but of the entire country.

26 A man of art Mikhail Andreevich Savitsky is an artist whose name is inextricably linked with the main tragedies Belarusian land 20th century: World War II and the Chernobyl tragedy. In the Savitsky phenomenon it is impossible to separate the biography and work of the artist. He truly created the image of his time, the image of being of his era precisely because this being and this time cruelly and mercilessly built his destiny.

27 The life of the future famous artist began on February 18, 1922 in the village of Zvenyachi, Tolochinsky district, Vitebsk region. Mikhail dreamed of becoming an artist, although, of course, he had a vague idea of ​​what it was. There were no books on art in the village. Nobody saw the artists either. Acquaintance with painting in childhood was limited, in addition to icons, to two reproductions of “Maslenitsa” by Kustodiev and “The Morning of the Streltsy Execution” by Surikov. My father brought these reproductions from somewhere and took great care of them.

28 Savitsky’s youth coincided with the years of the Great Patriotic War. After graduating from high school in 1940, he was drafted into the Red Army. He found the beginning of World War II in Chechnya, but already in November 1941 he landed in Sevastopol as part of the landing force, where he took part in the defense of the city, which lasted 250 days. The city was surrendered, and after 5 days Savitsky was captured and, after a short stay in prison, was sent to Romania and then to Germany. Almost at the very beginning of the war, Savitsky found himself in the concentration camps of Dusseldorf, Buchenwald and Dachau. On April 29, 1945, he was liberated from the Dachau concentration camp by American troops.

29 “Prisoner 32815” In 1974, the artist began to paint paintings denouncing fascism. By the end of 1978, he had completed ten canvases and gave them the general title “Numbers on the Heart.” At the beginning of 1979, three more canvases appeared, completing the series. Only three decades later did the experience in artistic images. The paintings of the series “Numbers on the Heart” do not testify, do not speak, but scream about fascist hell

30 “Partisan Madonna of Minsk” After returning to his homeland, Savitsky entered art school, and then the Moscow Surikov Art Institute, which he graduated in 1957. After this, Mikhail Savitsky returned to Minsk, where he lived, practically without leaving anywhere, devoting himself entirely to painting. The theme of war becomes central in his work. His works tell about the horrors of war, about the inhuman trials that befell people during the Second World War.

31 In 1987, Mikhail Savitsky began creating the Black True story series. It took 5 years to work, 5 years of mental anguish, heartache, physical fatigue. Chernobyl, from the authors’ point of view, was inevitable. This is the result of arrogant and soulless human activity, which led to the tragedy of alienation from the earth, nature, the usual way of life, and from morality. Savitsky is the pioneer of this theme in art. He uses the method of reporting to stories from the Chernobyl realities and gives an allegorical meaning. This is how his visible prayers appeared

32 Christian themes occupy an important place in the artist’s work: in recent years the author has been working on the cycle “The Beatitudes” and historical paintings dedicated to the earthly life of Christ. Mikhail Savitsky began a new cycle of paintings “XX Century” after completing the cycle “The Beatitudes”. In it, the artist wanted to display his understanding of the problems of the 20th and 21st centuries.

33 Mikhail Andreevich died at the age of 89 on November 8, 2010. He was buried in the Eastern Cemetery of Minsk. The artist donated all his best paintings to our city, and they took pride of place in the Mikhail Savitsky gallery, which is located in the Museum of the History of Minsk on Freedom Square.

34 The highest goal that art can serve is to help people understand life more deeply and love it more - R. Kent - Presentation prepared by OVRM methodologist I.M. Gulyuk


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